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Trustees Vote to Raise Tuition Beginning 1997-98 School Year
Volume 79 No. 83 £ Youngstown, OH Tuesday, May 6,1997 zzzzzzzzzzzzzz Trustees vote to raise tuition The new deep beginning 1997-98 school year relaxation • 3.9 increase will help cover higher faculty and staff wages - _ study technique Peggy Moore the tuition hike will go back to $4,001. Even with the increase, News Editor students in the form of a schol• YSU's cost remains less than from the arship fund to assist students that average. Far East. The YSU Board of Trustees with financial needs. Tuition for full-time out-of- approved a 3.9 percent in• Full-time tuition for Ohio stu• state students within a 100- crease in student tuition for the dents will jump $132 a year, mile radius of campus will in• 1997-98 school year. The in• from $3,366 to $3,498. This rep• crease $198, from $4,986 to TASHA CURTIS THEJAMBAR crease will go. toward offset• resents a nearly 60 percent in• $5,184. Other out-of-state stu• ill! Mike Welch, ting a $2.5 million increase in crease since 1990-91, when the dents will pay $279 more, with 19, next year's budget. annual cost was $2,190. tuition gowing from $7,002 to freshman, $7,281. The increase is just shy of Cochran said "Even with the realizing his the 4 percent tuition cap im• increase, YSU still remains the The tuition increase will go posed by the state and Gov. best educational value in the toward higher faculty and staff mid-term George Voinovich at all Ohio state." wages, which make up 52 per- started 15 state universities. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
LOGAN MARSHALL-GREEN Jewel
Festival de Cannes 2013 Un Certain Regard METROPOLITAN FILMEXPORT présente une production Millennium Films en association avec Rabbit Bandini Productions et Lee Caplin/Picture Corporation un film de James Franco AS I LAY DYING James Franco Tim Blake Nelson Danny McBride Logan Marshall-Green Ahna O’Reilly Jim Parrack Beth Grant Brady Permenter Scénario : James Franco, Matt Rager D’après le livre Tandis que j’agonise de William Faulkner Durée : 1h50 Notre nouveau portail est à votre disposition. Inscrivez-vous à l’espace pro pour récupérer le matériel promotionnel du film sur : www.metrofilms.com Distribution : Relations presse : METROPOLITAN FILMEXPORT MOONFLEET 29, rue Galilée - 75116 Paris Jérôme Jouneaux, Cédric Landemaine & Tél. 01 56 59 23 25 Mounia Wissinger Fax 01 53 57 84 02 10, rue d’Aumale - 75009 Paris Tél. 01 53 20 01 20 info@metropolitan -films.com cedric [email protected] Programmation : Partenariats et promotion : Tél. 01 56 59 23 25 AGENCE MERCREDI Tél. 01 56 59 66 66 1 L’HISTOIRE Après le décès d’Addie Bundren, son mari et ses cinq enfants entament un long périple à travers le Mississippi pour accompagner la dépouille jusqu’à sa dernière demeure. Anse, le père, et leurs enfants Cash, Darl, Jewel, Dewey Dell et le plus jeune, Vardaman, quittent leur ferme sur une charrette où ils ont placé le cercueil. Chacun d’eux, profondément affecté, vit la mort d’Addie à sa façon. Leur voyage jusqu’à Jefferson, la ville natale de la défunte, sera rempli d’épreuves, imposées par la nature ou le destin. Mais pour ce qu’il reste de cette famille, rien ne sera plus dangereux que les tourments et les blessures secrètes que chacun porte au plus profond de lui… 2 NOTES DE PRODUCTION « Il faut deux personnes pour faire un homme, mais il n’en faut qu’une pour mourir. -
Brooklyn Boy
41st Season • 392nd Production SEGERSTROM STAGE / SEPTEMBER 3 - OCTOBER 10, 2004 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR IN ASSOCIATION WITH Manhattan Theatre Club presents the world premiere of BROOKLYN BOY BY Donald Margulies SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC AND SOUND DESIGN Ralph Funicello Jess Goldstein Chris Parry Michael Roth DRAMATURG PRODUCTION MANAGER STAGE MANAGER Jerry Patch Tom Aberger *Scott Harrison DIRECTED BY Daniel Sullivan HONORARY PRODUCERS CORPORATE PRODUCER Elaine and Martin Weinberg The Citigroup Private Bank Brooklyn Boy was commissioned and developed by South Coast Repertory Brooklyn Boy • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Eric Weiss .................................................................................... Adam Arkin* Manny Weiss ................................................................................ Allan Miller* Ira Zimmer ...................................................................................... Arye Gross* Nina .............................................................................................. Dana Reeve* Alison .......................................................................................... Ari Graynor* Melanie Fine ................................................................................ Mimi Lieber* Tyler Shaw .................................................................................... Kevin Isola* SETTING All scenes are set in the present in Brooklyn, -
Introduction to Color Grading 23 Introduction to Color Grading
Introduction to Color Grading 23 Introduction to Color Grading For over thirty years, DaVinci has pioneered the development of color correction hardware and software designed to enhance visual images acquired from film and video. DaVinci Resolve possesses our newest and most evolved professional color correction tools yet. However, for all its technological sophistication, Resolve is merely a tool that requires the hands of a skilled artist to realize its full potential. Subsequent chapters of this user manual cover the DaVinci Resolve grading tools in the Color page in great detail, but before getting into the specifics of color balancing and contrast adjustment, Power Windows and Custom Curves, it’s important to step back and consider what these tools are for, and why you’re learning to use this application in the first place. This introduction is for those of you who are new to this process we call color correction, or color grading. If you’re a veteran colorist then you might want to skip ahead, but if you’re just starting out, the following sections are intended to describe the many goals of color correction, and how the DaVinci Resolve toolset has been designed to address them; making it fast and efficient to alter images in innumerable ways as we elevate raw footage to cinematic art. The Goals of Color Correction 550 Maximizing the Look of Your Media 550 Emphasizing What’s Important 553 Audience Expectations 554 Balancing Scenes 555 Adding Style 557 Quality Control 560 Never Stop Experimenting 561 Chapter 23 – Contents 549 The Goals of Color Correction If reality is a fire hose of visual information, then digital cinema and broadcast would be represented by a garden hose. -
The Speed of the VCR
Edinburgh Research Explorer The speed of the VCR Citation for published version: Davis, G 2018, 'The speed of the VCR: Ti West's slow horror', Screen, vol. 59, no. 1, pp. 41-58. https://doi.org/10.1093/screen/hjy003 Digital Object Identifier (DOI): 10.1093/screen/hjy003 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Screen Publisher Rights Statement: This is a pre-copyedited, author-produced PDF of an article accepted for publication in Screen following peer review. The version of record Glyn Davis; The speed of the VCR: Ti West’s slow horror, Screen, Volume 59, Issue 1, 1 March 2018, Pages 41–58 is available online at: https://doi.org/10.1093/screen/hjy003. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 The speed of the VCR: Ti West’s slow horror GLYN DAVIS In Ti West’s horror film The House of the Devil (2009), Samantha (Jocelin Donahue), a college student short of cash, takes on a babysitting job. -
Lee Percy Editor
LEE PERCY EDITOR FEATURES CHARMING THE HEARTS OF MEN High Hopes Productions Prod: Brian David Cange, Richard T. Lewis Dir: S.E. DeRose (Editor) THE HALF OF IT (Editor) Netflix Prod: Blair Breard, Anthony Bregman Dir: Alice Wu SKIN (Editor) A24 Prod: Oren Moverman, Dillon D. Jordan Dir: Guy Nattiv Jamie Ray Newman THE KINDERGARTEN TEACHER Netflix Prod: Maggie Gyllenhaal, Ged Dickersin Dir: Sara Colangelo (Editor) MAPPLETHORPE (Editor) Samuel Goldwyn Films Prod: Richard Bosner, Eliza Dushku Dir: Ondi Timoner THE MOUNTAIN BETWEEN US (Editor) 20th Century Fox Prod: Peter Chernin, Dylan Clark Dir: Hany Abu-Assad SNOWDEN (Editor) Open Road Films Prod: Moritz Borman, Eric Kopeloff Dir: Oliver Stone ANGELICA (Editor) Pierpoline Films Prod: Mitchell Lichtenstein, Joyce Pierpoline Dir: Mitchell Lichtenstein TOUCHED WITH FIRE (Editor) Roadside Attractions Prod: Jeremy Alter, Kristina Nikolova, Dir: Paul Dalio Jason Sokoloff CARRIE (2013) (Editor) MGM / Screen Gems Prod: Kevin Misher Dir: Kimberly Peirce DISCONNECT (Editor) LD Entertainment Prod: William Horberg, Mickey Liddell Dir: Henry Alex Rubin Jennifer Monroe WHAT MAISIE KNEW Millennium Entertainment Prod: Daniel Crown, Daniela Taplin, Lundberg, Dir: Scott McGehee, David Siegel (Additional Editor) William Teitler, Charles Weinstock THIN ICE (Editor) ATO Pictures Prod: Mary Frances Budig, Elizabeth Redleaf, Dir: Jill Sprecher Christine K. Walker AS GOOD AS DEAD (Editor) First Look International Prod: Jordan Gertner, Ali Abouomar Dir: Jonathan Mossek SALT (Additional Editor) Sony Prod: Lorenzo -
Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year -
BAM Announces the Complete Cast of Beckett's Endgame, Featuring John Turturro and Directed by Andrei Belgrader Running April
BAM announces the complete cast of Beckett’s Endgame, featuring John Turturro and directed by Andrei Belgrader running April 25–May 18 Max Casella, Elaine Stritch, and Alvin Epstein to join cast BAM 2008 Spring Season is sponsored by Bloomberg Endgame Written by Samuel Beckett Directed by Andrei Belgrader Produced by BAM BAM Harvey Theater (651 Fulton St.) April 25 & 26 at 7:30 Apr 29—May 3, May 6—10, May 13—17 at 7:30pm (note: Apr 30 is the press opening) May 3, 10 & 17 at 2pm April 27, May 4, 11 & 18 at 3pm Tickets: $25, 45, 65, 75 BAM.org or 718.636.4100 Brooklyn, NY/March 11, 2008—BAM announces the complete cast of its upcoming production of Samuel Beckett’s Endgame. Joining John Turturro (Hamm) will be acclaimed TV, stage, and screen actor Max Casella (“The Sopranos,” The Lion King) as Clov. Veteran classical actor Alvin Epstein (Waiting for Godot, The Three Penny Opera, Tuesdays with Morrie) will play Nagg and the legendary Broadway actress Elaine Stritch will play Nell. The one-act play, originally published in 1957, is considered to be one of Beckett’s most important works. Endgame will be directed by Andrei Belgrader (American Repertory Theatre’s Ubu Rock, Yale Repertory Theatre’s Scapin). Twenty-four performances of Endgame will take place in the BAM Harvey Theater (651 Fulton St.) from April 25 through May 18 (press opening: April 30). Tickets, priced at $25, 45, 65, 75, can be purchased by calling BAM Ticket Services at 718.636.4100 or by visiting BAM.org. -
Yorgos Mavropsaridis, Ace Editor
YORGOS MAVROPSARIDIS, ACE EDITOR FILM & TELEVISION THE SILENCE OF MERCY Director: Floria Sigismondi Production Company: Luma Pictures EIGHT FOR SILVER Director: Sean Ellis Production Company: LD Entertainment Official Selection, Sundance Film Festival (2021) THE FAVOURITE Director: Yorgos Lanthimos Production Company: Fox Searchlight Pictures Nominated, Best Editing, Best Picture, Best Director, Academy Awards (2019) Nominated, Best Editing, BAFTA Awards (2019) Nominated, Best Motion Picture, Musical or Comedy and Best Screenplay, Golden Globes (2019) Nominated, Best Edited Feature Film Comedy, Eddie Awards (2019) Winner, Grand Jury and Volpi Cup for Best Actress Venice Film Festival (2018) Official Selection, Toronto Film Festival (2018) Official Selection, London Film Festival (2018) MONOS Director: Alejandro Landes Production Company: No Franja, Mutante Cine, Lemming Films & Le Pacte Nominated, Best International Independent Film, BIFA Awards (2019) Official Selection, Sundance Film Festival (2019) Official Selection, Berlin Film Festival (2019) Official Selection, London Film Festival (2019) THE KILLING OF A SACRED DEER Director: Yorgos Lanthimos Production Company: Element Pictures Winner, Best Screenplay, Cannes Film Festival (2017) Official Selection, Toronto Film Festival (2017) Official Selection, London Film Festival (2017) LUX ARTISTS | 1 PARK Director: Sofia Exarchou Production Company: Faliro House Productions Official Selection, Toronto Film Festival (2016) Official Selection, London Film Festival (2016) MELLOW MUD Director: -
'Bad' Sound: What Puts the 'Mumble' Into Mumblecore?
Theorising ‘bad’ sound: what puts the ‘mumble’ into mumblecore? This is a pre-copyedited version of an article accepted for publication in The Velvet Light Trap following peer review. The definitive publisher-authenticated version is available through the University of Texas Press. Few film genres, styles or movements are named with respect to their sound quality; ‘mumblecore’ – a cycle of independent, very low-budget American movies that emerged in the middle of the last decade – is a rare exception. The label is somewhat pejorative – the ‘origin myth’ is that it was jokingly coined by a sound mixer, but has since stuck.1 Aymar Jean Christian observes that mumblecore directors are uncomfortable with the term and tend not to self-identify as mumblecore, making the term analogous to the subcultural term ‘hipster.’2 However, despite being named with reference to its sound, there has been little analysis of its soundtracks, either academically or in the popular press, beyond dismissing the sound as ‘bad,’ with no further comment. This particular notion of ‘bad’ sound bears closer examination; however, close attention to mumblecore’s audiovisual style needs to be contextualised within the broader category of American independent cinema, of which it is a part. Hence, the label is attached to more than just a style – as has been widely argued, American independent or ‘indie’ cinema is partly an economic category, partly a style and partly a discourse.3 As an economic category, given their very low budgets and self-financed status, mumblecore films can be categorised as ‘house indie,’ as delineated by a critic cited by Michael Z. -
Press Release Wednesday 18 January 2017 Royal Court
PRESS RELEASE WEDNESDAY 18 JANUARY 2017 ROYAL COURT THEATRE CASTING ANNOUNCEMENT: THE KID STAYS IN THE PICTURE Thomas Arnold, Heather Burns, Christian Camargo, Max Casella, Clint Dyer, Danny Huston, Ajay Naidu and Madeleine Potter cast in The Kid Stays in the Picture based on the life story of legendary Hollywood producer Robert Evans directed by Simon McBurney. Patrick Milling Smith, Barbara Broccoli, Michael G Wilson, Brian Carmody and the Royal Court Theatre in association with Complicite announce that Thomas Arnold, Heather Burns, Christian Camargo, Max Casella, Clint Dyer, Danny Huston, Ajay Naidu and Madeleine Potter have been cast in new play The Kid Stays in the Picture which is based on the life of Robert Evans adapted from his memoir. It runs in the Royal Court Jerwood Theatre Downstairs from Saturday 11 March 2017 – Saturday 8 April 2017 with press invited from Monday 20 March and the embargo lifted from Thursday 23rd 11.59pm. Directed by Simon McBurney and adapted by Simon McBurney and James Yeatman. Co- Director James Yeatman with set design by Anna Fleischle, costume design by Christina Cunningham, video design by Simon Wainwright, lighting design by Paul Anderson and sound design by Pete Malkin. "There are three sides to every story: my side, your side, and the truth. And no one is lying. Memories shared serve each one differently." In the 1960s and 70s, Robert Evans became one of the most powerful figures in Hollywood. He saved Paramount Pictures from collapse and produced films including The Godfather and Chinatown. By the 1980s he was broke, with his personal and professional life spiralling at epic proportions.