Nosferatu (The Undead)
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COMMUNITY PARTNERS 13WHAM ABC & CW, WUHF Fox Rochester
COMMUNITY PARTNERS AS OF NOVEMBER 4, 2020 13WHAM ABC & CW, WUHF Fox Rochester Abbott's of Greece Abelard Reynolds School #42 Accountable Digital Accountable Health Partners ACT Rochester AFP Genesee Valley Chapter Al Sigl Community of Agencies Alfred University-Center for Student Involvement Allendale Columbia School Alliance Advisory Group, Inc. Allied Financial Partners Alpha Phi Alpha Fraternity Inc., Eta Rho Lambda Chapter American Foundation for Suicide Prevention - Western NY Chapter "American Heart Association American Stroke Association" American Red Cross Amy Kane Agency Anthony L. Jordan Health Center Architecture + Design at Alfred State College Asbury First United Methodist Church Assemblymember Harry Bronson's Office Association of Legal Administrators, WCNY Chapter AutismUp Bachelor Forum Balanced Care Community Services Bank of America Barakah Muslim Charity Barclay Damon LLP Bausch Health Benefit Resource LLC Best Buddies in Virginia & DC Best Buddies International Best Buddies WNY Big Brothers Big Sisters of Greater Rochester Bishop Kearney - A Golisano Education Partner Bivona Child Advocacy Center Black Button Distilling Bond, Schoeneck and King, PLLC Break The Ice Media Breast Cancer Coalition Bridgemark Solutions Brighton Central School District Brighton Chamber of Commerce Brighton Democratic Committee Brockport Central School District Brockport Student Government Brockport United Methodist Church Brockport Women's Club Soccer Butler/Till Calero-MDSL Cameron Community Ministries Campus Auxiliary Services Canandaigua National Bank and Trust Company Care-a-lot Child Care Career Start CASA of Rochester/Monroe County Catholic Charities Community Services Catholic Charities of Orange, Sullivan, and Ulster Catholic Family Center Causewave Community Partners Center for Community Engagement at St. John Fisher College Center for Perioperative Medicine Century Mold Co., Inc. -
George Eastman Museum Annual Report 2018
George Eastman Museum Annual Report 2018 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Objects Loaned For Exhibitions 10 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 30 Technology 32 George Eastman Legacy 34 Richard and Ronay Menschel Library 48 Purchases for the Collections 48 Photography 48 Moving Image 49 Technology 49 George Eastman Legacy 49 Richard and Ronay Menschel Library 49 Conservation & Preservation 50 Conservation 50 Photography 50 Technology 52 George Eastman Legacy 52 Richard and Ronay Menschel Library 52 Preservation 53 Moving Image 53 Financial 54 Treasurer’s Report 54 Fundraising 56 Members 56 Corporate Members 58 Annual Campaign 59 Designated Giving 59 Planned Giving 61 Trustees, Advisors & Staff 62 Board of Trustees 62 George Eastman Museum Staff 63 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2018. MAIN GALLERIES HISTORY OF PHOTOGRAPHY GALLERY Stories of Indian Cinema: A History of Photography Abandoned and Rescued Curated by Jamie M. Allen, associate curator, Department of Photography, and Todd Gustavson, exhibitions, Moving Image Department curator, Technology Collection NovemberCurated by 11,Jurij 2017–May Meden, curator 13, 2018 of film October 14, 2017–April 22, 2018 Nandita -
Years in Review
MEMORIAL ART GALLERY BIENNIAL REPORT 2006 • 0 8 Years in Review A B C F G H AA With With more more than than 50,000 50,000 visitors, visitors, Georgia Georgia BB In In January January 2007, 2007, the the Gallery Gallery unveiled unveiled CC A A major major reinstallation reinstallation of of the the Gallery’s Gallery’s O’Keeffe:O’Keeffe: Color Color and and Conservation Conservation was was the the third third-best best ana majorimportant acquisition—a new acquisition—a beautifully beauti- deco- AmericanAmerican collection collection opened opened in in 2007. 2006. Spanning Spanning attendedattended exhibition exhibition in in Gallery Gallery history. history. And And when when fullyrated decorated partial suit partial of etched suit of armor etched that armor was fourfour centuries centuries and and occupying occupying 7,000 7,000 square square feet feet thethe show show closed closed in in December December 2006, 2006, director director Grant thatmade was in made the 1560s in the for 1560s the Dukesfor the ofDukes onon the the Gallery’s Gallery’s first first floor, floor, Seeing Seeing America America brings brings HolcombGrant Holcomb was pleased was topleased announce to announce that one that of one ofBrunswick Brunswick in in northern northern Germany. Germany. An An togethertogether some some of of the the finest finest works works in in the the collec- collec- theof 40+the 40+works works in the in show—thethe show—the luminous luminous pastel pas- integralintegral part part of of docent-led docent-led tours tours and and tiontion as as it it constitutes constitutes what what chief chief curator curator Marjorie Marjorie showntel Over on Bluep. -
Memorial ART Gallery of the University of Rochester
MEMORIAL ART GALLERY BIEnniaL REPort 2004–2006 OF THE UNIVERSITY OF ROCHESTER INAUGURATION OF PubLication ItaLian BaroQUE OF amErican Organ PAGE 1 cataLog PAGE 2 DIRECTOR’S TWEntiEth PAGE 1 STATISTICS FOR THE YEARS PAGE 2 EXhibitions PAGE 3 Programs anD EVEnts PAGE 5 giFts OF art PAGE 7 Donors, MEmbErs anD FriENDS PAGE 8 FinanciaL summary PAGE 14 boarD anD staFF BACK COVER EXTREME MATERIALS This 2006 EXhibition organiZED by thE MEmoriaL Art GALLEry shoWcasED non-traDitionaL WorKS by 35 nationaL anD intErnationaL artists. IN thE untitLED WorK abovE (DEtaiL shoWN), Washington, DC artist Dan STEinhiLBER turnED munDanE, mass-ProDucED DucK saucE PacKEts into A BEautiFUL, surPrisingLY SEnsuous WorK OF art. A E C B D F The Years in Review A Extreme Materials, organized by the C Summer 2005 saw the arrival at MAG E In May 2006, Grant Holcomb (arms Memorial Art Gallery, was the surprise hit of of the only full-size antique Italian organ in folded) arrives for a surprise celebration of the 2005-06 season. Over the show’s two- North America. The Baroque instrument, his 20th year as Gallery director. Surrounding month run, more than 27,000 people came from the collection of the Eastman School him are (from left) MAG Board president to see art created from such unorthodox sub- of Music, was permanently installed in the Stan Konopko, UR president Joel Seligman, stances as garden hoses, pencil shavings, fish Herdle Fountain Court, where it is surrounded Board member Friederike Seligman, daughter skins, carrots, rubber tires, eggshells, smog— by Baroque masterworks. Shown above is Devon Holcomb and son Greg Holcomb. -
Research Resources at the Smithsonian American Art Museum Amelia A
From La Farge to Paik Research Resources at the Smithsonian American Art Museum Amelia A. Goerlitz A wealth of materials related to artistic interchange between the United States and Asia await scholarly attention at the Smithsonian Institution.1 The Smithsonian American Art Museum in particular owns a remarkable number of artworks that speak to the continuous exchange between East and West. Many of these demonstrate U.S. fascination with Asia and its cultures: prints and paintings of America’s Chinatowns; late-nineteenth- century examples of Orientalism and Japonisme; Asian decorative arts and artifacts donated by an American collector; works by Anglo artists who trav- eled to Asia and India to depict their landscapes and peoples or to study traditional printmaking techniques; and post-war paintings that engage with Asian spirituality and calligraphic traditions. The museum also owns hundreds of works by artists of Asian descent, some well known, but many whose careers are just now being rediscovered. This essay offers a selected overview of related objects in the collection. West Looks East American artists have long looked eastward—not only to Europe but also to Asia and India—for subject matter and aesthetic inspiration. They did not al- ways have to look far. In fact, the earliest of such works in the American Art Mu- seum’s collection consider with curiosity, and sometimes animosity, the presence of Asians in the United States. An example is Winslow Homer’s engraving enti- tled The Chinese in New York—Scene in a Baxter Street Club-House, which was produced for Harper’s Weekly in 1874. -
The 67Th Rochester-Finger Lakes Exhibition Artists Invited to Submit Through April 4, 2021
NEWS 500 University Ave., Rochester, NY 14607-1484 585.276.8900 • mag.rochester.edu The 67th Rochester-Finger Lakes Exhibition Artists Invited to Submit through April 4, 2021 ROCHESTER, NY — The Rochester-Finger Lakes Exhibition (RFLX), a long-running showcase for artists from western and central New York, returns to the Memorial Art Gallery for its 67th installment during the summer of 2021. On view from August 15 – October 17, 2021, this year’s exhibition is being juried by curator, artist, and educator Amanda Chestnut Every two years, Rochester’s. oldest and longest-running juried exhibition showcases the talents of emerging and established artists from a 27-county region. These artists are eligible for cash awards, among them the $1,500 Memorial Art Gallery Award, selected by the juror; the Alice Koret Award, presented by museum docents; and the Harris Popular Vote Award, selected by visitors during the first two weeks of the exhibition. In 2021, artists are eligible for nine cash prizes totaling more than $5,000. The first eight will be announced Saturday, August 14 at the members’ exhibition opening celebration, the Harris Popular Vote Award will be announced on September 1. Invitation to artists Artists are invited to submit works of art for consideration by juror Amanda Chestnut for inclusion in the exhibition. To be considered, artists must be 18 years of age or older and reside in one of these 27 counties: Allegany, Broome, Cattaraugus, Cayuga, Chautauqua, Chemung, Chenango, Cortland, Genesee, Erie, Livingston, Madison Monroe, Niagara, Oneida, Onondaga, Ontario, Orleans, Oswego, Schuyler, Seneca, Steuben, Tioga, Tompkins, Wayne, Wyoming or Yates. -
Celebrating Creativity a Memorial Art Gallery Project Provides a Showcase for ‘Hidden’ Creativity
RELATIONSHIP SCIENCE IT’S A BIRD! A CENTURY OF DENTISTRY Pioneering psychologist Geophysicist finds The Eastman Institute for Oral explores human bonds an ancient species Health marks its centennial UNIVERSITY OF ROCHESTER /JaNUary–FEbruary 2017 Celebrating Creativity A Memorial Art Gallery project provides a showcase for ‘hidden’ creativity. RochRev_Jan2017_Cover.indd 1 12/23/16 3:00 PM “Giving back to the community I work in means the world to me. I get an enormous sense of fulfillment every time I see my young patients and their families LEADING BY smiling. That feeling fuels me and inspires me to The Value of Giving want to do more. I’m proud of my membership in the FOR DEANNE “DEE” MOLINARI ’58, George Eastman Circle, which allows me to provide the oldest of four children in a family of support in a way that affects the greatest change.” EXAMPLE modest means, attending the University of —Sean McLaren’03D (Den), ’06D (Den), chair and program director Rochester was a dream come true. AND INSPIRING of Pediatric Dentistry, Eastman Institute for Oral Health A Founding Member of the Wilson Society, Member, George Eastman Circle SMILES Supports: Eastman Institute for Oral Health Dee is now helping to provide a similar experience for talented students who might not otherwise be able to afford it with the Molinari Family Scholarship Fund at the Eastman School of Music. The scholarship, which honors her family’s appreciation for music, was created through a provision in her will and a charitable gift annuity that pays her a rate of six percent for life. -
George Eastman at Home by Elizabeth Brayer
ROCHESTER HISTORY Edited by Ruth Rosenberg-Naparsteck City Historian Vol. LIi Winter, 1990 No.1 George Eastman by Elizabeth Brayer Above: George Eastman al/he age of three in 185 7. This miniature ambrolype in a case appears lo be the only surviving early childhood photograph of the person who set the world lo snapping pictures. Cover: George Eastman and an unidentified passenger in his handmade 4 1/2 horsepower Stanley Steamer l..ocomobile about 1900. An early president of the Automobile Club, Eastman "believed that automobiling is destined lo be a great benefit lo this country," and always had five or sir of the /ales/ models in his garage. The Stanley twins who made this "flying teapot, " as the press dubbed ii, also made photographic dry plates. They sold their dry plate business lo Eastman in 1904. ROCHESTER HISTORY, published quarterly by the Rochester Public Library. Address correspondence to City Historian, Rochester Public Library, 115 South Ave., Rochester, NY 14604. Subscriptions to the quarterly Rochester History are $6.00 per year by mail. $4.00 per year to people over 55 years of age and to non-profit institutions and libraries outside of Monroe County. $3.60 per year for orders of 50 or more copies. Foreign subscriptions $10.00. ~ROCHESTER PUBLIC LIBRARY 1989 US ISSN 0035-7413 2 Enstmnn's /rouse in Waterville, New York. On the 100th anniversary of Enslmnn 's birth tir e house was moved to tire grounds of George Eastman House of Plrotogrnplry (as ii wns then en lied.) Twenty-five yen rs later it wns moved to Genesee Country Museum . -
Rochester Family
T H E U L T I M A T E L I S T O F ALL AGES FAMILY @twins_in_time FUN P l a n y o u r t r i p a t : h t t p : / / b i t . l y / r o c f a m i l y p l a y Who said kids are the only ones allowed to have fun? In Rochester, NY there’s happiness to be had, no matter your age! Whether you’re a big kid at heart or an adult looking to let loose, here is your place to do so. Pack your bags and take to the roads for an unforgettable trip in a destination full of surprises. Let us help you plan – check out our can’t miss activities for all ages below and use this itinerary as your inspiration and your guide. | 1 D A Y O N E Start your visit by touring the Susan B. Anthony Museum & House, where the legendary civil rights leader lived for 40 of her most politically active years. Relive the historic moments of her life, be inspired by her amazing story and even stand in the front parlor where she was arrested for voting in 1872. Head over to the Strong Museum of Play, the interactive museum that is truly fun for everyone! Little ones will enjoy walking down Sesame Street and visiting with Elmo and friends in Elmo’s World, while the kids at heart can play for a high score on the arcade games in eGameRevolution and Pinball Playfields. -
Collaborations in Conserving Time-Based Art
Collaborations in Conserving Time-Based Art A Summary of Discussion Group Sessions of a Colloquium Co-organized by the Lunder Conservation Center Of the Smithsonian American Art Museum and National Portrait Gallery And the Hirshhorn Museum and Sculpture Garden May 2010 Office of Policy and Analysis Washington, DC 20013 Foreword In January 2010, the Office of Policy and Analysis (OP&A) was approached by members of the Time- Based Art Working Group to assist with conceptualizing and facilitating a series of group discussions attached to the planned symposium “Collaborations in Conserving Time-Based Art.” OP&A was also asked to provide a written report summarizing the main points raised in these sessions, which brought together curators, conservators, artists, archivists, and other experts from the Smithsonian and external organizations to ponder the emerging challenges of acquiring, documenting, displaying, and preserving art created in non-traditional media such as film, video, and computer software. For several years, and especially since the arrival of Secretary G. Wayne Clough in the summer of 2008, the Smithsonian has been ramping up efforts to address the evolving opportunities and challenges posed by the digital age. Many, although not all, of the issues raised in the “Collaborations in Conserving Time-Based Art” colloquium closely parallel those raised in wider pan- Institutional discussions of digitization and digital access: how to ensure adequate storage space for growing digital assets; how to recover information recorded on obsolete (digital and non-digital) platforms; how to systematize workflows and communications across technical and content areas that have traditionally operated at arm’s length; how to train new generations of specialists with combined content and technical skills; how to deal with new legal and ethical issues of accessibility, now that the Web has made it possible to share Smithsonian assets with the world at practically no marginal cost. -
Diana Thater Born 1962 in San Francisco
This document was updated November 25, 2020. For reference only and not for purposes of publication. For more information, please contact the gallery. Diana Thater Born 1962 in San Francisco. Lives and works in Los Angeles. EDUCATION 1990 M.F.A., Art Center College of Design, Pasadena, California 1984 B.A., Art History, New York University SOLO EXHIBITIONS 2020 Diana Thater: Yes there will be singing, David Zwirner Offsite/Online: Los Angeles [online presentation] 2018 Diana Thater, The Watershed, Institute of Contemporary Art, Boston 2017-2019 Diana Thater: A Runaway World, The Mistake Room, Los Angeles [itinerary: Borusan Contemporary, Istanbul; Guggenheim Bilbao, Bilbao, Spain] 2017 Diana Thater: The Starry Messenger, Moody Center for the Arts at Rice University, Houston, Texas 2016 Diana Thater, 1301PE, Los Angeles 2015 Beta Space: Diana Thater, San Jose Museum of Art, California Diana Thater: gorillagorillagorilla, Aspen Art Museum, Colorado Diana Thater: Life is a Timed-Based Medium, Hauser & Wirth, London Diana Thater: Science, Fiction, David Zwirner, New York Diana Thater: The Starry Messenger, Galerie Éric Hussenot, Paris Diana Thater: The Sympathetic Imagination, Los Angeles County Museum of Art [itinerary: Museum of Contemporary Art Chicago] [catalogue] 2014 Diana Thater: Delphine, Saint-Philibert, Dijon [organized by Fonds régional d’art contemporain Bourgogne, Dijon] 2012 Diana Thater: Chernobyl, David Zwirner, New York Diana Thater: Oo Fifi - Part I and Part II, 1310PE, Los Angeles 2011 Diana Thater: Chernobyl, Hauser & -
Patti Giordano (585) 276-8932 / [email protected] Meg Colombo (585) 353-7566 / [email protected] October 2015
NEWS Memorial Art Gallery of the University of Rochester · 500 University Avenue · Rochester, NY 14607-1484 · 585.276.8900 · mag.rochester.edu Contact: Patti Giordano (585) 276-8932 / [email protected] Meg Colombo (585) 353-7566 / [email protected] October 2015 MEMORIAL ART GALLERY FACT SHEET The Memorial Art Gallery (MAG) is a major cultural center with an outstanding collection of world art, a year-round schedule of exhibitions and educational programs, an art school and a reference library. The current director, appointed in July 2014, is Jonathan Binstock. Collections: The Memorial Art Gallery is considered one of the finest regional art museums in the country. Its permanent collection of 12,000 works spans 50 centuries of world art and includes important works by Monet, Cézanne, Matisse, Homer and Cassatt. Upstairs, see the only full-size Italian Baroque organ in North America, on permanent loan from the Eastman School of Music. Outside, stroll through Centennial Sculpture Park, with anchor installations by Tom Otterness, Jackie Ferrara, Wendell Castle and Albert Paley. Founding: The Memorial Art Gallery was founded in 1913 by Emily Sibley Watson as a memorial to her son, architect James Averell. Given in trust to the University of Rochester, MAG is one of the few university-affiliated art museums in the country that also serves as a public art museum. Support: MAG is supported primarily by its membership, with additional support from the muse- um’s endowment, earned income, the University of Rochester, and public funds from Monroe County and the New York State Council on the Arts.