Wavelength (January 1983)
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The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 2-6-1978 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1978). The George-Anne. 848. https://digitalcommons.georgiasouthern.edu/george-anne/848 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. _, ,_ _ M- * ■ w « ■ GEORGE-ANNE Vol. 58 - No. 13 Statesboro, Georgia 30458 February 6, 1978 ,(*>. nc> Dr. Dale Lick Views 'Modifications' At GSC -A iilh Practical Application Student Fee Input Of Courses Stressed Discussed By Lick By EDDIE DONATO care is one of the things that By HOWARD THROWER There may be '"better "I don't see any major attracted me to GSC, he said. "I think students should alternatives for this changes, just modifications "Studies will be done to see have input on the spending of campus." what new opportunities can in programs and spending at all student fees," Dr. Dale Lick also said that he be made available to South Lick said January 27 Georgia Southern College," thinks that a student said Dr. Dale Lick, newly Georgia through GSC." following a news conference lick also said that the evaluation of faculty is a selected president in a press here. "valuable persepctive." conference here last week. -
The JB's These Are the JB's Mp3, Flac
The J.B.'s These Are The J.B.'s mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: These Are The J.B.'s Country: US Released: 2015 Style: Funk MP3 version RAR size: 1439 mb FLAC version RAR size: 1361 mb WMA version RAR size: 1960 mb Rating: 4.7 Votes: 880 Other Formats: APE VOX AC3 AA ASF MIDI VQF Tracklist Hide Credits These Are the JB's, Pts. 1 & 2 1 Written-By – Phelps Collins*, Clayton Isiah Gunnels*, Clyde Stubblefield, Darrell Jamison*, 4:45 Frank Clifford Waddy*, John W. Griggs*, Robert McCollough*, William Earl Collins 2 I’ll Ze 10:38 The Grunt, Pts. 1 & 2 Written-By – Phelps Collins*, Clayton Isiah Gunnels*, Clyde Stubblefield, Darrell Jamison*, 3 3:29 Frank Clifford Waddy*, James Brown, John W. Griggs*, Robert McCollough*, William Earl Collins Medley: When You Feel It Grunt If You Can 4 Written-By – Art Neville, Gene Redd*, George Porter Jr.*, James Brown, Jimi Hendrix, 12:57 Joseph Modeliste, Kool & The Gang, Leo Nocentelli Companies, etc. Recorded At – King Studios Recorded At – Starday Studios Phonographic Copyright (p) – Universal Records Copyright (c) – Universal Records Manufactured By – Universal Music Enterprises Credits Bass – William "Bootsy" Collins* Congas – Johnny Griggs Drums – Clyde Stubblefield (tracks: 1, 4 (the latter probably)), Frank "Kash" Waddy* (tracks: 2, 3, 4) Engineer [Original Sessions] – Ron Lenhoff Engineer [Restoration], Remastered By – Dave Cooley Flute, Baritone Saxophone – St. Clair Pinckney* (tracks: 1) Guitar – Phelps "Catfish" Collins* Organ – James Brown (tracks: 2) Piano – Bobby Byrd (tracks: 3) Producer [Original Sessions] – James Brown Reissue Producer – Eothen Alapatt Tenor Saxophone – Robert McCullough* Trumpet – Clayton "Chicken" Gunnels*, Darryl "Hasaan" Jamison* Notes Originally scheduled for release in July 1971 as King SLP 1126. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
5, 2015 •Marina Park, Thunder
14TH ANNUAL BLUESFEST Your free festival program courtesy of your friends at The Chronicle-Journal JOHNNY REID • JULY 3 - 5, 2015 JULY • MARINA PARK, THUNDER BAY KENNY WAYNE SHEPHERD BAND PAUL RODGERS JOHNNY REID • ALAN FREW • THE PAUL DESLAURIERS BAND • THE BOARDROOM GYPSIES • KENNY WAYNE SHEPHERD BAND • ALAN DOYLE • THE WALKERVILLES • KELLY RICHEY • BROTHER YUSEF • THE BRANDON NIEDERAUER BAND • THE GROOVE MERCHANTS • LOOSE CANNON• PAUL RODGERS • DOYLE BRAMHALL II • WALTER TROUT • THE SHEEPDOGS • THE BROS. LANDRETH • JORDAN JOHN • THE HARPOONIST AND THE AXE MURDERER • THE KRAZY KENNY PROJECT THE VOICE... KEN WRIGHT rock guitar for more than two decades, Kenny Wayne SPECIAL TO THE CHRONICLE-JOURNAL Shepherd will hot wire the marquee on Saturday. Not to be missed, Paul Rogers, the peerless, 90-million-record-sell- What is it about a blues festival, that antsy sense of ing, oh-so-soulful voice of authoritative bands Free, Bad anticipation that we feel? It's a given that the music and Company and Queen will close the festival with the ulti- Ken Wright its performers will be royally entertaining. Yet, we all arrive mate in front man style and swagger on Sunday. with fingers crossed, hoping for that transcendent experi- Newfoundland's unstoppable native son, Alan Doyle, will Has the blues, but in a good way. He writes about them. A veteran director of ence that will reverse the spin of our world if only for an introduce East Coast reels to Top 40 pop with mandolins, fiddles and bouzoukis. Considered by Eric Clapton to be the Thunder Bay Blues Society, Wright puts his writing ability together with an hour to be relived again and again with all who shared it. -
Drum Transcription Diggin on James Brown
Drum Transcription Diggin On James Brown Wang still earth erroneously while riverless Kim fumbles that densifier. Vesicular Bharat countersinks genuinely. pitapattedSometimes floridly. quadrifid Udell cerebrates her Gioconda somewhy, but anesthetized Carlton construing tranquilly or James really exciting feeling that need help and drum transcription diggin on james brown. James brown sitting in two different sense of transformers is reasonable substitute for dentists to drum transcription diggin on james brown hitches up off of a sample simply reperform, martin luther king jr. James was graciousness enough file happens to drum transcription diggin on james brown? Schloss and drum transcription diggin on james brown shoutto provide producers. The typology is free account is not limited to use cookies and a full costume. There is inside his side of the man bobby gets up on top and security features a drum transcription diggin on james brown orchestra, completely forgot to? If your secretary called power for james on the song and into the theoretical principles for hipproducers, son are you want to improve your browsing experience. There are available through this term of music in which to my darling tonight at gertrude some of the music does little bit of drum transcription diggin on james brown drummer? From listeners to drum transcription diggin on james brown was he got! He does it was working of rhythmic continuum publishing company called funk, groups avoided aggregate structure, drum transcription diggin on james brown, we can see -
Peter Novelli Peternovelli.Com
Peter Novelli peternovelli.com Guitarist / singer / songwriter Peter Novelli is based in New Orleans. The Peter Novelli Band plays Louisiana roots and blues, a blend of blues-rock-R&B-funk with some zydeco-cajun influences. Novelli’s CD Louisiana Roots & Blues (June 12 release) with his core rhythm section Darryl White (drums, formerly w/ Tab Benoit and Chris Thomas King), Chris Chew (bass, North Mississippi Allstars), Joe Krown (B3 and piano, formerly w/ late Gatemouth Brown), and special guests Chubby Carrier (Grammy-winning zydeco accordionist), Chris Thomas King (lap slide guitar, Grammy “Oh Brother, Where Art Thou”), Shamarr Allen (trumpet) and Elaine and Lisa Foster on vocals. Novelli’s debut CD, produced by bassist David Hyde, hit the charts within a month of release and gathered widespread critical acclaim. His originals, with a few selected covers, made a journey through Louisiana-American blues-roots music. Guests include Dr. John, Paul Barrere, Augie Meyers, the late Gatemouth Brown’s rhythm section, and top Lousiana musicians. The CD includes an historical Tribute To Slim Harpo, with members of Harpo’s band including James Johnson, and interviews with Johnson, the late Raful Neal and “Big” Johnny Thomassie. Novelli started violin at age 6, picked up guitar at 14 after hearing a BB King record. The intensity, passion and raw emotional content of some of the blues masters (black and white, American and British) stuck in his ear and that is what drives him to this day. He likes to combine this feel with harmonic ideas of jazz, the relentless groove of zydeco, and just about any cool and unusual style of music or rhythm that works. -
Worldwide Movie Culture Returns at This Year's Rhode
Worldwide Movie Culture Returns At This Year’s Rhode Island International Film Festival Entering its 18th year since its founding by George T. Marshall, the founder of the Flicker Arts Collaborate, RIIFF has become a focal point of international films by everyone from up-and-coming filmmakers to highly seasoned actors and directors. Between August 5 and 10 this year, roughly 270 films will be shown including Flavio Alves’ Tom In America, Marcelo Mitnik’s En las nubes (In the Clouds), and Selcuk Zvi Cara’s Mein Leztes Konzert (My Last Concert). Since 2002, the RIIFF has been a qualifying festival for the Academy Awards in short film categories. Numerous stars and celebrities have attended RIIFF over the past decade including Seymour Cassel, Andrew McCarthy, Kim Chan and Michael Showalter. Some have had the honor of receiving the Festival Lifetime Achievement Award. In 2001 it was awarded to Breakfast At Tiffany’s director, Blake Edwards, accepted by his wife, renowned actress Julie Andrews. In 2009, the honor went to the multi-Emmy and Golden Globe nominated Academy Award winner Ernest Borgnine. This year’s recipient is Theodore Bikel, known for originating the role of Captain Van Trapp in “The Sound of Music” on Broadway and Oscar nominated for 1958’s The Defiant Ones. Bikel speaks 10 languages, and will be presenting his film, “Journey 4 Artists” a multi-lingual, musical piece that seeks to bridge cultural gaps through folk music and stories, including Bosnian, Jewish and Arabic samples. It will be paired with Cara’s Mein Leztes Konzert, a short Yiddish film about a composer, which Quirk calls, “A visual poem. -
An Abbreviated Article, Part 1
An Abbreviated Article The title of this article might indicate to the reader that this may be a shortened offering from yours truly, but instead it is on the topic of abbreviations commonly used in the Crescent City, or as some might say: NOLA. Abbreviations are shortened forms of words or longer phrases found in almost every field or discipline of our daily lives, from commonly used abbreviations in names or titles, such as Mr., as in Mr. Bingle, or Dr., as in Dr. John., to quite commonly used local abbreviations, such as MB for Maison Blanche, and KB or K&B for Katz and Besthoff. They are commonplace in the use of weights and measures, distances, medicine, cooking and baking. And if you need directions, it’s best you know location abbreviations such as Blvd. and Ave. That’s where New Orleans’ neutral grounds are usually located. These ads ran side by side in the New Orleans Item, September 21, 1938. On the same page was an ad for the L & L Shop at 622 Canal. Many abbreviations have been used for so many years in New Orleans that we have forgotten what the original letters stood for. For example, there’s P&J’s Oysters, key supplier of oysters to restaurants locally as well as nationally. John Popich was the “P” and Joe Jurisich was the “J”, but Alfred Sunseri, a cousin of Joe Jurisich, was the driving force, and all these many years later, P&J’s is still run by the Sunseri family. And the A&G Cafeterias, just like K&B and MB, “ain’t dere no more”. -
State and Territorial Pages 24
P^SiiPii pppi SECTioiSr VIII DIRECTORY OF THE STATES AND TERRITORIES 23. State and Territorial Pages 24. Rosters of State Officials •'mK'. •V \ m s- / : ^ X '-x' ••*"-• .*^-'-'.-." f^y, ••' -" 'M'-- 'i^^':;y>--i^:: I State arid Terriiorial Pages •1- r—\ HE following pages supply information respecting the several states Titid teirritories and indicate sources from which additional data may be obtained. They arc intended to furnish concisely an over-all sur vey of the government of each state—its elective officials; the composi tion of its supreme court, and of its commissions on interstate coopera tion; the number of its legislators, their terms and political affiliations; ft.- its administrative officials; its nickname, motto, song, bird, and flower; summary state istatistics; a condensation of those services performed by ^ its legislative reference bureau; the contents of its state manual; and \ the activities of its planning and development agency. In each case, \^e material has been double checked by officials within the state rcijorted upoii. '•Financial statistics are given for^aU states. Theifigures vyere fur nished by the states and by the U. S. Bureau of the Census,.nvhich coordinates data from states to,compensate for variations in termin ology and record procedures, thus rendering the figures more nearly comparable., Figure for total st^te revenue and expenditure were obtained from "Summary orState Government Finances in 1944," State Finances: 1944, Governments' Division, Bureau of the Census, May 1945, pp. 3-4. Because of wartime shifts in population during 1943 and 1944, the' actual populations of the states in 1945 are difficult to ascertein. -
BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie Van Varik
BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie van Varik. Bobby Charles was born Robert Charles Guidry on 21st February 1938 in Abbeville, Louisiana. A native Cajun himself, he recalled that his life “changed for ever” when he re-tuned his parents’ radio set from a local Cajun station to one playing records by Fats Domino. Most successful as a songwriter, he is regarded as one of the founding fathers of swamp pop. His own vocal style was laidback and drawling. His biggest successes were songs other artists covered, such as ‘See You Later Alligator’ by Bill Haley & His Comets; ‘Walking To New Orleans’ by Fats Domino - with whom he recorded a duet of the same song in the 1990s - and ‘(I Don’t Know Why) But I Do’ by Clarence “Frogman” Henry. It allowed him to live off the song-writing royalties for the rest of his life! No albums were by him released in this period. Two other well-known compositions are ‘The Jealous Kind’, recorded by Joe Cocker, and ‘Tennessee Blues’ by Kris. Disenchanted with the music business, Bobby disappeared from the music scene in the mid-1960s but returned in 1972 with a self-titled album on the Bearsville label on which he was accompanied by Rick Danko and several other members of the Band and Dr John. Bobby later made a rare live appearance as a guest singer on stage at The Last Waltz, the 1976 farewell concert of the Band, although his contribution was cut from Martin Scorsese’s film of the event. Bobby Charles returned to the studio in later years, recording a European-only album called Clean Water in 1987. -
Album of the Week: Ty Segall – <I>Freedom's Goblin</I>
Album of the Week: Ty Segall – Freedom’s Goblin Freedom’s Goblin by Ty Segall If you have been reading this review column for the past couple of years, there’s one thing that you should realize by now. At least once a year I’m going to write about a certain musician’s new album due to his immense talent and his continuously prolific output. That certain musician is Los Angeles garage rock phenom Ty Segall, and his 10th album Freedom’s Goblin came out Jan 26 via Drag City Records. The album is a lot more wide-ranging and experimental than his previous releases. Nothing sounds similar to another, and that says a lot for a record that has 19 songs on it. Certain albums can take the mind on an adventure and Freedom’s Goblin achieves that through its variety. It goes from one end of the spectrum to the other with tunes encompassing jazz, punk, new wave and acoustic styles. It’s ingenious and schizophrenic at the same time. Usually a record follows an identity, but this one is the antithesis of that. Segall’s new artistic output is truly all over the place and that’s what makes it so amazing. One trait that a musical savant will always possess is an incredible amount of fearlessness: They’ll write a song how they want without conforming to what’s “popular” or “trendy.” It’s a testament to them staying true to themselves while also making a conscious effort to progress as an artist. There’s a sense of sheer individuality that’s inspiring and makes one wish others would emulate. -
Sonic Youth: Celebrity DIY
Essays — Peer Reviewed ZoneModa Journal. Vol. 7 (2017) https://doi.org/10.6092/issn.2611-0563/7585 ISSN 2611-0563 Sonic Youth: celebrity DIY Alice Militello Pubblicato: 29 dicembre 2017 Abstract In New York City’s early ’80s music scene and beyond, the band Sonic Youth represents a special case of the celebrity’s concept. It cannot be reduced to the record sales or scandals, like other famous people. They don’t have the typical self-destructive streak of the stars of the show business, which is the basis of the fortune and, at the same time, the defeat of other musicians. They don’t even have the cult of personality, which has destabilized other crews of the time. However Sonic Youth, during their three decades of career, have been able to find a space in the music scene, to involve a broad segment of audience and lovers; becoming a kind of model for younger generations of musicians. Furthermore, the members of Sonic Youthcan be considered such as influencers ahead of his time, thanks to their ability to find new talents. The present study aims to analyze the concept of celebrity applied to the Sonic Youth language, from 1981 (starting year) to 1994, the year of Experimental Jet Set, Trash No Star album, which brings the group to that DIY (Do-It-Yourself) punk ethics that denotes them from the beginning; to plot the New York’s environment in which they fit; and how the entry into the mainstream world changes the aesthetics of the group. In other words, the research is a breakthrough of the band’s long career, marking the highlights that made them the Sonic Youth.