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Economic Impact of the Recorded Music Industry in India September 2019
Economic impact of the recorded music industry in India September 2019 Economic impact of the recorded music industry in India Contents Foreword by IMI 04 Foreword by Deloitte India 05 Glossary 06 Executive summary 08 Indian recorded music industry: Size and growth 11 Indian music’s place in the world: Punching below its weight 13 An introduction to economic impact: The amplification effect 14 Indian recorded music industry: First order impact 17 “Formal” partner industries: Powered by music 18 TV broadcasting 18 FM radio 20 Live events 21 Films 22 Audio streaming OTT 24 Summary of impact at formal partner industries 25 Informal usage of music: The invisible hand 26 A peek into brass bands 27 Typical brass band structure 28 Revenue model 28 A glimpse into the lives of band members 30 Challenges faced by brass bands 31 Deep connection with music 31 Impact beyond the numbers: Counts, but cannot be counted 32 Challenges faced by the industry: Hurdles to growth 35 Way forward: Laying the foundation for growth 40 Conclusive remarks: Unlocking the amplification effect of music 45 Acknowledgements 48 03 Economic impact of the recorded music industry in India Foreword by IMI CIRCA 2019: the story of the recorded Nusrat Fateh Ali-Khan, Noor Jehan, Abida “I know you may not music industry would be that of David Parveen, Runa Laila, and, of course, the powering Goliath. The supercharged INR iconic Radio Ceylon. Shifts in technology neglect me, but it may 1,068 crore recorded music industry in and outdated legislation have meant be too late by the time India provides high-octane: that the recorded music industries in a. -
Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications -
Digital Dawn
Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications -
Customer Satisfaction at Summer Sound Festival 2015: Evaluating Festival Quality
Customer satisfaction at Summer Sound Festival 2015: Evaluating festival quality Linda Hannonen and Noora Väänänen Bachelor’s Thesis Degree Programme in Experience and Wellness Management November 2015 Abstract 23.11.2015 Author(s) Linda Hannonen and Noora Väänänen Degree programme Experience and Wellness Management Report/thesis title Number of pages Customer satisfaction at Summer Sound Festival 2015: Evaluating and appendix pages festival quality 47 + 22 The thesis was commissioned by an event production company Events 365 Oy. The com- pany focuses on electronic dance music events including the Summer Sound Festival. The Summer Sound festival is a three day EDM festival held at the Helsinki Exhibition and Con- vention Centre. The commissioner will receive the final report for future developments. The objective of this research based thesis is to evaluate the festival quality at Summer Sound Festival 2015 through a customer satisfaction research. The purpose is to under- stand the festivalgoers level of satisfaction based on the perceived quality of the festival quality factors. The literature review introduces theories about customer satisfaction, festivals, festival management and festival quality. The framework of the research is based on the theory of six festival quality factors (program, staff, ancillary services, facilities, convenience and comfort amenities) by Chen, Lee and Lin (2012). By the commissioner's request three fes- tival quality factors (marketing, availability of information and entertainment) were added to the research. Altogether there were nine festival quality factors. The research was conducted using a qualitative research approach. The research meth- ods were a focus group discussion and personal interviews. Ten respondents participated in both parts of the research. -
Society April 2013-Preview
&217(176 APRIL 2013 30 The Eternal Dreamer The man who regaled us with his acting and directorial skills has now put his heart to a new venture, Qyuki. Shekhar Kapur tells Society why he wants to foster creativity in the country. By Anupama Bijur 66 126 50 The Tamil Effect Catching the Tiger by his Tail A Bold Stance The people of Tamil Nadu are an Read a 1980 interview of Mansur Ali The censor board is not kind to filmmaker and illustrious community, having excelled Khan Pataudi, in which he candidly activist Sridhar Rangayan’s realistic movies in all walks of life. Society looks at the chats with Society about his childhood, on the tabooed subjects of transgenders and prominent Tamilians in the country. royalty, career and family. homosexuals. But, as Manali Shah finds out, he By CSS Latha By Ingrid Albuquerque has stuck to his guns. EDITORIAL &217(176 EDITOR Suchitra Iyer APRIL 2013 BUREAU CHIEFS Meeta Mishra (Delhi); Anupama Bijur (Bangalore); CSS Latha (Chennai); Nandini R Penna (Hyderabad); Kakoli Poddar, Sudeshna Chakravarty (Kolkata) SENIOR CORRESPONDENT Ujwal Salokhe 100 96 CORRESPONDENTS Srividya Menon, Manali Shah Being ‘Brand’ Yuvi Rupert’s Rival (Mumbai) ; Martin DeSouza, Prashant Rane (New York); While cricketer Yuvraj Singh’s victory against Rupert Murdoch’s arch nemesis Craig Ekatmata Sharma, Ngathingpei Khayi, Roma Arora (Delhi) cancer was lauded by all, him promoting a life Aaron tells Kenneth Rapoza about EDITORIAL CO-ORDINATOR Catherine Fernandes insurance ad brought up the question of how his passionate ¿ ght to reform the SENIOR ARTIST Uday Gaikar ethical ailment marketing is. -
The Scmc Chronicle ISSUE NO.2 2020 ART, CULTURE & LIFESTYLE SUPPLEMENT
THE SCMC CHRONICLE ISSUE NO.2 2020 ART, CULTURE & LIFESTYLE SUPPLEMENT From Japan, with Love India Reimagines the Wabori art in tattoos Reminiscing on Identity A Journey to the Roots A Whiff of the East Indians are embracing Food Tales Korean Culture The Migratory Tale of Indian delicacies The Music of Migration A new era of music is born out of fusion 2 THE SCMC CHRONICLE THE SCMC CHRONICLE Word Search About the theme WORD SEARCH By- Vidushi Singh I TMBW I SOUV E N I RD ndian culture is a product of change. Stories of the Iland, as old as time, speak not only of traditions and CNROIHDTETYHHOI rituals, but also of assimilation. The Indian shores welcomed OOFADREEORIGINS ingredients that we know today as our own: potatoes, MAR LDE TRNPUQSUP tomatoes, chilli. Across a history of battles, Indian culture carved a home for the Mughal way of things into its food, MSNEU I RH I TDOT X L THE SCMC CHRONICLE its language, its architecture. Even our colonizers left a trace U S L OS X T N P T I OOMA Managing Editor: Dr. Sreeram Gopalkrishnan on our cultural habits – but we seamlessly folded it into our Consulting Editor: Liji Ravindran N I DESEF I I LATR I C Executive Editor: Anushka Mukherjee life, as we have always done. The diversity of art, culture, Associate Editor: Sharwari Kale IMI LGTTAOSAGYGE food and architecture in India invites you to ask: how much Visuals Editor: Govind Choudhary TIAJAIATMNACERM Assistant Editor (Visuals): Tshewang Choden of it is a product of migration? Design: Raghvendra Singh Chouhan Every day, people leave their hometowns and migrate to a YLSOONTLL IKTEAE Assistant (Design) : Passang Lhamo QAPBSUGIGELL I TN Reporting: Students, SCMC different part of the country – for jobs, for an education, for a new life. -
THE PARK Magazine
THE PARK Magazine 10 LIVING / Issue 10 / Contrast LIVING is a barometer for global drifts, glimpsed through the unique lens of The Park Hotels. Travers- ing the landscape of contemporary lifestyle in the 21st century, it reflects on inventive thinking in design, hospitality, cuisine and artistic expression. How does the juxtaposition of opposites create a whole new engagement? In the final issue of our volume that looks at the world through the building blocks of design, we explore contrast and its power to augment experience. 02 In.congruity 14 Converse: Dialogues on Contrast + Sujata Assomull Sippy con + Abraham & Thakore + Monica Dogra + Nathaniel Gaskell 24 The Park Spotlight 28 The Park Explorer: Delhi 32 The Park People: Alex Davis 34 A Slice of The Park 38 The Park Scoop trast40 Art at The Park congruityin. Within the white walls of a factory turned gallery, thousands of stainless steel pots and pans stand in a perfectly haphazard pile. Under the big top of the Great Bombay Circus, its resident pehelwan (wrestler) makes his grand entry on a toddler’s tricycle. Her pink hair drenched, a teenager stops to pour water on a golden Buddha before pointing her plastic gun at the crowds gathered for Songkran on the streets of Bangkok. Things that don’t go together have this uncanny way of working together beautifully. What turns a bucket into a thing of art? There’s scale, and there’s craftsmanship. But the sheer contrast of context in Subodh Gupta’s installations, the mundane everyday planted bang in the centre of discourse, tells a tale that the same bucket could never convey in your bathroom. -
Normal Version 1.00
Guidance notes for Young Creative Entrepreneur Music Awards in Denmark 2011 Background The Young Creative Entrepreneur Music Award finds the brightest stars in the international music industry, recognising the importance of entrepreneurs in driving forward the music industry, developing their independent sector and promoting the best of what’s going on in their local scene. Since 2006, 40 young music entrepreneurs from more than 20 countries have taken part in the programme, building an active alumni network in the process, seeing the creation of new festivals, conferences, and bands travelling between the UK, Europe, India, Brazil, China and beyond. In 2011 national winners will be selected in countries around the world who will participate in a shared programme in the UK with valuable networking and idea exchange with their international and UK peers in the music industry. The UK tour will run alongside The Great Escape conference and festival in May 2011. In Denmark we are partnering with Promus, the Music Community of Aarhus, for the Young Creative Entrepreneur Music Awards in 2011. Music Sector Definition YCE Music participants can be drawn from any of the following areas of the music sector: Promoters and venue/festival programmers or management Record labels, A&R, production, recording, engineering, music licensing, and distribution Artists management and agents Music marketing; public and media relations Music retail (physical and digital) Social media, digital tools and communities relating to music All YCE Music participants -
India Music Market Study
INDIA MUSIC MARKET STUDY Written by Sound Diplomacy CONTENTS 1. Introduction 4 1.1 India at a Glance 4 General Info 4 Transport Network 5 1.2 India Geography 7 2. The Indian Recorded Music Market 9 2.1 History and Current State 9 2.2 Recorded Music Market 9 Chart Analysis 10 Piracy 11 2.3 Labels and Production Companies 11 2.4 Streaming in India 13 2.5 Record Labels, Retail and Distribution 15 Record Labels 15 Record Stores 18 Distribution 19 Booking Agencies 20 Management Companies 22 3. Live Performance Industry in India 23 3.1 Music Festivals 24 Festivals 25 3.2 Touring India 28 Venues 29 Costs of Touring 32 Tips About Touring 33 Visas 35 4. Music Publishing in India 35 4.1 Trends and Development 35 4.2 Sync and its Impact 35 4.3 Performing Rights Organisations (PRO) 36 4.4 Select Music Publishers 36 5. Music Promotion and Media 37 5.1 Radio 37 5.2 Television 38 5.3 PR (Print & Digital) 38 Select Newspapers 38 Select Music/Art Magazines 39 Select Publicists and Agencies 40 6. Business and Showcase Events 41 6.1 Select Showcases and Conferences 41 Trade shows / conferences 41 The convention was hosted and attended by some of the most influential entrepreneurs that belong to the nightlife industry. 42 7. Additional Tools and Resources 42 8. References 43 1. Introduction 1.1 India at a Glance General Info India is a federation made up of 29 states and 7 union territories. It is the second most populous country in the world, with a population of nearly 1.3 billion, and is also the seventh largest in terms of landmass. -
Los Angeles a Dissertation Submitted in Partial Satisfaction of the Requirements for the Degree Doctor of Philosophy in Ethnomu
UNIVERSITY OF CALIFORNIA Los Angeles FIND THE TRUE COUNTRY: DEVOTIONAL MUSIC AND THE SELF IN INDIA’S NATIONAL CULTURE A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by VIVEK VIRANI 2016 © Copyright by Vivek Virani 2016 ABSTRACT OF THE DISSERTATION Find the True Country: Devotional Music and the Self in India’s National Culture by Vivek Virani Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2016 Professor Daniel M. Neuman, Chair For centuries, the songs of devotional poet-saints have been an integral part of Indian religious life. Countless regional traditions of bhajans (devotional songs) have been able to maintain their existence by adapting to serve the contemporary social needs of their participants. This dissertation draws on fieldwork conducted over 2014-2015 with contemporary bhajan performers from many different genres and styles throughout India. It highlights a specific tradition in the Central Indian region of Malwa based on poetry by Kabir and other Sants (anti- establishment poet-saints) performed by lower-caste singers. This tradition was largely unheard- of half a century ago, but is now a major part of Malwa’s cultural life that has facilitated the creation of lower-caste spiritual networks and created a space for those networks to engage in discourse about social issues. Malwa’s bhajan singers have also become part of India’s popular ii religious and musical life as certain performers have attained celebrity status and been recognized at the national level as living bearers of the Sant tradition. This dissertation follows performers and songs from Malwa into new contexts and explores the processes by which performers and audiences in diverse styles and contexts use Sant bhajans to construct understandings of the self. -
Sambalpur Studies in Literatures and Cultures
Sambalpur Studies in LiteraturesISSN-2231 and Cultures-5616 Sambalpur Studies in Literatures and Cultures Series 5, 2019 Department of English Sambalpur University Odisha INDIA 183 Advisory Board Prof K. Narayana Chandran (University of Hyderabad) Prof Krishna Sen (University of Calcutta) Prof Nadini Bhattacharya (University of Burdwan) Prof Bijay K Danta (Tejpur University) Editorial Board K Misra, Professor R. Tripathy, Professor A. Patel, Associate Professor Ajit Kullu, Assistant Professor Editor Ashok K Mohapatra, Professor, Department of English, Sambalpur University, Jyoti Vihar, Burla-768019, Sambalpur, Odisha, INDIA [email protected] Copy-right Holder & Publisher © Department of English, Sambalpur University, Jyoti Vihar, Burla-768019, Sambalpur, Odisha, INDIA SSLC is a peer-reviewed journal and listed in the UGC approved list of journals. It is published annually by the Department of English, Sambalpur University. This journal invites full-length scholarly essays on the topics relating to culture, society, art and literature as well as Translation Studies. It insists on analytical rigour and insightfulness of the essays. It also invites book reviews and interviews. Essays must be sent in soft copy format subject to the following conditions: 1. Essays typed in double-space, from 3000 to 6000 words in text-file format, should be sent by e-mail. 2. Reviews must be between 1500 and 2000 words. 3. Essays and reviews must be original and must not have been either accepted for publication or published anywhere else in any form. 4. Essays should conform to the 9th edition of MLA style manual. 5. Essays should be accompanied by the academic details and mailing address by the contributors separately to facilitate confidential peer-reading. -
Pre-Conduction Report
Antaragni’17 26th – 29th Oct. ‘17 Pre-Conduction Report Antaragni is well known for the cultural vibrance it spreads across the nation. Antaragni’17 is scheduled from 26th to 29th October and the theme of this year is “Suits of Euphoria”. With this theme, Antaragni’17 tries to incorporate the differents suits of Feeling involved in it’s 52 competitions in its 52nd edition across 4 days representing the 4 pro-nights of Antaragni ‘17. Roadtrip Roadtrip, the nationwide cultural expedition by Antaragni was/will be organized in the following cities: City Dates Delhi 07/10 Lucknow 09/10 Agra 05/11 Chandigarh 21/08 Kathmandu 09/07 Bhopal 03/09 Hyderabad 13/08 Jaipur 28/08 Pune 26/08 Bengaluru 11/06 Mumbai 02/07 Shillong 23/07 Prelims of various competitions including DJwars, Synchronicity, Jitterbug (group dance), Antaragni Idol (solo singing), fine arts, quiz competitions, etc were conducted under roadtrip. Apart from this, Prodigy, the cultural talent hunt for school students, which started 2 years back was continued and successfully conducted in Lucknow, Kanpur; Agra chapter will be conduted on 5th november. Prodigy saw a similar level participation as last year. The roadtrips were well covered by local media. Pro-nites Pronites are the eagerly anticipated part of any festival. They not only ensure enjoyment for the crowd but also mark the status of the festival among sponsors, media, artists and other college festivals. Antaragni’17 will set a landmark in the lanscape of college festival , providing the greatest experience for all those who have their eyes on artists and great shows.