DOCSLIB.ORG

Includes Our Main Attractions and Special

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Includes Our Main Attractions and Special A NONPROFIT Hiway Theater ART HOUSE Previews104H JUNE – SEPTEMBER 2018 WEST SIDE STORY INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS H IWAYT HEATER.ORG 267 864 0065 Welcome to the nonprofit Hiway Theater The Hiway Theater is a nonprofit, tax-exempt 501(c)(3) organization. Policies ADMISSION Children under 6 – Children under age 6 will not be admitted to our films or programs unless specifically indicated. General ............................................................$11.25 Late Arrivals – The Theater reserves the right to stop selling Members ...........................................................$6.75 tickets (and/or seating patrons) 10 minutes after a film has Seniors (62+) & Students ..................................$9.00 started. Matinees Outside Food and Drink – Patrons are not permitted to bring Mon, Tues, Thurs & Fri before 4:30 outside food and drink into the theater. Sat & Sun before 2:30 .....................................$9.00 Wed Early Matinee before 2:30 ........................$8.00 Accessibility & Hearing Assistance – The Hiway Theater has a wheelchair-accessible auditorium and restroom, and is Affiliated Theater Members* .............................$6.75 equipped with hearing enhancement headsets and closed cap- You must present your membership card to obtain membership discounts. tion devices. (Please inquire at the concession stand.) The above ticket prices are subject to change. Parking Check our website for parking information. THANK YOU MEMBERS! Your membership is the foundation of the theater’s success. Without your membership support, we would not How can you support the Hiway Theater? exist. Thank you for being a member. Contact us with your feedback Be a member. or questions at 215 348 1878 x115 or email us at Become a member of the non- [email protected]. profit Hiway Theater and show *Affiliated Theater Members your support for good films and All members of our theater are entitled to members tickets at all a cultural landmark. See back “Renew Theaters” (Ambler, County, Garden, and Hiway), as well as panel for a membership form MEMBER at participating “Art House Theaters” nationwide. For more informa- or join online. Your financial tion, visit our website. support is tax-deductible. Give us feedback. Make a gift. Your film experience is the most important thing to us, so we Your additional gifts and support make us even better. Your welcome your feedback. Please let us know what we can do better. donations are fully tax-deductible. Contact our Business Office Contact us at 215 348 1878, or [email protected]. at 215 348 1878 x117 or at [email protected]. We’re Nonprofit. Remember us in your will. The Hiway Theater is owned and operated by Hiway Theatre, Inc., Make a legacy gift to the Hiway Theater. Contact our Business a 501(c)(3) tax-exempt, nonprofit corporation. Contributions are Office at 215 348 1878 x117 or email tax-deductible to the full extent of the law. The official registration [email protected]. and financial information of Hiway Theatre, Inc. may be obtained Be a sponsor. for the Pennsylvania Department of State by calling toll-free, within Receive prominent recognition for your business in exchange Pennsylvania, 1 800 732 0999. Registration does not imply en- for helping our nonprofit theater. Recognition comes in a variety dorsement. of ways – on our movie screens, in our brochures, and on our website. Contact us at 215 348 1878 x112 or at [email protected]. Hiway Theater Special thanks. The Hiway Theater receives funding support through 212 Old York Road, Jenkintown, PA 19046 a grant from the Pennsylvania Council on the Arts, 267 864 0065 HOTLINE a state agency funded by the Commonwealth of 215 348 1878 Administrative Office Pennsylvania and the National Endowment for the HiwayTheater.org Arts, a federal agency. PREVIEWS (104) JUNE 1, 2018 PUBLISHED QUARTERLY BY HIWAY THEATRE, INC. 212 OLD YORK ROAD, JENKINTOWN, PA 19046 ISSUE NO. 104 MAIN ATTRACTIONS Main Attractions What main films will play at the Hiway? Predicting in advance what films will play at our beloved one-screen Hiway is the biggest challenge that we face. It is very hard to know ahead of time. The films listed here are an educated guess. Our website is always the best place to get up-to-the-minute Won’t You Be My information. Scheduling our main films is week- Neighbor? to-week. On Monday, we decide what USA - Morgan Neville main film will play starting that Friday. 1 hr 34 min On Tuesday and Wednesday, we set the An intimate look at America’s showtimes for the upcoming week and favorite neighbor: Mister Rogers. then update our website and telephone This emotional and moving film hotline. takes us beyond the zip-up We also send out a weekly email (sign cardigans and the Neighborhood of up at our website). Sometimes, we book Make-Believe, and into the heart of a main film a few weeks in advance, the man who inspired generations which we post on our website. of children with compassion and For our latest Main Attractions plans, imagination. There was not a dry visit: HiwayTheater.org. (Or call our eye when the film premiered at the Hotline at 267-864-0065) 2018 Sundance Film Festival. The Seagull Blindspotting Juliet, Naked USA - Michael Mayer - 1 hr 38 min USA - Carlos López Estrada - 1 hr 35 min UK - Jesse Peretz - 1 hr 45 min Saoirse Ronan and Annette Bening Lifelong friends Daveed Diggs and Rafael A reclusive singer-songwriter’s new star in a new adaptation of Anton Casal co-wrote and star in this timely and album upends several lives in this film Chekhov’s classic play. Set on a Russian entertaining story about the intersection about obsessive fandom. Ethan Hawke country estate, THE SEAGULL follows of race and class in a rapidly gentrifying stars as the vanished indie rocker, Rose the romantic and personal conflicts of Oakland, CA. BLINDSPOTTING is bursting Byrne as the lonelyheart he helps bring a dynamic cast of characters, featuring with style and humor, and is infused with back to life, and Chris O’Dowd plays a multiple love triangles and a play-within- the spirit of rap and spoken word. Carlos sad-sack academic who anchors the the-play. Also starring Elisabeth Moss López Estrada boldly directs his feature third side of the love triangle. A charm- and Corey Stoll. film debut. ing romantic comedy, adapted from Nick Hornby’s best-selling novel. HOLLYWOOD SUMMER2018 NIGHTS Classic Thursdays The Hiway Theater has a new year-round different films every week!) But that’s not film series: Classic Thursdays. We will have how the movie business works, so we must a classic film every other Thursday night. be flexible in programming these special titles. All things considered, this is the best way to bring you the most varied programs Dates subject to change. possible. Stay up-to-date by email. Due to the fact that we are a single screen The best way to be aware of everything theater, we occasionally must postpone happening at the Hiway is to get our weekly special classic screenings. This happens email. You can sign up right from our due to unavoidable contractual obligations website. Each week, we will let you know with our distributors. Any change will be about the Hiway’s upcoming films and announced at least a week ahead of time, events. We’ll also let you know about the and will result in pushing the date forward screenings at our sister theater, the Ambler, or back one week. So before you come, which members can attend for the same please check our website or hotline for member price as the Hiway. confirmation. Ticket prices for Classic Thursdays. Why? Because that’s how the movie biz Our normal ticket prices apply to Classic works. Thursdays, except for young cineastes: Believe us, we wouldn’t have this “subject patrons 18 and younger will only be to change” policy if we didn’t have to. charged an admission of $3 for this series. (If we made the rules, we’d show 3 or 4 HiwayTheater.org In addition to up-to-date movie listings and information about upcoming films and programs, the Hiway Theater website also offers a quick and easy way to become a member. June 14 Thurs 7:00 Date subject to change. Our weekly email update. See intro explanation. Sign up at our website and we’ll send you our weekly email. Jaws 1975 - 2 hr 4 in - USA - color - PG - DCP - Universal - d: Steven Spielberg w/ Roy Scheider, Robert Shaw, Richard Dreyfuss When a great white shark terrorizes the townspeople of Amity Island, the police chief, a grizzled shark Join in the conversation. hunter, and an oceanographer must set out to kill it. Director Steven Spielberg invented the summer Become a fan of the Hiway Theater on blockbuster with this thriller adapted from Peter Benchley’s novel. Facebook and Twitter, or check out our blog at RenewTheaters.org/blog HOLLYWOOD SUMMER2018 NIGHTS July 12 Thurs 7:00 July 26 Thurs 7:00 Date subject to change. Date subject to change. See intro explanation. See intro explanation. Vertigo 1958 - 2 hr 8 min - color - USA DCP - Paramount - d: Alfred Hitchcock - w/ James Stewart, Christmas in July Kim Novak 1940 - 1 hr 7 min - USA - b/w - DCP Celebrating the 60th anniversary of Paramount - d: Preston Sturges - w/ Dick VERTIGO, the crowning achievement Powell, Ellen Drew, Raymond Walburn of Hitchcock’s artistry. Jimmy This delightful comedy by Preston Sturges Stewart plays a detective with a revolves around a prank gone awry. When the fear of heights who has a powerful co-workers of an ambitious clerk trick him obsession with a young woman into thinking he has won $25,000 in a slogan played by Kim Novak.
Load more

Recommended publications
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • The Capitol Dome
    THE CAPITOL DOME The Capitol in the Movies John Quincy Adams and Speakers of the House Irish Artists in the Capitol Complex Westward the Course of Empire Takes Its Way A MAGAZINE OF HISTORY PUBLISHED BY THE UNITED STATES CAPITOL HISTORICAL SOCIETYVOLUME 55, NUMBER 22018 From the Editor’s Desk Like the lantern shining within the Tholos Dr. Paula Murphy, like Peart, studies atop the Dome whenever either or both America from the British Isles. Her research chambers of Congress are in session, this into Irish and Irish-American contributions issue of The Capitol Dome sheds light in all to the Capitol complex confirms an import- directions. Two of the four articles deal pri- ant artistic legacy while revealing some sur- marily with art, one focuses on politics, and prising contributions from important but one is a fascinating exposé of how the two unsung artists. Her research on this side of can overlap. “the Pond” was supported by a USCHS In the first article, Michael Canning Capitol Fellowship. reveals how the Capitol, far from being only Another Capitol Fellow alumnus, John a palette for other artist’s creations, has been Busch, makes an ingenious case-study of an artist (actor) in its own right. Whether as the historical impact of steam navigation. a walk-on in a cameo role (as in Quiz Show), Throughout the nineteenth century, steam- or a featured performer sharing the marquee boats shared top billing with locomotives as (as in Mr. Smith Goes to Washington), the the most celebrated and recognizable motif of Capitol, Library of Congress, and other sites technological progress.
    [Show full text]
  • Bound States in Models of Asymtotic Freedom
    Bound States in Models of Asymptotic Freedom S. G. Rajeev 1 Institut Mittag-Leffler The Royal Swedish Academy of Sciences Aurav¨agen 17, Djursholm, Sweden Abstract We study some quantum theories which are divergent but for which renor- malization can be performed nonperturbatively and explicitly. The result is a well–defined, finite formulation of these theories, in which neither a cutoff nor a bare coupling constant appears. Such theories describe ‘contact’ inter- actions between particles which are encoded into the boundary conditions of the wavefunction rather than in the hamiltonian. It is the attempt to de- scribe them in terms of conventional potentials or self-interactions that lead arXiv:hep-th/9902025v1 2 Feb 1999 to divergences. We discover that, after renormalization, the dynamics is described by a new operator (the ‘principal operator’ Φ(E) ): the Schr¨odinger equation for energy levels is replaced by the eigenvalue problem Φ(E)ψ = 0 for this operator. (More generally, the resolvent of the hamiltonian has an explicit 1Department of Physics and Astronomy, University of Rochester, Rochester, New York 14627,USA 1 formula in terms of the inverse of Φ(E).) Moreover the interactions are not described by the boundary conditions (domain) of the operator, but by the formula for it; i.e., by its action on smooth functions. Even when the theory cannot be explicitly solved, it can be given a finite formulation once this operator is determined. It is then possible to apply standard approximation methods; in particular we can determine the energy of bound states, which would be impossible in petrurbation theory.
    [Show full text]
  • House of Cards Review
    House of Cards: TV Review http://www.hollywoodreporter.com/print/415589 Source URL: http://www.hollywoodreporter.com/review/house-cards-netflix-tv-review-415589 8:00 AM PST 1/26/2013 by Tim Goodman The Bottom Line Kevin Spacey shines in this heavyweight new contender in the drama category that makes Netflix a major player as a content provider. Premieres Feb. 1 (Netflix) Director David Fincher Cast Kevin Spacey, Robin Wright, Kate Mara, Corey Stoll, Michael Kelly, Constance Zimmer, Michael Gill, Sakina Jaffrey, If Netflix wanted to come out of the gates strong as a content provider worthy of any cable channel, it picked a stellar choice in House of Cards, a remake of the Brit series starring a riveting Kevin Spacey and directed by David Fincher (at least the first two episodes, which were shown to critics before Netflix releases all 13 for streaming Feb. 1). The streaming and DVD-by-mail service got its original-content feet wet a year ago with Lillyhammer, starring Steven Van Zandt as a New York gangster who goes into witness protection in Norway, but it is really making its mark with a slate of five new series rolling out in 2013. It’s a concerted, calculated slate that says, “We’ve arrived -- and what are you going to do about it?” 1 of 4 1/28/2013 10:55 AM House of Cards: TV Review http://www.hollywoodreporter.com/print/415589 PHOTOS: 7 Music to Movie Directors: Michael Bay, David Fincher, Spike Jonze [7] As a threat to higher-end niche cable channels that traffic in acclaimed dramas, Netflix’s likeliest competitors are FX, AMC and Starz.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Leslie Caron
    COUNCIL FILE NO. t)q .~~f7:; COUNCIL DISTRICT NO. 13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-81) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: -} A. Future Street Acceptance. -} B. Quitclaim of Easement(s). -} C. Dedication of Easement(s). -} D. Release of Restriction(s) . ..10 E. Request for Star in Hollywood Walk of Fame. -} F. Brass Plaque(s) in San Pedro Sport Walk. -} G. Resolution to Vacate or Ordinance submitted in response to Council action. -} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson 'DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in Council. AFTER COUNCIL ACTION: ___ -f} Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. __ ---J} Other: . .;~ ';, PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council Of the City of Los Angeles NOV 242009 Honorable Members: C. D. No. 13 SUBJECT: Hollywood Boulevard and Vine Street - Walk of Fame Additional Name in Terrazzo Sidewalk- LESLIE CARON RECOMMENDATIONS: A.
    [Show full text]
  • Café Society
    Presents CAFÉ SOCIETY A film by Woody Allen (96 min., USA, 2016) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia CAFÉ SOCIETY Starring (in alphabetical order) Rose JEANNIE BERLIN Phil STEVE CARELL Bobby JESSE EISENBERG Veronica BLAKE LIVELY Rad PARKER POSEY Vonnie KRISTEN STEWART Ben COREY STOLL Marty KEN STOTT Co-starring (in alphabetical order) Candy ANNA CAMP Leonard STEPHEN KUNKEN Evelyn SARI LENNICK Steve PAUL SCHNEIDER Filmmakers Writer/Director WOODY ALLEN Producers LETTY ARONSON, p.g.a. STEPHEN TENENBAUM, p.g.a. EDWARD WALSON, p.g.a. Co-Producer HELEN ROBIN Executive Producers ADAM B. STERN MARC I. STERN Executive Producer RONALD L. CHEZ Cinematographer VITTORIO STORARO AIC, ASC Production Designer SANTO LOQUASTO Editor ALISA LEPSELTER ACE Costume Design SUZY BENZINGER Casting JULIET TAYLOR PATRICIA DiCERTO 2 CAFÉ SOCIETY Synopsis Set in the 1930s, Woody Allen’s bittersweet romance CAFÉ SOCIETY follows Bronx-born Bobby Dorfman (Jesse Eisenberg) to Hollywood, where he falls in love, and back to New York, where he is swept up in the vibrant world of high society nightclub life. Centering on events in the lives of Bobby’s colorful Bronx family, the film is a glittering valentine to the movie stars, socialites, playboys, debutantes, politicians, and gangsters who epitomized the excitement and glamour of the age. Bobby’s family features his relentlessly bickering parents Rose (Jeannie Berlin) and Marty (Ken Stott), his casually amoral gangster brother Ben (Corey Stoll); his good-hearted teacher sister Evelyn (Sari Lennick), and her egghead husband Leonard (Stephen Kunken).
    [Show full text]
  • The Public Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park Stephanie Pietros
    Early Modern Culture Volume 12 Article 28 6-12-2017 The Public Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park Stephanie Pietros Follow this and additional works at: https://tigerprints.clemson.edu/emc Part of the Literature in English, British Isles Commons, and the Theatre and Performance Studies Commons Recommended Citation Stephanie Pietros (2017) "The ubP lic Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park," Early Modern Culture: Vol. 12 , Article 28. Available at: https://tigerprints.clemson.edu/emc/vol12/iss1/28 This Theater Review is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in Early Modern Culture by an authorized editor of TigerPrints. For more information, please contact [email protected]. The Public Theater’s Free Shakespeare in the Park Troilus and Cressida Directed by Daniel Sullivan Delacorte Theater; Central Park, New York, NY Performance Date: August 9, 2016 Reviewed by STEPHANIE PIETROS he Public Theater’s production of Troilus and Cressida, directed by Daniel Sullivan, brought to the forefront the world-weariness of protracted war T that is at the heart of the play. Nothing, not even the brief romance of the titular characters, felt fresh and new, for even that was engineered by the sleazy Pandarus. The set, casting, parallels between Greeks and Trojans, jaded romances, and, ultimately, final battle between Hector and Achilles, all pointed to the conclusion Wilfred Owen drew three centuries after Shakespeare wrote his play: that Horace’s famous dictum about it being sweet and fitting to die for one’s country is not borne out by the realities of wartime.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • False Authenticity in the Films of Woody Allen
    False Authenticity in the Films of Woody Allen by Nicholas Vick November, 2012 Director of Thesis: Amanda Klein Major Department: English Woody Allen is an auteur who is deeply concerned with the visual presentation of his cityscapes. However, each city that Allen films is presented in such a glamorous light that the depiction of the cities is falsely authentic. That is, Allen's cityscapes are actually unrealistic recreations based on his nostalgia or stilted view of the city's culture. Allen's treatment of each city is similar to each other in that he strives to create a cinematic postcard for the viewer. However, differing themes and characteristics emerge to define Allen's optimistic visual approach. Allen's hometown of Manhattan is a place where artists, intellectuals, and writers can thrive. Paris denotes a sense of nostalgia and questions the power behind it. Allen's London is primarily concerned with class and the social imperative. Finally, Barcelona is a haven for physicality, bravado, and sex but also uncertainty for American travelers. Despite being in these picturesque and dynamic locations, happiness is rarely achieved for Allen's characters. So, regardless of Allen's dreamy and romanticized visual treatment of cityscapes and culture, Allen is a director who operates in a continuous state of contradiction because of the emotional unrest his characters suffer. False Authenticity in the Films of Woody Allen A Thesis Presented To the Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree MA English by Nicholas Vick November, 2012 © Nicholas Vick, 2012 False Authenticity in the Films of Woody Allen by Nicholas Vick APPROVED BY: DIRECTOR OF DISSERTATION/THESIS: _______________________________________________________ Dr.
    [Show full text]
  • Tolono Library CD List
    Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J.
    [Show full text]
  • An Evening with Cary Grant
    James J. Asher P.O. Box 1102 Los Gatos, CA 95031 An Evening with Cary Grant JAMES J. ASHER “Let’s go early,” I told my wife, “maybe an hour ahead so that we can get a front row seat to see Cary Grant in person.” How naive can one be? When we arrived, the line snaking into the auditorium was already a block long. I looked around. There were people of all ages — many had flown in from as far away as Japan and Australia just to spend an evening with Cary Grant. Every plush red seat in the huge triple-balcony auditorium at DeAnza College in Cupertino, California was occupied by an excited fan. At regular intervals along the aisles that led to the stage a microphone was positioned. The stage was empty except for a microphone next to a tall stool and a small table on which there was a pitcher of ice water and a glass. Behind these items was a huge pull-down screen for an 8-minute montage of memorable film clips that would be used to present Mr. Grant. Before he appeared, we discovered that Cary Grant was Archibald Alexander Leach born Sunday January 18, 1904 in Bristol, England. The setting was the Edwardian age of gas-lit streets, horse-drawn carriages, trams and four-masted schooners. His father, Elias James Leach 1 James J. Asher P.O. Box 1102 Los Gatos, CA 95031 was a tailor’s presser in Todd’s Clothing Factory and his mother, Elsie Maria Kingdon Leach, came from a family of brewery laborers, laundresses and ships’ carpenters.
    [Show full text]