The Tommy Flanagan Trio Moodsville Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

The Tommy Flanagan Trio Moodsville Mp3, Flac, Wma The Tommy Flanagan Trio Moodsville mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Moodsville Country: France Released: 1985 Style: Bop MP3 version RAR size: 1640 mb FLAC version RAR size: 1254 mb WMA version RAR size: 1518 mb Rating: 4.6 Votes: 851 Other Formats: AAC TTA FLAC XM ADX AHX MP4 Tracklist Hide Credits In The Blue Of The Evening A1 Written-By – D' Artega*, Adair* You Go To My Head A2 Written-By – Gillespie*, Coots* Velvet Moon A3 Written-By – De Lange*, Myrow* Come Sunday A4 Written-By – Duke Ellington Born To Be Blue B1 Written-By – Torme*, Wells* Jes' Fine B2 Written-By – Tommy Flanagan In A Sentimental Mood B3 Written-By – Ellington*, Mills*, Kurtz* Companies, etc. Distributed By – Carrere Distribution Phonographic Copyright (p) – Fantasy Credits Bass – Tommy Potter Drums – Roy Haynes Liner Notes – Roy Eyre* Piano – Tommy Flanagan Recorded By – Rudy Van Gelder Notes On spine: Manufactured in France Barcode and Other Identifiers Barcode: 3 218030 684245 Matrix / Runout (Runout Side A): C 68424 A Matrix / Runout (Runout Side B): C 68424 B Other (Cover Back): CA 671 68.424 Rights Society: SACEM Other versions Category Artist Title (Format) Label Category Country Year The Tommy The Tommy Prestige, MVLP Vol. 9 Flanagan Flanagan Trio (LP, MVLP Vol. 9 US 1960 Moodsville Trio* Album) The Tommy Tommy UCCO-9058 Flanagan Trio (CD, Moodsville UCCO-9058 Japan 2007 Flanagan Trio Album, Ltd) The Tommy OJCCD 182-2, The Tommy Prestige, OJCCD 182-2, Flanagan Germany Unknown MV-9 Flanagan Trio (CD) Moodsville MV-9 Trio* The Tommy The Tommy OJCCD 182-2, Prestige, OJCCD 182-2, Flanagan Flanagan Trio (CD, US 1992 MV-9 Moodsville MV-9 Trio* Album, RE, RM) Moodsville Volume The Tommy 9: In The Blue Of Sinetone AMR 4279 Flanagan The Evening AMR 4279 2014 AMR Trio* (7xFile, MP3, Album, 320) Related Music albums to Moodsville by The Tommy Flanagan Trio Tommy Flanagan Trio - The Tommy Flanagan Tokyo Recital Eddie Lockjaw Davis With Tommy Flanagan Trio, The - Straight Ahead Ella Fitzgerald With Tommy Flanagan Trio - Montreux '77 Tommy Flanagan - Dignified Appearance Ella Fitzgerald With The Tommy Flanagan Trio - Montreux '77 The Master Trio Featuring Tommy Flanagan, Ron Carter, Tony Williams - The Master Trio Bennie Wallace / Tommy Flanagan / Eddie Gomez / Dannie Richmond - The Free Will Tommy Flanagan, John Coltrane, -.
Recommended publications
  • The History and Development of Jazz Piano : a New Perspective for Educators
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1975 The history and development of jazz piano : a new perspective for educators. Billy Taylor University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Taylor, Billy, "The history and development of jazz piano : a new perspective for educators." (1975). Doctoral Dissertations 1896 - February 2014. 3017. https://scholarworks.umass.edu/dissertations_1/3017 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. / DATE DUE .1111 i UNIVERSITY OF MASSACHUSETTS LIBRARY LD 3234 ^/'267 1975 T247 THE HISTORY AND DEVELOPMENT OF JAZZ PIANO A NEW PERSPECTIVE FOR EDUCATORS A Dissertation Presented By William E. Taylor Submitted to the Graduate School of the University of Massachusetts in partial fulfil Iment of the requirements for the degree DOCTOR OF EDUCATION August 1975 Education in the Arts and Humanities (c) wnii aJ' THE HISTORY AND DEVELOPMENT OF JAZZ PIANO: A NEW PERSPECTIVE FOR EDUCATORS A Dissertation By William E. Taylor Approved as to style and content by: Dr. Mary H. Beaven, Chairperson of Committee Dr, Frederick Till is. Member Dr. Roland Wiggins, Member Dr. Louis Fischer, Acting Dean School of Education August 1975 . ABSTRACT OF DISSERTATION THE HISTORY AND DEVELOPMENT OF JAZZ PIANO; A NEW PERSPECTIVE FOR EDUCATORS (AUGUST 1975) William E. Taylor, B.S. Virginia State College Directed by: Dr.
    [Show full text]
  • Titolo Regista Supporto 1 Crowder Paul Dvd 8 1/2
    TITOLO REGISTA SUPPORTO 1 CROWDER PAUL DVD 8 1/2 FELLINI FEDERICO Blu-Ray 9 ACKER SHANE DVD 12 MIKHALKOV NIKITA DVD 300 SNYDER ZACK DVD 2046 KAR WAI WONG DVD 10.000 A.C. EMMERICH ROLAND DVD 11_SETTEMBRE_2001 LOACH KEN DVD 12 ANNI SCHIAVO MCQUEEN STEVE DVD 127 ORE BOYLE DANNY DVD 15 AGOSTO - NON SARÀ UNA VACANZA PER TUTTI ALESSANDRIN PATRICK DVD 17 RAGAZZE COULIN DELPHINE DVD 1997 - FUGA DA NEW YORK CARPENTER JOHN DVD 2 GIORNI A PARIGI DELPY JULIE DVD 2 SINGLE A NOZZE - WEDDING CRASHERS DOBKIN DAVID DVD 2001: ODISSEA NELLO SPAZIO KUBRICK STANLEY DVD 21 GRAMMI INARRITU ALEJANDRO GONZALEZ DVD 211: ANNA SERBANDINI PAOLO DVD 27 BACI PERDUTI DZHORDZHADZE NANA DVD 28 GIORNI DOPO BOYLE DANNY DVD 3 DONNE ALTMAN ROBERT DVD 394 TRILOGIA NEL MONDO PACIFICO MASSIMILIANO DVD 4 MESI, 3 SETTIMANE, 2 GIORNI MUNGIU CRISTIAN DVD 4:44 ULTIMO GIORNO SULLA TERRA FERRARA ABEL Blu-Ray 40 ANNI VERGINE APATOW JUDD DVD 5 BAMBINI & IT STEPHENSON JOHN (II) DVD 50 VOLTE IL PRIMO BACIO SEGAL PETER DVD 500! VIGNOLO LORENZO DVD 7 DAYS IN HAVANA DEL TORO BENICIO DVD 7 PSICOPATICI MCDONAGH MARTIN DVD 8 AMICI DA SALVARE MARSHALL FRANK DVD 8 DONNE E UN MISTERO OZON FRANCOIS DVD 8 E 1/2 FELLINI FEDERICO DVD 8 MILE HANSON CURTIS DVD A BEAUTIFUL MIND HOWARD RON DVD A BUG'S LIFE LASSETER JOHN DVD A CASA NOSTRA COMENCINI FRANCESCA DVD A CAVALLO DELLA TIGRE MAZZACURATI CARLO DVD A CHRISTMAS CAROL ZEMECKIS ROBERT DVD A CIASCUNO IL SUO CINEMA AUGUST BILLE DVD A HARD DAY'S NIGHT - TUTTI PER UNO LESTER RICHARD DVD A HISTORY OF VIOLENCE CRONENBERG DAVID DVD A Lady in Paris Raag Ilmar DVD À L'ATTAQUE! GUEDIGUIAN ROBERT DVD A PROPOSITO DI DAVIS COEN JOEL DVD A PROPOSITO DI TUTTE QUESTE SIGNORE BERGMAN INGMAR DVD A QUALCUNO PIACE CALDO WILDER BILLY DVD A SCANNER DARKLY - UN OSCURO SCRUTARE LINKLATER RICHARD DVD A SCUOLA DI COSTANZO LEONARDO DVD A SERIOUS MAN COEN ETHAN DVD A SINGLE MAN FORD TOM DVD A SPASSO CON DAISY BERESFORD BRUCE DVD A TEMPO PIENO CANTET LAURENT DVD A TESTA ALTA BERCOT EMMANUELLE DVD A TORTO O A RAGIONE SZABO' ISTVAN DVD A TUTTO CORTO RANDI PAOLA LIVIA DVD A.I.
    [Show full text]
  • Label Chart Action Report in Qtr. Soared in '68 by MIKE GROSS NEW YORK It''s SRO at by GRAEME ANDREWS - NEW YORK - the Atlan- Cent Share and Six Titles
    APRIL 5, 1969 SEVENTY -FIFTH YEAR 1.00 COIN MACHINE PAGES 45 TO 50 The International Music -Record Newsweekly U. K.'s Sales, IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII 2 HOTELS SRO Atlantic Tops Billboard's Hot 100 Album Prod. -REGISTRATION TO IMIC OPEN Label Chart Action Report in Qtr. Soared in '68 By MIKE GROSS NEW YORK It''s SRO at By GRAEME ANDREWS - NEW YORK - The Atlan- cent share and six titles. Plac- ords placed second with a 5.5 the two hotels that have been tic Records label topped the ing fourth was Reprise Records per cent share and seven titles; LONDON - Britain's record booked at special conference "Hot 100" field for the first with 4.4 per cent and 10 titles; Columbia came in third with a industry hit an all -time high in rates for the International Mu- quarter of 1969 in the initial Motown Records was fifth with 5.3 per cent share and seven sales, exports and album pro- sic Industry Conference in the survey compiled by Billboard's a 4.2 per cent share and six titles; Uni placed fourth with a duction in 1968, according to Charts Department. Atlantic had titles. Rounding out the "top 4.3 and Bahamas April 20 -23. Accom- per cent share four Ministry of Technology statis- 6.8 per cent of the chart action 10" in their respective order titles, and Tamla took fifth with tics. The results show that the modations have been exhausted during the first three months of were: Epic, Stax, Atco, Colum- a 4.0 per cent share and four industry managed to ride out at the Paradise Island Hotel & the year and placed 20 titles on bia and Uni.
    [Show full text]
  • Topical Weill
    Volume 21 Number 2 topical Weill Fall 2003 A supplement to the Kurt Weill Newsletter Coming Season Highlights &news events Two European Weill festivals, international concerts, and a host of Dreigroschenopern Threepenny mania continues, with international productions featuring esteemed artists. Opera’s acclaimed bad boy Calixto Bieito brings his Spanish-language Opera de cuatro cuartos, performed in Barcelona in 2002, on tour to France in November- December 2003, making stops in Strasbourg and MC93 Bobigny, the avant-garde theater center outside Paris. In Hamburg, the St. Pauli Theater premieres a new pro- Fall 2003 Weill CD Releases duction of Die Dreigroschenoper in January 2004, starring Ulrich Tukur of stage, film The BBC Symphony Orchestra’s and television fame. Teatro Biondo’s production will open on 30 November 2003 at glittering concert rendition of The the theater’s home in Palermo and then tour throughout Italy. Firebrand of Florence, conducted by The Maxim Gorki Theater production premieres in Berlin on Sir Andrew Davis and starring 31 March 2004, directed by Brecht’s granddaughter Johanna Rodney Gilfry as Benvenuto Cellini, Schall. Threepenny comes to the Vancouver Opera stage on 20, was recorded during the January 23, 25, and 27 March 2004, and Opera Zuid of the 2000 Kurt Weill Weekend in London; Netherlands embarks on a 10-city Dutch tour in May-June it is now available in a 2-CD set from 2004. Capriccio. The premiere recording Weill veteran HK Gruber conducts the Cleveland Orchestra of Weill’s 1945 Broadway operetta is in Kleine Dreigroschenmusik (9–11 October 2003). Conductor joined this fall by another Weill first Lawrence Foster and singer Ute Lemper are paired in multi- Ulrich Tukur.
    [Show full text]
  • Bill Charlap Trio Bios
    BILL CHARLAP TRIO BIO One of the world’s premiere jazz pianists, Bill Charlap has performed with many leading artists of our time, ranging from Phil Woods and Tony Bennett to Gerry Mulligan and Wynton Marsalis. He is known for his interpretations of American popular songs and has recorded albums featuring the music of Hoagy Carmichael, Leonard Bernstein and George Gershwin. Time magazine wrote, “Bill Charlap approaches a song the way a lover approaches his beloved…no matter how imaginative or surprising his take on a song is, he invariably zeroes in on its essence.” In 1997, Charlap formed the Bill Charlap Trio with bassist Peter Washington and drummer Kenny Washington (no relation), now recognized as one of the leading groups in jazz. Charlap has recorded seven albums for Blue Note Records and received two Grammy Award nominations, for Somewhere: The Songs of Leonard Bernstein and most recently The Bill Charlap Trio: Live at the Village Vanguard. Charlap is the artistic director of New York City’s Jazz in July Festival at the 92nd Street Y. He has produced several concerts for Jazz at Lincoln Center and an evening of George Gershwin’s music at the Hollywood Bowl. Born in New York City, Charlap began playing the piano at age three. His father was Broadway composer Moose Charlap, whose credits include Peter Pan, and his mother is singer Sandy Stewart, who appeared on the Ed Sullivan and Perry Como shows and earned a Grammy nomination for her recording of “My Coloring Book.” In 2005, Charlap and Stewart released the acclaimed CD, Love Is Here To Stay (Blue Note).
    [Show full text]
  • Introduction to SQL
    Introduction to SQL Phil Spector Introduction to SQL Phil Spector Statistical Computing Facility University of California, Berkeley Introduction to SQL I Structured Query Language I Usually “talk” to a database server I Used as front end to many databases (mysql, postgresql, oracle, sybase) I Three Subsystems: data description, data access and privileges I Optimized for certain data arrangements I The language is case-sensitive, but I use upper case for keywords. Introduction to SQL What is SQL? I Usually “talk” to a database server I Used as front end to many databases (mysql, postgresql, oracle, sybase) I Three Subsystems: data description, data access and privileges I Optimized for certain data arrangements I The language is case-sensitive, but I use upper case for keywords. Introduction to SQL What is SQL? I Structured Query Language I Used as front end to many databases (mysql, postgresql, oracle, sybase) I Three Subsystems: data description, data access and privileges I Optimized for certain data arrangements I The language is case-sensitive, but I use upper case for keywords. Introduction to SQL What is SQL? I Structured Query Language I Usually “talk” to a database server I Three Subsystems: data description, data access and privileges I Optimized for certain data arrangements I The language is case-sensitive, but I use upper case for keywords. Introduction to SQL What is SQL? I Structured Query Language I Usually “talk” to a database server I Used as front end to many databases (mysql, postgresql, oracle, sybase) I Optimized for certain data arrangements I The language is case-sensitive, but I use upper case for keywords.
    [Show full text]
  • Monterey Jazz Festival Collection ARS.0018
    http://oac.cdlib.org/findaid/ark:/13030/c8ms3vxm Online items available Guide to the Monterey Jazz Festival Collection ARS.0018 Jonathan Manton, Nathan Coy Archive of Recorded Sound 2014, updated 2020 [email protected] URL: http://library.stanford.edu/ars Guide to the Monterey Jazz ARS.0018 1 Festival Collection ARS.0018 Language of Material: English Contributing Institution: Archive of Recorded Sound Title: Monterey Jazz Festival Collection Identifier/Call Number: ARS.0018 Physical Description: 136 box(es)[circa 136 linear feet] Date: circa 1955-2020 Abstract: The collection contains the archives of the Monterey Jazz Festival from 1958 to the present. It primarily consists of unpublished recordings and videos of festival concerts, interviews and panel discussions in various formats, including sound tape reels, sound cassettes, videotapes, and sound discs, many of which are also available as digital sound and video files. Also included are a variety of recordings received with the collection that are not recordings from the festival itself, but instead feature content connected to the festival in some way, such as studio recordings of artists who performed at the festival, demo tapes for artists wishing the perform at the festival, or various recordings relating to festival founder Jimmy Lyons in some way. Some books, photographs, posters, programs, and other miscellaneous papers can also be found in the archives. The collection adds material every year. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076 History During its first twenty-five years, the Monterey Jazz Festival established a rich history and accumulated a sizeable body of important recordings featuring the most significant jazz musicians of their time.
    [Show full text]
  • The History and Development of Jazz Piano : a New Perspective for Educators
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1975 The history and development of jazz piano : a new perspective for educators. Billy Taylor University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Taylor, Billy, "The history and development of jazz piano : a new perspective for educators." (1975). Doctoral Dissertations 1896 - February 2014. 3017. https://scholarworks.umass.edu/dissertations_1/3017 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. / DATE DUE .1111 i UNIVERSITY OF MASSACHUSETTS LIBRARY LD 3234 ^/'267 1975 T247 THE HISTORY AND DEVELOPMENT OF JAZZ PIANO A NEW PERSPECTIVE FOR EDUCATORS A Dissertation Presented By William E. Taylor Submitted to the Graduate School of the University of Massachusetts in partial fulfil Iment of the requirements for the degree DOCTOR OF EDUCATION August 1975 Education in the Arts and Humanities (c) wnii aJ' THE HISTORY AND DEVELOPMENT OF JAZZ PIANO: A NEW PERSPECTIVE FOR EDUCATORS A Dissertation By William E. Taylor Approved as to style and content by: Dr. Mary H. Beaven, Chairperson of Committee Dr, Frederick Till is. Member Dr. Roland Wiggins, Member Dr. Louis Fischer, Acting Dean School of Education August 1975 . ABSTRACT OF DISSERTATION THE HISTORY AND DEVELOPMENT OF JAZZ PIANO; A NEW PERSPECTIVE FOR EDUCATORS (AUGUST 1975) William E. Taylor, B.S. Virginia State College Directed by: Dr.
    [Show full text]
  • Tommy Flanagan Trio
    SONOKLECT '97-'98 A Concert Series of Twentieth-CenturyMusic Terry Vosbein, Director Tommy Flanagan Trio WASHINGTON AND LEE UNIVERSITY KELLER THEATRE• 8:00 P.M. • 6 DECEMBER 1997 ~~~i 1 PROGRAM FIRST SET - INTERMISSION - SECOND SET 3 4 TOMMY FLANAGAN " ... premier living exponent of bebop piano ... " (Zan Stewart, LA Times) - "The standard by which piano trios are measured . " (Gary Giddins, Village Voice)- " ... So consistently fine, reviewing him almost seems unnecessary." (Chip Deffaa, New York Post)- "Tommy Flanagan is more than just a pianist. He is so consistently excellent that he is approaching the status of a national treasure." (Bob Porter, WBGO,Newark) - "Flanagan may be the most universally respected artist in his field." (Leonard Feather, LA Times) - Tommy Flanagan is a genius." (Ella 11 11 Fitzgerald) - ••• Flanagan is the finest lyric pianist around ... (David 11 Grogan, People Magazine) - ••• arguably the greatest bebop pianist living ... 11 (Stanley Crouch, Village Voice). Rarely has such unanimous unstinting praise been bestowed on a less self-congratulatory recipient. As genial and matter-of-fact off the stand as he is fiercely individual at the keys, Tommy Flanagan handles his world­ class ranking with an equanimity, a modesty, an easy friendliness not always associated with the psychic burden of being Number One. Perhaps because almost instant early recognition by his peers and the universal affection in which he has been held by them over the years has made for a warm and artistically rewarding roost in the jazz jungle for Tommy Flanagan. Or perhaps it is owing to his wholesome origins, as one of six children of an upwardly striving, musically enthusiastic family in Detroit.
    [Show full text]
  • Did You Receive This Copy of Jazzweek As a Pass Along?
    JazzWeek with airplay data powered by jazzweek.com • Jan. 30, 2006 Volume 2, Number 10 • $7.95 In This Issue: 2006 NEA Jazz Masters Featured During ‘Legends of Jazz’ . 4 Ornette Coleman Receives Berklee Honorary Doctorate . 6 Lee Elevated to BET Chair . 7 News In Brief . 6 Reviews and Burning the Bridge: Picks . 14 Jazz Radio . 18 Q&A WITH Smooth Jazz Radio. 25 GRANT Radio Panels. 24, 29 GEISSMAN News. 4 page 11 Charts: #1 Jazz Album – Dianne Reeves #1 Smooth Album – Richard Elliot #1 Smooth Single – Brian Simpson JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger uring the jazz radio panel session at IAJE focusing on radio pro- MUSIC EDITOR motion and the selection of music, we surprised a number of Tad Hendrickson Dpeople with the sheer number of releases that made the chart CONTRIBUTING EDITORS in 2005: 575. And that was down from 660 each of the two previous Keith Zimmerman years. When you add the number of releases that never make the chart Kent Zimmerman and the number that don’t ever get played, there might be as many as CONTRIBUTING WRITER/ 1,500 CDs vying for airplay in a year. I thought about that number a PHOTOGRAPHER Tom Mallison couple of times today: first, when looking at the huge number of add PHOTOGRAPHY dates for jazz radio on page 20; and second, after stopping by WGMC Barry Solof and looking at all of the new CDs MD Derrick Lucas was reviewing and adding. There’s a lot of great music out now, and tons more coming Founding Publisher: Tony Gasparre out soon.
    [Show full text]
  • Spoleto Festival Usa Program History 2012–1977
    SPOLETO FESTIVAL USA PROGRAM HISTORY 2012–1977 Spoleto Festival USA Program History Page 2 2012 Opera Kepler, opera by Philip Glass; libretto by Martina Winkel; conductor, John Kennedy; director, Sam Helfrich; set designer, Andrew Lieberman; costume designer, Kay Voyce; lighting designer, Aaron Black Feng Yi Ting, composed by Guo Wenjing; conductor, Ken Lam; director, Atom Egoyan; scenic designer, Derek McLane; costume designer, Han Feng; lighting designer, Matt Frey; video designer, Tsang Kin-Wah; projection designer, Cameron Davis Dance Alvin Ailey American Dance Theater, artistic director, Robert Battle; associate artistic director, Masazumi Chaya; (Arden Court), choreographed by Paul Taylor, music by William Boyce, restaged by Cathy McCann Buck, set and costumes by Gene Moore, lighting by Jennifer Tiption; (Home), choreographed by Rennie Harris; music by Dennis Ferrer and Raphael Xavier, costumes by Jon Taylor, lighting by Stephen Arnold; (In/Side), choreography by Robert Battle, music performed by Nina Simone, lighting by Burke Wilmore; (Revelations), choreography by Alvin Ailey, décor and costumes by Ves Harper, lighting by Nicola Cernovitch; (Minus 16), chorepgraphy by Ohan Naharin, restaged by Danielle Agami, costumes by Ohad Naharin, lighting by Avi Yona Bueno; (Takademe), choreography by Robert Battle, music by Sheila Chandra, costume by Missoni, costume recreated by Jon Taylor, lighting by Burke Wilmore; (The Hunt), choreography by Robert Battle, music by Les Tambours du Bronx, costumes by Mia McSwain, lighting by Burke Wilmore
    [Show full text]
  • European-Quintet-Tri
    EUROPEAN JAZZ QUINTET ALL STARS TRIBUTE TO : h MILES DAVIS Damon Brown (trumpet), Stéphane Mercier (alto sax), Christian Brenner (piano), Bruno Schorp (doublebass) and Pier Paolo Pozzi (drums). International training provided by top musicians. All in love with the standards of jazz and especially of this period of the sixties magnificently represented by the quintet of Miles Davis. All Stars is federated under the leadership of Christian Brenner who knows every musician for sharing many scenes, including that of the famous Parisian club, Café Laurent, of which he is the artistic director. The training will reinvent a splendid repertoire with their approach and sensitivity. A reading between swing and modern jazz around the magnificent standards chosen in the repertoire of the 60s Miles quintet: Cookin ', Relaxin', Steamin' ', Workin' and the sessions of the 1958 and 60 quintet. Damon Brown's current bio: Damon Brown is one of the Europes leading Jazz trumpet player-vocalists and composers. Born in Manchester (UK) he studied the trumpet at Leeds School of Music and at Guildhall School of Music in London . Damon has played and recorded with many pop and dance music stars including: Sting, Eric Clapton, Bjork. Paul Weller, Maxi Priest, The Specials, The Pasadinas, and the DJ Gilles Peterson. In 1998 the Damon Brown Quintet appeared at the Red Sea Jazz International Festival promoting his debut album “A Rhythm Indicative” (ZahZah 1998). Since then Damon Brown has become one of the UK’s leading Jazz trumpet players and composers playing at all the UK's leading clubs and festivals .He also performs in Europe and the Far East with his own groups and his many sideman credits include tours with Benny Golson, and Dave Liebman , Doug Raney , Big Jon Patten .
    [Show full text]