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Papers of Surrealism, Issue 8, Spring 2010 1
© Lizzie Thynne, 2010 Indirect Action: Politics and the Subversion of Identity in Claude Cahun and Marcel Moore’s Resistance to the Occupation of Jersey Lizzie Thynne Abstract This article explores how Claude Cahun and Marcel Moore translated the strategies of their artistic practice and pre-war involvement with the Surrealists and revolutionary politics into an ingenious counter-propaganda campaign against the German Occupation. Unlike some of their contemporaries such as Tristan Tzara and Louis Aragon who embraced Communist orthodoxy, the women refused to relinquish the radical relativism of their approach to gender, meaning and identity in resisting totalitarianism. Their campaign built on Cahun’s theorization of the concept of ‘indirect action’ in her 1934 essay, Place your Bets (Les paris sont ouvert), which defended surrealism in opposition to both the instrumentalization of art and myths of transcendence. An examination of Cahun’s post-war letters and the extant leaflets the women distributed in Jersey reveal how they appropriated and inverted Nazi discourse to promote defeatism through carnivalesque montage, black humour and the ludic voice of their adopted persona, the ‘Soldier without a Name.’ It is far from my intention to reproach those who left France at the time of the Occupation. But one must point out that Surrealism was entirely absent from the preoccupations of those who remained because it was no help whatsoever on an emotional or practical level in their struggles against the Nazis.1 Former dadaist and surrealist and close collaborator of André Breton, Tristan Tzara thus dismisses the idea that surrealism had any value in opposing Nazi domination. -
Genêt Unmasked : Examining the Autobiographical in Janet Flanner
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OPUS: Open Uleth Scholarship - University of Lethbridge Research Repository University of Lethbridge Research Repository OPUS http://opus.uleth.ca Theses Arts and Science, Faculty of 2006 Genêt unmasked : examining the autobiographical in Janet Flanner Gaudette, Stacey Leigh Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2006 http://hdl.handle.net/10133/531 Downloaded from University of Lethbridge Research Repository, OPUS GENÊT UNMASKED: EXAMINING THE AUTOBIOGRAPHICAL IN JANET FLANNER STACEY LEIGH GAUDETTE Bachelor of Arts, University of Lethbridge, 2003 A Thesis Submitted to the School of Graduate Studies of the University of Lethbridge in Partial Fulfillment of the Requirements of the Degree MASTER OF ARTS Department of English University of Lethbridge LETHBRIDGE, ALBERTA, CANADA © Stacey Leigh Gaudette, 2006 GENÊT UNMASKED: THE AUTOBIOGRAPHICAL IN JANET FLANNER STACEY LEIGH GAUDETTE Approved: • (Print Name) (Signature) (Rank) (Highest Degree) (Date) • Supervisor • Thesis Examination Committee Member • External Examiner • Chair, Thesis Examination Committee ii Abstract This thesis examines Janet Flanner, an expatriate writer whose fiction and journalism have been essential to the development of American literary modernism in that her work, taken together, comprises a remarkable autobiographical document which records her own unique experience of the period while simultaneously contributing to its particular aesthetic mission. Although recent discussions have opened debate as to how a variety of discourses can be read as autobiographical, Flanner’s fifty years worth of cultural, political, and personal observation requires an analysis which incorporates traditional and contemporary theories concerning life-writing. Essentially, autobiographical scholarship must continue to push the boundaries of analysis, focusing on the interactions and reactions between the outer world and the inner self. -
Cassette Books, CMLS,P.O
DOCUMENT RESUME ED 319 210 EC 230 900 TITLE Cassette ,looks. INSTITUTION Library of Congress, Washington, D.C. National Library Service for the Blind and Physically Handicapped. PUB DATE 8E) NOTE 422p. AVAILABLE FROMCassette Books, CMLS,P.O. Box 9150, M(tabourne, FL 32902-9150. PUB TYPE Reference Materials Directories/Catalogs (132) --- Reference Materials Bibliographies (131) EDRS PRICE MF01/PC17 Plus Postage. DESCRIPTORS Adults; *Audiotape Recordings; *Blindness; Books; *Physical Disabilities; Secondary Education; *Talking Books ABSTRACT This catalog lists cassette books produced by the National Library Service for the Blind and Physically Handicapped during 1989. Books are listed alphabetically within subject categories ander nonfiction and fiction headings. Nonfiction categories include: animals and wildlife, the arts, bestsellers, biography, blindness and physical handicaps, business andeconomics, career and job training, communication arts, consumerism, cooking and food, crime, diet and nutrition, education, government and politics, hobbies, humor, journalism and the media, literature, marriage and family, medicine and health, music, occult, philosophy, poetry, psychology, religion and inspiration, science and technology, social science, space, sports and recreation, stage and screen, traveland adventure, United States history, war, the West, women, and world history. Fiction categories includer adventure, bestsellers, classics, contemporary fiction, detective and mystery, espionage, family, fantasy, gothic, historical fiction, -
THE TEACHINGS of GEORGE GURDJIEFF Week Five 1 DAY 1
Quotes From THE TEACHINGS OF GEORGE GURDJIEFF Week Five 1 DAY 1 HE KNEW HOW TO TRANSMIT ENERGY FROM HIMSELF TO OTHERS “Finally, on the continent after D-day, the problem became of such importance to me that I could not think about any- thing else and I came very close to the edge of a complete nervous collapse. When I was faced with hospitalization, I somehow managed, in my highly nervous state, to convince my commanding officer, a general, to give me a pass to go to Paris where I would be able, I hoped, to see Mr. Gurdjieff. I don’t know, even now, quite how I was able to convince the general. We were stationed in Luxembourg at the time and there was a standing order that no one from that area was to be given any liberty in Paris, except for the most important reasons. Also, I do not know what reasons were given in my case, but I had apparently made an impression on the gen- eral for he did obtain special permission for me. 2 “When I left for Paris, I had not slept for several days, I had lost a great deal of weight, had no appetite and was in a state very close to what I would have to call a form of mad- ness. Even now, while I can remember the long train trip vividly (all the railway lines had been bombed and we were shunted backwards and forwards over a large part of Bel- gium and France in order to reach Paris) I remember, espe- cially, my conviction that unless I managed to see Gurdjieff I would not be able to go on living. -
Doctor Who Claimed He Got AIDS from Surg Ery Dies
Doctor who claimed he got BULLETIN: Karen finally will AIDS from surg_ery dies see Sharon again byJEFFEWS course of duty. If that method of transmission AFTER ALMOST FIVE YEARS, Karen Thompson Managing Editor is confirmed, Dennison would be the first and Sharon Kowalski will finally be reunited this Nashville surgeon Harold Dennison died surgeon stricken with the disease as the result weekend, Dare has learned. Monday from complications brought on by his of an operating room accident. Doctors at the Duluth, Minn., Miller-Dwan Clinic battle with AIDS. Current figures list eight doctors - including have agreed to a visit between the two women, at Last week Dennison's family acknowledged four surgeons - who have been d iagnosed Kowalski 's request. Kowalski was moved to thec linic, his condition after weeks of speculation re with AIDS and whose infection mode ftas not under judge's orders, two weeks ago. garding his health. News of Dennison's death been "definitively" documented. Those eight The two wom en have been separated since an came in a brief statement issued by his family physicians have b~n listed in an "undeter automobile accident in 1983 left Kowalski seriously which read: mined risk" category, according to data sup injured. Fol lowing the accident, Kowalski 's father "Dr. Harold Dennison passed away this plied by the CDC. Donald Kowalski was granted guardianship of his morning at Baptist Hospital. .. A memorial fund CDC records also show some 18 cases na daughter and has refused to allow any contact with for medical research is being established." tionwide of other health care workers who Thompson. -
Davince Tools Generated PDF File
," ' : I 8.00 p.m.-Richard DiC!lmond ' ' ~daGdt 8.30 p.m.--Bishop Fulton J; , PRESENTS Sheen. HANDEL'S MESSIAH iIIvallable al 9.00 p.m.-Room 25· 10.00 p.m.-Liberat •• Charles Hulton &' Soils (Price .5 cents) "Vol,' 62; - Protest Speech ,By ovt. uste t • Khrushchev on I ence ote Churchill's 81sf. Defeat Comes On ,Birthday 'Today Election Question. 300,000 Subscribe To Bil·thday Fund PARIS-AP-Premier Edgar Faure's cabinet - thl 21st in France since the war - was voted out of offiCI LONDON - Reuters - Sir Winston Churchill, 81 Tuesday night. It had lasted nine months and a week. to-day, received tile news Tuesday night that a special The government was defeated ------------ birthday presentation fund subscribed, in his honor 318 to 218 in a vote of confidence Democratic and Socialist Reslat on a procedural question growing ants, and big chunks of the right from all parts of the world has reached fi total of £259 1- out of Faure's demand that the wing Independents and Peasants, ]75.' ' assembly cut its Jife short by six Th~ Communists enabled Faure months and go to the country in to WIO on the last two votes D.I an carty general election. confidence, but deserted him Tue,- The ouster of Faure was a vic· day night. He had not asked their tory for ex.premier Pierre Mendes. support at any time. France, also a Radical Socialist. COULD DISSOLVE ASSEMBLY ~rendes.France Is trying to rear· T e c hn i c a II y, the govera ganiZe the Radical Socialist party ment could now order dlssolutioll I and wanted more time 10 get of the assembly and neW elections ready for the elections. -
Umasking Claude Cahun
1 Unmasking Claude Cahun: Self-portraiture and the Androgynous Image Jacqueline May Morgan, B.A. (Visual Arts), B.F.A. (Honours) Master of Fine Art (Research) School of Drama, Fine Art and Music Faculty of Education and Arts The University of Newcastle March 2008. 2 3 I hereby certify that the work embodied in this thesis is the result of original research and has not been submitted for a higher degree to any other University or Institution. Signed: _________________________________ Acknowledgements This research could not have been undertaken without the support and encouragement from the following people: 4 Beth Alvarez from the University of Maryland, USA, for allowing me to see original material from the archives of Djuna Barnes; Val Nelson from the Jersey Heritage Trust for giving me the opportunity to see Claude Cahun’s photographs, negatives and other archival material; Joe Mière, for taking the time to talk to me regarding his friendship with Claude Cahun; Miranda Lawry, for her suggestions and supervision during my research; Barbara Harlow, for her friendship and support whilst residing in England; my grandparents for instilling in me my respect for the past. For my book collection, my interest in travel, and for my first camera, a special thankyou to my parents, Dianne and David Morgan, and to my brother and sister, Darrin and Leanne, for their encouragement and support. 5 TABLE OF CONTENTS. INTRODUCTION: Under this mask, another mask. I will never finish lifting up all these faces. CHAPTER I: Discovery. All that can be found anywhere, can be found in Paris. CHAPTER II: Androgyny. -
Gentle Romances, 2014
ISBN 978-0-8444-9569-9 Gentle 2014 Romances National Library Service for the Blind and Physically Handicapped Washington 2014 Library of Congress Cataloging-in-Publication Data Library of Congress. National Library Service for the Blind and Physically Handicapped. Gentle romances, 2014. pages cm Includes bibliographical references and indexes. ISBN 978-0-8444-9569-9 1. Blind--Books and reading--Bibliography--Catalogs. 2. Talking books-- Bibliography--Catalogs. 3. Braille books--Bibliography--Catalogs. 4. Love stories-- Bibliography--Catalogs. 5. Library of Congress. National Library Service for the Blind and Physically Handicapped--Catalogs. I. Title. Z5347.L533 2014 [HV1721] 016.823’08508--dc23 2014037860 Contents Introduction .......................................... iii pense, or paranormal events may be present, Audio ..................................................... 1 but the focus is on the relationship. Dull, Braille .................................................... 41 everyday problems tend to be glossed over Index ...................................................... 53 and, although danger may be imminent, the Audio by author .................................. 53 environment is safe for the main characters. Audio by title ...................................... 61 Much of modern fiction—romances in- Braille by author ................................. 71 cluded—contains strong language and Braille by title ..................................... 73 descriptions of sex and violence. But not Order Forms ........................................ -
Photography: Lesbian, Pre-Stonewall by Tee A
Photography: Lesbian, Pre-Stonewall by Tee A. Corinne Street Types of New York: Policeman by Alice Austen. Encyclopedia Copyright © 2015, glbtq, Inc. Courtesy Library of Entry Copyright © 2002, glbtq, Inc. Congress Prints and Reprinted from http://www.glbtq.com Photographs Division. It is likely that lesbians began making photographs almost as soon as the medium was invented in 1839, but the record of those images has been obscured by time, disinterest, and overt hostility. However, the past thirty years of scholarship--primarily by lesbian and feminist researchers--have produced enough material to have a dialogue about photographs made by lesbian-identified or lesbian-identifiable women. For some, the term "lesbian photography" presents a complicated reality. As used here, it means photographs made by women who participated in loving--often physical--relationships with other women. Within a lesbian context, the most significant of these early images are those that reflect lesbian iconography, convey relationships, or show the photographer looking at and recording her beloved. How openly pre-Stonewall lesbian women might behave in public depended on a combination of factors, including economics, geographic location, race, ethnicity, and position in time. Paris, with its lack of inhibiting laws and long history of independent women, was a haven for lesbians decades before it became the expatriate destination of choice in the 1920s. Greenwich Village in the 1910s and Berlin in the 1920s and early 1930s also particularly drew women who loved women. The Loving Eye The vast majority of photographic images made by lesbians remain hidden in private photo albums and never reach public display. -
Abbott, Berenice (1898-1991) Berenice Abbott (Circa 1932)
A photo mural by Abbott, Berenice (1898-1991) Berenice Abbott (circa 1932). by Tee A. Corinne Northwestern University Library Art Collection. Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Accomplished American photographer Berenice Abbott may be best known for her photographs of New York City's changing cityscape, but she also made memorable images of lesbians, bisexuals, and gay men in Paris in the 1920s and in New York from the 1930s through 1965. Born in Springfield, Ohio in 1898, Abbott briefly attended Ohio State University before moving to New York City in 1918. In New York, she lived in a semi-communal Greenwich Village apartment shared by Djuna Barnes and others. Man Ray and Marcel Duchamp were part of her social circle. In 1921, Abbott moved to Europe where she studied sculpture in Paris and Berlin. Among her lovers in Paris were artists' model Tylia Perlmutter and sculptress and silverpoint artist Thelma Wood. In Paris, between 1923 and 1925, she studied photography while working as Man Ray's assistant. In 1926, she opened her own portrait studio and had a successful one-person exhibition. Two years later, she showed photographs at the Salon des Indépendants. During Abbott's Paris years, she photographed many figures from the worlds of literature and the arts, including James Joyce, Foujita, Coco Chanel, and Max Ernst. However, her most significant contribution to queer history and aesthetics are her vivid portraits of lesbians and bisexuals. Among these are the younger expatriate lesbian writers Margaret Anderson, Jane Heap, Sylvia Beach, Bryher, Janet Flanner and Flanner's lover Solita Solano, as well as the artist Gwen Le Gallienne, with whom she frequented gay bars. -
Brancusi and Gurdjieff
Brancusi and Gurdjieff Basarab Nicolescu and Paul Beekman Taylor In his remarkable study ‘Brancusi et l’idée de sculpture’, Pontus Hulten wrote: “… it is notable that he met and spoke with men like Georges Ivanovich Gurdjieff,”1 but Hulten offers no source for the fact. Other Brancusi scholars repeat the assertion, also without referring to a source. It seems evident to us that the source for this assertion must be Peter Neagoe’s roman à clef about Brancusi’s life.2 Peter (Petru) Neagoe (1881–1960),3 an American writer of Romanian origin, was a close friend of Brancusi. In 1900 they were colleagues at the National School of Fine Arts in Bucharest. In 1903 Neagoe immigrated to the United States and took up residence in New York City where he married Anna Frankel, of Lithuanian origin, who died in 1985 at the age of 101. Neagoe became an American citizen in 1913, and returned to Paris in 1926 where he was acquainted with James Joyce, Ezra Pound, Gertrude Stein and Peggy Guggenheim, and where he rejoined his friend Brancusi. It was through Neagoe that Brancusi met Peggy Guggenheim. Neagoe left Paris in 1939, but returned after the war in 1946 and 1949. In 1957, the Neagoes, who had acquired a studio in the Villa Seurat, were at the bedside of the dying Brancusi. It is evident that Neagoe had Basarab Nicolescu is honorary theoretical physicist at CNRS (University Paris 6), Professor at the University Babes-Bolyai, Cluj -Napoca (Romania) and Honorary Member of the Romanian Academy. Paul Beekman Taylor is Emeritus Professor of medieval English language and literature at University of Genève. -
Dalrev Vol66 Iss1 2 Pp188 213.Pdf (12.14Mb)
Patricia Clements "Transmuting" Nancy Cunard Les po'etes. devant mes grandes attitudes, Que j'ai !'air d'emprunter aux plus fiers monuments Consumeront leurs jours en d'asteres etudes; Car j'ai, pour fasciner ces dociles amants, De purs miroirs qui font toutes choses plus belles: Mes yeux, mes larges yeux aux clartes eternelles! Charles Baudelaire, "La Beaute"1 C'est. sans doute, /'instant qu'Aiice devrait surprendre. Oit e/le devrait, e/le-meme, entrer en scene. Avec ses yeux violes. Bleus et rouges. Qui connaissent l'endroit, l'envers, et le revers; le jlou de Ia deformation; /e nair ou blanc de Ia perle d'identiti. Luce Irigaray, "Le Miroir, de !'Autre C6te"2 This paper is about a series of meetings of the aesthetic with the real, political, and personal. It is about some of the ways in which "language casts sheaves of reality upon the social body, stamping it and violently shaping it (Wittig 64). And it is about the "transmutation" of a woman seeking to enter history into the represented feminine. The woman is Nancy Cunard (I 896- I 965); the transmuting artists include John Bant ing, Cecil Beaton, Man Ray, Aldous Huxley, Michael Arlen, and Richard Aldington; and the "transmutations" are both the widely circulated photographs and paintings of the 'twenties and early 'thir ties and some "keyed" fictions. The facts of fashion, photographic style, and literary disguise have together given us a topos of modern ism. "Nancy Cunard," it is commonly known, bringing together two complex literary and historical fictions, is "the modern woman." Nancy Cunard was a poet, publisher, journalist and political acti vist.3 Her mother, Maud Burke, later Lady Emerald Cunard, wife of Sir Bache Cunard of the shipping family, was a Californian who became a prominent society hostess, mistress of Sir Thomas Beecham, "TRANSMUTING" NANCY CUNARD 189 and a powerful patron of the official arts in England.