Anteprima Productions

Total Page:16

File Type:pdf, Size:1020Kb

Anteprima Productions Ibrahim Maalouf|Cécile McLorin Salvant|Snarky Puppy Lucky Peterson|Anouar Brahem|Baptiste Trotignon Manu Katché|The Amazing Keystone Big Band Gretchen Parlato|Stefano Di Battista & Sylvain Luc Quartet Erik Truffaz|Dave Holland|Aldo Romano|Jason Moran Michel Portal|Térez Montcalm|Jeff Ballard trio|Eric Legnini Stéphane Huchard|Avishai Cohen|Sophie Alour Carmen Souza|Sidony Box|Limousine|Kurt Rosenwinkel Rebecca Martin & Larry Grenadier|Eric Harland 2014/2015 www.anteprimaproductions.com anteprima productions www.anteprimaproductions.com [email protected] +33 (0)1 45 08 00 00 3, rue Clairaut, 75017 Paris - France Ibrahim Maalouf Illusions www.anteprimaproductions.com [email protected] © D. Rouvre +33 (0)1 45 08 00 00 Cécile McLorin Salvant Woman Child with TKA Agency www.anteprimaproductions.com [email protected] © J. Abbott +33 (0)1 45 08 00 00 Snarky Puppy Family Dinner with The Agency www.anteprimaproductions.com [email protected] © DR +33 (0)1 45 08 00 00 Lucky Peterson You can always turn around with AMI Agency www.anteprimaproductions.com [email protected] © Blackbird Music © Blackbird G. Arndt +33 (0)1 45 08 00 00 Anouar Brahem www.anteprimaproductions.com [email protected] © CF Wesenberg +33 (0)1 45 08 00 00 Baptiste Trotignon www.anteprimaproductions.com [email protected] © Y. Renoult © Y. +33 (0)1 45 08 00 00 Manu Katché www.anteprimaproductions.com [email protected] © G. Boclé +33 (0)1 45 08 00 00 The Amazing Keystone Big Band www.anteprimaproductions.com [email protected] © B. Belleudy +33 (0)1 45 08 00 00 Gretchen Parlato with 24/7 management www.anteprimaproductions.com [email protected] +33 (0)1 45 08 00 00 © DR Stefano Di Battista Sylvain Luc Quartet with Just Looking Productions www.anteprimaproductions.com [email protected] © P. Levy-Stab & J.B. Millot © P. +33 (0)1 45 08 00 00 Erik Truffaz Kudu with Unit T & Two Gentlemen www.anteprimaproductions.com [email protected] +33 (0)1 45 08 00 00 © B. Peverelli Dave Holland Prism with Saudades www.anteprimaproductions.com [email protected] +33 (0)1 45 08 00 00 © U. Gruber Aldo Romano New Blood www.anteprimaproductions.com [email protected] +33 (0)1 45 08 00 00 © J.B. Millot Jason Moran presents Fats Waller dance party www.anteprimaproductions.com [email protected] +33 (0)1 45 08 00 00 © C. P. McBride © C. P. Michel Portal www.anteprimaproductions.com [email protected] +33 (0)1 45 08 00 00 © J-M. Lubrano Térez Montcalm I know I’ll be alright www.anteprimaproductions.com [email protected] +33 (0)1 45 08 00 00 © L. Labat Jeff Ballard trio feat. Lionel Loueke & Miguel Zenon with Around Jazz www.anteprimaproductions.com [email protected] +33 (0)1 45 08 00 00 © A. Boccalin Eric Legnini Sing Twice ! www.anteprimaproductions.com [email protected] © J.B. Millot +33 (0)1 45 08 00 00 Stéphane Huchard Panamerican www.anteprimaproductions.com [email protected] +33 (0)1 45 08 00 00 © N. Birot Avishai Cohen Triveni www.anteprimaproductions.com with IMN [email protected] +33 (0)1 45 08 00 00 © DR Sophie Alour Shaker www.anteprimaproductions.com [email protected] +33 (0)1 45 08 00 00 © A. Calais Carmen Souza Kachupada with Jazzpilon www.anteprimaproductions.com [email protected] +33 (0)1 45 08 00 00 © Jazzpilon Sidony Box Rules www.anteprimaproductions.com [email protected] +33 (0)1 45 08 00 00 © N. Allain Limousine Suntitled www.anteprimaproductions.com [email protected] © J.C. Polien +33 (0)1 45 08 00 00 Kurt Rosenwinkel Star of Jupiter with Wom music www.anteprimaproductions.com [email protected] © L. Delgado +33 (0)1 45 08 00 00 Rebecca Martin & Larry Grenadier Twain www.anteprimaproductions.com [email protected] +33 (0)1 45 08 00 00 © P. Kepic © P. Eric Harland Voyager www.anteprimaproductions.com [email protected] +33 (0)1 45 08 00 00 © DR anteprima productions Reno Di Matteo direction & booking [email protected] Bialka Wlodarczyk Nina Paradiso communication & partenariats production [email protected] [email protected] Laurent Charrier Etienne Dorey booking production [email protected] [email protected] Anna Ghandri Matthieu Dartiguenave booking éditions [email protected] [email protected] Marine Pierrot Julien Lacavalerie booking administration [email protected] [email protected] notes.
Recommended publications
  • Tenor Saxophone Mouthpiece When
    MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
    [Show full text]
  • Chimichurri Tarifs, Horaires À Passer En Deuxième De Et Avec Baptiste Trotignon Et Minino Garay Page
    Théâtre national de Marseille On pose la page groupée de la brochure, on l’agrandit aux marges (du 2e repère à la marge de droite), on la dégroupe N° de spectacle en corps 55 Mot lié de la taille du n° Type de spectacle corps 14 Concert 38 Taille du titre du spectacle en fonction de la longueur du titre 20 février Chimichurri Tarifs, horaires à passer en deuxième De et avec Baptiste Trotignon et Minino Garay page Dates en corps 14 Chimichurri est le nom d’une célèbre sauce pimentée argentine. C’est aussi le nom que portent ces compagnons de route depuis plus de cinq ans : Baptiste Trotignon, qui Auteur, Metteur en scène en corps 17 trace une magnifique carrière solo depianiste de jazz inspiré et exigeant, et Minino Garay, le plus français des percussionnistes argentins. Accroche en corps 14 En partenariat avec Marseille Concerts Repère infos Racle Concert Chimichurri De et avec Baptiste Trotignon et Minino Garay On copie le texte Tarif B de 9 à 24 € – Grand Théâtre – 20h – Durée 1h30 des 2 ou 4 pages brochure on ne garde que les infos néces- Condiment sud-américain à base de piment, originaire d’Argentine ! L’art du saires duo... si épuré et si plein à la fois... Cette proximité sur scène de deux musiciens a quelque chose pour moi Date, Titre, Noisette, d’apaisant, pour l’esprit et le corps, elle permet une communication directe Générique, Texte présentation de la page 2, de toi à moi, un rapport simple et vrai au son. Ce duo avec Minino est comme Veillées, bords de scène, un point de rencontre de deux identités miroirs : d’un côté mon
    [Show full text]
  • “STEFANO DI BATTISTA Quartet” Em “Parker's Mood”
    Ambasciata d’Italia A Embaixada da Itália apresenta “STEFANO DI BATTISTA Quartet” em “Parker’s mood” O melhor Jazz italiano de fama internacional caracteriza o novo evento cultural, que a Embaixada da República Italiana programou para o próximo dia 7 de maio de 2007, às 21.00 horas, no Teatro da Caixa Cultural, por ocasião da abertura da “Semana da Europa”. Desta vez os holofotes iluminarão o saxofonista Stefano Di Battista, que com seu Quarteto apresentará seu célebre trabalho “Parker’s mood”. Trata-se da primeira apresentação absoluta em Brasília deste excepcional saxofonista, que junto a seu Quarteto constitui um dos mais interessantes combos do cenário artístico europeu, que o jazz italiano está protagonizando de maneira inédita. Di Battista, nascido em Roma em 1969, apaixonou-se desde os 13 anos pelo saxofone, descobrindo aos 16 sua vocação para o Jazz. Marco fundamental de sua formação é o encontro com seu futuro mentor, o lendário alto-saxofonista Massimo Urbani, cujos conselhos levarão De Battista a se formar aos 21 com nota máxima no Conservatório de Roma. Desde 1994, quando entrou em contato com o mundo do Jazz instalado em Paris, tem tocado com importantes músicos do gênero, do calibre de Michel Petrucciani, Elvin Jones, Kenny Barron, Aldo Romano, Jacky Terrasson e o pianista belga Eric Legnini, com o qual se apresentará em Brasília. Mais uma vez, portanto, a Embaixada da Itália traz para Brasília um evento artístico de altíssimo nível absolutamente gratuito, dedicado à comunidade italiana e aberto ao público Brasiliense, continuando assim em seu propósito de contribuir ao objetivo de reforçar a cidade de Brasília qual ponto de referência cultural.
    [Show full text]
  • French Stewardship of Jazz: the Case of France Musique and France Culture
    ABSTRACT Title: FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE Roscoe Seldon Suddarth, Master of Arts, 2008 Directed By: Richard G. King, Associate Professor, Musicology, School of Music The French treat jazz as “high art,” as their state radio stations France Musique and France Culture demonstrate. Jazz came to France in World War I with the US army, and became fashionable in the 1920s—treated as exotic African- American folklore. However, when France developed its own jazz players, notably Django Reinhardt and Stéphane Grappelli, jazz became accepted as a universal art. Two well-born Frenchmen, Hugues Panassié and Charles Delaunay, embraced jazz and propagated it through the Hot Club de France. After World War II, several highly educated commentators insured that jazz was taken seriously. French radio jazz gradually acquired the support of the French government. This thesis describes the major jazz programs of France Musique and France Culture, particularly the daily programs of Alain Gerber and Arnaud Merlin, and demonstrates how these programs display connoisseurship, erudition, thoroughness, critical insight, and dedication. France takes its “stewardship” of jazz seriously. FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE By Roscoe Seldon Suddarth Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Associate Professor Richard King, Musicology Division, Chair Professor Robert Gibson, Director of the School of Music Professor Christopher Vadala, Director, Jazz Studies Program © Copyright by Roscoe Seldon Suddarth 2008 Foreword This thesis is the result of many years of listening to the jazz broadcasts of France Musique, the French national classical music station, and, to a lesser extent, France Culture, the national station for literary, historical, and artistic programs.
    [Show full text]
  • Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes
    CifuJazz Discografía de BLUE NOTE Records Colección particular de Juan Claudio Cifuentes Introducción Sin duda uno de los sellos verdaderamente históricos del jazz, Blue Note nació en 1939 de la mano de Alfred Lion y Max Margulis. El primero era un alemán que se había aficionado al jazz en su país y que, una vez establecido en Nueva York en el 37, no tardaría mucho en empezar a grabar a músicos de boogie woogie como Meade Lux Lewis y Albert Ammons. Su socio, Margulis, era un escritor de ideología comunista. Los primeros testimonios del sello van en la dirección del jazz tradicional, por entonces a las puertas de un inesperado revival en plena era del swing. Una sentida versión de Sidney Bechet del clásico Summertime fue el primer gran éxito de la nueva compañía. Blue Note solía organizar sus sesiones de grabación de madrugada, una vez terminados los bolos nocturnos de los músicos, y pronto se hizo popular por su respeto y buen trato a los artistas, que a menudo podían involucrarse en tareas de producción. Otro emigrante aleman, el fotógrafo Francis Wolff, llegaría para unirse al proyecto de su amigo Lion, creando un tandem particulamente memorable. Sus imágenes, unidas al personal diseño del artista gráfico Reid Miles, constituyeron la base de las extraordinarias portadas de Blue Note, verdadera seña de identidad estética de la compañía en las décadas siguientes mil veces imitada. Después de la Guerra, Blue Note iniciaría un giro en su producción musical hacia los nuevos sonidos del bebop. En el 47 uno de los jóvenes representantes del nuevo estilo, el pianista Thelonious Monk, grabó sus primeras sesiones Blue Note, que fue también la primera compañía del batería Art Blakey.
    [Show full text]
  • Downbeat.Com November 2015 U.K. £4.00
    NOVEMBER 2015 2015 NOVEMBER U.K. £4.00 DOWNBEAT.COM DOWNBEAT JOHN SCOFIELD « DEE DEE BRIDGEWATER « AARON DIEHL « ERIK FRIEDLANDER « FALL/WINTER FESTIVAL GUIDE NOVEMBER 2015 NOVEMBER 2015 VOLUME 82 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall Editorial Intern Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk;
    [Show full text]
  • Chicago Jazz Festival Spotlights Hometown
    NOVEMBER 2017 VOLUME 84 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian,
    [Show full text]
  • Programmation Jazz À Vienne De 1980 À 2019
    PROGRAMMATION JAZZ À VIENNE DE 1980 À 2019 SOMMAIRE 1980 ............................................................................................................................................................................................. 3 1981 ............................................................................................................................................................................................. 4 1982 ............................................................................................................................................................................................. 5 1983 ............................................................................................................................................................................................. 6 1984 ............................................................................................................................................................................................. 7 1985 ............................................................................................................................................................................................. 9 1986 .......................................................................................................................................................................................... 11 1987 .........................................................................................................................................................................................
    [Show full text]
  • Round Midnight
    UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA KATEDRA MUZIKOLOGIE Vývoj a prom ěny jazzového standardu ’Round Midnight Development And Tranformations Of Jazz Standard ’Round Midnight Bakalá řská práce Autorka práce: Tereza Štaudová Vedoucí práce: Mgr. Jan P řibil OLOMOUC 2015 Pod ěkování Up římn ě d ěkuji Mgr. Janu P řibilovi za odbornou pomoc p ři vedení mé bakalá řské práce. Velice si cením jeho p řipomínek a rad. Dále d ěkuji všem, kte ří m ě p ři psaní této práce podporovali. Prohlášení Prohlašuji, že p ředložená bakalá řská práce je mým p ůvodním autorským dílem, které jsem vypracovala samostatn ě. Veškerou literaturu a další zdroje, z nichž jsem p ři zpracování čerpala, v práci řádn ě cituji a uvádím je v seznamu použité literatury. V Olomouci dne …………… ……………………... podpis OBSAH ÚVOD .......................................................................................................................................................... 4 1. STAV BÁDÁNÍ ....................................................................................................................................... 6 2. VZNIK SKLADBY ’ROUND MIDNIGHT A JEJÍ RANÝ VÝVOJ ................................................ 17 2.1 ZÁKLADNÍ ZNAKY OSOBNOSTI A TVORBY THELONIA MONKA .......................................................... 17 2.2 VZNIK SKLADBY ’ROUND MIDNIGHT A JEJÍ ANALÝZA ....................................................................... 20 2.3 PRVNÍ NAHRÁVKY ’ROUND MIDNIGHT .............................................................................................
    [Show full text]
  • Grimal/Veras/Dumoulin/Pallemaerts Play the Music of Alexandra Grimal +33 (0) 6 66 13 64 95 [email protected]
    Grimal/Veras/Dumoulin/Pallemaerts play the music of Alexandra Grimal www.alexandragrimal.com +33 (0) 6 66 13 64 95 [email protected] Alexandra Grimal, saxophonist and composer was born in Cairo, Egypt in 1980. Master’s Degree at the Royal Conservatory of The Hague, the Netherlands in 2005, she has also been a jazz student in the «Con- servatoire National Supérieur de Paris» (CNSM) and in the Sibelius Academy of Helsinki, Finland. She just released her album “shape” for Marge records (2009). prizes and awards Tremplin l’Esprit Jazz à St Germain des Prés 2008 (France), Soloist Prize Grand Prix du Tremplin Européen de Jazz d’Avignon 2007 (France) with Grimal Quartet, 1st prize Concours National de Jazz de La Défense 2007 (France) with Alexandra Grimal Quartet, group prize International Contest for Young Jazz Soloists of Fribourg 2007 (Switzerland) winner with congratula- tions of the judges under the presidency of Martial Solal Winner of the Jean-Luc Lagardère Fondation, musician grant 2009 collaborations Uffe Krokfors, Jarmo Savolainen, Alain Jean-Marie, Jean-Jacques Avenel, Nelson Veras, Dré Pallemaerts, Giovanni di Domenico, Jozef Dumoulin, Edouard Ferlet, Rhoda Scott, Manolo Cabras, Claus Kaasgaard, Chris Jennings, Stéphane Kerecki, João Lobo, Toma Gouband, Mathieu Calleja, John Betsch, Patrick Goraguer, Anne Paceo, Anders Holst, Pierre Perchaud, Robin Verheyen, Lynn Cassiers, Birgitte Lyregaard, Yves Rousseau, Magnus Wiik, Andreas Håkestad, Christian Skjødt... discography Alexandra Grimal trio “shape” Futura Marge (France) 2009 Edouard Ferlet quartet “Filigrane” Melisse (France), november 2009 Fred Norel “dreamseekers” Melisse Music (France) 2009 Ruben Samama Quintet, « Hotaru» OAP Records (The Netherlands) 2007 Julio Resende Quartet “dA ALMA” Clean Feed (Portugal) 2008 Born the 6 august 1977 in Salvador-BA Brazil At age 14, Nelson Veras moved to Fance and played with Pat Metheny in the movie JUST A DREAM directed by Franck Cassenti.
    [Show full text]
  • BAPTISTE TROTIGNON Dossier De Presse BIOGRAPHIE DE L'artiste BAPTISTE TROTIGNON
    COMPOSITEUR EN RÉSIDENCE BAPTISTE TROTIGNON Dossier de presse BIOGRAPHIE DE L'ARTISTE BAPTISTE TROTIGNON Baptiste Trotignon a étudié le piano et la musique classique depuis l’âge de six ans et découvre le jazz et l’improvisation adolescent. Ses deux premiers albums en trio au début des années 2000 (suivi de deux albums en piano solo auréolé d’un grand succès public et critique) l’ont révélé comme l’un des plus spectaculaires pianistes de la nouvelle génération et lui ont ouvert les portes de tous les grands festivals français et internationaux. Il a remporté de nombreux prix: Prix Django Reinhardt, Révelation Française 2003 Victoires du Jazz, Grand Prix du Concours International Martial Solal en 2002. Au cours des années qui ont suivi, il multiplie les rencontres éclectiques,aux côtés d’artistes comme Tom Harrell, Stefano Di Battista, Aldo Romano ou Brad Mehldau. Après son premier album « américain » enregistré à New-York en 2008 (« Share »), il reçoit en 2011 le Grand Prix de la Sacem pour son travail en tant que compositeur, puis sort en 2012 un album étonnant et audacieux, « Song Song Song», où il évoque son amour de la voix et invite de grands artistes comme Melody Gardot ou Christophe Miossec. A la même époque il écrit sa première grande pièce orchestrale « Different spaces» (Concerto pour piano créé par Nicholas Angelich). En 2014, le jeune quadragénaire présenté par “Le Monde” comme “Une leçon, un modèle, la perfection de A à Z” revient en 2014 à l’art du trio avec “Hit”, où il invite le maître du groove Jeff Ballard.
    [Show full text]
  • Music of Thad Jones Is Most Added
    JazzWeek with airplay data powered by jazzweek.com • March 23, 2005 Volume 1, Number 18 • $7.95 In This Issue: MILES DAVIS Jazz Journalists 50TH ON LEGACY ROBERT Association page 15 Nominees . 4 GLASPER Grammy SIGNS WITH Foundation News. 9 BLUE NOTE JazzWeek page 4 Summit Fellowship Awardees Named . 12 Reviews and Picks. 16 Jazz Radio . 18 Smooth Jazz Radio. 23 TH Radio MILES DAVIS 50 REMEMBERING Panels. 27 ON COLUMBIA BOBBY SHORT News. 4 page 15 page 13 Charts: #1 Jazz Album – Joey DeFrancesco #1 Smooth Album – Dave Koz #1 Smooth Single – Dave Koz JazzWeek This Week EDITOR Ed Trefzger ur colleagues at the Jazz Journalists Association have an- CONTRIBUTING EDITORS nounced nominees in 40 different categories for the JJA’s Keith Zimmerman Kent Zimmerman Oninth Jazz Awards, to be held on Tuesday, June 14, at B.B. Tad Hendrickson King’s Blues Club and Grill in New York. Six of our friends in ra- CONTRIBUTING WRITER dio have been nominated for the Excellence in Jazz Broadcasting/ Tom Mallison Willis Conover-Marian McPartland Award: Eric Jackson, Lin- PHOTOGRAPHY da Yohn, Rhonda Hamilton, Bob Perkins, Jim Wilke, and Ted Barry Solof Panken. The Jazz Awards is a benefit for the Jazz Foundation of PUBLISHER America’s Musicians Emergency Fund, and for the Jazz Journal- Tony Gasparre ists Association’s educational initiatives. We’ll have a panel session ADVERTISING: Contact Tony Gasparre with the JJA at the JazzWeek Summit in Syracuse this June. And (585) 235-4685 x3 or I’d be remiss if I didn’t mention that broadcasters are welcome to email: [email protected] join the organization; check out the info at jazzhouse.org.
    [Show full text]