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Integration Des Chaos : Marilyn Manson, Männlichkeit, Lust Und Scheitern L'amour Lalove, Patsy 2017
Repositorium für die Geschlechterforschung Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern l'Amour laLove, Patsy 2017 https://doi.org/10.25595/398 Eingereichte Version / submitted version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: l'Amour laLove, Patsy: Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern, in: Nagelschmidt, Ilse; Borrego, Britta; Majewski, Daria; König, Lisa (Hrsg.): Geschlechtersemantiken und Passing be- und hinterfragen (Frankfurt am Main: PL Academic Research, 2017), 169-194. DOI: https://doi.org/10.25595/398. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY 4.0 Lizenz (Namensnennung) This document is made available under a CC BY 4.0 License zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz finden (Attribution). For more information see: Sie hier: https://creativecommons.org/licenses/by/4.0/deed.en https://creativecommons.org/licenses/by/4.0/deed.de www.genderopen.de Integration des Chaos – Marilyn Manson, Männlichkeit, Lust und Scheitern Patsy l'Amour laLove Marilyn Manson as a public figure represents exemplarily aspects of goth subculture: Aspects of life that shall be denied as not belonging to a fulfilled and happy life from a normative point of view are being integrated in a way that is marked by pleasure. Patsy l‘Amour laLove uses psychoanalytic approaches to the integration of chaos, of pain and failure in Manson‘s recent works. „This will hurt you worse than me: I'm weak, seven days a week ...“ Marilyn Manson1 FOTO © by Max Kohr: Marilyn Manson & Rammstein bei der Echo-Verleihung 2012 Für Fabienne. Marilyn Manson verwirft in seinem Werk die Normalität, um sich im gleichen Moment schmerzlich danach zu sehnen und schließlich den Wunsch nach Anpassung wieder wütend und lustvoll zu verwerfen. -
Subjectivity in American Popular Metal: Contemporary Gothic, the Body, the Grotesque, and the Child
CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Subjectivity In American Popular Metal: Contemporary Gothic, The Body, The Grotesque, and The Child. Sara Ann Thomas MA (Hons) Submitted in fulfilment for the Degree of Doctor of Philosophy Faculty of Arts University of Glasgow January 2009 © Sara Thomas 2009 Abstract This thesis examines the subject in Popular American Metal music and culture during the period 1994-2004, concentrating on key artists of the period: Korn, Slipknot, Marilyn Manson, Nine Inch Nails, Tura Satana and My Ruin. Starting from the premise that the subject is consistently portrayed as being at a time of crisis, the thesis draws on textual analysis as an under appreciated approach to popular music, supplemented by theories of stardom in order to examine subjectivity. The study is situated in the context of the growing area of the contemporary gothic, and produces a model of subjectivity specific to this period: the contemporary gothic subject. This model is then used throughout to explore recurrent themes and richly symbolic elements of the music and culture: the body, pain and violence, the grotesque and the monstrous, and the figure of the child, representing a usage of the contemporary gothic that has not previously been attempted. Attention is also paid throughout to the specific late capitalist American cultural context in which the work of these artists is situated, and gives attention to the contradictions inherent in a musical form which is couched in commodity culture but which is highly invested in notions of the ‘Alternative’. In the first chapter I propose the model of the contemporary gothic subject for application to the work of Popular Metal artists of the period, drawing on established theories of the contemporary gothic and Michel Foucault’s theory of confession. -
Easter Eggs: Hidden Tracks and Messages in Musical Mediums
Proceedings ICMC|SMC|2014 14-20 September 2014, Athens, Greece Easter Eggs: Hidden Tracks and Messages in Musical Mediums Jonathan Weinel, Darryl Griffiths and Stuart Cunningham Creative & Applied Research for the Digital Society (CARDS) Glyndŵr University Plas Coch Campus, Mold Road, Wrexham, LL11 2AW, Wales +44 1978 293070 {j.weinel | Griffiths.d | s.cunningham}@glyndwr.ac.uk ABSTRACT the programmers’ office, in the style of the video game Doom [2]. The hidden game features credits and digital ‘Easter eggs’ are hidden components that can be found in images of the programmers. It is accessed by carrying computer software and various other media including out a particular series of actions on the 95th row of a music. In this paper the concept is explained, and various blank spreadsheet upon opening Excel. examples are discussed from a variety of mediums in- cluding analogue and digital audio formats. Through this discussion, the purpose of including easter eggs in musi- cal mediums is considered. We propose that easter eggs can serve to provide comic amusement within a work, but can also serve to support the artistic message of the art- work. Concealing easter eggs in music is partly depend- ent on the properties of the chosen medium; vinyl records Figure 1. Screenshots from the ‘hall of tortured souls’, in Mi- may use techniques such as double grooves, while digital crosoft Excel 95. formats such as CD may feature hidden tracks that follow long periods of empty space. Approaches such as these This paper will consider the purpose and realisation of and others are discussed. -
ANSAMBL ( [email protected] ) Umelec
ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol. -
Tenure Guidelines to See Revision
University of Missouri, St. Louis IRL @ UMSL Current (1990s) Student Newspapers 11-9-1998 Current, November 09, 1998 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current1990s Recommended Citation University of Missouri-St. Louis, "Current, November 09, 1998" (1998). Current (1990s). 286. https://irl.umsl.edu/current1990s/286 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1990s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. VOICE OF U M -ST. L OUIS November 9, 1998 . The University of Missouri-St. Louis Vol. 32 Issue 936 Tenure guidelines to see revision BY JOSH RENAUD of the Current staff P9licy change will reflect system rules The current UM-St. Louis tenure a~d promotion policy does not comply with the University of Missouri Collected . " Nelson outlined four changes that would be made to cor- Rules and Regulations but it will be changed, according to am acting today to bring this reet the situation. First, outside letters must be solicited before Vice-Chancellor for Academic Affairs Jack Nelson. any recommendations concerning mandatory tenure review The rule was changed six years ago, but for unknown rea campus into compliance and can be made. Second, both negative and positive recommenda sons the University never altered its own tenure policy, he to assure f air treatment for tions must go forward all the way to the chancellor in a manda explained at Tuesday's meeting of the University senate. -
Nine Inch Nails Things Falling Apart Lyrics
Nine inch nails things falling apart lyrics click here to download NINE INCH NAILS lyrics - "Things Falling Apart" () EP, including "10 Miles High (Version)", "Metal", "Where Is Everybody? (Version)". Things Falling Apart. Nine Inch Nails. Released K. Things Falling Apart Tracklist. 1 Starfuckers, Inc. (Version - Sherwood) Lyrics. 5. Nine Inch Nails song lyrics for album Things Falling Apart. Tracks: Slipping Away, The Great Collapse, The Wretched, Starfuckers, Inc., The Frail, Starfuckers Inc., The Wretched · Starfuckers, Inc. · Starfuckers Inc. · Where Is Everybody? All lyrics for the album Things Falling Apart by Nine Inch Nails. Tracklist with lyrics of the album THINGS FALLING APART [] from Nine Inch Nails: Slipping Away - The Great Collapse - The Wretched - Starfuckers, Inc. I. Features Song Lyrics for Nine Inch Nails's Things Falling Apart album. Includes Album Cover, Release Year, and User Reviews. Lyrics Depot is your source of lyrics to Nine Inch Nails Things Falling Apart songs. Please check back for new Nine Inch Nails Things Falling Apart music lyrics. Slipping Away, The Great Collapse, Starfuckers, Version A, The Wretched (Version), The Frail. Nine Inch Nails - Things Falling Apart Lyrics - Full Album. Things Falling Apart is the second remix album by American industrial rock band Nine Inch Nails, released on November 21, by Nothing Records and. Nine Inch Nails - Things Falling Apart (Remix EP) - www.doorway.ru Music. Things Falling Apart, a collection of severely remixed songs from The Fragile, adds . of Discs: 1; Format: Explicit Lyrics, EP; Label: Nothing; ASIN: BZB9L. Things Falling Apart album by Nine Inch Nails. Find all Nine Inch Nails lyrics in music lyrics database. -
DOCUMENT RESUME Music Violence: How Does It Affect Our Children. Hearing Before the Subcommittee on Oversight of Government Mana
DOCUMENT RESUME ED 418 915 SO 029 319 TITLE Music Violence: How Does It Affect Our Children. Hearing before the Subcommittee on Oversight of Government Management, Restructuring, and the District of Columbia of the Committee on Governmental Affairs, United States Senate, One Hundred Fifth Congress, First Session (November 6, 1997) . REPORT NO Senate-Hrg-105-395 ISBN ISBN-0-16-056324-0 PUB DATE 1998-00-00 NOTE 91p. AVAILABLE FROM U.S. Government Printing Office, Superintendent of Documents, Congressional Sales Office, Washington, DC 20402. PUB TYPE Legal/Legislative/Regulatory Materials (090) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Aggression; *Children; Crime; Delinquency; Elementary Secondary Education; Hearings; *Mass Media; *Mass Media Effects; Mass Media Role; Mass Media Use; *Music; *Violence IDENTIFIERS Congress 105th; *District of Columbia ABSTRACT This hearing explores the influence of music violence on youth in the District of Columbia. The proceedings include the testimony of witnesses representing the American Academy of Pediatrics, the Recording Industry Association of Ptmerica, the National Political Congress of Black Women, the Thomas Moore Stork Professor of Communications, a Senator from North Dakota, and a parent from North Dakota. Opening statements were offered by Senators Brownback and Lieberman. The discussion focused on violence as portrayed in popular music and how that graphic violence may influence young people toward violent behavior. The average teen listens to music about 4 hours a day while spending 20 minutes a day in conversation with his/her mother and less than 5 minutes a day in conversation with his/her father. (EH) ******************************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. -
Klipsun Magazine, 1995, Volume 32, Issue 02-January
Western Washington University Western CEDAR Klipsun Magazine Western Student Publications 1-1995 Klipsun Magazine, 1995, Volume 32, Issue 02 - January Nick Davis Western Washington University Follow this and additional works at: https://cedar.wwu.edu/klipsun_magazine Part of the Higher Education Commons, and the Journalism Studies Commons Recommended Citation Davis, Nick, "Klipsun Magazine, 1995, Volume 32, Issue 02 - January" (1995). Klipsun Magazine. 159. https://cedar.wwu.edu/klipsun_magazine/159 This Issue is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in Klipsun Magazine by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Si* ..- • .... ■ ■'■—• ■■ mm^^^m^mmK0^Ht§m§9mti0m .. i^f'S?/ M^Wfi .ssaSlfe^ ilii §0^ ... ill aftli ■,iip:i!i-'nV.v-- ISIS t^mam klipsun magazine Editor: Writers: Nick Davis Mara Applebaum Managing Editor: Rich Boyer Ryan McMenamin Angela Cassidy Photo Editor: Tabitha Clark Kristine Donahoe Cassandra Burdsal Tim Farley Story Editors: Rebecca Hover Eowyn LeMay Ivey Haidee Jezek Kevin Perron Tina Jo Koontz R. Nina Ruchirat Jason E Lind Illustrator: JeffMisel Bryan Frank Nori Mitsuse Graphics and Design: Hilary Parker Ryan McMenamin Mark Rensink Adviser: Holly Schmidt Carolyn Dale Janette Shadduck Shelley Sharp Business Manager: Nicole Simpson Teari Brown Mike Stiles Tara Thomas Noah Walden Letter from the Editor: Welcome to the first issue of Klipsun for 1995. former political cartoonist for The Seattle Times. Unfortunately for me, this happens to be my last issue as During the groundwork for the story, not only did he editor-in-chief, but hey, what an issue to go out on! Both graciously agree to the interviews, he also agreed to produce an the writing and editorial staffs worked hard to produce this original piece of art to adorn the cover of Klipsun. -
313 3D in Your Face 44 Magnum 5 X a Cosmic Trail A
NORMALPROGRAMM, IMPORTE, usw. Richtung Within Temptation mit einem guten Schuß Sentenced ALLOY CZAR ANGEL SWORD ACCUSER Awaken the metal king CD 15,50 Rebels beyond the pale CD 15,50 Dependent domination CD 15,50 Moderater NWoBHM Sound zwischen ANGRA BITCHES SIN, SARACEN, DEMON, Secret garden CD 15,50 Diabolic CD 15,50 SATANIC RITES gelegen. The forlorn divide CD 15,50 ALLTHENIKO ANGRA (ANDRE MATOS) Time to be free CD 29,00 ACID Back in 2066 CD 15,50 Japan imp. Acid CD 18,00 Devasterpiece CD 15,50 ANGUISH FORCE Engine beast CD 18,00 Millennium re-burn CD 15,50 2: City of ice CD 12,00 ACRIDITY ALMANAC 3: Invincibile imperium Italicum CD 15,50 For freedom I cry & bonustracks CD 17,00 Tsar - digibook CD & DVD 18,50 Cry, Gaia cry CD 12,00 ACTROID ALMORA Defenders united MCD 8,00 Crystallized act CD 29,00 1945 CD 15,50 Japan imp. RRR (1998-2002) CD 15,50 Kalihora´s song CD 15,50 Sea eternally infested CD 12,00 ABSOLVA - Sid by side CD 15,50 ADRAMELCH Kiyamet senfonisi CD 15,50 Broken history CD 15,50 ANIMETAL USA Shehrazad CD 15,50 Lights from oblivion CD 15,50 W - new album 2012 CD 30,00 313 ALTAR OF OBLIVION Japan imp. Opus CD 15,50 Three thirteen CD 17,00 Salvation CD 12,00 ANNIHILATED ADRENALINE KINGS 3D IN YOUR FACE ALTERED STATE Scorched earth policy CD 15,50 Same CD 15,50 Faster and faster CD 15,50 Winter warlock CD 15,50 ANNIHILATOR ADRENICIDE Eine tolle, packende Mischung aus AMARAN Alice in hell CD 12,00 PREMONITION (Florida) ILIUM, HAN- War begs no mercy CD 15,50 KER und neueren JAG PANZER. -
Book of Condolence, but I Don't Know How, Exactly, at This Moment
About 24 hours after the accident, I removed the website from our servers and replaces all the pages with black... Date: Sun Nov 14, 2004 8:41:54 PM Subject: Re: [coil] threshold house Tribute to ODB? or hopefully the Dublin download? anyone know what the black page is about at threshold house? Pete Planning on living forever - so far, so good Date: Sun Nov 14, 2004 8:40:49 PM Subject: RE: [coil] threshold house Peter having fun with GoLive ? "I don't ever want to be alone. With all my darkest dreaming. Hold me close. The sky is breaking." At about 9,15am the next day I put up the first announcement.... Date: Mon Nov 15, 2004 9:27:57 AM Subject: [coil] Balance dead? Please say it aint so... Oh, man if true this really sucks. Date: Mon Nov 15, 2004 9:37:21 AM Subject: This is a sad day. Learned the bad news coming back from work. I'll just go to bed and pretend it was a dream. All my deepest condolences to Jhonn's family, he was a great individual and i am sure you all know it. Take good care, there will be a lot of people mourning with you. Sandrine. Date: Mon Nov 15, 2004 9:41:51 AM Subject: Re: [coil] condolences accepted I... no words... Date: Mon Nov 15, 2004 9:49:00 AM Subject: Re: [coil] condolences accepted I count among the most miraculous experiences of my life seeing Jhonn Balance perform with COIL in New York City on August 18, 2001, which coincidentally (?) fell on the day of my 23rd birthday. -
Event Modelling for Policymakers & Valuation
EVENT MODELLING FOR POLICYMAKERS & VALUATION ANALYSTS IN DISRUPTIVE INNOVATION MARKETS: DIGITAL DOWNLOAD STRATEGIES FOR RADIOHEAD’S IN RAINBOWS & NINE INCH NAILS’ THE SLIP A L E X B U R N S (Refereed) ([email protected]) ‘There’s an unlimited supply.’ – The Sex Pistols, ‘EMI’, Never Mind the Bollocks, Here’s the Sex Pistols (1978) ‘Yes, it’s pay what you want, including free. Really.’ – Radiohead, In Rainbows.com digital download site (2007) ‘I think the way [Radiohead] parlayed it into a marketing gimmick has certainly been shrewd. But if you look at what they did, though, it was very much a bait and switch to get you to pay for a MySpace-quality stream as a way to promote a very traditional record sale. There’s nothing wrong with that, but I don’t see that as a big revolution [that] they’re kinda [sic] getting credit for. To me that feels insincere. It relies upon the fact that it was quote-unquote ‘first,’ and it takes the headlines with it.’ – Nine Inch Nails’ Trent Reznor, Triple J’s ‘Hack’ interview (Chartier, 2008). 1. Introduction: Two Market Events & Four Initial Reactions 1.1 Paper Overview & Problem Statement Market events force journalists, policymakers and valuation analysts to make judgments on the basis of ambiguous and incomplete information. This paper explores why Chris Anderson, Scott Anthony and other strategists applaud Radiohead’s In Rainbows (2007) and Nine Inch Nails’ The Slip (2008) as two market events about online digital downloads that might dramatically alter the digital music industry’s structure, firms, and business models. -
Transgressive Queer Embodiment in the Music Videos of Marilyn Manson
“It’s All Me… In One Way or Another”: Transgressive Queer Embodiment in the Music Videos of Marilyn Manson by Brandon Peter Masterman Bachelor of Music in Saxophone Performance, Youngstown State University, 2007 Master of Library and Information Science, University of Pittsburgh, 2008 Submitted to the Graduate Faculty of Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts in Musicology University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH Dietrich School of Arts and Sciences This thesis was presented by Brandon Peter Masterman It was defended on March 30, 2012 and approved by James P. Cassaro, MA, MLS, Adjunct Assistant Professor of Music Deane L. Root, PhD, Professor of Music Todd W. Reeser, PhD, Associate Professor of French Thesis Advisor: Adriana Helbig, PhD, Assistant Professor of Music ii Copyright © by Brandon Peter Masterman 2012 iii “It’s All Me… In One Way or Another”: Transgressive Queer Embodiment in the Music Videos of Marilyn Manson Brandon Peter Masterman, M.L.I.S., M.A. University of Pittsburgh, 2012 My work attempts to understand the deployment of transgressive queerness in contemporary American popular music videos. Rather than aligning with either the conservative moral panics or liberal arguments regarding free speech, I suggest that productive alternative understandings exist outside of this oppositional binary. Focusing on Marilyn Manson, particularly, I analyze how various performances open up a space of potentiality for greater imaginings of embodiment and erotics. The music of Marilyn Manson presents a scathing critique of the cultural landscape of the United States in the late twentieth and early twenty-first centuries.