Firefly - "Objects in Space"
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Legendary Encounters Rules – Firefly
® ™ A Deck Building Game “You got a job, we can do it. Don’t much and wound the players. If you take damage care what it is.” – Captain Malcolm Reynolds equal to or greater than your health, then you’re defeated. Don’t worry though – another Game Summary player can heal you back into the game. But if Welcome to Legendary ® Encounters: everyone gets defeated at the same time, then A Firefly™ Deck Building Game. In this fully you lose. cooperative game for 1-5 players, you’ll take Some enemies attack Serenity herself. If she on the role of Mal, Zoe or one of the other takes too many hits, then it’s all over. crew members. Your First Game You start with a deck of basic cards and For your first game, follow the setup rules on a special Talent card. At the start of your Page 3, using the specific card stacks listed turn, take a card from the Episode deck and there. This will allow you to play the Pilot place it face-down onto the board. It could Episode “Serenity” and “The Train Job.” be an outlaw thug, an alliance ship, or even (Note: The Pilot episode is split into two a reaver raiding party. You’ll play cards separate Episode Decks.) from your hand to generate Attack, Recruit After your first game, you can play through Points, and special abilities. You’ll use all 14 Episodes of the series or mix and match Attack to defeat enemies and to scan hidden Episodes to play them in a different order. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
The Unofficial Browncoat Drinking Guide
Mix Me a Drink, Gorramit! Another freebie from the author of the DMB Universe David Mark Brown DMB Files De Novo Syndrome, #1 Desert Gods, #2 Relic Hunters First Relic, #1 The Green Ones Season One: Episodes 1-5 (Fall/Winter, 2013) All Lost DMB Files allowing for suspected gaps Reefer Ranger (#9) Del Rio Con Amor (#14) Fistful of Reefer (#17) The Austin Job (#18) Hell’s Womb (#22) Get Doc Quick (#24) McCutchen’s Bones (#25) Twitch and Die! (#26) Paraplegic Zombie Slayer (#35) Fourth Horseman (#43) Browncoat Drinking Guide FOREWORD As every browncoat knows, the ‘verse is a vast place full of trouble—some dark and ugly, some warm and inviting. But that trouble is strong kin to the freedom that keeps us flying. To weather the good along with the bad, a few critical ingredients should always be rightly considered and well met: a sturdy boat, an honest crew, a reliable firearm and a stiff drink. This little ebook deals with the latter. Whether it’s another depressing Unification Day, an upscale shindig or a just an evening with the crew, continue reading for the best mixed drinks the ‘verse has to offer. For starters, check out a few recipes for mudder’s milk. From there on out I’ll highlight the cocktail and shooter I’ve found best suited to each of Serenity’s crew. 4 David Mark Brown No browncoat gathering or Firefly marathon is complete without a good stiff drink. So get out your firefly shaped tumbler (What? You don’t have one?), put on your brown coat and make sure to have plenty of ice, because it’s time to mix me a drink, gorramit. -
Firefly: Legacy Edition Book Two Kindle
FIREFLY: LEGACY EDITION BOOK TWO PDF, EPUB, EBOOK Zack Whedon | 336 pages | 21 Mar 2019 | Boom! Studios | 9781684153084 | English | Los Angeles, United States Firefly: Legacy Edition Book Two PDF Book Animal Farm and by George Orwell and A. Prices and offers may vary in store. About the Author Joss Whedon is an American producer, director, screenwriter, comic book writer, and composer. To see if pickup is available, select a store. Screnwriting runs in Zachary Whedon's family. Chesapeake Bay Ckbk. See all 19 - All listings for this product. Peter Grant is facing fatherhood, and an uncertain future, with equal amounts of panic and enthusiasm. Firefly 21 [26]. Shelve 8-Bit Christmas. Author : Alex G. Horrible's Sing-Along Blog. Views Read Edit View history. See details. The official follow-up to the critically acclaimed hit film Serenity, that sees the band of Firefly 23 [28]. Fragrance of the Lord. Unleashing the Wild Physique Graham , Winston. Shelve The Magnificent Nine Firefly 2. Firefly 2 by Greg Pak. Firefly: Legacy Edition Book Two Writer Angel h Firefly 15 [19]. From the heart of the Whedonverse comes the next chapter of Firefly! Firefly 22 [27]. This Barnes and Noble exclusive edition features both a variant cover by JOCK and a bonus page story from critically acclaimed screenwriter Josh Lee Gordon and artist Francesco Mortarino, revealing the secret origin of one of the most beloved Firefly One of Serenity 's greatest mysteries is finally revealed in The Shepherd's Tale , filling in the life of one of the show's most beloved characters—Shepherd Book! More books from this author: Zack Whedon. -
Richard Brooks Resume
Richard Brooks SAG-AFTRA TELEVISION Being Mary Jane Series Regular BET The Good Wife Guest Star CBS Elementary Guest Star CBS Person of Interest Guest Star CBS The Abolitionists Series Regular PBS Charlie’s Angels Guest Star ABC Children’s Hospital Guest Star Adult Swim Lie to Me Guest Star FOX Drive Recurring FOX Close to Home Guest Lead CBS Law & Order Recurring NBC Navy: NCIS Guest Lead CBS Skin Recurring FOX Firefly Recurring FOX G Vs. E Series Regular USA Law & Order Series Regular NBC Judging Amy Guest Star CBS NYPD Blue Guest Star ABC ER Guest Star NBC FILM The Rich & The Ruthless Dir. Victoria Rowell, Roger Melvin Being Mary Jane (the movie) Dir. Salim Akil Officer Down Dir. Brian A. Miller Mr. Sophistication Dir. Danny Green In My Pocket Dir. David Lisle Johnson Eleven Hundred Dir. Nick Narvell In Too Deep Dir. Michael Rymer Johnny B. Dir. Richard L. Brooks The Crow II: City of Angels Dir. Tim Pope The Substitute Dir. Robert Mandel Memphis Dir. Yves Simoneau Neon Empire Dir. Larry Peerce To Sleep with Anger Dir. Charles Burnett 84 Charlie Mopic Dir. Patrick Duncan Shakedown Dir. James Glickenhaus Shocker Dir. Wes Craven The Hidden Dir. Jack Sholder Off Limits Dir. Christopher Crowe TELEVISION MOWs and MINI SERIES Wolverine Lead FBC Movie The Wedding Lead ABC Movie Resting Place Supporting CBS Movie Badge of the Assassin Supporting CBS Movie With Intent to Kill Supporting CBS Movie (Theatre resume available upon request) AGENT: Brianna Ancel/Scot Reynolds / Phone: 818-509-0121 / Fax: 818-509-7729 10950 Ventura Blvd, Studio City, CA 91604 / [email protected] / [email protected] . -
Firefly Season 2” Is the Only Work of Fan Fiction I’Ve Ever Written, and I Wouldn’T Be Surprised If It’S the Only One I Ever Write
Firefly 201 + script bible 30th January 2016 revision Mike Le Page Author’s notes: The act of creating art is something I hold sacred, and I have no interest in shitting on someone else’s work, especially someone I respect as much as Joss Whedon. The following spec script for “Firefly season 2” is the only work of fan fiction I’ve ever written, and I wouldn’t be surprised if it’s the only one I ever write. I only wrote it because I had a waking dream that provided a neat way to tie up several loose ends from the series/movie as well as a way to bring Wash back that performs a critical plot function and isn’t just fan-service. This was written with longer-format episodes in mind. The crazy idea I had was that Firefly would be the ideal property with which to trial a kind of in-cinema, once-a-month mini-movie format which would promote the community of fans gathering at cinemas and allow studios to recoup the costs of shooting more expensive “TV” shows – much the same way that iMAX cinemas sold out for showings of Game of Thrones episodes. The idea was a second season of 8x 80-90 minute minimovies of Firefly, shot in a LOTR style shoot and released once a month over a single calendar year. This idea is in no way necessary for this script to work, but it perhaps goes some way to explain the length of this script. What you’ll notice is that I’ve erred on the side of changing things considerably from the first season/movie, separating the crew and mothballing Serenity for reasons to be explained: I don’t think it’s plausible that we could come back to the crew 10+ years later and have it be exactly the same. -
Sample File110 TRACEY SMITH
CREDITS Written By: Monica Valentinelli, Mark Diaz Truman, Brendan Conway, Dean Gilbert, and Jack Norris Additional Writing By: Margaret Weis, Rob Wieland, P.K. Sullivan, Philippe-Antoine Ménard, Cam Banks, and Dave Chalker Developed By: Monica Valentinelli and Mark Diaz Truman Systems Design By: Cam Banks, Dave Chalker, Philippe-Antoine Ménard, Rob Wieland, P.K. Sullivan, Dean Gilbert, and Mark Diaz Truman Rules Editing By: Mark Diaz Truman Design and Layout By: Daniel Solis and Thomas Deeny Title Page Art By: Crystal Ben Interior Art By: Marie Bergeron, Kurt Komoda, Ben Mund, James Nelson, Alejandro Monge, and Christopher West Edited By: Amanda Valentine, Alexander Perry, and Sally Christensen Series Research By: Chad Underkoffler Crew/Ship Sheet Enhancement By: Chris “Mr. Gone” Leland Playtested By: Sarah Babe, Amie Barnard, Bill Bodden,Sample Jeff Bridges, fileArcher Cafiso, Paul Cafiso, Dave Chalker, Brad Davies, John Drobina, Mike Fitch, E Foley, John Frazier, Jim Henley, Grace Jacobson, Marissa Kelly, Lauren Lyons, Matt M McElroy, Andie Miller, Matthew Nielsen, Brian Poe, Robert Ramus, Benjamin Rogers, Justin Rogers, Erik Stant, Paul Truman, Mark Diaz Truman, Dennis Twigg, Monica Valentinelli, Rob Wieland, and Ben Woerner STAFF Chief Executive: Margaret Weis Business Manager: Christi Cardenas MARGARET Brand Manager: Monica Valentinelli WEIS Systems Lead Designer: Mark Diaz Truman PRODUCTIONS, ltd. Art Director: Daniel Solis Assistant Art Director: Thomas Deeny MARGARETWEIS.COM MARGARET WEIS PRODUCTIONS, THE MW LOGO, CORTEX SYSTEM, -
Kaylee Frye, an Incomplete Role Model
Casey Canfield Disciplinary Deliverable 12/16/09 Kaylee Frye, an Incomplete Role Model It’s easy to turn on the TV and find shows about how fun and exciting it is to be a doctor, lawyer, or FBI agent – but what about being an engineer? Where’s the glamour and excitement in that? You could try some of the reality shows on the Discovery and Science channels and watch Doing DaVinci, Building it Bigger, or Heavy Metal Task Force. Or maybe you watch American Chopper or Restorer Guy on TLC. The problem is that all of these shows are for and about men and describe men’s relationship with creating and caring for technology. As a female engineer, I find my invisibility in the media problematic. But that is why I got so excited about Joss Whedon’s Firefly, which depicted a woman named Kaylee Frye as the ship’s engineer. In the real world, some women have difficulty balancing their desires to be feminine and their desire to be taken seriously as an engineer. Since engineers are coded as masculine, feminine-presenting women are automatically taken less seriously as engineers. While this tension was reflected in Kaylee’s character, there were missing elements in her back story that made her feel less real. Where and how did she learn so much about engines? What was her childhood like? Was becoming an engineer her life’s ambition? Granted, she’s a relatively minor character and the series ended incomplete, but the issues that were left unresolved reflect the issues that women in engineering engage with every day. -
The Expanded 'Verse
The Expanded 'Verse: Serialized Transmediality in Firefly/Serenity ............ by Frederick Blichert, BA (Hons.) A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University OTTAWA, Ontario Submitted August 2014 © 2014, Frederick Blichert ii We know now that a text is not a line of words releasing a single "theological" meaning (the "message" of the Author- God) but a multi-dimensional space in which a variety of writings, none of them original, blend and clash. Roland Barthes1 iii ABSTRACT Popular narratives often extend textual content across multiple media platforms, creating transmedia stories. Recent scholarship has stressed the permeability of "the text," suggesting that the framework of a text, made up of paratexts including trailers and DVD extras, must be included in textual analysis. Here, I propose that this notion may be productively coupled with a theory of seriality––we may frame this phenomenon in the filmic terms of a narrative being comprised of transmedia sequels and/or prequels, or in the televisual language of episodes in a series. Through a textual analysis of the multifaceted transmedia narrative Firefly (2002-2003), I argue for a theoretical framework that further destabilizes the traditional text by considering such paratextual works as comic books, web videos, and the feature film Serenity (Joss Whedon, 2005) as narrative continuations within a single metatext that eschews the centrality of any one text over the others in favour of seriality. iv ACKNOWLEDGEMENTS I wish to thank Erika Balsom, Malini Guha, André Loiselle, and Charles O'Brien for their notes on various versions, drafts, and proposals of this material, along with Sylvie Jasen and Murray Leeder, who encouraged me to workshop some of these ideas as guest lecturer in their undergraduate courses. -
The Use of the Works of Joss Whedon
Compendium2 4.1 (2011): 35-42 Using Joss Whedon in the Composition Classroom ERIN WAGGONER “How did your brain even learn human speech? I’m just so curious.” -Wash, “Objects in Space” Introduction In her conclusion to Faith and Choice in the Works of Joss Whedon, K. Dale Koontz asks the question, “will college come to Buffy?” (187). Several schools offer classes on Buffy the Vampire Slayer as well as Joss Whedon’s works as a whole—one of my own independent study classes included. When I first started teaching English composition, I wasn’t entirely sure how to incorporate Buffy, or any television shows for that matter, into the classroom. I knew, however, that I wanted to use the shows as supplemental in-course “readings.” After some trial and error, I came up with a method for utilizing television shows as texts. When I assigned students texts and essays to read, most seemed uninterested, and that showed in their writing assignments. However, when I used television or other media-related tools, the students’ writing demonstrated increased interest through better responses—because the rhetorical imagery appealed more to students than constant reading. This prompted me to find a way to utilize television as my main text for teaching. With my love of Buffy and all things Whedon, it was only natural that once I figured out how to use television, I would focus my lessons on episodes from Whedon’s shows. What surprised me was the overall positive response my teaching methods received, both from students and colleagues. Using Whedon’s work as a supplemental text in the composition classroom has proven a successful teaching tool. -
Finding Aid to the Historymakers ® Video Oral History with Ronald Glass
Finding Aid to The HistoryMakers ® Video Oral History with Ronald Glass Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Glass, Ron, 1945- Title: The HistoryMakers® Video Oral History Interview with Ronald Glass, Dates: April 27, 2005 Bulk Dates: 2005 Physical 6 Betacame SP videocasettes (2:54:46). Description: Abstract: Stage actor and television actor Ronald Glass (1945 - 2016 ) appeared in numerous television shows, including All in the Family, Maude, Hawaii Five-O, Good Times, Friends, Star Trek Voyager, and Firefly. Glass was interviewed by The HistoryMakers® on April 27, 2005, in Los Angeles, California. This collection is comprised of the original video footage of the interview. Identification: A2005_111 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Actor Ron Glass was born Ronald Earle Glass to Lefia Mae Gibson Glass and Crump Allen Glass on July 10, 1945, in Evansville, Indiana. A spelling bee champion at St. John’s Elementary School, Glass attended St. Francis High School where he excelled at athletics and singing. After graduating in 1964, Glass attended the University of Evansville where he received his B.A. degree in drama and literature. In 1968, Glass made his stage debut at the Guthrie Theatre in Minneapolis, Minnesota. Moving to Hollywood in 1972, Glass got his first television role in an episode of Sanford and Son. Other roles followed in All in the Family (1972); Maude (1972); Hawaii Five-O (1973); Good Times (1974); When Things Were Rotten (1975); and Streets of San Francisco (1976). -
Case Western Reserve University School of Law Raises $58 Million, Capped Off by a $10 Million Landmark Gift from Alumnus to Establish the Coleman P
FALL 2019 ISSUE 102 InTHE MAGAZINE OF CASE Brief WESTERN RESERVE UNIVERSITY SCHOOL OF LAW Case Western Reserve University School of Law raises $58 million, capped off by a $10 million landmark gift from alumnus to establish the Coleman P. Burke Center for Environmental Law HIGHLIGHTS WE RECENTLY CELEBRATED OUR 6 Case Western Reserve University School of Law raises $58 million, capped off by a $10 million landmark gift from alumnus to establish the Coleman P. Burke Center for In Brief x x 125TH ANNIVERSARY Environmental Law FALL 2019 ISSUE 102 10 Opioid Epidemic: Case Western Reserve law grads play central roles in unprecedented EDITOR IN CHIEF We have so much history, we could write a book! opioid litigation Dena Cipriano 12 Fusion program partners with University’s think[box] to give students a first-hand CONTRIBUTING WRITER innovation experience 40 Brian Glaviano 16 CWRU Law launches Yemen accountability project to document war crimes for future DESIGN/PRINTING SO WE DID. prosecution Academy Graphic Communication, Inc. 20 Ohio Attorney General awards funding to human trafficking clinic PHOTOGRAPHERS 22 Keeping Do-It-Yourself Gene Science Safe: iStock CWRU team will provide policy Brian Glaviano recommendations for balancing safety, Kamron Khan innovation Dan Milner 30 The Russia-United States Legal Education Karen Ollis Foundation is evolving the bench and bar in Annie O’Neill “Girls can’t be lawyers.” That’s what a male classmate told Alberta Colclaser when she was young. But Colclaser proved that wrong, graduating from the law school in 1936. She was one of three women in her law Russia, one student at a time.