Towards a TEI Compliant Interchange Format for Ancient Egyptian-Coptic Textual Resources N Ancient Egyptian-Coptic + N One Language – Three+ Writing Systems
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Women's Access to Political Power in Ancient Egypt And
WOMEN’S ACCESS TO POLITICAL POWER IN ANCIENT EGYPT AND IGBOLAND: A CRITICAL STUDY A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirement for the Degree DOCTOR OF PHILOSOPHY by Antwanisha V. Alameen January 2013 Examining Committee Members: Dr. Molefi Kete Asante, Advisory Chair, African American Studies Dr. Ama Mazama, African American Studies Dr. Kimmika Williams-Witherspoon, Theater Dr. Adisa Alkebulan, External Member, San Diego State University i Copyright By Antwanisha Alameen 2012 All Rights Reserved ii ABSTRACT This is an Afrocentric examination of women’s use of agency in Ancient Egypt and Igboland. Most histories written on Kemetic women not only disconnect them from Africa but also fail to fully address the significance of their position within the political spiritual structure of the state. Additionally, the presence of matriarchy in Ancient Egypt is dismissed on the basis that patriarchy is the most visible and seemingly the most dominant form of governance. Diop contended that matriarchy was one of the key factors that connected Ancient Egypt with other parts of Africa which is best understood as the Africa’s cultural continuity theory. My research analyzes the validity of his theory by comparing how Kemetic women exercised agency in their political structure to how Igbo women exercised political agency. I identified Igbo women as a cultural group to be compared to Kemet because of their historical political resistance in their state during the colonial period. However, it is their traditional roles prior to British invasion that is most relevant to my study. I define matriarchy as the central role of the mother in the social and political function of societal structures, the political positions occupied by women that inform the decisions of the state and the inclusion of female principles within the religious-political order of the nation. -
Ten Egyptian Plagues for Ten Egyptian Gods and Goddesses the God of Israel Is Greater Than All Other Egyptian Gods and Goddesses
- Ten Egyptian Plagues For Ten Egyptian Gods and Goddesses The God of Israel is greater than all other Egyptian Gods and Goddesses. Moses was a great prophet, called by God with a very important job to do. As an instrument in the Lord's hand he performed many signs, or "wonders", attempting to convince Pharaoh to allow the Israelites freedom from their bondage of slavery to the Egyptians. These "wonders" are more commonly referred to as "plagues" sent from the God of Israel, as a proof that the "one true God" was far greater than all of the multiple Gods of the Egyptians. These Egyptian Plagues were harsh and varied to correspond to the ancient egyptian gods and goddesses that were prevelant during Moses time in Egypt. The number ten is a significant number in biblical numerology. It represents a fullness of quantity. Ten Egyptian Plagues Means Completely Plagued. Just as the "Ten Commandments" become symbolic of the fullness of the moral law of God, the ten ancient plagues of Egypt represent the fullness of God's expression of justice and judgments, upon those who refuse to repent. Ten times God, through Moses, allows Pharaoh to change his mind, repent, and turn to the one true God, each time increasing the severity of the consequence of the plagues suffered for disobedience to His request. Ten times Pharaoh, because of pride, refuses to be taught by the Lord, and receives "judgments" through the plagues, pronounced upon his head from Moses, the deliverer. The Ten Egyptian Plagues testify of Jesus the Anointed One and His power to save. -
Glossary.Pdf
GLOSSARY [ ] – encloses material which does not exist today either on the wall or in earlier modern copies, but which is believed to have been present originally. Lacunae in the texts are indicated with […] in the translations. ( ) – encloses words not written in the original text, but understood to have been present (as with the frequently unwritten suffix pronoun =i) or added as necessary in translation. < > – encloses material believed to have been mistakenly omitted by the ancient scribe. adj. – adjective m. sing. def. art. – masculine singular adj.vb. – adjective-verb definite article adv. – adverb n. – noun adv. phrase – adverbial phrase n.n. – not numbered auxil. vb. – auxiliary verb neg. – negation conj. – conjunction non-enclitic part. – non-enclitic particle demonstr. pron. – demonstrative pronoun part. – particle div. – divinity perf. active part. – perfect active participle encl. part. – enclitic participle perf. passive part. – perfect passive f. – feminine participle imper. – imperfective 1st pers. sing. indep. pron. – 1st person imperf. active part. – imperfective active singular independent pronoun participle 1st pers. dep. pron. – 1st person dependent imperf. passive part. – imperfective pronoun passive participle 1st pers. suffix pron. – 1st person suffix inf. – infinitive pronoun interrog. part. – interrogative particle prep. – preposition loc. – locality pl. – plural m. – masculine var. – variant vb. – verb References are usually to the plate followed by a colon, then the line- or column number: e.g., 77:1 corresponds to plate 77, text column 1. Offering lists are numbered first vertically (by a number) then by the horizontal register (A, B, etc., from top to bottom): e.g., (pl.), 226:1A. If the entry states “see under di.n=(i) n=k,” the word refered to is the first element of the formula, all words after it will have separate entries, this refers to titles as well. -
The Decree of Saïs
Underwater Egypt in Region Canopic the in Archaeology OCMA Underwater Archaeology in the Canopic Region in Egypt The Decree of Saïs The Decree of Saïs of Decree The The cover illustrations show the perfectly preserved stele of Thonis-Heracleion, intact after having spent over 1000 years at the bottom of the sea. It is the second known stele containing the text of the decree promulgated by Nectanebo I,founder of the thirtieth dynasty, and announces a permanent donation to the goddess Neith, ‘Mistress of the Floods’, out of the customs dues received in the town of Thonis- Heracleion and out of the taxes on Greek trade in the town of Naukratis. ISBN 978-1-905905-23-2 Published by the Oxford Centre for Maritime Archaeology at the School of Archaeology, University of Oxford Anne-Sophie von Bomhard The Decree of Saïs The Stelae of Thonis-Heracleion and Naukratis Oxford Centre for Maritime Archaeology Monograph Series Series editors: Franck Goddio and Damian Robinson 1 Topography and Excavation of Heracleion-Thonis and East Canopus (1996–2006) by Franck Goddio 2 Geoarchaeology by Jean-Daniel Stanley et al 3 The Naos of the Decades by Anne-Sophie von Bomhard 4 La stèle de Ptolémée VIII Évergète II à Héracléion by Christophe Thiers 5 Alexandria and the North-Western Delta edited by Damian Robinson and Andrew Wilson 6 Maritime Archaeology and Ancient Trade in the Mediterranean edited by Damian Robinson and Andrew Wilson The Underwater Archaeology of the Canopic Region in Egypt The Decree of Saïs The Stelae of Thonis-Heracleion and Naukratis by Anne-Sophie von Bomhard Oxford Centre for Maritime Archaeology: Monograph 7 School of Archaeology, University of Oxford 2012 All rights reserved. -
WORD BANK EGYPTIAN GODS and GODDESSES Word Bank - Egyptian Gods and Goddesses Egyptian Mummies: Exploring Ancient Lives
wq WORD BANK EGYPTIAN GODS AND GODDESSES Word Bank - Egyptian Gods and Goddesses Egyptian Mummies: Exploring Ancient Lives This word bank could be used in multiple ways: 1. Challenge learners to create a family tree. E.g. http://www.veritablehokum.com/comic/ the-egyptian-god-family-tree/ 2. Have a list of Egyptian Gods hanging around the room. For special or important Gods, learners create posters that depict the god. 3. Share the story of Egyptian Creation: https://en.wikipedia.org/wiki/Ancient_Egyptian_ creation_myths Temporary link. Name God of … Appearance Notes Ammit A demon Head of a crocodile, the torso of a leopard, and the hindquarters of a hippopotamus Amun King of the gods, God of the A man with the head of a Combined with sun god Ra Wind ram to become more powerful Amunet One of the creation A woman wearing the red Wife of Amun goddesses crown of Egypt Anhur Sky god and God of war. His A bearded man wearing a Husband of Mehit name meant "sky-bearer" robe and a headdress Anput Goddess of funerals and A woman with some jackal Mother of Kebechet mummification related clothing or head Wife of Anubis Anubis God of dead, embalming, A Jackal-headed god Son of Osiris and Nephthys, funerals, and mourning helps Osiris ceremonies Anuket Goddess of the river Nile A woman with a headdress Daughter of Ra of either reed or ostrich feathers Apis This is a rare case of an A live bull worshipped as a Son of Hathor. animal being worshiped as a god at Memphis god while alive, then mummified when he died. -
The Southern Room of Amun in the Temple of Hatshepsut at Deir El-Bahari: Epigraphic Work
The Southern Room of Amun in the Temple of Hatshepsut at Deir el-Bahari: epigraphic work... EGYPT The Southern Room of Amun in the Temple of Hatshepsut at Deir el-Bahari: epigraphic work between 2014 and 2015 Katarzyna Kapiec Antiquity of Southeastern Europe Research Centre University of Warsaw Abstract: The Southern Room of Amun Project is one of the egyptological projects of the PCMA’s Polish–Egyptian Archaeological and Conservation Mission in the Temple of Hatshepsut at Deir el-Bahari. The paper presents epigraphic work carried out in this room between 2014 and 2015, during which almost the entire wall decoration was recorded. The article is a wall-by-wall presenta- tion, paying special attention to the most important transformations of the reliefs over time. Keywords: Southern Room of Amun, Temple of Hatshepsut, Deir el-Bahari, epigraphy, wall decoration The Southern Room of Amun Project, that the function of the Southern Room initiated by the author in 2014, is one of of Amun in the Upper Courtyard complex the egyptological projects of the PCMA’s is an egyptological issue of prime concern, Polish–Egyptian Archaeological and this kind of precise documentation is an Conservation Mission in the Temple of important tool for further studies of the Hatshepsut at Deir el-Bahari. The project decoration of this room and its role in the aims to prepare a complete documentation ritual topography of the temple. and interpretation of this room, replacing Édouard Naville’s publication of this part GENERAL REMARKS of the temple (1906: 6–7, Pls CXXX– The Southern Room of Amun (also known CXXXIIII) that has been used by as the Southern Chapel or the Chamber generations of researchers. -
Dancing for Hathor: Nubian Women in Egyptian Cultic Life
Dotawo: A Journal of Nubian Studies Volume 5 Nubian Women Article 2 2018 Dancing for Hathor: Nubian Women in Egyptian Cultic Life Solange Ashby [email protected] Follow this and additional works at: https://digitalcommons.fairfield.edu/djns Recommended Citation Ashby, Solange (2018) "Dancing for Hathor: Nubian Women in Egyptian Cultic Life," Dotawo: A Journal of Nubian Studies: Vol. 5 , Article 2. Available at: https://digitalcommons.fairfield.edu/djns/vol5/iss1/2 This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. 63 Dancing for Hathor: Nubian Women in Egyptian Cultic Life Solange Ashby In the non-literate and nomadic C-Group culture of Lower Nubia, ritual and worship were not organized around a sacred text, nor were they carried out in a temple.1 Rather, many important rites of passage and worship were heavily associated with communal per- formance of dance and music. In such rituals the power of music and movement were harnessed to transport the worshipper into an ecstatic encounter with the Divine. -
Reconstructing the Pre-Meroitic Indigenous Pantheon of Kush
Journal of Journal of Ancient near Ancient Near Eastern Eastern Religions 18 (2018) 167–189 Religions brill.com/jane Reconstructing the Pre-Meroitic Indigenous Pantheon of Kush M. Victoria Almansa-Villatoro Brown University [email protected] Abstract This article sets out to address questions concerning local religious traditions in an- cient Nubia. Data concerning Egyptian gods in the Sudan are introduced, then the existence of unattested local pre-Meroitic gods is reconstructed using mainly exter- nal literary sources and an analysis of divine names. A review of other archaeological evidence from an iconographic point of view is also attempted, concluding with the presentation of Meroitic gods and their relation with earlier traditions. This study pro- poses that Egyptian religious beliefs were well integrated in both official and popular cults in Nubia. The Egyptian and the Sudanese cultures were constantly in contact in the border area and this nexus eased the transmission of traditions and iconographi- cal elements in a bidirectional way. The Meroitic gods are directly reminiscent of the reconstructed indigenous Kushite pantheon in many aspects, and this fact attests to an attempt by the Meroitic rulers to recover their Nubian cultural identity. Keywords Nubia – Egypt – local religion – Meroitic Gods – Dedwen – Miket – Apedemak – Rahes 1 Introduction During the 25th Dynasty, the Kushite world was significantly influenced by Egyptian gods who entered the Nubian pantheon and were worshipped throughout various different -
Evolution of Egyptian Religion Reflected in Temple Architecture and Design
EVOLUTION OF EGYPTIAN RELIGION REFLECTED IN TEMPLE ARCHITECTURE AND DESIGN by Nicole Marie Barnes Submitted to the Faculty of The Archaeological Studies Program Department of Sociology and Archaeology in partial fulfillment of the requirements for the degree of Bachelor of Science University of Wisconsin-La Crosse 2012 Copyright © 2012 by Nicole M. Barnes All rights reserved ii EVOLUTION OF EGYPTIAN RELIGION REFLECTED IN TEMPLE ARCHITECTURE AND DESIGN Nicole Barnes, B.S. University of Wisconsin-La Crosse, 2012 Religion was vital to Ancient Egyptian life; even foreign rule could not change the Egyptians’ need to express their conviction in their deep rooted religious beliefs. By looking at Egyptian divine temples from the New Kingdom to the Graeco-Roman era (~1550 B.C. – A.D. 395), you can see that architecture and decoration alterations in response to changes in the current practicing religion making it possible to determine during which time period some features were constructed. This study will look at changes in religion to determine identifiable characteristics that should appear in the temple design and decoration. The research will conclude that the presence of mammisis (birth houses), Serapis, extensive animal mummification, and temples dedicated to a goddess are reliable characteristics that may help to date a temple that was constructed during the Graeco-Roman period. iii Acknowledgements I would like to thank my readers Dr. Constance Arzigian and Dr. David Anderson for all of their help, advice, and stern encouragement throughout the process of writing this paper. My writing group, Mitchell Running and Simon Payne, for reading through my thesis more time than I am sure they cared to. -
Egyptian Mythological Manuals
Egyptian Mythological Manuals Mythological structures and interpretative techniques in the Tebtunis Mythological manual, the manual of the Delta and related texts Jørgensen, Jens Kristoffer Blach Publication date: 2014 Document version Early version, also known as pre-print Citation for published version (APA): Jørgensen, J. K. B. (2014). Egyptian Mythological Manuals: Mythological structures and interpretative techniques in the Tebtunis Mythological manual, the manual of the Delta and related texts. Det Humanistiske Fakultet, Københavns Universitet. Download date: 27. Sep. 2021 Egyptian Mythological Manuals Mythological structures and interpretative techniques in the Tebtunis Mythological manual, the Manual of the Delta and related texts Jens Blach Jørgensen December 2013 Abstract This thesis consists of an analysis of two ancient Egyptian mythological manual; the Tebtunis Mythological Manual and the Mythological Manual of the Delta. The analysis is focused on the different modes of structuring and interpreting mythology found in the manuals. The first chapter is a critical overview of the different Egyptological theories on Egyptian mythology, with special emphasis on aetiological myth and etymology. Structuralist theories are drawn upon to formulate two approaches to the mythological material found in the manual and utilized by the Egyptians themselves, viz. the paradigmatic and the syntagmatic. The manuals are found to use model mythological narratives or key myths built upon the myths of the Heliopolitan Ennead to structure the wealth of local mythological traditions. This creates a redundant structure in which the mythology of the individual district becomes an echo or actualization of basic mythic patterns. The Delta manual demonstrates the heuristic nature of this system by adding an extra deity to the Ennead in the form of the female Horus. -
1990 Ph.D. in Egyptology, Oriental Institute, University of Chicago 1981–82 Fulbright/DAAD Fellowship, Eberhard-Karls-Universität, Tübingen, Germany 1981 A.B
PETER DER MANUELIAN Department of Near Eastern Languages and Civilizations / Department of Anthropology Harvard University 6 Divinity Avenue Cambridge, MA 02138 617-496-8558 [email protected] EDUCATION 1990 Ph.D. in Egyptology, Oriental Institute, University of Chicago 1981–82 Fulbright/DAAD Fellowship, Eberhard-Karls-Universität, Tübingen, Germany 1981 A.B. in Near Eastern Languages & Civilizations, Harvard University (magna cum laude) PROFESSIONAL EXPERIENCE 2013–present Director, Harvard Museum of the Ancient Near East (formerly Harvard Semitic Museum) (http:// hmane.harvard.edu) 2019–present Barbara Bell Professor of Egyptology, Harvard University (NELC and Anthropology Departments) 2010–2019 Philip J. King Professor of Egyptology, Harvard University (NELC and Anthropology Departments) 2010–present Director, The Giza Project, Harvard University (http://giza.fas.harvard.edu) 2000–2011 Giza Archives Director, Museum of Fine Arts, Boston (MFA) (www.gizapyramids.org) 2000–2004 Andrew W. Mellon Research Fellow in Egyptian Art, Museum of Fine Arts, Boston 1987–1999 Research Fellow < Assistant Curator < Curatorial Assistant, Department of Ancient Egyptian, Near Eastern, and Nubian Art (renamed Art of the Ancient World), MFA, Boston 2000–2010 Lecturer in Egyptology, Department of Classics, Tufts University 2003–2008 Research Associate, Harvard Semitic Museum, Harvard University 2001–2003 Lecturer in Egyptology, Department of Near Eastern Languages and Civilizations, Harvard University 1993–present Director, Giza Mastabas Project, -
The Amun Cult and Its Development in Nubia Luc Gabolde
The Amun Cult and Its Development in Nubia Luc Gabolde To cite this version: Luc Gabolde. The Amun Cult and Its Development in Nubia. Geoff Emberling; Bruce Beyer Williams. The Oxford Handbook of Ancient Nubia, Oxford University Press, pp.343-367, 2021, 9780190496272. 10.1093/oxfordhb/9780190496272.013.19. hal-03250821 HAL Id: hal-03250821 https://hal.archives-ouvertes.fr/hal-03250821 Submitted on 6 Aug 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The Amun Cult and Its Development in Nubia The Amun Cult and Its Development in Nubia Luc Gabolde The Oxford Handbook of Ancient Nubia Edited by Geoff Emberling and Bruce Beyer Williams Print Publication Date: Feb 2021 Subject: Archaeology, Archaeology of Africa, Egyptian Archaeology Online Publication Date: Jan 2021 DOI: 10.1093/oxfordhb/9780190496272.013.19 Abstract and Keywords This chapter examines the origins of the god Amun, of his name, his ram-headed form, and their connections to Nubia, which seem to have been overestimated. Amun appears to be the major deity worshipped in Nubia after the Egyptian conquest of the New King dom. Considered to be a national and universal god, he became the protector of Kushite kingship, spread through the religious conversion of the Kushite elite to Egyptian reli gious beliefs.