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Film Film Film Film
Annette Michelson’s contribution to art and film criticism over the last three decades has been un- paralleled. This volume honors Michelson’s unique C AMERA OBSCURA, CAMERA LUCIDA ALLEN AND TURVEY [EDS.] LUCIDA CAMERA OBSCURA, AMERA legacy with original essays by some of the many film FILM FILM scholars influenced by her work. Some continue her efforts to develop historical and theoretical frame- CULTURE CULTURE works for understanding modernist art, while others IN TRANSITION IN TRANSITION practice her form of interdisciplinary scholarship in relation to avant-garde and modernist film. The intro- duction investigates and evaluates Michelson’s work itself. All in some way pay homage to her extraordi- nary contribution and demonstrate its continued cen- trality to the field of art and film criticism. Richard Allen is Associ- ate Professor of Cinema Studies at New York Uni- versity. Malcolm Turvey teaches Film History at Sarah Lawrence College. They recently collaborated in editing Wittgenstein, Theory and the Arts (Lon- don: Routledge, 2001). CAMERA OBSCURA CAMERA LUCIDA ISBN 90-5356-494-2 Essays in Honor of Annette Michelson EDITED BY RICHARD ALLEN 9 789053 564943 MALCOLM TURVEY Amsterdam University Press Amsterdam University Press WWW.AUP.NL Camera Obscura, Camera Lucida Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson Edited by Richard Allen and Malcolm Turvey Amsterdam University Press Front cover illustration: 2001: A Space Odyssey. Courtesy of Photofest Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn 90 5356 494 2 (paperback) nur 652 © Amsterdam University Press, Amsterdam, 2003 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, me- chanical, photocopying, recording or otherwise) without the written permis- sion of both the copyright owner and the author of the book. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
Worldwide Selections of Choice and Rare Coins, Medals, Paper Money
AMERICAN NUMISMATIC SOCIETY Volume 1 Descriptions Selections of Choice To Be Sold Only By Mail Bid Closing Date - July 18, 1975 and Rare Friday, 11:00 P.M. CDT Goins Medals PaperMoney PROUDLY PRESENTED BY: COINS OF THE WORLD Bank of San Antonio Building, Suite 208, One Romana Plaza, San Antonio, Texas 78205 Phone: 512-227-3471 BID SHEET ALMANZAR’S COINS OF THE WORLD MAIL BIDS CANNOT BE FRIDAY, BANK OF SAN ANTONIO BLDG., SUITE 208 ACCEPTED AFTER 1975 ONE ROMANA PLAZA JULY 18, SAN ANTONIO, TEXAS 78205 PLEASE ENTER THE FOLLOWING BIDS FOR ME IN YOUR AUCTION SALE OF JULY 18, 1975. I HAVE READ AND AGREE TO ABIDE BY THE TERMS OF SALE AND WILL REMIT PROMPTLY UPON RECEIPT OF INVOICE FOR ALL LOTS THAT I PURCHASE. , 1975 SIGNATURE NAME ADDRESS CITY STATE ZIP CODE LOT // BID LOT // BID LOT // BID Please bill me $1.00 for a copy of the prices realized list (fee covers postal costs). Auction catalog subscribers need not check this box. The prices realized list will be mailed as soon as the list is published and only to those persons who have subscribed, consigned items to this auction, or who have paid the $1.00 fee. As a buyer unknown to you, I wish to establish credit with your firm. My credit references include: FIRM OR INDIVIDUAL CITY STATE ZIP CODE and/or I include $ as a deposit to guarantee my intent to buy all lots for which I am the high bidder. (ALL PERSONS WHO HAVE ESTABLISHED CREDIT WITH US MAY IGNORE THIS PARAGRAPH) PLEASE PRINT OR WRITE CLEARLY. -
Comparison of Head Morphometric Traits Within Five Selected Performance Types of Quarter Horses(Eguus Cabullus) Redacted for Privacy
AN ABSTRACT OF THE THESIS OF Elana Morgana Smith for the degree of Master of Science in Animal Science Presented on October 25, 2002 Title: Comparison of Head Morphometric Traits Within Five Selected Performance Types of Quarter Horses(Eguus cabullus) Redacted for privacy Abstract approved: Thomas F. Savage A study was conducted to investigate if morphometric facial measurements could be utilized to differentiate five categorical performance types of Quarter Horses. The five categories being Western, Halter, English, Reining, and Cutting. The measurements were collected from 323 registered Quarter Horses representing animals who ranged in age from one year to 30 years of age and one of three gender (Stallion, Gelding, and Mare) categories. Eight facial measurements were obtained from two geographic areas, Florida and Oregon. A correlation was performed and resulted in a reduction of the data from eight to five facial measurements, due to the presence of facial symmetry. The reduced data was subsequently analyzed by Multivariate Analysis, using the Wilks Lambda Analysis of Variance. The Main effects, age, gender, and categorical performance type were all significant (p<0.0001 to 0.00 1). Of the two-way interactions only age:gender was not significant (p>0.05) and the three- way interaction age:gender:type was also not significant (p>O.O5) Based upon the not significant (J)>O.O5) Based upon the results, the five original performance categories could be reduced to four (English, Halter, Cutting, and Western/Reining). This indicates that there are a number of similarities in facial measurements between the Western and Reining horses. -
The Relationship Between the Indigenous Peoples of the Americas
THE RELATIONSHIP BETWEEN THE INDIGENOUS PEOPLES OF THE AMERICAS AND THE HORSE: DECONSTRUCTING A EUROCENTRIC MYTH By Yvette Running Horse Collin A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Indigenous Studies University of Alaska Fairbanks May 2017 © 2017 Yvette Running Horse Collin APPROVED: Raymond Barnhardt, Ph.D., Committee Chair Beth Ginondidoy Leonard, Ph.D., Committee Co-Chair Theresa Arevgaq John, Ph.D., Committee Member Marco A. Oviedo, Ph.D., Committee Member Michael Koskey, Ph.D., Department Chair Todd Sherman, M.F.A., Dean, College of Liberal Arts Michael Castellini, Ph.D., Dean of the Graduate School Abstract This research project seeks to deconstruct the history of the horse in the Americas and its relationship with the Indigenous Peoples of these same lands. Although Western academia admits that the horse originated in the Americas, it claims that the horse became extinct in these continents during the Last Glacial Maximum (between roughly 13,000 and 11,000 years ago). This version of “history” credits Spanish conquistadors and other early European explorers with reintroducing the horse to the Americas and to her Indigenous Peoples. However, many Native Nations state that “they always had the horse” and that they had well established horse cultures long before the arrival of the Spanish. To date, “history” has been written by Western academia to reflect a Eurocentric and colonial paradigm. The traditional knowledge (TK) of the Indigenous Peoples of the Americas, and any information that is contrary to the accepted Western academic view, has been generally disregarded, purposefully excluded, or reconfigured to fit the accepted academic paradigm. -
National Cultural Heritage Values Assessment and Conflicting Values
NATIONAL CULTURAL HERITAGE VALUES ASSESSMENT & CONFLICTING VALUES REPORT The wild horse population Kosciuszko National Park December 2015 Prepared for NSW National Parks and Wildlife Service Context Pty Ltd 2015 Project Team: Dr Georgia Melville, Project Manager Chris Johnston, Director Dr Helen Doyle, Senior Historian Catherine McLay, Heritage Consultant Cover photo source: shm.com.au ‘Don't fence us in’, 26 August 2004 Report Register This report register documents the development and issue of the report entitled National cultural heritage values assessment & conflicting values discussion report: The wild horse population Kosciuszko National Park undertaken by Context Pty Ltd in accordance with our internal quality management system. Project Issue Notes/description Issue Date Issued to No. No. 2037 1 Progress Report & Research 28 August Rob Gibbs Plan 2015 NSW NPWS 2037 2 Draft Report 22 October Rob Gibbs 2015 NSW NPWS 2037 3 Final Draft Report 18 November Rob Gibbs 2015 NSW NPWS 2037 4 Final Report 16 December Rob Gibbs 2015 NSW NPWS Context Pty Ltd 22 Merri Street, Brunswick VIC 3056 Phone 03 9380 6933 Facsimile 03 9380 4066 Email [email protected] Web www.contextpl.com.au ii CONTENTS EXECUTIVE SUMMARY VI 1 INTRODUCTION 1 1.1 Background 1 1.2 Objectives 1 1.3 Scope 1 1.4 Team 2 1.5 Acknowledgements 3 2 CULTURAL HERITAGE ASSESSMENT METHODOLOGY 4 2.1 Approach 4 2.2 Tasks 4 2.3 National heritage assessment criteria and thresholds framework 5 Explaining the National Heritage List criteria 5 3 HISTORY 9 3.1 Historic themes 9 3.2 -
2019 OFBA Catalog Body.Indd
Ozark Foundation Breeders19TH ANNUAL Association HORSE SALE SEPTEMBER 21, 2019 - 12:00 NOON (CST) Selling Approximately 100 Head of AQHA Horses Approximately 20 Riding Horses BAR NONE COWBOY CHURCH - MIDWAY, AR 72651 10 MILES NORTH OF MOUNTAIN HOME, AR www.ofbahorsesale.comFOR INFORMATION OR CATALOG: SCOTT WALKER, PRES: 870-321-0106 DONNIE PERRY, VICE PRES: 870-656-2198 TERESA WALKER, TREASURER: 870-321-0110 REFERENCE SIRES OWN SONS OF: Two ID Bartender Mr Gold Bucks Docs Gabilan Smart Chic Olena Joe Jack Honey Bar Dun It Like Lena Twice As Shiney Hollywood Dun It CL Poco Gold Doc Cats Greystone Royal Blue Texas (Peptopboonsmal) Fuel N Shine (Shining Spark) Cee Booger Red Fiddlin Beau Jack Bet Hesa Cat (High Brow Cat) Mr Red Bartender Hollywood Heat INDEX TO HORSES BY BREEDER: Glen Allen: 9, 58, 63 Walker 4W Farms: 7, 25, 61 Killian Quarter Horses: 5, 20, 33, 39, 44, 48, 51, 54, 65, 71, 74, 79, 81, 84, 90, 92, 93, 101 Long Quarter Horses: 4, 86, 102 Montgomery Performance Horses: 8, 16, 21, 23, 24, 28, 41, 46, 53, 70, 72, 77, 88 Mike Mahan: 10, 32, 55, 62, 83, 98 Kenny McCullough: 6, 13, 15, 19, 30, 34, 37, 43, 45, 50, 52, 68, 73, 76, 78, 82, 87, 89, 94, 97, 99, 100 Donnie & Georgina Perry: 3, 17, 29, 31, 57, 75, 85 Gemstone H Ranch: 1, 12, 14, 22, 26, 36, 38, 42, 47, 49, 56, 64, 67, 80, 91 Jerry & Diane Walker: 2, 18, 35, 60 Scott & Teresa Walker: 11, 27, 40, 59, 66, 69, 95, 96 ABOUT OFBA Ozark Foundation Breeder’s Association (OFBA) was founded in 1999 by a group of family and friends with a passion for the American Quarter Horse. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
COMPLETE Horse Digest Cover and Article.Pdf
Following the success of using grandsons of Poco Bueno, the River Bluff Ranch introduced the stallions Cutter Bill San and Cutter Bill Dexter, to augment their infusion of the Cutter Bill All breeding programs have to have a goal, and the initial goal bloodline. at the River Bluff Ranch was producing a horse with a good disposition. The original idea to meet that goal was to breed a These full brothers are paternal good 4 -H youth horse for the arena. That goal has now ex- grandsons of Cutter Bill through panded to include perpetuating good foundation American their sire, Cutter Rags. They are Quarter Horse bloodlines that can be used for a variety of also double -bred Cutter Bill as events and still maintain that good disposition. their dam is Smooth Cutter San by Bills San, an NCHA Bronze Once your goal is set, the breeding program must have a foun- winning son of Cutter Bill. dation. The River Bluff breeding program is founded through Cutter Bill San These stallions crossed with the use of mares like Stars Winged Glory, Pretty Bucks Squaw, 1998 Palomino Stallion several Bill the Cutter mares, Pretty Bucks Star, Cricket D Two, Smoky Firefly, Poco Tejas Buddy Dexter and other direct granddaughters Castor, and Cutter’s Pretty. The way they have bred these Cutter Bill Billie Silvertone of Cutter Bill contained within mares over the years has allowed the River Bluff Ranch pro- Cutter Rags their breeding program, result in gram to represent the bloodlines of King P -234, Poco Bueno, Hanks Billy the highest percentage bloodline Pretty Buck, Blackburn, Cutter Bill and Jessie James. -
DRY DOC by Glory Ann Kurtz
Million Dollar Sires: DRY DOC By Glory Ann Kurtz Most horsemen will agree that a majority of horses are only "as good as their mothers." Figures are recklessly tossed around in everyday conversation that the mare is responsible for everywhere from 50 to 90 percent of how the colt turns out and though no one has seemed to come up with the scientific answer, it is universal understanding among horsemen that a colt's mother is a very important factor when breeding. If you don't believe it, just check out prices of young horses in the sale ring. A majority of horses selling in the sale ring have great sires, but it is the dam that separates the high sellers from the mediocre. Million-dollar sire Dry Doc is an example of the importance of selective breeding. He was sired by Doc Bar, the legendary sire that revolutionized the cutting horse business, but so were thousands of other horses. What made the difference was his dam, the legendary Poco Lena. In the beginning Although she was characterized by some writers as a "lanky, unwanted weanling daughter of Poco Bueno out of Sheilwin," Poco Lena was first trained and shown by Pine Johnson. She was foaled on the E. Paul Waggoner's 3D Ranch near Arlington, Texas in 1949. But Waggoner gave the bay filly to his manager, Glenn W. Turpin. When she was a 3-year-old, Johnson rode her to her first in a string of records, winning both the Junior registered and NCHA-approved Open cutting, with 33 entries, at the State Fair of Texas in Dallas. -
Resource Guide for Horseback Riding Horseback Riding Can Be an Enjoyable Activity for Anyone Who Likes Horses and Enjoys Spending Time Outdoors in a Natural Setting
Resource Guide for Horseback Riding Horseback riding can be an enjoyable activity for anyone who likes horses and enjoys spending time outdoors in a natural setting. Riding offers an opportunity for beneficial physical activity, and you can explore many beautiful places on horseback. Novice riders can gain knowledge and experience by taking lessons. You'll need to learn how to approach and ride a horse, how to care for it, and how to maintain its living quarters in a barn. Horse Riding for Beginners: What You Need to Know Anyone riding a horse needs to take safety precautions. However, beginners must be especially careful to follow safety practices such as sitting squarely in the saddle and wearing the proper attire. Riding horses is exhilarating, and will challenge you physically and mentally. Good horsemen spend a lifetime learning how to improve their riding. You've got to start somewhere. Safety First When starting horse riding for beginners, safety should be your first concern. No one wants to get hurt. We’ve all heard the horror stories of friends and family members that rode a horse and had a bad experience. Whether you are headed out for your first trail ride or signed up for your first horseback riding lesson you can learn these basics to enjoy your ride. In the Saddle Proper Clothes and Shoes for Riding Horses Come with the proper horse riding gear. You should have the minimum attire of jeans and boots that have a heel. If you don’t have sturdy boots, sneakers are the bare minimum. -
Marshall Mcluhan
Marshall McLuhan Understanding Media The extensions of man London and New York CONTENTS PARTI 1 Introduction 3 1 The Medium is the Message 7 2 Media Hot and Cold 24 3 Reversal of the Overheated Medium 36 4 The Gadget Lover: Narcissus as Narcosis 45 5 Hybrid Energy: Les Liaisons Dangereuses 53 6 Media as Translators 62 7 Challenge and Collapse: the Nemesis of Creativity 68 PART II 81 8 The Spoken Word: Flower of Evil? 83 9 The Written Word: an Eye for an Ear 88 10 Roads and Paper Routes 97 11 Number: Profile ofthe Crowd 115 12 Clothing: Our Extended Skin 129 13 Housing: New Look and New Outlook 133 14 Money: the Poor Man's Credit Card 142 15 Clocks: the Scent of Time 157 16 The Print: How to Dig it 170 17 Comics: Mad Vestibule to TV 178 18 The Printed Word: Architect of Nationalism 185 19 Wheel, Bicycle, and Airplane 195 20 The Photograph: the Brothel-without-Walls 204 21 Press: Government by News Leak 220 22 Motorcar: the Mechanical Bride 236 23 Ads: Keeping Upset with the Joneses 246 24 Games: the Extensions of Man 254 25 Telegraph: the Social Hormone 267 26 The Typewriter: into the Age of the Iron Whim 281 27 The Telephone: Sounding Brass or TinklingSymbol? 289 28 The Phonograph: the Toy that Shrank the National Chest 300 29 Movies: the Reel World 310 30 Radio: the Tribal Drum 324 31 Television: the Timid Giant 336 32 Weapons: War of the Icons 369 33 Automation: Learning a Living 378 Part I INTRODUCTION James Reston wrote in The New York Times (July 7, 1957): A health director .