Take That Tickets for Progress Live 2011 Tour Available

Total Page:16

File Type:pdf, Size:1020Kb

Take That Tickets for Progress Live 2011 Tour Available Oct 30, 2010 12:49 BST Take That Tickets for Progress Live 2011 tour available Take That are a five-piece pop group comprising Gary Barlow, Howard Donald, Jason Orange, Mark Owen and Robbie Williams. Gary Barlow is Take That’s front-man and primary songwriter. Formed in Manchester in 1990, Take That achieved major success, selling more than 25 million records between 1991–96 before disbanding in 1996. Dance-oriented pop tunes and soulful ballads of Take That dominated the UK charts in the first half of the 1990s, spawning two of the best selling albums of the decade with Everything Changes and Greatest Hits. Take That reformed in 2005 without Robbie Williams and achieved new success as a four-piece scoring a string of chart hits whilst taking the number of records sold to over 40 million worldwide. Robbie Williams’ return to Take That was confirmed on 15 July 2010. Take That have had 22 top forty singles in the UK alone, 11 of which have reached #1 as well as having five number 1 albums. Take That released their debut album Take That & Party on 17 August 1992. Take That & Party was certified as 2x Platinum in the UK, reached #2 in the UK album chart and stayed in the chart for 19 weeks. Take That released their second album Everything Changes on 11 October 1993. Everything Changes reached number one in the UK Album Chart, was the 3rd best selling album of 1993 in the UK and has been certified as 4x Platinum in the UK. Take That released their third studio album Nobody Else on 5 May 1995; it reached number one in the UK, German, Dutch and Swiss charts. Take That went on the Nobody Else Tour in support of the album, playing 31 dates across countries such as the UK, Australia, Thailand, Singapore and Japan. Robbie Williams was unhappy with his musical ideas not being taken seriously by lead singer Gary Barlow and Nigel Martin-Smith. Robbie Williams’ desires to explore more hip hop and the rap genre conflicted with the Take That’s usual ballads. Gary Barlow and Jason Orange confronted Robbie Williams about his attitude and stated they wanted to do the US leg of Nobody Else Tour without him. Robbie Williams agreed to quit take That and left; it would be the last time for twelve years that they were all together. Take That formally announced on 13 February 1996 that they were disbanding. Take That’s fourth & comeback album, Beautiful World was released on 24 November 2006, which entered the UK album chart at #1 and has been certified as 8x Platinum in the UK. Take That released their fifth studio album The Circus on 28 November 2008; it reached the top of the UK album charts on 7 December 2008, remained there for 5 weeks and has been certified double platinum in Europe (including the UK and Ireland). Robbie Williams announced his return to Take That on 15 July 2010. Take That will release their upcoming sixth studio album Progress on 22 November 2010. Progress is the first album of Take That to feature original five-piece line-up since their reformation in 2005. Robbie Williams is working on a Take That album after 14 years. Take That have announced Progress Live 2011, for the support of their upcoming sixth studio album, Progress. Take That are set to play at major UK arenas with a series of concerts at City of Manchester Stadium and London’s Wembley Stadium. Take That’s Progress Live 2011 will see original five-piece line-up including Robbie Williams perform live after 15 years in UK. Promoters SJM Concerts are trying to ensure a maximum number of venues available for comeback tour of Robbie Williams with Take That. Take That will then perform at important venues across Europe. Take That’s Progress Live 2011 tour is on sale now for Thatters. Take That Tickets for Progress Live 2011 are available at Sold Out Ticket Market against nominal price. Sold Out Ticket Market is ideal for Take That Tickets at affordable rates. Check out the Ticket Market for Take That Tickets. Take That Tickets – Progress Live 2011 – £175.00 Take That Tickets Satdium of Light 30 May 2011 – Sunderland – £175.00 Take That Tickets Satdium of Light 31 May 2011 – Sunderland – £175.00 Take That Tickets City of Manchester Stadium 3 June 2011 – £175.00 Take That Tickets City of Manchester Stadium 4 June 2011 – £175.00 Take That Tickets City of Manchester Stadium 5 June 2011 – £175.00 Take That Tickets City of Manchester Stadium 7 June 2011 – £175.00 Take That Tickets City of Manchester Stadium 8 June 2011 – £175.00 Take That Tickets City of Manchester Stadium 10 June 2011 – £175.00 Take That Tickets City of Manchester Stadium 11 June 2011 – £175.00 Take That Tickets Millennium Stadium 14 June 2011 – Cardiff – £175.00 Take That Tickets Millennium Stadium 15 June 2011 – Cardiff – £175.00 Take That Tickets Croke Park 18 July 2011 – Dublin – £175.00 Take That Tickets Croke Park 19 July 2011 – Dublin – £175.00 Take That Tickets Hampden Park 22 June 2011 – Glasgow – £175.00 Take That Tickets Hampden Park 23 June 2011 – Glasgow – £175.00 Take That Tickets Hampden Park 24 June 2011 – Glasgow – £175.00 Take That Tickets Villa Park 27 June 2011 – Birmingham – £175.00 Take That Tickets Villa Park 28 June 2011 – Birmingham – £175.00 Take That Tickets Wembley Stadium 1 July 2011 – London – £175.00 Take That Tickets Wembley Stadium 2 July 2011 – London – £175.00 Take That Tickets Wembley Stadium 3 July 2011 – London – £175.00 Take That Tickets Wembley Stadium 5 July 2011 – London – £175.00 Take That Tickets Wembley Stadium 6 July 2011 – London – £175.00 Take That Tickets Wembley Stadium 8 July 2011 – London – £175.00 Take That Tickets Wembley Stadium 9 July 2011 – London – £175.00 Take That Tickets San Siro – San Siro, Milan, Italy – £175.00 Take That Tickets Parken Stadium – Copenhagen, Denmark – £175.00 Take That Tickets Amsterdam Arena – Amsterdam, Netherlands – £175.00 Take That Tickets Imtech Arena – Hamburg, Germany – £175.00 Take That Tickets Esprit Arena – Dusseldorf, Germany – £175.00 Take That Tickets Olympiastadion – Olympic Stadium Munich, Germany – £175.00 Call: 0044 (0) 207 1933 837 or 0044 (0) 207 1931 315 Fax: 0044 (0) 207 6925 527 E-mail: [email protected] Sold Out Ticket Market Sold Out Ticket Market is a ticket agent which is ideal for: Concert Tickets, Festival Tickets, Theatre Tickets and Sports Tickets. Call: 0044 (0) 207 1933 837 or 0044 (0) 207 1931 315 Fax: 0044 (0) 207 6925 527 E-mail: [email protected] Sold Out Ticket Market.
Recommended publications
  • Britsad 2015Ad.Indd
    Paul McCartney James Corden Freddie Flintoff Leona Lewis Isle of Wight Festival The BRIT Awards The Horrors Ronan Keating Lionel Richie The Saturdays Charlie Simpson Herb Lester Ping Pong Cosmo Awards Take That MTV Brand New MTV Crashes Andreya Triana Jermain Jackman Woman’s Hour The Smashing Pumpkins Two Door Cinema Club The Gaslight Anthem Troy Gary Barlow Jamie Cullum 5 Seconds of Summer Katherine Jenkins Laura Doggett Soundgarden Ride Laura Mvula Manny Norte Queens Of The Stone Age Black Sabbath Paul McCartney James Corden Freddie Flintoff Leona Lewis Isle of Wight Festival The BRIT Awards The Horrors Ronan Keating Lionel Richie The Saturdays Charlie Simpson Herb Lester Ping Pong Cosmo Awards Take That MTV Brand New MTV Crashes Andreya Triana Jermain Jackman Woman’s Hour The Smashing Pumpkins Two Door Cinema Club The Gaslight Anthem Troy Gary Barlow Jamie Cullum 5 Seconds of Summer Katherine Jenkins Laura Doggett Soundgarden Ride Laura Mvula Manny Norte Queens Of The Stone Age Black Sabbath Paul McCartney James Corden Freddie Flintoff Leona Lewis Isle of Wight Festival The BRIT Awards The Horrors Ronan Keating Lionel Richie The Saturdays Charlie Simpson Herb Lester Ping Pong Cosmo Awards Take That MTV Brand New MTV Crashes Andreya Triana Jermain Jackman Woman’s Hour The Smashing Pumpkins Two Door Cinema Club The Gaslight Anthem Troy Gary Barlow Jamie Cullum 5 Seconds of Summer Katherine Jenkins Laura Doggett Soundgarden Ride Laura Mvula Manny Norte Queens Of The Stone Age Black Sabbath Paul McCartney James Corden Freddie Flintoff Leona
    [Show full text]
  • Language, Cognition, Interaction. Conceptual Blending As Discursive
    LANGUAGE, COGNITION, INTERACTION. CONCEPTUAL BLENDING AS DISCURSIVE PRACTICE Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophie des Fachbereichs 05 der Justus-Liebig-Universität Gießen vorgelegt von Vera Stadelmann aus Innsbruck Gießen 2012 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Dekan: Prof. Dr. Magnus Huber 1. Berichterstatter: Prof. Dr. Joybrato Mukherjee 2. Berichterstattter: Prof. Dr. Helmuth Feilke LANGUAGE, COGNITION, INTERACTION ! TABLE OF CONTENTS Erklärung………………………………………………………………………... iv Acknowledgments ………………………………………………………………. v List of abbreviations and acronyms …………………………………………….. vi List of tables ……………………………………………………………………... vii List of figures ……………………………………………………………………. viii List of transcripts ………………………………………………………………... x Transcription conventions ……………………………………………………… xi 1. LANGUAGE, COGNITION, INTERACTION. CONCEPTUAL BLENDING IN A SOCIAL-INTERACTIONAL COGNITIVE LINGUISTICS …………………………………………………………. 1 1.1. Introduction ……………………………………………………………….. 1 1.2. Conceptual blending as discursive practice: Preview …….………………... 5 2. MENTAL SPACES AND CONCEPTUAL INTEGRATION THEORIES …. 8 2.1. Mental Spaces Theory ……………………………………………………... 9 2.2. Conceptual Integration Theory ……………………………………………. 16 2.2.1. Constitutive principles ……………………………………………. 19 2.2.2. Governing principles ……………………………………………... 22 2.2.3. Blending typology ………………………………………………… 25 2.3. Critical discussion …………………………………………………………... 28 2.3.1. Post-hoc vs. ad-hoc ……………………………………………….. 29 2.3.2. The Generic Space
    [Show full text]
  • Midnight Special Songlist
    west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
    [Show full text]
  • 1 the Silver Trumpet Owen Barfield Part I Chapter I Once Upon a Time
    The Silver Trumpet Owen Barfield Part I Chapter I Once upon a time there were two little Princesses whose names were Violetta and Gambetta; and they lived in Mountainy Castle. They were twins, and they were so like each other that when Violetta came in from a walk with her feet wet, Gambetta was sometimes told to go and change her stockings, because the Queen couldn’t tell which from the other. But that didn’t often happen, because if Princess Violetta was out for a walk, Princess Gambetta was almost sure to be out with her. Indeed they were so fond of one another that you might have thought they were tied together with a piece of string. All the same, the Queen used to be so fussed and worried by the confusion that, what with one thing and another, she persuaded the King to appoint a special Lord to distinguish between them. And he was called the Lord High Teller of the Other from Which. The first thing he did, after he was given this office, was to decree that everyone should call them by shorter names, because, as he said, their names both ended with “etta”, and that made it much harder to tell. “Why does it make it harder to tell?” said the King. “I don’t see why it should make it harder.” “Never mind why, Your Majesty,” the Lord High Teller replied firmly, “but it does.” “Very well,” said His Majesty, “I think you are rather a fool, but I will do as you say, and I will see that my subjects do as you say, because this is your job and not mine.” And he went off hunting.
    [Show full text]
  • (11) Application No. AU 2017249661 B2 AUSTRALIAN PATENT OFFICE
    (12) STANDARD PATENT (11) Application No. AU 2017249661 B2 (19) AUSTRALIAN PATENT OFFICE (54) Title Bifidobacteria for reducing food, energy and/or fat intake (51) International Patent Classification(s) A61K 35/745 (2015.01) A61P7/00 (2006.01) A23L 33/135 (2016.01) (21) Application No: 2017249661 (22) Date of Filing: 2017.04.06 (87) WIPO No: WO17/178316 (30) Priority Data (31) Number (32) Date (33) Country 16165379.5 2016.04.14 EP (43) Publication Date: 2017.10.19 (44) Accepted Journal Date: 2020.03.19 (71) Applicant(s) Dupont Nutrition Biosciences ApS (72) Inventor(s) Stenman, Lotta;Lahtinen, Sampo (74) Agent / Attorney Houlihan2 Pty Ltd, Level 1, 70 Doncaster Road, BALWYN NORTH, VIC, 3104, AU (56) Related Art WO 2015007941 A1 WO 2007043933 A1 WO 2010146568 A2 A. IBARRA ET AL, "Effects of polydextrose on different levels of energy intake. A systematic review and meta-analysis", APPETITE, (2015-04-01), vol. 87, pages 30-37 WO 2016020495 A1 L.K. STENMAN et al., "Potential probiotic Bifidobacterium animalis ssp. lactis 420 prevents weight gain and glucose intolerance in diet-induced obese mice", BENEFICIAL MICROBES, (2014-12-01), vol. 5, no. 4, pages 437 - 445 WO 2016020488 A1 (12) INTERNATIONAL APPLICATION PUBLISHED UNDER THE PATENT COOPERATION TREATY (PCT) (19) World Intellectual Property Organization lllllllllllllllllllllllllllllllllllllllllll^ International Bureau (10) International Publication Number (43) International Publication Date WO 2017/178316 Al 19 October 2017 (19.10.2017) WIPO I PCT (51) International Patent Classification: MD, ME, MG, MK, MN, MW, MX, MY, MZ, NA, NG, A61K35/745 (2015.01) A61P 7/00 (2006.01) NI, NO, NZ, OM, PA, PE, PG, PH, PL, PT, QA, RO, RS, A23L 33/135 (2016.01) RU, RW, SA, SC, SD, SE, SG, SK, SL, SM, ST, SV, SY, TH, TJ, TM, TN, TR, TT, TZ, UA, UG, US, UZ, VC, VN, (21) International Application Number: ZA, ZM, ZW.
    [Show full text]
  • Popular Repertoire (1960’S – Present Day)
    ! " Popular repertoire (1960’s – present day) 9 To 5 – Dolly Parton Billie Jean – Michael Jackson 500 Miles – The Proclaimers Bittersweet Symphony - The Verve Adventure Of A Lifetime - Coldplay Blackbird – The Beatles Agadoo – Black Lace Blowers Daughter – Damien Rice Ain’t No Mountain High Enough – Ashford/ Simpson Bohemian Rhapsody - Queen All About That Bass – Meghan Trainor Brown Eyed Girl – Van Morrison All About You - McFly Budapest – George Ezra All I Want Is You – U2 Build Me Up Buttercup – The Foundations All Of Me – John Legend Burn – Ellie Goulding All The Small Things – Blink 182 Can’t Help Falling In Love – Elvis Presley All You Need Is Love – The Beatles Can’t Stop The Feeling – Justin Timberlake Always a Woman – Billy Joel Can’t Take My Eyes Off You – Bob Crewe/Bob Gaudio Always On My Mind – Elvis Presley Chasing Cars – Snow Patrol Amazing (Just The Way You Are) – Bruno Mars Cheerleader - OMI Amazed - Lonestar Close To You - America – Razorlight Burt Bacharach Apologize – One Republic Come On Eileen – Dexy’s Midnight Runners At Last – Etta James Common People – Pulp Back for Good - Take That Copacabana – Barry Manilow Bad Romance – Lady Gaga Crazy In Love – Beyonce Beat It – Michael Jackson Crazy Little Thing Called Love - Queen Beautiful Day – U2 Dancing Queen - Abba Beautiful In White - Westlife Despacito – Justin Bieber/Luis Fonsi Ben – Michael Jackson Don’t Stop Believing - Journey Beneath Your Beautiful – Emeli Sande/ Labyrinth Don't Stop Me Now - Queen Best Day Of My Life – American Authors Don’t Stop Movin’ – S Club
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Sut Lovingood: Yarns Spun
    Sut Lovingood: Yarns Spun George Washington Harris Sut Lovingood: Yarns Spun Table of Contents Sut Lovingood: Yarns Spun.....................................................................................................................................1 George Washington Harris.............................................................................................................................2 PREFACE......................................................................................................................................................3 DEDICATORY..............................................................................................................................................4 SUT LOVINGOOD'S DADDY, ACTING HORSE......................................................................................5 SUT'S NEW−FANGLED SHIRT..................................................................................................................8 THE WIDOW MC CLOUD'S MARE.........................................................................................................11 PARSON JOHN BULLEN'S LIZARDS.....................................................................................................15 A RAZOR−GRINDER IN A THUNDER−STORM...................................................................................19 OLD SKISSIM'S MIDDLE BOY................................................................................................................21 BLOWN UP WITH SODA..........................................................................................................................24
    [Show full text]
  • Download Song List
    song list t 01282 772646 m 07790 584 922 e [email protected] gavinyoung.co.uk Song Title Artist Genre Moonriver Andy Williams / Buble Big Band/swing Minnie The Moocher Cab Galloway Big Band/swing Dream Dean Martin Big Band/swing Little Old Wine Drinker Me Dean Martin Big Band/swing Kick In The Head Dean Martin Buble Big Band/swing Volare Dean Martin/buble Big Band/swing Come Fly With Me Frank Sinatra Big Band/swing A Foggy Day Michael Buble Big Band/swing A Song For You Michael Buble Big Band/swing All I Do Is Dream Of You Michael Buble Big Band/swing All Of Me Michael Buble Big Band/swing Alway On My Mind Michael Buble Big Band/swing At This Moment Michael Buble Big Band/swing Baby You've Got What It Takes Michael Buble Big Band/swing Call Me Irresponsible Michael Buble Big Band/swing Cant Buy Me Love Michael Buble Big Band/swing Cant Take That Away From Me Michael Buble Big Band/swing Chicago Michael Buble Big Band/swing Close Your Eyes Michael Buble Big Band/swing Coming Home Baby Michael Buble Big Band/swing Crazy Little Thing Called Love Michael Buble Big Band/swing Crazy Love Michael Buble Big Band/swing Cry Me A River Michael Buble Big Band/swing Dream A Little Dream Michael Buble Big Band/swing End Of May Michael Buble Big Band/swing Everything Michael Buble Big Band/swing Feeling Good Michael Buble Big Band/swing Fly Me To The Moon Michael Buble Big Band/swing For Once In My Life Michael Buble Big Band/swing Georgia Michael Buble Big Band/swing Have I Told You Lately That I Love You Michael Buble Big Band/swing Haven’t Met
    [Show full text]
  • Title Artist Key Capo 20 C 500 Miles Proclaimers E a Groovy Kind Of
    Title Artist Key Capo 20 C 500 Miles Proclaimers E A Groovy Kind Of Love Phil Collins C A House Is Not A Home Burt Bacharach Cm A night like this C Aber bitte mit Sahne Udo Jürgens F Abracadabra Steve Miller Am Achy Breaky Heart A Against All Odds Phil Collins Db Agua De Beber Dm Ai se eu te pego (Nossa Nossa) Michel Teló B Ain't No Sunshine Bill Withers Am Aint nobody Em All about that bass Meghan Trainor A all blues Miles Davis C All summer long Kid Rock G All that she wants st: Ace Of Base C#m All The Things You Are Bbm Amazing Grace Misc. Traditional C Angels Robbie Williams E Another One Bites The Dust Queen F#m At Last F Atemlos B Auf Uns D Autumn Leaves Nat King Cole Gm Baby I love you Artist Name C Back To Black Amy Winehouse Dm Bad Moon Rising Creedence Clearwater Revival G Baker Street Gerry Rafferty Ab Bamboleo Gipsy Kings F#m Beautiful Christina Aguilera Eb Believe F# Bergwerk D Besame Mucho Joao Gilberto Am Best (the) F Billy Jean Michael Jackson F#m Birds And The Bees Misc. Unsigned Bands D Black Horse And Cherry Tree Kt Tunstall Em Black magic woman Santana Dm Blue Bossa} Cm Blue Moon Elvis Presley Cb Bobby Brown Frank Zappa C Book of love Artist Name A Brazil G Bubbly A Bye Bye Blackbird Db Calm after the storm Artist Name Ab Can't Help Falling In Love Elvis Presley D Can't wait until tonight_Max C Mutzke Candle In The Wind Elton John E Cocaine E Copacabana Barry Manilow Bbm Corazon espinado Bm Corcovado C Could You Be Loved Bob Marley Bm Country Roads 2 John Denver D Crazy Little Thing Called Love Queen D Daddy Cool Boney
    [Show full text]
  • Huge Karaoke Hits of Duets 40 Hits, 2 CD+G Disc Disc One No
    Huge Karaoke Hits Of Duets 40 Hits, 2 CD+G Disc Disc One No. Artist Track 1 Elton John & Kiki Dee Don't Go Breaking My Heart 2 James Morrison & Nelly Furtado Broken Strings 3 Gotye Somebody That I Used To Know 4 Aladdin A Whole New World 5 Maroon ft Christina Aguilera Moves Like Jagger 6 John Travolta Summer Nights 7 Aqua Barbie Girl 8 Diana Ross & Lionel Richie Endless Love 9 Joe Cocker & Jennifer Warnes Up Where We Belong 10 Kylie Minogue & Jason Donovan Especially For You 11 Labrinth & Emeli Sande Beneath Your Beautiful 12 Taylor Swift feat Ed Sheeran Everything Has Changed 13 Barbra Steisand & Neil Diamond You Don't Bring Me Flowers 14 Aretha Franklin and George Michael I Knew You Were Waiting 15 John Travolta & Olivia Newton John You're the One that I Want 16 Shakira Ft Wyclef Jean Hips Don’t Lie 17 Ed Sheeran & Beyonce Perfect 18 Ryan Gosling & Emma Stone City Of Stars 19 Marvin Gaye & Kim Weston It Takes Two 20 The Lion King Can You Feel The Love Tonight Disc Two No. Artist Track 1 Meatloaf & Cher Dead Ringer For Love 2 Olly Murs Feat Demi Lovato Up 3 Pink FT Nate Ruess Just give me a Reason 4 Robbie Williams And Gary Barlow Shame 5 Sonny And Cher I Got You Babe 6 Take That & Lulu Relight My Fire 7 Diana Ross ft Marvin Gaye You are everything 8 David Bowie & Queen Under Pressure 9 Camila Cabello Feat Young Thug Havana 10 CNCO Feat Little Mix Reggaeton Lento 11 Rihanna ft Mikky Ekko Stay 12 A Great Big World & Christina Aguilera Say Something 13 Charlie Puth ft Meghan Trainor Marvin Gaye 14 Eminem Ft Ed Sheeran River 15 ZAYN & Taylor Swift I Don't Wanna Live Forever 16 Rod Stewart Ft Dolly Parton Baby it's cold outside 17 Michael Jackson, Justin Timberlake Love Never Felt So Good 18 Hailee Steinfeld, Grey Feat Zedd Starving 19 Little Mix Feat Charlie Puth Oops 20 Frozen For The First Time In Forever.
    [Show full text]
  • Sandbox MUSIC MARKETING for the DIGITAL ERA Issue 98 | 4Th December 2013
    Sandbox MUSIC MARKETING FOR THE DIGITAL ERA Issue 98 | 4th December 2013 Nordic lights: digital marketing in the streaming age INSIDE… Campaign Focus Sweden and Norway are bucking PAGE 5 : the trend by dramatically Interactive video special >> growing their recorded music Campaigns incomes and by doing so PAGE 6 : through streaming. In countries The latest projects from the where downloading is now a digital marketing arena >> digital niche, this has enormous implications for how music Tools will be marketed. It is no longer PAGE 7: about focusing eff orts for a few RebelMouse >> weeks either side of a release but Behind the Campaign rather playing the long game and PAGES 8 - 10: seeing promotion as something Primal Scream >> that must remain constant rather Charts than lurch in peaks and troughs. The Nordics are showing not just PAGE 11: where digital marketing has had Digital charts >> to change but also why other countries need to be paying very close attention. Issue 98 | 4th December 2013 | Page 2 continued… In 2013, alongside ABBA, black metal and OK; they still get gold- and platinum-certiied CEO of Sweden’s X5 Music latpack furniture, Sweden is now also singles and albums based on streaming Group, explains. “The known internationally for music streaming. revenues [adjusted].” marketing is substantially It’s not just that Spotify is headquartered di erent as you get paid in Stockholm; streaming has also famously Streaming is changing entirely the when people listen, not when turned around the fortunes of the Swedish marketing narrative they buy. You get as much recorded music industry.
    [Show full text]