Sasha Rozhdestvensky
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EF- SA- NE BiLKENT’ TE THE LEGEND AT BILKENT AVI OSTROWSKY ŞEF CONDUCTOR IVO POGORELICH PİYANO PIANO KONZERTMEISTER IRINA NIKOTINA 18 Şubat February 2017 Cumartesi Saturday, 20.00 Bilkent Konser Salonu | Concert Hall Değerli Dinleyicilerimiz, Gittikçe artan sayılarla yeni dinleyicilerimizin aramıza katılmasından mutluluk ve gurur duyuyoruz. İzleyicilerimizin beğenilerini içten alkışlarıyla sergilemeleri, bizler için paha biçilmez bir destek. Konserlerimizde ses ve görüntü kaydı yapılmaktadır. Seslendirilen eserlerin bazıları birkaç bölümden oluşmaktadır. Eserin tümü bittikten sonra alkışlamanız bizlere kolaylık sağlayacaktır. Aynı nedenle konser esnasında cep telefonlarınızı tamamen kapatmanızı ve flaşla fotoğraf çekmemenizi rica ederiz. Dear Listeners, We are happy and proud to perform to a growing audience. The applause we receive from the audience is an invaluable expression of appreciation. All our concerts are audio-visually recorded. Some of the works performed by the artists are composed of several parts. It would be highly convenient if the listeners hold their applause until the end of the work. For the same reason, we kindly ask our listeners to turn off their cell phones and not to take any photographs with flash during the concert. Program R. Schumann Piyano Konçertosu, La minör, Op.54 Concerto for Piano in A minor, Op.54 I. Allegro affetuoso II. Intermezzo: Andante gracioso III. Allegro vivace ara interval J. Brahms Senfoni No.4, Mi minör, Op.98 Symphony No.4 in E minor, Op.98 I. Allegro non troppo II. Andante molto III. Allegro giocoso IV. Allegro energico e passionato (Tema con Variacioni) Zorunlu durumlarda program değişikliği yapılabilir. Programs may be subject to changes due to reasons beyond our control. -
Orchestrating Creativity
Faculty of Arts Department of Philosophy Orchestrating Creativity The Musical Canon as a Regulative Concept Thesis submitted for the degree of Doctor of Philosophy at the University of Antwerp to be defended by Arne HERMAN Supervisors: Antwerp, 2020 Prof. Dr. Pascal Gielen Prof. Dr. Marlies De MuncK Acknowledgments Every researcher must acknowledge the fact that the merits of his intellectual labor are not entirely his. This dissertation is the result of a research trajectory in which every intermediate step has been carefully scrutinized, validated or criticized by others. First of all, I wish to express my profound gratitude to my supervisors prof. dr. Pascal Gielen and prof. dr. Marlies De Munck. Through their empirical and theoretical complementarity, they have provided the dialectical space within which my cognitive creativity could thrive, and I am not too proud to admit that they should be credited for some of my finest ideas. Many thanks to the representatives of cultural organizations whom I had the privilege to meet, in particular my conversation partners with Antwerp Symphony Orchestra, Casco Phil, deSingel, BOZAR, the Belgian National Orchestra, the Royal Concertgebouworkest, Splendor, London Symphony Orchestra and Aurora Orchestra. Not only have they supplied invaluable information for this research, they have also convinced me that we are not fighting for a lost cause. Also, a word of gratitude to my colleagues of the Culture Commons Quest Office (Walter, Louis, Thijs, Hanka, Giuliana, Lara and Maria Francesca), and to those teachers and mentors (in particular Pieter Bergé, Edmond Saveniers, Luc Joosten and Eddy Vanoosthuyse) who have, often without their knowledge, always been an inspiration to me. -
FRENCH SYMPHONIES from the Nineteenth Century to the Present Hector Berlioz (1803-1869)
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography of CDs and LPs Prepared by Michael Herman Hector Berlioz (1803-1869) Born in La Côte-Saint-André, Isère. As a child, he learned to play several instruments from his father, a doctor who was an amateur musician. He had private musical lessons from Jean François Le Sueur before entering the Paris Conservatory where Le Sueur and Anton Reicha were his composition and counterpoint teachers. He went on to become one of France's greatest composers whose music pushed composition in revolutionary directions. In addition to the symphonies, his large-scale masterpieces were the opera "Les Troyens" and the choral works "La Damnation de Faust," "L'Enfance du Christ" and the requiem "Grand Messe des Morts." With the exception of his various overtures, there are very few other orchestral works by Berlioz. Symphonie Fantastique, Op. 14 (1830, rev. 1831) Claudio Abbado/Chicago Symphony Orchestra (+ Roman Carnival Overture) DEUTSCHE GRAMMOPHON 474165-2 (2003) (original LP release: DEUTSCHE GRAMMOPHON 410 895-1 GH) (1984) Claudio Abbado/Berlin Philharmonic Orchestra (+ Mendelssohn: Midsummer Night's Dream - Incidental Music) BERLINER PHILHARMONIKR BPHR160081 (2 CDs) (2016) Ernest Ansermet/Orchestre de la Suisse-Romande ( + Corsair Overture) DECCA SXL 6343 (LP) (1968) Ernest Ansermet/Orchestre de la Suisse-Romande (rec. 1968) ( + Liszt: Battle of the Huns and Wagner: Faust Overture) CASCAVELLE VEL 3143 (2010) Ataulfo Argenta/Orchestre de la Société du Conservatoire Paris Orchestre -
Joana Carneiro
07 - 29 Julho 07 - 29 Direção Artística PAULO PATRICK RIBEIRO DICKIE Companhia Nacional Teatro Nacional de Bailado de São Carlos FESTIVAL AO LARGO 2017 Ao Largo é o pulsar maior da Companhia. A edição deste ano do Festival homenageia dois São dias de celebração de todas as primaveras. grandes gigantes da Música do século XIX: Ao Largo e em Largo respiramos todos os sons Richard Wagner e Giuseppe Verdi, curiosamente e todos os gestos. ambos nascidos em 1813. De forma coletiva festeja-se a dança no seu expoente máximo com obras inspiradas dançadas O Largo de São Carlos é um local íntimo e cenário por intérpretes incontornáveis. perfeito para, uma vez mais, a música abandonar Em frente à casa onde nasceu Fernando Pessoa a sala principal do Teatro e fazer-se ouvir em homenageia-se o corpo e toda a sua dimensão plena rua. Há musica para todos os gostos – o poética!!! programa deste ano combina jazz, musicais da Broadway com Maurice Ravel, Leonard Bernstein A CNB entrega-se à maior homenagem que pode ou Frank Zappa. As honras de abertura deste ser feita à cidade que a acolhe. festival caberão à Orquestra Sinfónica Portuguesa dirigida por Joana Carneiro, a sua Maestrina No espaço de maior movimentação poética da Titular, e o Coro do Teatro ocupa o seu habitual cidade de Lisboa, os intérpretes da Companhia lugar de uma das estrelas principais, cantando Nacional de Bailado dão corpo à subjetividade um programa totalmente preenchido por obras maior da palavra e dançam, dançam, dançam…!!! de cada período importante da carreira de Giuseppe Verdi.