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Obama Commutes Life Sentence for Crack Dealer, a Sign of Failed War on Drugs
SEPTEMBER 24-30, 2015 | VOLUME 18 | NUMBER 48 BROWARDPALMBEACH.COM I FREE OBAMA COMMUTES LIFE SENTENCE FOR CRACK DEALER, A SIGN OF FAILED WAR ON DRUGS. PAGE 7 NBROWARD PALM BEACH ® BROWARDPALMBEACH.COM ▼ Contents 2450 HOLLYWOOD BLVD., STE. 301A HOLLYWOOD, FL 33020 [email protected] 954-342-7700 VOL. 18 | NO. 48 | SEPTEMBER 24-30, 2015 EDITORIAL EDITOR Chuck Strouse MANAGING EDITOR Deirdra Funcheon EDITORIAL OPERATIONS MANAGER Keith Hollar browardpalmbeach.com ASSOCIATE WEB EDITOR Jose D. Duran browardpalmbeach.com STAFF WRITERS Laine Doss, Chris Joseph, Jessica Swanson, Kyle Swenson MUSIC EDITOR Falyn Freyman ARTS & CULTURE/FOOD EDITOR Rebecca McBane CLUBS EDITOR Laurie Charles PROOFREADER Mary Louise English CONTRIBUTORS Emily Bloch, Nicole Danna, Michelle DeCarion, Doug Fairall, Abel Folgar, Victor Gonzalez, Natalya Jones, Jonathan Kendall, Angel Melendez, Dave Minsky, Andrea Richard, David Rolland, Gillian Speiser, Terra Sullivan, John Thomason, Sara Ventiera, David Von Bader, Lee Zimmerman ART | CONTENTS | | CONTENTS ART DIRECTOR Miche Ratto ASSISTANT ART DIRECTOR Kristin Bjornsen PRODUCTION PRODUCTION MANAGER Mike Lugo PRODUCTION ASSISTANT MANAGER Jorge Sesin ADVERTISING ART DIRECTOR Andrea Cruz PRODUCTION ARTIST Michael Campina ADVERTISING ADVERTISING DIRECTOR Alexis Guillen Sandberg Eve Michele by Photo ONLINE SUPPORT MANAGER Ryan Garcia MARKETING DIRECTOR Morgan Stockmayer EVENT DIRECTOR CarlaChristina Thompson ▼ RETAIL/MARKETING COORDINATOR Carolina del Busto Featured Stories SENIOR ACCOUNT EXECUTIVES Sarah Abrahams, Peter Heumann, Kristi Kinard-Dunstan ACCOUNT EXECUTIVES Overdue Michelle Beckman, Paige Bresky, Jasmany Santana Homecoming CLASSIFIED SENIOR ACCOUNT EXECUTIVES A small-time crack dealer’s life Patrick Butters, Ladyane Lopez, Joel Valez-Stokes sentence was commuted by CIRCULATION Obama — a sign of the failed CIRCULATION DIRECTOR Richard Lynch War on Drugs. -
El Cine De Animación Estadounidense
El cine de animación estadounidense Jaume Duran Director de la colección: Lluís Pastor Diseño de la colección: Editorial UOC Diseño del libro y de la cubierta: Natàlia Serrano Primera edición en lengua castellana: marzo 2016 Primera edición en formato digital: marzo 2016 © Jaume Duran, del texto © Editorial UOC (Oberta UOC Publishing, SL) de esta edición, 2016 Rambla del Poblenou, 156, 08018 Barcelona http://www.editorialuoc.com Realización editorial: Oberta UOC Publishing, SL ISBN: 978-84-9116-131-8 Ninguna parte de esta publicación, incluido el diseño general y la cubierta, puede ser copiada, reproducida, almacenada o transmitida de ninguna forma, ni por ningún medio, sea éste eléctrico, químico, mecánico, óptico, grabación, fotocopia, o cualquier otro, sin la previa autorización escrita de los titulares del copyright. Autor Jaume Duran Profesor de Análisis y Crítica de Films y de Narrativa Audiovi- sual en la Universitat de Barcelona y profesor de Historia del cine de Animación en la Escuela Superior de Cine y Audiovi- suales de Cataluña. QUÉ QUIERO SABER Lectora, lector, este libro le interesará si usted quiere saber: • Cómo fueron los orígenes del cine de animación en los Estados Unidos. • Cuáles fueron los principales pioneros. • Cómo se desarrollaron los dibujos animados. • Cuáles han sido los principales estudios, autores y obras de este tipo de cine. • Qué otras propuestas de animación se han llevado a cabo en los Estados Unidos. • Qué relación ha habido entre el cine de animación y la tira cómica o los cuentos populares. Índice -
“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4. -
San Antonio's West Side Sound
Olsen: San Antonio's West Side Sound San Antonio’s SideSound West Antonio’s San West Side Sound The West Side Sound is a remarkable they all played an important role in shaping this genre, Allen O. Olsen amalgamation of different ethnic beginning as early as the 1950s. Charlie Alvarado, Armando musical influences found in and around Almendarez (better known as Mando Cavallero), Frank San Antonio in South-Central Texas. It Rodarte, Sonny Ace, Clifford Scott, and Vernon “Spot” Barnett includes blues, conjunto, country, all contributed to the creation of the West Side Sound in one rhythm and blues, polka, swamp pop, way or another. Alvarado’s band, Charlie and the Jives, had such rock and roll, and other seemingly regional hits in 1959 as “For the Rest of My Life” and “My disparate styles. All of these have Angel of Love.” Cavallero had an influential conjunto group somehow been woven together into a called San Antonio Allegre that played live every Sunday sound that has captured the attention of morning on Radio KIWW.5 fans worldwide. In a sense, the very Almendarez formed several groups, including the popular eclectic nature of the West Side Sound rock and roll band Mando and the Chili Peppers. Rodarte led reflects the larger musical environment a group called the Del Kings, which formed in San Antonio of Texas, in which a number of ethnic during the late 1950s, and brought the West Side Sound to Las communities over the centuries have Vegas as the house band for the Sahara Club, where they exchanged musical traditions in a remained for nearly ten years.6 Sonny Ace had a number of prolific “cross-pollination” of cultures. -
Efecto Del Riego Refrescante Por Aspersión En La Mejora Del Color Y De La Calidad En Manzanas Cv
LTEA ( 1999). Vol. 95V N.º 3, 267-2 88 EFECTO DEL RIEGO REFRESCANTE POR ASPERSIÓN EN LA MEJORA DEL COLOR Y DE LA CALIDAD EN MANZANAS CV. 'TOPRED DELICIOUS' l. Iglesias* J. Graell** G. Echevarría** M. Vendrell*** * Estació Experimental de Lleida-IRTA Avda. Rovira Roure, l 77, 25 198-Lleida ** Área de Postcollita, Centre UdL-IRTA Rovira Roure, J 77, 25198-Lleida ** * CSIC-Centro de Investigación y Desarrollo Jordi Girona, 18-26, 08034-Barcelona España RESUMEN La influencia del riego refrescante por aspersión en la coloración de la variedad 'Topred Delicious' (Mcilus domestica Borkh.) se ha evaluado en la zona frutícola de Lérida (NE España) duran.te dos años. El riego refrescante por aspersión se aplicó dia riamente dura nte dos horas los 25 a 30 días que precedieron a la recolección comer cial, evaluándose tres momentos de aplicación: al amanecer, al mediodía y al anoche cer, con un control s in la aplicación de riego refrescan.te. Las determinaciones del color se realizaron con un colorímetro triestímulo utilizando e l sistema CIE [ 1976] L*a*b*, que permite una determinac ión objetiva de dos de los atributos visua les del color: L'' (luminosidad) y Tono. La mejora del color en los frutos refrescados, espe cialmente cuando el riego se aplicó al anochecer y al amanece r, se tradujo en valores de cromaticidad en el espacio CIE f 1976] L''a'''b* que indicaban. una mayor colora c ión, menores va lores de U ' y mayores valores de a*/b* y del Tono y en contenidos ele antocianos más elevados. -
Motown the Musical
EDUCATIONAL GUIDE C1 Kevin MccolluM Doug Morris anD Berry gorDy Present Book by Music and Lyrics from Berry gorDy The legenDary MoTown caTalog BaseD upon The BooK To Be loveD: Music By arrangeMenT wiTh The Music, The Magic, The MeMories sony/aTv Music puBlishing of MKoevinTown B yM Bcerrycollu gorDyM Doug Morris anD Berry gorDy MoTown® is a regisTereD TraPresentDeMarK of uMg recorDings, inc. Starring BranDon vicTor Dixon valisia leKae charl Brown Bryan Terrell clarK Book by Music and Lyrics from TiMoThy J. alex Michael arnolD nicholas chrisTopher reBecca e. covingTon ariana DeBose anDrea Dora presTBonerry w. Dugger g iiior Dwyil Kie ferguson iii TheDionne legen figgins DaryMarva M hicoKsT ownTiffany c JaaneneTalog howarD sasha huTchings lauren liM JacKson Jawan M. JacKson Morgan JaMes John Jellison BaseD upon The BooK To Be loveD: Music By arrangeMenT wiTh crysTal Joy Darius KaleB grasan KingsBerry JaMie laverDiere rayMonD luKe, Jr. Marielys Molina The Music, The Magic, The MeMories sony/aTv Music puBlishing syDney MorTon Maurice Murphy Jarran Muse Jesse nager MilTon craig nealy n’Kenge DoMinic nolfi of MoTown By Berry gorDy saycon sengBloh ryan shaw JaMal sTory eric laJuan suMMers ephraiM M. syKes ® JMuliusoTown Tho isM asa regisiii TereDanielD Tra DJ.eM waraTTK sof uMDgonal recorD wDeingsBBer, i, ncJr.. Scenic Design Costume Design LighStarringting Design Sound Design Projection Design DaviD Korins esosa BranDnonaTasha vic TKoraTz Dixon peTer hylensKi Daniel BroDie Casting Hair & Wig Design valisia leKae Associate Director Assistant Choreographer Telsey + coMpany charlcharles Brown g. lapoinTe scheleBryan willia TerrellMs clarK Brian h. BrooKs BeThany Knox,T icsaMoThy J. alex Michael arnolD nicholas chrisTopher reBecca e. -
40 for 40 Master.Indd
40 projects for 40 years Construction for Empowerment Design for Social Change 1973-2013 In 1974, Watergate caused the resignation of Richard Nixon, the fi rst sitting president in US history to do so. Mel Brooks scored two big hits: “Blazing Saddles,” starring Clevon Little as a black sheriff trying to save an all-white town from a band of “rustlers, cutthroats, murderers, bounty hunters, desperadoes, mugs, pugs, thugs, nitwits, half-wits, dimwits, vipers, snipers, con men, Indian agents, Mexican bandits, muggers, bug- gerers, bushwhackers, hornswagglers, horse thieves, bull dykes, train robbers, bank robbers, ass kickers, shit kickers and Methodists,” headed by Harvey Korman as “Hedley Lamar.” December saw the release of “Young Frankenstein,” Brooks’ and Gene Wilder’s affectionate parody of 1930s horror classics. Sporting some fi ne bell-bottoms, Swedish group ABBA burst onto the music scene with “Waterloo” by winning a Euro TV talent contest, while discos played Kool & the Gang’s “Jungle Boogie,” and southern rock band Lynyrd Skynyrd gave the world “Sweet Home Alabama.” The fl edgling AND, now a certifi ed nonprofi t, continues to defi ne com- munity needs, providing technical and space planning services with architecture student volunteers moving, painting and implementing improvements. Though funding is scarce, AND takes on projects in San Francisco Chinatown such as planning and construction supervision for a remodel of Everybody’s Bookstore; and design and building a free- standing photo display system for Asian Community Center. AND mem- bers also participate in community meetings for Chinatown Committee for Better Parks & Recreational Facilities. In SF Japantown, AND produces storefront designs and materials for the Committee Against Nihonmachi Eviction and offers space planning help to Kimochi’s Food Program. -
I'm Not a 'Tough- Love' Judge, I Don't Believe In
LATINO LEADERS “I’M NOT A ‘TOUGH- LOVE’ JUDGE, I DON’T BELIEVE IN TEARING DOWN TALENT.” Ricky’s renaissance The superstar finds a new life inLa Banda, along with Alejandro Sanz and Laura Pausini Story by: Judi Jordan | Photos by: Courtesy of Univision RICKY MARTIN IS “LIVING A NEW LIFE” VIA LA BANDA. 60 • July / August 2015 ICKY MARTIN’S massive 32-year musical career has been an auspicious series of ‘waves’; building success upon The judges of La Banda from left to right: Alejandro Sanz, Laura Pausini and Ricky Martin. success, with well-timed breaks to parent, travel, write an autobiography, and do humanitarian work with his Ricky Martin Foundation. After launching the Latin pop crossover ‘wave’ in ’99, and setting sales records with his monster single CD Livin’ La Vida Loca [8 million copies sold], and album Ricky Martin [22 million copies sold], he went on to release Rseven more albums, including 2015’s #1 Latin Billboard and Latin American Music Award-winning album, A quien quiera escuchar. Ricky’s successful Broadway run of “Evita” was followed by a stint on “Glee” as the Spanish teacher, and a quiet time as he settled down to raise his twin boys, Valentino and Matteo. He was livin’ la vida tranquilo, it seemed. Things began to take a new turn as he took on high-profile TV gigs coaching singers for The Voice Australia, and The Voice Mexico. A call from American Idol’s tough judge Simon Cowell brought on the next big wave with an idea for a talent show that would discover the next great boy band a la Latino. -
Talks Resume ^ As Deadline Approaches
Newington firm Mary McBride Cable Industry buys land here marks 103 years challenges tax ... p age 3 ... p age 11 ... page 20 Cloudy today; Manchester, Conn. Clear tonight Saturday, July 21, 1984 — See page 2 HanrlfpBtpr M m lii Single copy: 25<i: British .Talks resume 3 Fence Time! accord ^ as deadline reached 2 Bv Mark Schacter United Press International approaches LONDON — Union leaders Bv JudI Hasson If no .settlemcnl is reached by Round Rail agreed Friday to call oft an < United Press International 12:01 a.m. Saturday, the nation's •heavy-duty 5" cedar 11-day-oId dock strike that shut largest labor eonirael could be I poets down most British ports, stranding •heavy-duty cedar & WASHINGTON - Facing a sent to an arbitration panel. hundreds of truckers and tourists , spruce rails midnight deadline, the U.S. Postal Strikes by postal employees are in harbors on both sides of the I vsections include 2- Service and the nation's two illegal, but union officials have 10' rails 1-5' post English Channel. largest mail carrier unions re said no decision would Ih- made on Dockers at many of the strike a walkout if a contract is not signed bound British ports trickled back sumed contract talks Friday, $1515 which had been stalled for four until the nation's unions hold Iheir to work after an agreement was days over money issues. convention next month in Las reached in a 16-hour bargaining "The American Postal Workers Vegas. session between the Transport and Union and the National Associa Two other smaller postal unions, General W orkers Union and tion of Letter Carriers agreed to which represent about 100,000 management. -
Detroit Tues, July 29, 1975 from Detroit News 2 WJBK-CBS * 4 WWJ-NBC * 7 WXYZ-ABC * 9 CBET-CBC
Retro: Detroit Tues, July 29, 1975 from Detroit News 2 WJBK-CBS * 4 WWJ-NBC * 7 WXYZ-ABC * 9 CBET-CBC (and some CTV) * 20 WXON-Ind * 50 WKBD-Ind * 56 WTVS-PBS [The News didn't list TVO, Global or CBEFT] Morning 6:05 7 News 6:19 2 Town & Country Almanac 6:25 7 TV College 6:30 2 Summer Semester 4 Classroom 56 Varieties of Man & Society 6:55 7 Take Kerr 7:00 2 News (Frank Mankiewicz) 4 Today (Barbara Walters/Jim Hartz; Today in Detroit at 7:25 and 8:25) 7 AM America (Bill Beutel) 56 Instructional TV 7:30 9 Cartoon Playhouse 8:00 2 Captain Kangaroo 9 Uncle Bobby 8:30 9 Bozo's Big Top 9:00 2 New Price is Right 4 Concentration 7 Rita Bell "Miracle of the Bells" (pt 2) 9:30 2 Tattletales 4 Jackpot 9 Mr. Piper 50 Jack LaLanne 9:55 4 Carol Duvall 10:00 2 Spin-Off 4 Celebrity Sweepstakes 9 Mon Ami 50 Detroit Today 56 Sesame Street 10:15 9 Friendly Giant 10:30 2 Gambit 4 Wheel of Fortune 7 AM Detroit 9 Mr. Dressup 50 Not for Women Only 11:00 2 Phil Donahue 4 High Rollers 9 Take 30 from Ottawa 50 New Zoo Revue 56 Electric Company 11:30 4 Hollywood Squares 7 Brady Bunch 9 Family Court 50 Bugs Bunny 56 Villa Alegre Afternoon Noon 2 News (Vic Caputo/Beverly Payne) 4 Magnificent Marble Machine 7 Showoffs 9 Galloping Gourmet 50 Underdog 56 Mister Rogers' Neighborhood 12:30 2 Search for Tomorrow 4 News (Robert Blair) 7 All My Children 9 That Girl! 50 Lucy 56 Erica-Theonie 1:00 2 Love of Life (with local news at 1:25) 4 What's My Line? 7 Ryan's Hope 9 Showtime "The Last Chance" 50 Bill Kennedy "Hell's Kitchen" 56 Antiques VIII 1:30 2 As the World Turns 4 -
Summer 2012 Students for Being an Amazing Group of !People and Always Being a Source of Encouragement, Especially When Mamó Mamar
TROPICAL ECOLOGY & CONSERVATION CIEE - SUMMER, 2012 - MONTEVERDE, COSTA RICA ! !TABLE OF CONTENTS ! !MICOLOGY & BOTANY Sporocarp production by bracket fungi on coarse woody debris. Elyssa Kerr. Department of Chemical Engineering, University of Washington. 1-10 Mycena citricolor on Rubiaceae in natural forest patches adjacent to coffee (Coffea Arabica: Rubiaceae). Liz Zukowski. Department! of Environmental Studies, University of Colorado at Boulder. 11 - 2 3 Stomata density and epiphytic orchid size. Amanda Abajian. Department! of Natural Resources Sciences, Washington State Univerisity 24-29 ! !PLANT-ANIMAL INTERACTIONS Avoidance of undesirable plants by the leaf-cutting ant Atta cephalotes. Jessica Bulafka. Department! of Biology, Temple University. 30-37 Nesting status and differential feeding behavior in Cloud Forest hummingbirds. Katherine Holt. Biology Department,! California Lutheran University. 38-51 Aposematic seed predation by two Neotropical mice. Pearla Romero. !Department of Biological Sciences, University of Texas. 52-60 ! !PREDATION Crypsis, warning coloration, and predator avoidance in stick insects (Phasmatodea). Valerie Feerer. Department! of Biology, Oberlin College. 61-72 Trails and nest predation in Neotropical Cloud Forest. Aforkor Amelia Quaye. !Department of Biology, Spelman College. 73-80 Carrion arthropods and habitat disturbance in Neotropical Cloud Forest. Ann Higginbotham. !Department of Biological Sciences, Purdue University. 81-88 ! !AQUATIC ECOLOGY Microhabitat, agonism, and territoriality in three color morphs of a Neotropical Cloud Forest crab. Mary Rigler. Department! of Biology, Mount Holyoke College. 89-101 Detritus, water input and pH of epiphytic bromeliad tanks. Nicholas A. George. Departments! of Engineering and International affairs, Colorado State University. 102-113 Survival and predation of two Neotropical Cloud Forest Odonates in local treatment lagoons. Lauren A. -
Columbia Poetry Review Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Poetry Review Publications Spring 4-1-2011 Columbia Poetry Review Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cpr Part of the Poetry Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Poetry Review" (2011). Columbia Poetry Review. 24. https://digitalcommons.colum.edu/cpr/24 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Poetry Review by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. • columbiapoetryreview no. 24 Columbia Poetry Review is published in the spring of each year by the English Department of Columbia College Chicago, 600 South Michigan Avenue, Chicago, Illinois, 60605. SUBMISSIONS Our reading period extends from August 1 to November 30. Please send up to 5 pages of poetry (one poem per page) during our reading period to the above address. We do not accept e-mail submissions. We respond by February. Please supply a SASE for reply only. Submissions will not be returned. PURCHASE INFORMATION Single copies are available for $10.00, $13.00 outside the U.S. but within North America, and $16.00 outside North America. Please send personal checks or money orders made out to Columbia Poetry Review at the above address. You may also purchase online at http://english.colum.edu/cpr. WEBSITE INFORMATION Columbia Poetry Review’s website is at http://english.colum.edu/cpr ACKNOWLEDGMENTS Special thanks to Kenneth Daley, Chair of the English Department; Deborah H.