DOCSLIB.ORG

Windows XP Digital Music for Dummies

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Windows XP Digital Music for Dummies 01_575996 ffirs.qxd 10/19/04 3:50 PM Page i Windows®XP Digital Music FOR DUMmIES‰ by Ryan Williams 01_575996 ffirs.qxd 10/19/04 3:50 PM Page iv 01_575996 ffirs.qxd 10/19/04 3:50 PM Page i Windows®XP Digital Music FOR DUMmIES‰ by Ryan Williams 01_575996 ffirs.qxd 10/19/04 3:50 PM Page ii Windows® XP Digital Music For Dummies® Published by Wiley Publishing, Inc. 111 River Street Hoboken, NJ 07030-5774 Copyright © 2005 by Wiley Publishing, Inc., Indianapolis, Indiana Published by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permit- ted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, e-mail: brand [email protected]. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates in the United States and other countries, and may not be used without written permission. All other trademarks are the property of their respective owners. Wiley Publishing, Inc., is not associated with any product or vendor mentioned in this book. LIMIT OF LIABILITY/DISCLAIMER OF WARRANTY: THE PUBLISHER AND THE AUTHOR MAKE NO REP- RESENTATIONS OR WARRANTIES WITH RESPECT TO THE ACCURACY OR COMPLETENESS OF THE CON- TENTS OF THIS WORK AND SPECIFICALLY DISCLAIM ALL WARRANTIES, INCLUDING WITHOUT LIMITATION WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE. NO WARRANTY MAY BE CRE- ATED OR EXTENDED BY SALES OR PROMOTIONAL MATERIALS. THE ADVICE AND STRATEGIES CON- TAINED HEREIN MAY NOT BE SUITABLE FOR EVERY SITUATION. THIS WORK IS SOLD WITH THE UNDERSTANDING THAT THE PUBLISHER IS NOT ENGAGED IN RENDERING LEGAL, ACCOUNTING, OR OTHER PROFESSIONAL SERVICES. IF PROFESSIONAL ASSISTANCE IS REQUIRED, THE SERVICES OF A COMPETENT PROFESSIONAL PERSON SHOULD BE SOUGHT. NEITHER THE PUBLISHER NOR THE AUTHOR SHALL BE LIABLE FOR DAMAGES ARISING HEREFROM. THE FACT THAT AN ORGANIZATION OR WEBSITE IS REFERRED TO IN THIS WORK AS A CITATION AND/OR A POTENTIAL SOURCE OF FUR- THER INFORMATION DOES NOT MEAN THAT THE AUTHOR OR THE PUBLISHER ENDORSES THE INFOR- MATION THE ORGANIZATION OR WEBSITE MAY PROVIDE OR RECOMMENDATIONS IT MAY MAKE. FURTHER, READERS SHOULD BE AWARE THAT INTERNET WEBSITES LISTED IN THIS WORK MAY HAVE CHANGED OR DISAPPEARED BETWEEN WHEN THIS WORK WAS WRITTEN AND WHEN IT IS READ. For general information on our other products and services, please contact our Customer Care Department within the U.S. at 800-762-2974, outside the U.S. at 317-572-3993, or fax 317-572-4002. For technical support, please visit www.wiley.com/techsupport. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Library of Congress Control Number: 2004115088 ISBN: 0-7645-7599-6 Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 1O/QV/RR/QU/IN 01_575996 ffirs.qxd 10/19/04 3:50 PM Page iii About the Author Ryan Williams is the Digital Multimedia Development Specialist for the Indiana University School of Dentistry. He graduated from the Indiana University School of Music with a master’s degree in music technology, along with a bachelor’s degree in communications from DePauw University. In addi- tion, he writes for indianapolismusic.net, a Web site focused on the musi- cal happenings in and around the greater Indianapolis metropolitan area. As a bassist, Ryan has played in most known genres of music and some addi- tional ones that seemed invented on the spot. While he was named “Best Bassist In Indianapolis” by shotgunreviews.com in 2002, he will happily provide you with the names of several local musicians who both inspire and embarrass him on a regular basis. He currently shares stages and studios with the members of Mother Grove, a Celtic rock band featured in shows and festivals from Ohio to Colorado. 01_575996 ffirs.qxd 10/19/04 3:50 PM Page iv 01_575996 ffirs.qxd 10/19/04 3:50 PM Page v Author’s Acknowledgments This book would not have been possible without the tireless dedication of Steve Hayes, Colleen Totz, John Edwards, and Erik Scull. Their efforts, advice, and encouragement were essential to this project. My sincere thanks go to Matt Fecher and everyone at indianapolismusic. net, Doug Babb and the Indiana University School of Music, and John Gosney, Nadine Florek, Brian Lich, and the Indiana University School of Dentistry. During my time in Indianapolis, I’ve been lucky to receive the patience and support of people like Candice Jackson, Matt Chandler, and all the musicians I’ve had the pleasure of sharing the stage with in the last few years. You all have introduced me to new possibilities and views, and I’m a better person for it. And finally, I’ve been blessed with the support and love of my wonderful Jennifer. Here’s to future adventures. 01_575996 ffirs.qxd 10/19/04 3:50 PM Page vi Publisher’s Acknowledgments We’re proud of this book; please send us your comments through our online registration form located at www.dummies.com/register/. Some of the people who helped bring this book to market include the following: Acquisitions, Editorial, and Production Media Development Project Coordinator: Maridee Ennis Project Editor: Colleen Totz Layout and Graphics: Andrea Dahl, Senior Acquisitions Editor: Steve Hayes Lauren Goddard, Joyce Haughey, Copy Editor: John Edwards Stephanie D. Jumper, Barry Offringa, Lynsey Osborn, Heather Ryan Technical Editor: Erik Scull Proofreaders: John Greenough, Joe Niesen, Editorial Manager: Carol Sheehan Brian H. Walls, TECHBOOKS Production Media Development Manager: Services Laura VanWinkle Indexer: TECHBOOKS Production Services Media Development Supervisor: Richard Graves Editorial Assistant: Amanda Foxworth Cartoons: Rich Tennant, www.the5thwave.com Publishing and Editorial for Technology Dummies Richard Swadley, Vice President and Executive Group Publisher Andy Cummings, Vice President and Publisher Mary Bednarek, Executive Acquisitions Director Mary C. Corder, Editorial Director Publishing for Consumer Dummies Diane Graves Steele, Vice President and Publisher Joyce Pepple, Acquisitions Director Composition Services Gerry Fahey, Vice President of Production Services Debbie Stailey, Director of Composition Services 02_575996 ftoc.qxd 10/19/04 3:50 PM Page vii Contents at a Glance Introduction ................................................................1 Part I: Playing Music on Windows XP ...........................7 Chapter 1: Are You XPerienced? ......................................................................................9 Chapter 2: Wiring Your Computer for Sound ...............................................................25 Chapter 3: Basic Operations ..........................................................................................45 Chapter 4: Windows XP Media Center Edition ............................................................57 Part II: Making Windows XP Your Digital Jukebox .......65 Chapter 5: Stalking the Wild Jukebox Software ...........................................................67 Chapter 6: Ripping Music Files from CDs, DVDs, and More .......................................89 Chapter 7: Buying Songs at the 99-Cent Store ...........................................................105 Chapter 8: Radio Station WNXP ...................................................................................127 Part III: Goin’ Mobile: Taking Your Songs on the Road .............................................................139 Chapter 9: Choosing an Okay Player ..........................................................................141 Chapter 10: Feed Me, Seymour! Transferring Songs to Your Portable Audio Player ..................................................................................159 Part IV: Quiet in the Studio ......................................169 Chapter 11: Building Your Studio ................................................................................171 Chapter 12: Laying Down a Few Tracks ......................................................................189 Chapter 13: Recording, Looping, and Editing ............................................................205 Chapter 14: Mixing the Music ......................................................................................225 Chapter 15: Finishing Up Your Song ............................................................................233 Part V: The Part of Tens ...........................................237 Chapter 16: Ten Valuable Ways to Tune-Up Your Digital Music ..............................239 Chapter 17: Ten Legal Download Sites .......................................................................245 Chapter 18: Ten Download-Friendly Artists ...............................................................249 Chapter
Load more

Recommended publications
  • What's the Download® Music Survival Guide
    WHAT’S THE DOWNLOAD® MUSIC SURVIVAL GUIDE Written by: The WTD Interactive Advisory Board Inspired by: Thousands of perspectives from two years of work Dedicated to: Anyone who loves music and wants it to survive *A special thank you to Honorary Board Members Chris Brown, Sway Calloway, Kelly Clarkson, Common, Earth Wind & Fire, Eric Garland, Shirley Halperin, JD Natasha, Mark McGrath, and Kanye West for sharing your time and your minds. Published Oct. 19, 2006 What’s The Download® Interactive Advisory Board: WHO WE ARE Based on research demonstrating the need for a serious examination of the issues facing the music industry in the wake of the rise of illegal downloading, in 2005 The Recording Academy® formed the What’s The Download Interactive Advisory Board (WTDIAB) as part of What’s The Download, a public education campaign created in 2004 that recognizes the lack of dialogue between the music industry and music fans. We are comprised of 12 young adults who were selected from hundreds of applicants by The Recording Academy through a process which consisted of an essay, video application and telephone interview. We come from all over the country, have diverse tastes in music and are joined by Honorary Board Members that include high-profile music creators and industry veterans. Since the launch of our Board at the 47th Annual GRAMMY® Awards, we have been dedicated to discussing issues and finding solutions to the current challenges in the music industry surrounding the digital delivery of music. We have spent the last two years researching these issues and gathering thousands of opinions on issues such as piracy, access to digital music, and file-sharing.
    [Show full text]
  • My Friend P2p
    MY FRIEND P2P Music and Internet for the Modern Entrepreneur Lucas Pedersen Bachelor’s Thesis December 2010 Degree Program in Media Digital Sound and Commercial Music Tampereen ammattikorkeakoulu Tampere University of Applied Sciences 2 ABSTRACT Tampere University of Applied Sciences Degree Program in Media Digital Sound and Commercial Music PEDERSEN, LUCAS: My Friend p2p – Music and Internet for the Modern Entrepreneur Bachelor’s thesis 81 pages December 2010 _______________________________________________________________ The music industry is undergoing an extensive transformation due to the digital revolution. New technologies such as the PC, the internet, and the iPod are empowering the consumer and the musician while disrupting the recording industry models. The aim of my thesis was to acknowledge how spectacular these new technologies are, and what kind of business structure shifts we can expect to see in the near future. I start by presenting the underlying causes for the changes and go on to studying the main effects they have developed into. I then analyze the results of these changes from the perspective of a particular entrepreneur and offer a business idea in tune with the adjustments in supply and demand. Overwhelmed with accessibility caused by democratized tools of production and distribution, music consumers are reevaluating recorded music in relation to other music products. The recording industry is shrinking but the overall music industry is growing. The results strongly suggest that value does not disappear, it simply relocates. It is important that both musicians and industry professionals understand what their customers value and how to provide them with precisely that. _______________________________________________________________ Key Words: Music business, digital revolution, internet, piracy, marketing.
    [Show full text]
  • Christopher Soghoian Student Fellow Berkman Center for Internet & Society Harvard University 23 Everett Street, Second Floor Cambridge MA 02138
    Comment of: Christopher Soghoian Student Fellow Berkman Center for Internet & Society Harvard University 23 Everett Street, Second Floor Cambridge MA 02138 Represented by: Phil Malone Director, Cyberlaw Clinic Arjun Mehra Clinical Student, Cyberlaw Clinic Harvard Law School Berkman Center for Internet & Society 23 Everett Street, Second Floor Cambridge MA 02138 Office of the General Counsel U.S. Copyright Office James Madison Memorial Building, Room LM-401 101 Independence Avenue, SE. Washington, DC 20559-6000 December 2, 2008 Re: RM 2008-8 -- Exemptions to Prohibition on Circumvention of Copyright Protection Systems for Defunct DRM and Copy Protection-Based Stores I. PROPOSED CLASS OF WORKS We respectfully request an exemption to DMCA §1201(a)(1)(A) for lawfully purchased sound recordings, audiovisual works, and software programs distributed commercially in digital format by online music and media stores and protected by technological measures that depend on the continued availability of authenticating servers, when such authenticating servers cease functioning because the store fails or for other reasons. We also request a separate exemption for the same class of works even prior to the failure of the servers for technologists and researchers studying and documenting how the authenticating servers that effectuate the technological measures function. The technological measures at issue include digital rights management (DRM) technologies and copy protection mechanisms encoded into purchased music, videos, and software, which are sold with a set of permissions and require authentication with remote servers in order to allow users to fully exercise those purchased rights, including the ability to access the works on other devices, or in some cases, to allow continued access to the works on the same device.
    [Show full text]
  • GAMING Laptops Why Buy a Desk Hog When Many Portables Pack the Same Horsepower? These Models Do Games, Movies, and More
    W I R E D + 250 PRODUCTS TESTED AND RATED FIND THE RIGHT: Digital Cameras Laptops Phonecams Plasma TVs From the Editors of Video Cameras WIRED Wireless Keyboards America’s Premier Photo Printers Tech Magazine MP3 Players Surround Sound Systems Movies-On-Demand W Tablet PCs W Online Music Services W. Media Streamers THE ULTIMATE W Coffeemakers BUYER’S GUIDE I Gaming Accessories TO THE BEST R PLUS: Home theater gear you can afford PRODUCTS E D. D. CAN C O $5.95 | $6.95 M DISPLAY UNTIL FEBRUARY 9, 2005 TESTTHE ULTIMATE BUYER’S GUIDE TO THE BEST PRODUCTS CONTENTS 14 Surviving the Gizmo Explosion Relax: We tested hundreds of products so you don’t have to. by Chris Anderson PLUS: A sneak preview of 7 cool technologies of tomorrow. PLUS: The top 10 reviews from Wired’s Gadget Lab newsletter. 23 Mobile Phones Multifunction phones, megapixel phonecams, and phone-PDA hybrids 32 Scorecard COMMUNICATION PLUS: Internet phone services 35 Digital Cameras 47 Digital Video Cameras Pocket-sized, full-featured compact, MiniDV and tapeless video cameras and digital SLR cameras 43 Scorecard 52 Scorecard CAMERAS PLUS: Photo printers 55 High-Definition TVs 69 Digital Video Recorders Plasma, LCD, and rear-projection TVs, High-definition, standard-definition, and high-end projectors and DVD-burning DVRs 63 Scorecard 75 Scorecard VIDEO PLUS: Budget projectors & PLUS: DVD rental by mail & widescreen PC monitors movies-on-demand RED COVER: Sanyo XactiVPC-C1 pocket camcorder, © PSC/T3 Magazine. Find the US version, Sanyo Fisher FVD-C1, on page 52. BLUE COVER: Panasonic D-Snap SV-AV50A tapeless camcorder, Craig Maxwell.
    [Show full text]
  • Tribute to the Cars to Appear at Hht
    PRESS RELEASE – September 17, 2018 Susan Carrier (951) 551-5363 [email protected] TRIBUTE TO THE CARS TO APPEAR AT HHT On Saturday October 6th, the Historic Hemet Theatre will host a tribute to The Cars, a band that pioneered synthesizer pop music in the late 70's and early 80's. Performing the tribute will be Heartbeat City, a band that has recreated the look and sound of the Cars, dressing in the 80's style of the band and perfecting a sound that is amazingly close to the real thing! Although less well known than other classic bands, The Cars were quite successful in their day, including being named "Best New Artist" by Rolling Stone in 1978 and "Video of the Year" for "You Might Think" at the very first MTV Video Music Awards in 1984. Their debut album, The Cars, sold six million copies and appeared on the Billboard 200 album chart for 139 weeks. Robert Palmer, music critic for Rolling Stone, described the Cars' musical style by saying: "they have taken some important but disparate contemporary trends—punk minimalism, the labyrinthine synthesizer and guitar textures of art rock, the '50s rockabilly revival and the melodious terseness of power pop—and mixed them into a personal and appealing blend." The Cars most memorable hits include "My Best Friend's Girl," "Just What I Needed," "Who's Gonna Drive You Home Tonight?," and "Good Times Roll." The members of Heartbeat City are Phil Rowland (drums), Jamie Rio (lead vocals, guitar), Don E Sachs (Lead guitar, vocals), Andy Catt (bass, lead vocals), Mark Adame (keyboard, vocals).
    [Show full text]
  • Wavelength (November 1984)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 11-1984 Wavelength (November 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (November 1984) 49 https://scholarworks.uno.edu/wavelength/49 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. I I ~N0 . 49 n N<MMBER · 1984 ...) ;.~ ·........ , 'I ~- . '· .... ,, . ----' . ~ ~'.J ··~... ..... 1be First Song • t "•·..· ofRock W, Roll • The Singer .: ~~-4 • The Songwriter The Band ,. · ... r tucp c .once,.ts PROUDLY PR·ESENTS ••••••••• • • • • • • • •• • • • • • • • • • • • • • • ••••••••• • • • • • • • •• • • • • • • • • • • • • • •• • • • • • • • • • • • ••••••••••• • •• • • • • • • • ••• •• • • • • • •• •• • •• • • • •• ••• •• • • •• •••• ••• •• ••••••••••• •••••••••••• • • • •••• • ••••••••••••••• • • • • • ••• • •••••••••••••••• •••••• •••••••• •••••• •• ••••••••••••••• •••••••• •••• .• .••••••••••••••••••:·.···············•·····•••·• ·!'··············:·••• •••••••••••• • • • • • • • ...........• • ••••••••••••• .....•••••••••••••••·.········:· • ·.·········· .....·.·········· ..............••••••••••••••••·.·········· ............ '!.·······•.:..• ... :-=~=···· ····:·:·• • •• • •• • • • •• • • • • • •••••• • • • •• •
    [Show full text]
  • Archos-AV400-En.Pdf
    English Language User Manual Table of Contents 1 INTRO - Ports, Buttons and Connections 6 2 INTRO - First Time Usage 8 2.1 Plugging in the AC Adapter 8 2.2 Turning on the AV400 8 2.3 Shutting off the AV400 and Battery saving features 8 2.4 Changing the Language 9 2.5 Foreign Character Sets 9 2.6 Charging the Batteries 9 2.7 Caring for the AV400 10 2.8 Hardware Reset 10 3 MUSIC - Playing Music Files 11 3.1 Button Control 11 3.2 Playing Through your Stereo System 12 3.3 Artist, Album, Title … ID3 Tags 13 3.4 The ARCLibrary (Browsing by Album, Artist, or Song name) 13 3.5 Setting a Bookmark 14 3.6 The Resume Function 15 4 MUSIC - Playlists 16 4.1 Playing a Playlist 16 4.2 Creating a Playlist 17 4.3 Saving a Playlist 17 4.4 Adding songs to a Playlist while listening to Music 18 5 MUSIC - Recording Music 19 5.1 Cable Connections for Audio Recording 19 5.2 Recording Procedure 19 • MPEG-4 Video Player & Recorder • MP3 & WMA Music Player • Photo Viewer 5.3 Where is the Recording Saved? 21 • USB 2.0 Hard Disk 5.4 Audio Editing 21 • Digital Audio Recorder 6 MUSIC - Using Windows™ Media Player 9 23 6.1 Installing Windows Media Player 9 23 6.2 Installing the WMP9 Service Provider Plug-in 23 6.3 Copying Music to your AV400 24 7 MUSIC - Using iTunes™ with your AV400 25 8 VIDEO - Playing Video 26 8.1 Setting a Bookmark 27 User Manual for ARCHOS Pocket AV400 8.2 The Resume Function 27 Manual version 2.0 pn: 103090V2 8.3 Display Format Settings 28 8.4 Playing Video Files from the Internet 28 Please visit our website to download the most recent manual and software for this product.
    [Show full text]
  • THE UWM POST Ward Professional Fields
    INSIDE Big Business! Majors continue shifting to­ THE UWM POST ward professional fields. Page 3 Financial aid: Competition for loans will; increase as cutbacks in federal grant prog­ Focus on. Higher Education rams hit home. Page 3 S&Sl Twenty-Five years after Port Huron, we look at the group's history. Pago 5 Freshmen; UWM administrators question Wednesday, September 2.198/ their preparedness. Page 11 New student minds fail to bloom r? fits Critique of education 113 highly controversial \1 W* A University of Chicago professor, special­ iMWM izing in social thought, says higher education is impoverishing the souls and minds of to­ day's youth. Few recent books relating to the state of American universities have drawn as much critical response as Allan Bloom's "The Clos­ ing of the American Mind." Despite Bloom's insistence that Story by Michael Szymanski his book is for students, many may Illustration by Mike Thompson feel slighted by his appraisal of them. In his book that has headed the New York I * i Times list of bestsellers for more than three months, Bloom warns that American univer­ sities are churning out a generation of non­ thinking cultural illiterates. Dloom, a respected J>6-year-old philosopher, charges that the cur­ rent move away from traditional liberal arts studies to vocational, tech­ nical and professional education is dimming the faculties of college stu­ dents. The book, a philosophical narrative that takes the reader on a con­ temporary cultural journey, uses great thinkers like Plato, Rousseau, Socrates and Nietzsche as guides. According to Bloom, the failure of higher education to require more liberal ai e failure of students to choose them is causing educational quality to spiral downwj Bloom calls the present state and trends < most urgent problem.
    [Show full text]
  • IFPI Digital Music Report 2010 Music How, When, Where You Want It Contents
    IFPI Digital Music Report 2010 Music how, when, where you want it Contents 3. Introduction 4. Executive Summary: Music – Pathfinder In The Creative Industries’ Revolution 8. The Diversification Of Business Models 10. Digital Music Sales Around The World 12. In Profile: Pioneers Of Digital Music 18. Competing In A Rigged Market – The Problem Of Illegal File-Sharing 20. ‘Climate Change’ For All Creative Industries 24. Graduated Response – A Proportionate, Preventative Solution 28. The World Of Legal Music Services 30. Consumer Education – Lessons Learned Music How, When, Where You Want It – But Not Without Addressing Piracy By John Kennedy, Chairman & Chief Executive, IFPI This is the seventh IFPI Digital Music in new artists, we have to tackle mass legislation to curb illegal file-sharing. Report. If you compare it to the first piracy. Second, we are progressing towards Another clear change is within the music report published in 2004, you can an effective response. The progress is sector itself. It was, until recently, rare see a transformation in a business agonisingly slow for an industry which does for artists to engage in a public debate which has worked with the advance not have a lot of time to play with – but it is about piracy or admit it damages them. of technology, listened to the consumer progress nonetheless. In September 2009, the mood changed. and responded by licensing its music Lily Allen spoke out about the impact of in new formats and channels. On page 20 of the Report, Stephen illegal file-sharing on young artists’ careers. Garrett, head of the production company When she was attacked by an abusive In 2009 globally, for the first time, more Kudos, refers to a “climate change” in online mob, others came to her support.
    [Show full text]
  • Midwinter 2005 ISSN 1534-0937 Walt Crawford
    Cites & Insights Crawford at Large Libraries • Policy • Technology • Media Sponsored by YBP Library Services Volume 5, Number 2: Midwinter 2005 ISSN 1534-0937 Walt Crawford $20-$25 of 256MB for $40-$50 may be more Trends & Quick Takes typical. With XP computers typically having front-mounted USB slots, the primary setup The Hazy Crystal Ball requirement is security. It’s that time of year—time for pundits and gurus to ¾ Wireless Access: “Providing wireless access tell us what’s to come and for a few of them to spin frees up your public access computing termi- last year’s projections. nals for those who truly need them, and I was going to include snarky comments (or cred- makes your library the neighborhood ‘hot- its, when applicable) about last year’s forecasts—but I spot’ for information access.” see that last year got so confusing that I never ran a ¾ Thin Clients::: “Thin-client technology en- set of forecasts. Neither did I make one: That should ables you to extend the life of your existing be no surprise. computers, lower costs on expanding the number of patron terminals, and simplify WebJunction’s Emerging technologies maintenance procedures.” for small libraries ¾ Upgrading Your Operating Systems: “Tech- You could think of this as a counterpart to the LITA Soup Stock offers upgrades to Windows XP Top Technology Trends group, but with fewer partici- for $8 (libraries are eligible)…” The text calls pants (eight in the October 4 posting) and a small- Windows 2000 and 95 “antiquated.” library bent. The committee develops a quarterly “list of five technologies they think are worth considering Inside This Issue for your library.” I like the guidelines: “The committee Bibs & Blather....................................................................
    [Show full text]
  • Entertainment, Arts and Sports Law Journal a Publication of the Entertainment, Arts and Sports Law Section of the New York State Bar Association
    NYSBA SUMMER 2005 | VOLUME 16 |NO. 2 Entertainment, Arts and Sports Law Journal A publication of the Entertainment, Arts and Sports Law Section of the New York State Bar Association Remarks From the Chair/Editor’s Note Remarks From the Chair In continuing with the theme of excellence among It is with a sad heart that EASL members, I am extremely pleased that Elisabeth I write to say that one of our Wolfe, Chair of our Pro Bono Committee, received one longtime Executive Commit- of the NYSBA President’s Pro Bono Service Awards. We tee members, James Henry are so proud of all of Elisabeth’s accomplishments, Ellis, who most recently Co- which help to make available pro bono opportunities for Chaired with Jason Baruch our members and their pro bono clients, and for raising our Theater and Performing EASL’s pro bono activities and programs to a nationally Arts Committee, passed recognized level. The President’s Pro Bono Service away on May 26th, at the age Awards were created more than ten years ago to honor of seventy-two. When I law firms, law students and attorneys from each judicial spoke with his daughter and district who have provided outstanding pro bono serv- asked if there was a specific ice to low income people. Elissa D. Hecker organization to which dona- In addition, our new Committee on Alternate Dis- tions could be made in Jim’s pute Resolution has launched itself with programs name, she mentioned the Parsons Dance Foundation. already held and many more underway. In addition, its Jim will be missed.
    [Show full text]
  • (19) United States RECHARGABLE TLMWT"
    US 20080212945A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2008/0212945 A1 KHEDOURI et al. (43) Pub. Date: Sep. 4, 2008 (54) METHOD FOR ACQUIRING DIGITAL Publication Classi?cation CONTENT (51) Int. Cl. (75) Inventors: Robert K. KHEDOURI, Roslyn, H04N 7/26 (200601) NY (US); Jonathan N. Axelrod, NeWYOrk’ NY (Us); Harold E- (52) US. Cl. ...................................................... .. 386/124 Price, Bethel Park, PA (U S) (57) ABSTRACT Correspondence Address: _ _ _ _ _ GOTTLIEB RACKMAN & REISMAN PC A portable W1reless commumcatlons subscriber audio and/or 270 MADISON AVENUE 8TH FLOOR video player apparatus and system and method for selecting, NEW YORK, NY 10016_6601 (Us) requesting, downloading, and playing audio and/or video data content ?les from an lntemet-based database server. The (73) Assignee; Music Gremlin, Inc_ Wireless link is preferably implemented in accordance With the WiFi protocol, Which alloWs connectivity to the lntemet (21) Appl, No ,; 12/045,91 0 by being in proximity With a local base station or WiFi hotspot (i.e., publicly available local Wireless access hub connected to (22) Filed: Mar. 11, 2008 the Internet). The portable Wireless communications sub scriber audio and/or video player apparatus and system pref Related U-s- Application Data erably include a security means for monitoring and blocking (62) Division of application No. 10/953,746, ?led on Sep. unauthorized use of the player apparatus and S.y.SteIn' The 29 2 00 4 player apparatus further preferably has the capabihty to com ’ ' municate With other neighboring player apparatus for the (60) Provisional application No.
    [Show full text]