Selected Bibliography

Abbott, George. Mister Abbott. New York: Random House, 1963. Abe, Yasushi. Gekidan shiki musicals: asari keita to roido webā (Shiki Company Musicals: Asari Keita and Lloyd-Webber). Tokyo: Hinodeshuppan, 1996. Anan, Nobuko. Contemporary Japanese Women’s Theatre and Visual Arts: Performing Girls’ Aesthetics. Basingstoke: Palgrave Macmillan, 2015. Anan, Nobuko. ‘Two-Dimensional Imagination in Contemporary Japanese Women’s Performance’. The Drama Review 55, no. 4 (2011), 96–112. Anderson, Joseph L. and Donald Richie. The Japanese Film: Art and Industry. Princeton, NJ: Princeton University Press, 1982. Asahi Digital.Takarazuka ‘Berubara’, kankyaku 500 man nin toppa 2084 kai de (The Audience Attendance of Takarazuka’s The Rose of Versailles Has Exceeded Five Million in Its 2,084th Production). Asahi Digital, 2014. http://www.asahi.com/ articles/ASG6W53Q6G6WUCLV00C.html (accessed 27 June 2014). Atkey, Mel. A Million Miles from Broadway—Musical Theatre Beyond New York and London. Delta, BC: Friendly Song Books, 2012. Atkinson, Brooks. ‘Personal Style in Producing’. In Broadway, 40–7. New York: Limelight, 1974. Azuma, Sonoko. ‘Josei no homosōsharu na shinmitsusei o meguru bunka shakaigaku teki kōsatsu: ‘Takarazuka’ to ‘yaoi’ no media ron teki bunseki o tōshite' (An Examination of Female Homosocial Intimacy from a Perspective of Sociology of Culture: Through Media Analyses of ‘Takarazuka’ and ‘Yaoi’) (PhD diss., Osaka University, 2010). Bordman, Gerald. Jerome Kern: His Life and Music. New York: Oxford University Press, 1980. Brau, Lori. ‘The Women’s Theatre of Takarazuka’. The Drama Review 34, no. 4 (1990), 79–95. Brooks, Mel and Thomas Meehan. The Producers. New York: Musical Theatre International, 2001. Brooks, Mona Rebecca. ‘The Development of American Theatre Management Practices Between 1830 and 1896’ (PhD diss., Texas Tech University, 1981). Citron, Stephen. Stephen Sondheim and Andrew Lloyd Webber: The New Musical. New York: Oxford University Press, 2001. Cohen, Patricia. ‘Rethinking Gender Bias in Theater’. New York Times, 23 June 2009.

Cohen, Stefanie. ‘“Gigi” Back on Broadway Thanks to Jenna Segal, a Rookie Producer’. Wall Street Journal, 19 March 2015. Conolly-Smith, Peter. ‘“Ersatz-Drama” and Ethnic (Self) Parody: Adolf Philipp and the Decline of New York’s German-Language Stage’. In Multilingual America: Transnationalism, Ethnicity, and the Languages of American Literature, edited by Werner Sollors, 215–39. New York: New York University Press, 1998. Conolly-Smith, Peter. ‘Kulturkrieg: Direktor Christians, the Irving Place Theater, and German-Language Drama in New York’. In Not English Only: Redefining ‘American’ in American Studies, edited by Orm Øverland, 48–66. Amsterdam: VU University Press, 2001. Conolly-Smith, Peter. Translating America: An Immigrant Press Visualizes American Popular Culture, 1895–1918. Washington, DC: Smithsonian, 2004. Cox, Gordon. ‘Broadway Investment Goes Digital with “On the Town”’. Variety.com., 13 August 2014. http://variety.com/2014/legit/news/broadway-crowdfunding- investment-on-the-town-1201282160/ (accessed 29 May 2015). Daboo, Jerri. ‘One Under the Sun: Globalization, Culture, and Utopia in Bombay Dreams’. Contemporary Theatre Review 15, no. 3 (2005), 330–7. Davenport, Ken. peopleofgodspell.com. http://www.peopleofgodspell.com (accessed 19 May 2015). Dicker, Ian G. JCW—A Short Biography of James Cassius Williamson. Rose Bay, NSW, Australia: Elizabeth Tudor Press, 1974. Dorbian, Iris. Great Producers: Visionaries of American Theater. New York: Allworth Press, 2013. Driessen, Camil and Daan van Lent. ‘Hoe Misérable Wordt Dit?’ nrc.next, 20 June 2015. Fields, Armond and L. Marc Fields. From the Bowery to Broadway: Lew Fields and the Roots of American Popular Theatre. New York and Oxford: Oxford University Press, 1993. Fukushima, Yoshiko. ‘To the Rhythm of Jazz: Enoken’s Postwar Japanese Musical Comedies’. In Rising from the Flames: The Rebirth of Theater in Occupied Japan, 1945–1952, edited by Samuel Leiter, 335–60. Lanham, MD: Lexington, 2009. Galbraith IV, Stuart. The Toho Studios Story. Lanham, MD: Scarecrow, 2008. Gelb, Arthur. ‘Producers: The Theatre Views Its Economic Crisis One Year After the Broadway Blackout’. New YorkTimes, 5 June 1961. Gelder, Henk van. Joop van Den Ende: De Biografie. Amsterdam: Nijgh & Van Ditmar, 2012. Gelder, Henk van. ‘Met Alle Tekorten en Beperkingen Meer Dan Geslaagd’. In Musicals in Nederland, edited by Hilde Scholten, 21–23. Houten: Terra, 2004. Ginsburgh, Victor A. and David Thorsby, eds. Handbook of the Economics of Art and Culture. Amsterdam: Elsevier, 2006. Goldman, William. The Season: A Candid Look at Broadway. New York: Limelight Editions, 2000. Griffith, Paul, Ronald Cavaye, and Akihiko Senda, eds. A Guide to the Japanese Stage: From Traditional to Cutting Edge. Tokyo: Kodansha International, 2004. Haenni, Sabine. ‘“A Community of Consumers”: Legitimate Hybridity, German American Theatre, and the American Public’. Theatre Research International 28, no. 3 (2003), 267–88. Haenni, Sabine. The Immigrant Scene: Ethnic Amusements in New York, 1880–1920. Minneapolis, MN: University of Minnesota Press, 2008. SELECTED BIBLIOGRAPHY 513

Hapgood, Hutchins. The Spirit of the Ghetto: Studies of the Jewish Quarter in New York. New York: Funk & Wagnalls, 1902. Havens, Thomas R. H. Artist and Patron in Postwar Japan. Princeton, NJ: Princeton University Press, 1982. Healy, Patrick. ‘A Prince with No Fairy Godmother’. New York Times, 26 September 2013. Healy, Patrick. ‘It May Be a Nonprofit Theater, but the Tickets Look For-Profit’.New York Times, 14 February 2014. Healy, Patrick. ‘On Broadway, Investors with Shallow Pockets’. New York Times, 18 April 2012. Hernandez, Ernio. ‘Oprah Winfrey Joins Producers of Broadway’s The Color Purple Musical Adaptation’. Playbill.com. 26 September 2005. http://www.playbill.com/ news/article/oprah-winfrey-joins-producers-of-broadways-the-color-purple- musical-adaptat-128258 (accessed 19 May 2015). Hirsch, Foster. The Boys from Syracuse: The Shuberts’ Theatrical Empire. Carbondale and Edwardsville: Southern Illinois University Press, 1998. Holmes, Rupert. Curtains. Original book and concept by Peter Stone, lyrics by Fred Ebb, with additional lyrics by John Kander and Rupert Holmes, music by John Kander. New York: Theatrical Rights Worldwide, 2009. Ilson, Carol. Harold Prince: From ‘Pajama Game’ to ‘Phantom of the Opera’. Ann Arbor, MI: UMI Research Press, 1989. Kahn, E. J., Jr., Walter Zvonchenko, Ruth Mayleas, Tom Prideaux, and David Richards. Roger L. Stevens Presents. Washington, DC: Library of Congress, 2002. Kawasaki, Kenko. Takarazuka: shōhi shakai no supekutakuru (Takarazuka: Spectacles of Consumer Society). Tokyo: Kōdansha, 1999. Kishi, Tetsuo. Myūjikaru ga saikō de atta koro (The Greatest Musicals of Their Times). Tokyo: Shobunsha, 2006. Koegel, John. ‘Adolf Philipp and Ethnic Musical Comedy in New York’s Little Germany’. American Music 24, no. 3 (Fall 2006), 267–319. Koegel, John. ‘The Development of the German-American Musical Theatre in New York, 1840–1890’. In European Music and Musicians in New York City, 1840–1900, edited by John Graziano, 149–81. Rochester, NY: University of Rochester Press, 2006. Koegel, John. Music in German Immigrant Theater: New York City, 1840–1940. Rochester, NY: University of Rochester Press, 2009. Koegel, John. ‘Non-English Language Musical Theatre in the United States’. In The Cambridge Companion to the Musical, 2nd edn., edited by William A. Everett and Paul R. Laird, 29–53. Cambridge: Cambridge University Press, 2008. ‘“Konkurrenz Belebt Das Geschäft”: Stella Musical Theater Klaus von Der Heyde, Vorstandsvorsitzender Der Stella Entertainment AG, Im Gespräch’. Berliner Zeitung, 22 February 2002. http://www.berlinerzeitung.de/archiv/-konkurrenz-belebt- das-geschaeft--stella-musical-theater-klaus-von-der-heyde-vorstandsvorsitzender- der-stella-entertainment-ag--im-gespraech,10810590,9976354.html. Koren, Yaël. Andere Tijden: Het Musical-Avontuur Op Broadway. Documentary. 2014. NTR/VPRO. http://www.npodoc.nl/speel.NPS_1237502.html. Kühn, Alexander von. ‘Der Traumfabrikant’. Der Spiegel, 23 January 2012. http:// www.spiegel.de/spiegel/print/d-83679170.html. Lieberman, Al and Patricia Esgate. The Entertainment Marketing Revolution: Bringing the Moguls, the Media, and the Magic to the World. Upper Saddle River, NJ: Financial Times / Prentice-Hall, 2002. 514 SELECTED BIBLIOGRAPHY

Lloyd Webber, Imogen. ‘Tony Nominee Ramin Karimloo Will Headline The Prince of Broadway in Japan’. Broadway.com, 28 May 2015. http://www.broadway.com/ buzz/180925/tony-nominee-ramin-karimloo-will-headline-the-prince-of- broadway-in-japan/ (accessed 29 May 2015). Long, Robert Emmet. Producing and the Theatre Business. New York and London: Continuum, 2007. Lunden, Jeff. ‘Stage Mother from Hell: Needy, Greedy Mama Rose’. Npr.org, 13 April 2008. http://www.npr.org/2008/04/13/89512165/stage-mother-from-hell- needy-greedy-mama-rose (accessed 19 May 2015). Marcosson, Isaac F. and Daniel Frohman. Charles Frohman: Manager and Man. New York: Harper, 1916. Marra, Kim. ‘Birds of a Feather’ and ‘Through Fairy and Fowl’. Chapters 3 and 4 in Strange Duets: Impresarios and Actresses in the American Theatre, 1865–1914. Iowa City: University of Iowa Press, 2006. Martin, Denise. ‘Amy Sherman-Palladino and Dan Palladino on Stalking Sutton Foster, Producing Broadway, and Bunheads Memories’. Vulture.com, 4 June 2014. http:// www.vulture.com/2014/06/amy-sherman-palladino-sutton-foster-violet-bunheads.html (accessed 19 May 2015). Marx, Samuel and Jan Clayton. Rodgers and Hart: Bewitched, Bothered and Bedevilled. London: W. H. Allen, 1977. McKinley, Jesse. ‘“Taboo” to Close Next Month, At a Loss for Rosie O’Donnell’. New York Times, 14 January 2004. Meza, Ed. ‘Teuton Legit Powerhouse Packs Broadway Punch’. Variety, 10 February 2013. https://www.questia.com/magazine/1P3-2907391171/teuton-legit-powerhouse- packs-broadway-punch. Millstein, Gilbert. ‘How to Produce a Play—Or How Not’. New York Times, 15 January 1956. Morishita, Nobuo. Moto Takarazuka sō shihainin ga kataru ‘Takarazuka’ no keiei sen- ryaku (Former General Manager Talks About Takarazuka’s Business Strategies). Tokyo: Kadokawa Shoten, 2015. Morley, Sheridan and Ruth Leon. Hey Mr Producer! The Musical World of Cameron Mackintosh. Preface by Andrew Lloyd Webber. London: Weidenfeld & Nicolson and New York: Backstage Books, 1998. Mutsaers, Elisa. ‘Een Leven Lang Theater: Joop van den Ende’. Theater Instituut Nederland, 2012. http://www.eenlevenlangtheater.nl/joop%20van%20den%20 ende/. Nussbaum, Emily. ‘“Smash”: It Had Me at “Hello!”’. New Yorker, 6 February 2012. http://www.newyorker.com/culture/culture-desk/smash-it-had-me-at-hello (accessed 19 May 2015). Ostrow, Stuart. Present at the Creation, Leaping in the Dark and Going Against the Grain: 1776, Pippin, M. Butterfly, La Bète, & Other Broadway Adventures. New York: Applause Theatre and Cinema Books, 2006. Ostrow, Stuart. A Producer’s Broadway Journey. Westport, CT: Praeger, 1999. Parsons, Philip, General Editor, with Victoria Chance. Companion to Theatre in Australia. Sydney: Currency Press, 1995. Peithman, Stephen and Neil Offen, eds. Stage Directions Guide to Musical Theater. Portsmouth, NH: Heinemann, 2002. Powell, Brian. Japan’s Modern Theatre: A Century of Continuity and Change. London: Japan Library, 2002. SELECTED BIBLIOGRAPHY 515

Prince, Hal. Contradictions: Notes on Twenty-Six Years in the Theatre. New York: Dodd, Mead & Company, 1974. Raskin, A. H. ‘City Acts to Bar a Theatre Strike’. New York Times, 13 May 1960. Rebellato, Dan. Theatre & Globalization. New York: Palgrave Macmillan, 2009. Refshauge, Richard. ‘Moore, Maggie (1851–1926)’. Australian Dictionary of Biography, National Centre of Biography, Australian National University. http:// adb.anu.edu.au/biography/moore-maggie-4235/text6833, published first in hardcopy 1974 (accessed 13 February 2016). Reiners, Gisela. ‘Krise Bei Hamburger Stella AG Verschärft Sich’. Die Welt, 7 May 2002. http://www.welt.de/print-welt/article388058/Krise-bei-Hamburger-Stella- AG-verschaerft-sich.html. Richmond, Keith. The Musicals of Andrew Lloyd Webber. London: Virgin, 1995. Rickwald, Bethany. ‘Crowdfunding in Theater: Understanding the Why and the How’. Theatermania.com, 16 April 2014. http://www.theatermania.com/new-york-city- theater/news/04-2014/crowdfunding-in-theater-understanding-the-why- and-_68252.html (accessed 19 May 2015). Robertson, Jennifer. Takarazuka: Sexual Politics and Popular Culture in Modern Japan. Berkeley: University of California Press, 1998. Rodgers, Richard. Musical Stages: An Autobiography. Richard Rodgers Centennial Edition. New York: Da Capo Press, 2002. Rome, Florence. The Scarlet Letters. New York: Random House, 1971. Rubin, Jason. ‘Lew Fields and the Development of the Broadway Musical’ (PhD diss., New York University, 1991). Scholten, Hilde. Musicals in Nederland. Houten: Terra, 2004. Schumach, Murray. ‘Again the Angels Flutter Over Broadway’. New York Times, 28 September 1958. Segawa, Nariko. ‘Takarazuka Taiwan kōen: Taiwan ashigakari ni Ajia e mirai misue Takarazuka’ (Takarazuka Shows in Taiwan: Taiwan as a Foothold in the Asian Market). 47 Topics (2015). http://www.47news.jp/47topics/e/267998.php (accessed 24 August 2015). Senda, Akihiko. The Voyage of Contemporary Japanese Theatre.Translated by J. Thomas Rimer. Honolulu: University of Hawai’i Press, 1997. Snelson, John. Andrew Lloyd Webber. New Haven, CT: Yale University Press, 2004. Sondheim, Stephen. Finishing the Hat: Collected Lyrics (1954–1981) with Attendant Comments, Principles, Heresies, Grudges, Whines and Anecdotes. New York: Alfred A. Knopf, 2010. Sternfeld, Jessica. The Megamusical. Bloomington: Indiana University Press, 2006. Stickland, Leonie R. Gender Gymnastics: Performing and Consuming Japan’s Takarazuka Revue. Melbourne: Trans Pacific, 2008. Stott, Richard. Jolly Fellows: Male Milieus in Nineteenth-Century America. Baltimore, MD: Johns Hopkins University Press, 2009. Stürmlinger, Daniela. ‘Nach “Big Brother” Und “Traumhochzeit” Und “Buddy”’. Hamburger Abentblatt, 27 April 2000. http://www.abendblatt.de/archiv/2000/ article204304417/Angriff-auf-Stella.html#. Symonds, Dominic. ‘We’ll Have Manhattan’: The Early Work of Rodgers and Hart. New York: Oxford University Press, 2015. Tait, Viola. A Family of Brothers: The Taits and J. C. Williamson: A Theatre History. Melbourne: Heinemann, 1971. 516 SELECTED BIBLIOGRAPHY

Takei, George. ‘George Takai’s Legacy Project’. Indiegogo.com.https://www.indiegogo.com/projects/george-takei-s-legacy-project#/story (accessed 30 October 2015). Tallis, Michael and Joan Tallis. The Silent Showman. Adelaide: Wakefield, 1999. The Takarazuka Revue. ‘Dai ni kai Takarazuka kagekidan Taiwan kōen no jisshi ni tsuite’ (About the Takarazuka Revue’s Second Tour to Taiwan, 2014). Takarazuka Revue Official Website. http://kageki.hankyu.co.jp/news/detail/0d1b34b466325 26356306bdadbdfb3c0.html (accessed 17 January 2015). The Takarazuka Revue. ‘Takarazuka kageki towa? Hyakunen tsuzuku hanayakana butai no himitsu’ (What Is the Takarazuka Revue? Secrets to the Gorgeous Stage Lasting 100 Years, 2015). Takarazuka Revue Official Website.http://kageki.hankyu.co.jp/ fun/about_takarazuka.html (accessed 26 August 2015). Van Der Poorten, Helen M. ‘Williamson, James Cassius (1845–1913)’. Australian Dictionary of Biography, National Centre of Biography, Australian National University. http://adb.anu.edu.au/biography/williamson-james-cassius-4859/ text8117, published first in hardcopy 1976 (accessed 13 February 2016). Viertel, Jack. The Secret Life of the American Musical: How Broadway Shows Are Built. New York: Sarah Crichton, 2016. Vogel, Frederic B. and Ben Hodges. The Commercial Theater Institute Guide to Producing Plays and Musicals. Milwaukee: Applause, 2006. Wajima, Yūsuke. ‘The Birth of Euka’. In Made in Japan: Studies in Popular Music, edited by Mitsui Tōru, 71–83. London: Routledge, 2014. Walsh, Michael. Andrew Lloyd Webber: His Life and Works: A Critical Biography. New York: Harry N. Abrams, 1989. Wetmore, Jr., Kevin J. ‘From Scaretto to Kaze to tomo ni sarinu: Musical Adaptations of Gone with the Wind in Japan’. In Modern Japanese Theatre and Performance, edited by David Jortner, Keiko McDonald, and Kevin J. Wetmore, Jr., 237–50. Lanham, MD: Lexington, 2006. Wetmore, Jr., Kevin J. ‘Interlude: Post-war Musicals and Commercial Theatre’. In A History of Japanese Theatre, edited by Jonah Salz, 285–88. Cambridge: Cambridge University Press, 2016. ‘Who’s Who-Robert E. Griffith’.Playbill Vault. Fiorello! programme, 1 August 1960. http://www.playbillvault.com/Person/Detail/ Whos_Who/3844/21353/ Robert-E-Griffith/Fiorello (accessed 11 December 2014). Wilson, John S. ‘Theatre Arts Gallery: Griffith & Prince’.Theatre Arts, October 1960, 20–1, 73–4. Yamanashi, Makiko. A History of the Takarazuka Revue Since 1914: Modernity, Girls’ Culture, Japan Pop. Leiden: Global Oriental, 2012. Zinoman, Jason. ‘How To Save Smash’.Slate.com, 22 February 2012. http://www. slate.com/articles/arts/curtain_call/2012/02/smash_anjelica_huston_s_broadway_ producer_is_too_romantic_.html (accessed 19 May 2015). Zolotow, Sam. ‘Panel Considers Theatre Subsidy’. New York Times, 14 March 1961. Index

NUMBERS AND SYMBOLS ABBA, 295 5th Avenue Theatre, 382, 423 Abbott, George, 163–72, 176, 182, 183, 7 Doigts de la Main, Les, 482 191–3, 195, 196n6, 196n10, 7 ½ Cents, 192, 240 196n16, 197n28, 200, 239–3, 14th Street Playhouse, 433 245–7 25th Annual Putnam County Spelling Bee, ABC television network, 293, 414, 505 The, 337, 469 Abend bei Pannemann, Ein (An Evening 37 Arts, 430 at Pannemann’s), 33 42nd Street, 218–24, 227, 354, 460, 461, About Town, 129 465n9 Abraham, F. Murray, 397 42nd Street Development Project, 415 Abrons Arts Center, 382 45 Minutes from Broadway, 87 Abunda, Boy, 338, 339 54 Below, 8 Academy Awards, 143, 203, 234 70, Girls, 70, 398 Academy of Music (Cleveland), 60 80 Days, 378, 383n4 Academy of Music (New York), 394 92nd Street Y, 476n9, 493 actor-manager, 63, 129, 137, 140 110 in the Shade, 217, 219, 389 actors, 4, 11–17, 27, 30, 42, 43, 56, 59, 1600 Pennsylvania Avenue, 207, 211 63, 64, 72, 74, 83–6, 88, 90, 91, 1960s, 14, 15, 16n8, 158, 202, 203, 223, 93n17, 101, 110, 120, 121, 123, 232, 233, 240, 246, 247, 253–9, 264, 128, 138, 139, 147, 151, 159, 267, 270, 273, 278, 280, 284, 285, 306, 163–7, 169, 170, 191, 192, 212, 343, 344, 351, 377, 381, 382, 442, 501 224, 225, 240, 243, 245–7, 262, 1970s, 6, 143, 148, 151, 211, 213, 233, 263, 267, 271, 272, 277–9, 282, 235, 249, 264, 272, 288, 293, 295, 283, 285, 295, 307, 308n7, 318, 326, 345, 346, 387, 441, 442 319, 333, 336, 338, 340, 341, 346, 352, 354, 355, 360, 364, 377, 381, 389, 390, 394, 396, 397, 417, 420, A 421, 434, 443, 450, 455, 461, 471, Aarons, Alexander A. (Alex), 119–25 479, 484, 491, 493 Aarons, Alfred E., 119 Actors’ Equity Association, 88

Note: Page number followed by “n” denote notes.

Actors Laboratory, 262 Alexandra Theatre (Her Majesty’s actors’ strike of 1919, 88 Theatre, Melbourne), 139 actors’ strike of 1960, 194 Alhambra Theatre (Tel Aviv), 267 Actors Studio, 386 Al Hirschfeld Theatre (Martin Beck Act, The, 199, 203, 293 Theatre), 400, 488 Adams, Lee, 245, 386 All about Cinderella, 463 Adams, Maude, 53 Allegiance, 506 adaptation, 6, 12, 14, 36, 39, 44, 56n2, Allegro, 157, 179, 180, 393, 398 75, 147, 155, 156, 158, 159, 176, Allen, Woody, 13, 307, 494 177, 199, 200, 202, 232, 240, 241, All Quiet on the Western Front, 165 244, 278, 280, 281, 317, 320, 327, All That Jazz, 235 334, 346, 354, 363, 373, 378–82, All the Way, 482, 483 395, 396, 406, 407, 417, 419, Allyson, June, 169 421–23, 436, 450–2, 455, 481, Almagor, Dan, 269–71, 273, 274n17 482, 494, 499, 505 Alma, Where Do You Live?, 33 Adding Machine, The, 154 Alma, wo wohnst Du? (Alma, Where Do Adele, 33, 36 You Live?), 33, 36 Adelphi Theatre (London), 50 Also das ist New York (So This Is Adler, Richard, 240, 399 New York), 33 Adolf Philipp Theatre, 29–37 Altman, Richard, 244, 250n34, 250n38 advance man, 60 Alton, Robert, 166–8 advance ticket sales, 220, 314 Alvin Theatre, 123, 124 Adventures in Motion Pictures, 320 Amador, Zeneida, 334–6 advertising, 3, 4, 23, 49, 60, 63, 74, 87, Ambassadors Theatre (London), 321 105, 159, 175, 183, 223, 224, Ambassador Theater Group, 409 314–16, 361, 365, 414, 430, 436, Ambassador Theatre Group (New York), 452, 460, 463, 472, 473, 490 400 African American audience, 434, 482 Amberg, Gustav, 30, 31, 75 African Americans, 3, 32, 35, 108, 111, Amberg Theater, 31 112, 115, 155, 156, 248, 255, 305, American Airlines Theatre, 391n6, 401 433–7, 482, 504 American Ballet Theatre, 212 agent, 23, 49, 59, 63, 65, 75, 166, 265, American Conservatory Theater, 500 294, 298 American Idiot, 340 Ahrens, Lynn, 306, 361, 409 American in Paris, An, 200 Ah, Wilderness!, 217 American National Theatre and Academy Aida, 315, 337, 339, 413, 417–19, (ANTA), 208, 209, 362 425n30, 456n1 American popular culture, 15, 16n6, AIDS epidemic, 265 340, 434, 441 Ain’t Misbehavin’, 293, 305 American Repertory Theater, 8, 9, 378, Akagawa Jirō, 284 479–86 Akalaitis, JoAnne, 265, 370, 374n2, 480 American Society for Composers, Aladdin, 336, 413, 414, 423, 424 Authors, and Publishers (ASCAP), Albee, Edward, 26, 220, 334, 488, 89 495n14 American theatre, 48, 60, 63, 66, 97, alcohol, 21, 23, 24, 48, 100, 103 129, 159, 181, 208, 217, 261, 266, Alda, Alan, 232 292, 379, 434, 491, 500 Aldredge, Theoni, 263 American Theatre Wing, 385, 387, Alejandro, Rachel, 339, 340 391n3, 391n7, 403n5, 403n7, Alexander, Jane, 390 431n4, 431n8, 431n14 INDEX 519

American Vitagraph Company, 27 Arts Centre Melbourne (Victorian Arts Amon Miyamoto, 285 Centre), 143 Amon, Morisette, 453, 454 Arts Communication International Amour, 300 (ACOM), 441–8 Amsterdams Jongerentoneel (Amsterdam Arturo Ui, 222 Youth Theatre), 351 Asari Keita, 283, 284 Anastasio, Trey, 380 Asche, Oscar, 141 Anderson, Jane, 488 Ashanti, 401 Anderson-Lopez, Kristen, 382 Ashford, Rob, 397, 483 Anderson, Maxwell, 208 Ashley, Christopher, 377, 380, 381 Andersson, Benny, 295 Ashman, Howard, 415 Andrews, Julie, 201, 244 Asolo Repertory Theatre, 380 And There I Stood With My Piccolo, 201 Aspects of Love, 337 angel investors, 208, 316 Assassins, 389 Angels in America, 370, 372, 490 Astaire, Adele, 105, 120–2 Anna Christie, 241 Astaire, Fred, 120, 123, 124 Ann Arbor Drama Festival, 208 As Thousands Cheer, 91 Annie, 7, 207, 211, 212, 335, 491 Atlantic Theater Company, 265, 382 Annie Get Your Gun, 131, 142, 177–80, Atlantis Productions, Inc. (API), 333, 184, 187n31, 189n86, 203 337–41, 342n12. See also Viva Anspacher Theater, 263 Atlantis Theatricals (VAT) ANTA Washington Square Theatre, Atlantis Theatrical Entertainment Group 362 (ATEG), 340, 341 Anthony, Julie, 143 Atlas, Larry, 414 anti-Semitism, 60, 64, 86, 307 Attenborough, Richard, 203 Antonio, Via, 455 attendance, 31, 61, 139, 141, 146, 148, Anything Goes, 6, 52, 125, 311, 340, 149, 339, 360 361, 389 Aubry, Blanche, 346 Apollo Palladium, 353 Auction Pinochle, 33, 36 Apollo Theater, 329 audience, 12, 14, 21–7, 29–32, 34–6, Applause, 398 39–42, 44, 48, 51, 52, 63, 64, 74, Apple Tree, The, 231, 232, 389, 398, 401 75, 101–3, 105, 111, 119, 123, Arcadians, The, 54 127–33, 135n7, 146–9, 153–61, archetype, 12, 14, 501, 504 175–7, 195, 202, 208–12, 222–4, Arena Stage, 374, 470, 471 254–7, 268–73, 277, 280, 282, Arespacochaga, Chari, 338 287n27, 295, 300, 329, 331n1, Arion masked ball, 34 332n21, 334, 360, 372, 394–7, Armstrong, Louis, 268 406, 416–18, 427–9, 441–6, 456, Arnaz, Desi, 166–9 461, 464, 479, 481, 486n17, Aronson, Boris, 244, 247, 345 489–94 Around the World in Eighty Days, 378 Audience Research and Analysis, 297 Ars Nova, 484 auditions, 4, 12, 146, 174, 179, 240, Arthur, Jean, 208, 213n9 248, 269, 278, 294, 335, 339, 346, artistic director, 6–8, 273, 285, 316, 354, 409, 503 336, 344, 346–8, 360, 369, 372, Auf nach New York, 33 377, 379–81, 396, 423, 442, 450, August Wilson Theatre (Guild Theatre, 463, 479–81, 503, 504 Virginia Theatre), 8, 154 Artists and Models, 76, 77, 103 Aunt Dan and Lemon, 265 Artist’s Model, An, 42 Auraldi, Remo, 480 520 INDEX

Austin, John Paul, 211 Barzell, Wolfe, 304 Australian and New Zealand Theatres Baseline Theatrical, 307 Ltd., 141 Bastable Theatre (Syracuse), 71 Australian Ballet (Borovansky Ballet), Bat Boy the Musical, 320 142 Bean, Orson, 143 Austria, 10, 30, 116n6, 289, 343, 344 Beat the Band, 168 Avenue Q, 10, 337, 339, 427–30 Beatty, John Lee, 394, 399 Avian, Bob, 295 Beatty, Warren, 380 Azenberg, Emanuel (Manny), 226, Beaumont, Hugh, 210 227n13, 229n53, 297, 303–10 Beauty and the Beast, 284, 337, 339, 348, 388, 413–16, 421, 424, 462 Beauty Shop, The, 88 B Bechdel, Alison, 373 Babes in Arms, 175, 395, 398 Beck, Leonore, 218, 225 Badayeo Malhara (Speaketh Thou, Behman, Lou C., 86 O’Sea!), 257 Behrman, S. N., 154, 157, 208 Bailey, Pearl, 369 Belafonte, Harry, 268 Baker, George Pierce, 153, 164, 170n7 Belasco, David, 51, 61, 65, 128, 164 Baker, Karin, 220–2, 227n14 Belasco Theatre, 300 Baker’s Wife, The, 202, 222 Belgrader, Andrei, 480 Baldineau, Pichon, 419, 420 Belle of New York, The, 53, 71 Baldwin, Kate, 401 Belle Paree, La, 109 Ball at the Savoy, 141 Bell, Marty, 409 ballet, 4, 23, 25, 72, 101, 104, 140–2, Bells Are Ringing, 158 155, 157, 212, 244, 320, 344, 419, Benanti, Laura, 6, 401 430, 464n2, 481 Benét, Stephen Vincent, 233 Ballets Russes, 141 Ben Haggin, Ali, 100 Ball, Lucille, 168 Ben Hur, 60 Banderas, Antonio, 389 Bennett, Arnold, 158 Bank of America, 372 Bennett, Michael, 233, 265, 294–6 bankruptcy, 5, 36, 114, 131, 139, 211, Bennett, Robert Russell, 121, 125n4 387, 410 Benton, Robert, 245 Barbican, 316 Bergasse, Joshua, 397 Barefoot Baby With Cheek, 168 Berkeley Repertory Theatre, 373 Barefoot in the Park, 272 Berle, Milton, 241, 247 Bareilles, Sara, 483, 484 Berlind, Roger L., 371 Barlow, Gary, 483 Berlin, Irving, 5, 32, 54, 84, 88–9, 91, Barnum, 352 92, 102–4, 177, 178, 231, 345, Barnum’s Museum, 22 348, 349n5 Barras, Charles M., 385 Bernard B. Jacobs Theatre, 291, 299, Barredo, Baby, 334, 336 300. See also Royale Theatre Barrie, J. M., 47, 48, 50, 57n24, 208, Bernardi, Herschel, 246 483 Bernstein, Leonard, 169, 172n53, Barrington, Rutland, 42, 43, 45n8 207–11, 246, 268, 399, 400, 408 Barr, Richard, 261 Bertha von Ridgewood (Bertha from Barrymore, Ethel, 53 Ridgewood), 34 Barry, Philip, 157, 164 Berusaiyu no bara (The Rose of Bart, Lionel, 210, 321 Versailles), 147 Baruch-Viertel-Routh-Frankel Group, 7 Best Foot Forward, 168, 176, 192 INDEX 521

Best of Both Worlds, 482 Bon Jovi, 381 Besuch der Alten Dame, Der (The Visit of Bonnie & Clyde, 380 the Old Lady), 348 booking agency, booking agent, 26, 59, Bête, La, 233, 234 61, 62, 65, 66, 73, 75, 352 Betty Blue Eyes, 320, 321 Booking Group, The, 428 Between the Lines, 494 Booth Theatre, 297, 470 Biberman, Herbert J., 156 Borle, Christian, 503 Big Deal, 293, 298 Borovansky Ballet, 142 Big Deal on Madonna Street, 298 Borovansky, Edouard, 142 Big River, 8, 378, 389, 480 Bosco, Philip, 390, 397 Bijou Theatre (Boston), 164 Bosley, Tom, 244 Billington, Ken, 399 Boston, 4, 25, 50, 98, 164, 167, 169, Billion Dollar Baby, 192 175, 201, 242, 248, 295, 298, 382, Billy, 345 436, 481, 482, 502 Binger, James H., 8 Boublil, Alain, 212, 315, 316, 318, 320, Bishop, André, 361–5, 366n13, 366n20, 335, 456n1 367n24 Boucicault, Dion, 48 Bishop, John, 378 Bourne, Matthew, 320 Bissell, Richard, 192, 193, 240 Bowery, the, 24, 34, 108, 127 Bitter Sweet, 6, 105 Bowles, Paul, 157 Black Bottom, the, 108, 111, 112, 115 box office, 8, 50, 62, 71, 114, 129, 167, Black Crook, The, 49, 385 177–9, 224, 235, 280, 293, 295, Black, Don, 379, 380 299, 303, 333, 334, 339, 347, 371, blackface, 35, 49, 104, 110 417, 421, 422, 436, 437, 449, 453, blacklist, 209, 246 461, 470, 507 Blane, Ralph, 168 Boyd, Brandon, 325 Blankenbuehler, Andy, 401 Boy Friend, The, 199, 201 Blau, Herbert, 360, 362 Boy Meets Girl, 15, 165, 192, 271, 272, Blitzstein, Marc, 399, 401 477n18 Bloody Bloody Andrew Jackson, 266, 373 Boys from Syracuse, The, 165, 166, 175, Bloomberg, Michael, 372 192, 389, 398 Bloomer Girl, 398 Bracken, Eddie, 167, 168 Bloomgarden, Kermit, 202 Bradshaw, Mikkie, 340 Blossom Time, 6, 69, 76, 77 Braham, David, 32 Blue Monday Blues, 110, 111, 115 brand(s), 3, 41, 63, 96, 125, 129, 289, Blue Mountain Melody, 141 297, 314, 330, 335, 375, 385–91, Blue Mouse, The, 73, 75 394, 417, 418, 423, 434, 435, 442, Blue Square Theatre, 445 472, 485 Bobbie, Walter, 399, 400 Breakfast at Tiffany’s, 220 Bobbitt, Lorena, 400 Breaking Bad, 482 Bock, Jerry, 232, 243, 244, 386, 387, Brent, Romney, 154 389, 393, 398, 401 Brian, Donald, 54 bodabil, 449, 455, 456n2 Brice, Fanny, 4, 101 Boe, Alfie, 317 Brickman, Marshall, 381 Bogart, Anne, 480 Bridges of Madison County, The, 301 Bogatchev, Dmitry, 461 Brigadoon, 142 Bohème, La, 431 Briggs, Tom, 159 Bombay Dreams, 329, 330 Brighouse, Harold, 202 Bom Janchi (Spring Festival), 254 Brightman, Sarah, 318 522 INDEX

Brighton Beach Memoirs, 306 Burgtheater, 346 Brill, Leighton K., 179 Buried Alive, 158 Bring in ’da Noise, Bring in ’da Funk, Burke, Billie, 53, 54, 110 265, 369, 370 burlesque, 23, 26, 34, 35, 39–41, 43, Brisson, Frederick, 193, 240, 241 44, 72, 76, 85, 90, 109, 110, 112, Broadway, 3, 11, 24, 30, 48, 59, 69–82, 128, 130, 155, 235, 248 85, 95, 107, 119, 127, 140, 146, Burning Bright, 181 153–61, 163, 173, 193, 199, 208, Burr, Charles, 159 217, 231, 242, 263, 267, 277–88, Burrows, Abe, 199–203, 204n11, 291, 303, 311, 326, 333–42, 343, 204n15, 231, 345 353–4, 361, 369, 377, 385, 393, Burstyn, Mike, 352 405, 413, 427, 434, 441–8, 449, Burton, Kate, 390 460, 467, 480, 487–96, 499–509 Burton, Richard, 202 Broadway, 165 business model, 24, 129, 174, 185, 329, Broadway Asia Company, 9 330, 386, 402, 407, 431, 484 Broadway Bound, 305–7, 377–83, Butcher aus der Ersten Avenue, Der (The 399–401 Butcher from First Avenue), 33 Broadway League, The, 292, 475n3. See Butcher von Yorkville, Der (The Butcher also League of American Theatres of Yorkville), 33 and Producers But For Whom Charlie, 362 Broadway theatre, 9, 49, 69, 105, But He Doesn’t Know the Territory, 201, 117n36, 167, 217, 298, 317, 319, 204n19 389, 391n6, 492, 500 Butler, Artie, 23, 25, 158 Broadway transfer, 9, 201, 264, 378, Butler, Michael, 264 382, 387 Butovskaya, Svetlana, 463, 465n14 Broderick, Matthew, 381 Bye Bye Birdie, 389, 399 Brodziak, Kenn, 144 By Jupiter, 176 Brontë, Charlotte, 379 Bronx Tale, A, 7 Brooklyn Academy of Music, 394 C Brooks, Louise, 115 Cabacho, Laura, 453 Brooks, Mel, 4, 11–17, 91, 505, 508n16 cabaret, 8, 76, 95, 99, 101, 245, 265, Brosas, K., 453 351, 355, 388, 399, 461, 483, 489 Brown, Jason Robert, 249, 361, 362 Cabaret (film), 199, 203, 232, 235, 240, Brown, John Mason, 164 245, 346, 388–90, 391n6 Brown, Lew, 107, 113, 115, 117 Cabin in the Sky, 398 Brown, Roscoe Lee, 262 Cabrera, Natasha, 453 Brown, Todd, 156 Caesar, Sid, 202 Brunton, Dorothy, 141 Cage aux Folles, La, 300, 335, 407, 492 Brustein, Robert, 479–81, 484, 485n1 Cahill, Marie, 128 Bryan, David, 381, 382 Cahn, Sammy, 202 Buchanan, Jack, 124 Caird, John, 316, 379 Buddy Holly Story, The, 353 Calhoun, Jeff, 385, 389, 422 Buddy Theater, 353 California Theatre, 137 budgets, 4, 146, 157, 159, 168, 194, Callender’s Consolidated Spectacular 195, 241, 242, 246, 248, 317, 334, Colored troupe, 49 352, 370, 378, 408, 507 Call Me Madam, 142, 187n45, 192, 398 Buffalo Bill’s Wild West Show, 96 Call on Kuprin, A, 194, 243 Bullets Over Braodway, 494 Camelot, 143, 335, 385 INDEX 523

Cameri Theatre, 273, 275n29 Cerniglia, Kenneth, 413, 414, 420–2, Can-Can, 142, 199, 201, 398 424n3, 424n5, 425n29, 425n31, Candide, 246, 408 425n38, 425n40, 426n52, 426n53, Cantor, Eddie, 100, 101, 103, 104 426n55 Capital Cities/ABC, Inc., 293 Chamberlain, Richard, 220 Caramel Box, 285 Champion, Gower, 203, 220, 221, 224, Care Divas, The, 449–51, 453, 454 227, 244 Carlos P. Romulo Auditorium (CPR Chanin’s 46th Street Theatre, 6 Auditorium), 336, 338, 341 Channing, Stockard, 390 Carmelina, 212 Chan, Ricci, 453 Carmello, Carolee, 483 Chapin, Ted, 359, 365n1 Carmen Jones, 176, 180 Chaplin, Judy, 243 Carmen Up to Data, 41 Charisse, Cyd, 143 Carnival!, 398 Charleston, the, 108, 111, 112, 115, Caroline, or Change, 266, 371, 490 131, 156 Caron, Léon, 139 Charley’s Aunt, 48, 200 Carousel, 157, 159, 160, 177, 179, 180, Charlie and Algernon, 212 193, 320, 335, 359, 385 Charlie Girl, 143 Carrie the Musical, 340 Charlotte Theatre, 445 Carroll, Earl, 76, 103 Chasez, JC, 325 Carroll, Garnet H., 142 Chasing the Song, 382 Carr, Osmond, 41 Chatham Club, 108, 109 Carte, Richard D’Oyly, 40, 138 Chavkin, Rachel, 484 Carter, Jimmy, 211 Cheadle, Don, 371 Carter, Leslie, 51 Chee-Chee, 133, 134 Caryll, Ivan, 41, 44 Chenoweth, Kristin, 389, 397, 401 Casino Theatre, 71 Chernow, Ron, 373 Castle Square Opera Company, 4–5 Cherry Lane Theatre, 489 Castle Square Theatre, 4 Chess, 293, 295, 296 cast recordings, 15, 326, 331n6, 359 Chicago, 25, 36, 50, 59, 95, 96, 98, Castro, Ima, 339, 360 140, 167, 223, 264, 295, 360, 410, Catch of the Season, The, 52, 53, 57n12 427, 491 Catered Affair, A, 491 Chicago World’s Fair (1893), 96 Cates, Joseph, 378 Chiemi Eri, 280 Catholic Radio Broadcasting Agency child performer, 25 (Katholieke Radio Omroep (KRO)), Children of Eden, 6, 235 352 China, 9, 10, 71, 257, 284, 321, 341, Cats, 9, 15, 212, 284, 293, 296, 297, 347, 414, 446 311, 313–18, 321, 326–8, 330, China Arts and Entertainment Group, 9 331n6, 346–8, 352, 353, 446, China Media Capital, 10 448n19, 462 Chinatown, 34, 108 Caucasian Chalk Circle, The, 370 Chinese Honeymoon, A, 71 Caulfield, Joan, 169 Chitlin Circuit, 435 Cawthorn, Joseph, 54 Choi Chang Kwon, 256 celebrity, 8, 42, 47, 50, 53, 97, 103, choreographer(s), 97, 146, 154, 159, 166, 115, 132, 313, 320, 355, 385, 388, 168, 169, 173, 179, 212, 221, 235, 390, 400, 468, 469, 482, 492, 506 240, 242, 248, 265, 295, 298, 299, Central Park, 224, 262, 263, 373 313, 314, 320, 397, 399, 401, 402, Century Girl, The, 101 406, 419, 424, 445, 460, 484, 491 524 INDEX choreography, 51, 110, 114, 156, 157, Cohan and Harris Minstrels, The, 83, 86, 236, 242, 269, 296, 298, 338, 340, 91 345, 397, 400, 401, 408, 420, 422 Cohan, George M., 2n1, 50, 84–8, 91, Chorus Line, A 92, 93n5, 93n8, 93n12, 93n14, film, 199, 203, 233, 264, 265, 278, 93n18, 93n22, 93n23, 93n25 282, 295, 340, 347, 369, 370, Cohan Revue, The, 88, 89 374, 389 Cohen, Alexander H., 304 stage, 147 Cohl, Michael, 325, 326, 330n1, 331n2 Chosun Ilbo, 444 Cohn, Sam, 298 Christians, Rudolf, 30 Cold War, 295 Christmas Carol, A, 372, 430 Coleman, Cy, 202, 386, 387, 399 Chronicle of a Death Foretold, 362 collaboration(s), 4, 9, 42, 86, 89, 111, Chu Chin Chow, 141 122, 133, 134, 146, 153, 155, 157, Chuseoknori (The Autumn Full Moon 158, 173–6, 184, 185, 192, Revelry), 254 199–205, 233, 243, 245–8, 272, Chuva Choo Choo, The Mr. Kupido 295, 298, 305, 316, 338, 340, 341, Musical, 449, 450, 452–5, 457n18 347, 348, 354, 450, 479, 482, 483, Cigale, La, 139 487, 488, 494 Cinderella, 336, 463 collaborators, 4, 48, 53, 83, 90, 91, 100, Cinderella musicals, 41, 52, 104, 113 131, 133, 153, 155, 168, 173–6, Cinder Ellen Up Too Late, 41 178, 180, 182, 183, 187n34, 192, Mr. Cinders, 141 193, 231, 233, 236, 239, 247, 314, cinema, 75, 277, 279–81, 406, 408, 420, 379, 381, 387, 393, 488, 507 462 Collins, Phil, 419, 420 Cineplex Odeon, 406, 407 Colored Museum, The, 370 circus, 22, 23, 65, 235, 419, 482, 485n6 Color Purple, The Circus Girl, The, 41 film, 434 Circustheater, 352 musical, 505 Ciske de Rat (Ciske the Rat), 356 Colosseum Theater, 353 Citizen’s Committee to End the War in Columbia Varsity Show, 175 Vietnam, 235 Comden, Betty, 158, 169, 248, 386 Citroentje met suiker (Lemon with Sugar), Come Fly Away, 491 352 Come From Away, 382 City of Angels, 293 comic song, 22, 36 Ciulei, Liviu, 480 commercialism, 60, 63, 64, 236 Civilians, The, 382 Commercial Theater Institute, 8 Civil War, 24, 49 Committee of Theatrical Producers, 181 CJ E&M, 9 Communist Party, 263 Clarke, Bobby, 241 company, 3, 23, 30, 40, 49, 61, 70, Clear Channel, 409 72–6, 87, 102, 121, 128, 137, 145, Clinton, William (Bill), 400 153, 165, 176, 194, 203, 208, 221, Closer than Ever, 489 231, 247, 253, 262, 269, 277, 291, Clurman, Harold, 154 304, 313, 325, 334, 343, 352, 359, Clutterbuck, 219, 223 370, 377, 385–91, 397, 405, 414, Coast of Utopia, The, 364 441–8, 450, 462, 470, 479, 487, Coca-Cola Company, 103, 211 502 Cocoanuts, The, 84, 89 competition, 25, 26, 42, 43, 65, 70, 75, Coffin, Hayden, 42 96, 97, 112, 143, 166, 225, 318, 353, 380, 390, 409, 453 INDEX 525 composer(s), 6–8, 16n8, 30, 32, 41, costumes, 23, 40, 42, 72, 77, 104, 114, 42, 44, 48, 52, 53, 55, 63, 72, 118n39, 143, 146, 166, 183, 241, 75, 89, 101, 110, 111, 119, 133, 245, 247, 254, 269, 271, 334, 335, 142, 145, 146, 155, 168, 173, 338, 352, 364, 400, 401, 416, 417, 176, 177, 180, 182, 201, 221, 421, 424, 430, 492 232, 233, 235, 241, 246, 248, Count of Luxemburg, The, 44 249, 263, 278, 281, 284, 285, Country Girl, The, 139 292, 295, 297, 299, 305, 313–15, Courtneidge, Robert, 139 326, 327, 339, 347, 348, 354, Coward, Noel, 105 362, 370, 379, 393–5, 398, 399, Cradle Will Rock, The, 401 401, 402, 409, 417, 419, 422, Cranston, Bryan, 482, 483 450–3, 459, 474, 481, 483, 484, Crawford, Cheryl, 154, 209, 242 492, 504 Crawford, Michael, 212 computerization, 291, 408 creative producer, 244, 467 Concepcion, KC, 339 creative team, 3, 7–9, 12, 42, 83, 90, concert saloons, 23 194, 235, 244, 246, 294, 304, 312, conductor, 30, 120, 139, 201, 254, 461, 313, 316, 318, 335, 345, 388, 399, 463 400, 421, 452, 467, 490, 491, 502 Congressional Amendment to End the Crewe, Bob, 381 War (1970), 235 Cristofer, Michael, 503 Connecticut Yankee, A, 131–3, 176, 397, Criterion Theatre, 50, 387 398 Criterion Theatre (Sydney), 140, 141 Connick, Harry Jr., 389 critics, 62–4, 87, 110, 113, 128, 138, Conquering Hero, The, 210 155, 175, 184, 211, 212, 218, 220, Conquest of the Air, 231 223, 224, 226, 227, 232, 234, 243, Conried, Heinrich, 30, 31, 36 247, 248, 256, 258n1, 262, 263, Conrow, Jonathan, 159 270, 277, 278, 300, 318, 320, 322, continuous performances, 27 333, 344, 345, 387, 388, 394, 399, Cook, Barbara, 183, 244 400, 406, 415, 416, 420, 422, 424, Cook, Carole, 143 436, 437, 442, 474, 482, 483 Cook Opera House (Rochester), 71 Crosby, Kathryn, 159 Cook, Will Marion, 111, 117n36, cross dressing, 32, 35 117n37 cross gender impersonation, 35 Copperfield, David, 416 Crossroads Theatre, 370 Coppin, George, 138 Crouse, Russel, 184 copyright(s), 72, 138, 146, 159, 173, crowdfunding, 501, 506 174, 176, 180, 182, 183, 185 Crowley, Bob, 419 Corner Grocer aus der Avenue A, Der Cry-Baby, 380 (The Corner Grocer from Avenue A), Cryer, Gretchen, 401 31–3, 35 Cuba, 9 corporate culture, 277, 279, 281, 282, Cultural Center of the Philippines 443 (CCP), 333, 338, 342n1, 450, 453, corporate producer, 69–82, 488 457n18 Cortez, Alexander, 451, 455, 457n7, Culturalist, 493 457n19 Cumming, Alan, 388, 390 Cort, John, 74 Cunningham, Sean, 382 Cort Theatre, 361 Curran Theatre, 430 Cosson, Steve, 382 Curry, Michael, 423 Costello, Diosa, 167 Curtains, 4, 490, 491, 501–4 526 INDEX

Curve Theatre, 483 de Jesus, Vincente [or De Jesus??], CVC Capital Partners, 356 450–2 Cyrano, 353, 354 Delacorte Theater, 373, 481 De La Guarda, 419, 490 de Leeuw, Paul, 355 D de Liagre, Alfred Jr., 208 Daddies, 164 DeLillo, Don, 480 Dae Chunhyang Jeon (The Grand Story De Mesa, Lucky, 455 of Chunhyang), 256 de Mille, Agnes, 154, 156, 157, 160, Dairymaids, The, 54 179, 182, 183, 185n4, 186n7, Dale, Jim, 390 187n40, 188n64, 210 Daly, Augustin, 39, 42–4, 45n6 DeMille, Cecil B., 48 Daly’s Theatre (London), 42, 45n6 Demme, Jonathan, 434 Daly’s Theatre musicals, 42 demographics, 222, 256, 289, 429, 430, Daly, Tyne, 397 473 Daly, William, 120 de Mol, John, 353 Damari, Shoshanna, 268, 274n4 Dench, Judi, 314 Damn Yankees, 191–4, 235, 241, 242, Denes, Oscar, 141 385, 401 De Pano, Arnel [or De Pano], 451 Dance of the Vampire, 348, 463. See also De Pijpers (The Pipers), 351 Tanz der Vampire Depp, Johnny, 380 Dancin’, 178, 298 depression, 70, 84, 90, 113, 139, 141, Dancing Years, The, 142 175, 208, 261 Daniels, Ron, 480 Derrah, Thomas, 480 Danton’s Death, 360, 362 Desert Song Corporation of Delaware, 6, Darling of the Day, 158, 159 10n2 Dart, Iris Rainer, 390 Desert Song, The, 6, 10n2, 141 Daryl Roth Creative Spirit Award, Destry Rides Again, 217, 219 490 De Sylva, Buddy, 107, 110–13, 115, Daryl Roth Theatre, 233, 390, 487, 488, 117n25 490, 500 Deutsch-Amerikanisches Theater Davenport, Jack, 503 (Berlin), 36 Davenport, Ken, 506, 509n27 Deutsch-Amerikanisches Theater (New David Merrick Arts Foundation, 222 York), 34 David, Michael, 354, 378 Deutsche Marie, Die (The German Davidson, John, 159 Marie), 34 Davies, Ray, 378 Devil and Daniel Webster, The, 233 Davis, James, 41 Dewhurst, Colleen, 262 Davis, Owen, 123 Dewynters, 314–16 Dawn, Gloria, 142–3 Dey Street Hall, 22 Day in Hollywood/A Night in the Diaghilev’s Ballets Russes, 141 Ukraine, A, 293 Diamond, Liz, 480 Deaf West Theatre, 389 Diary of a Mad Black Woman, 436, 437 Dearest Enemy, 131 Diary of Anne Frank, The, 468, 471, 472 Death and the King’s Horseman, 360 Dietrich, Marlene, 268, 274n9 Death of a Salesman, 304 digital marketing, 423 Death Takes a Holiday, 390 Dillingham, Charles, 5, 50, 56n4, 99 Debuskey, Merle, 265 Dinner at Eight, 192 de Carlo, Yvonne, 143 DiPietro, Joe, 381, 382 INDEX 527 director, 6, 11–17, 19, 30, 40, 49, 83, Doyle, John, 397 102, 109, 124, 128, 139, 145, 151, D’Oyly Carte Company, 51 153, 163, 173, 191, 200, 218, 232, Drabinsky, Garth, 3, 223, 249, 405–11 239, 254, 263, 268, 279, 294, 312, Dracula, 16n8, 379 336, 344, 353, 360, 369, 377, 386, drag, 35, 436, 491 393, 406, 415, 428, 433, 442, 450, Drake, Alfred, 156, 157 460, 470, 479, 491, 503 Drama Desk awards, 265, 387, 388, 400, director-choreographer, 146, 154, 168, 480 173, 179, 221, 235, 240, 242, 248, Dream Girl, 202 265, 295, 298, 313, 314, 399, 401, Dreamgirls, 300, 337, 393, 395 402, 406, 424, 460, 484, 491 Dresser, Richard, 482 Disney Corporation, 413–15, 418 Dressler, Marie, 130 Disneyland, 414–16 Drew, John, 53 Disneyland Hong Kong, 340 Dreyfus, Max, 52, 176 Disney California Adventure Park, 423 DuBarry Was a Lady, 398 Disney’s Glöckner von Notre Dame. See Dubey, Matt, 232 Glöckner von Notre Dame, Der Du Bois, Raoul Pene, 166 Disney Theatrical Productions (Disney Duff-Gordon, Lady, 100 Theatricals), 7, 336, 354, 379, 380, Duffy’s Tavern, 201 413–26 Duke of York’s Theatre (London), 50, Disney Theme Parks, 423 51 diversity, 19, 265, 429 Duke’s Broadway Preview Series (Theater Dixey, Henry E., 48 Previews), 307 Dix, Tommy, 169 Duke, Vernon, 155, 399 Djin-Djin, 139 Dulaang UP, 449, 451, 456, 457n18 Doctorow, E. L., 409 Dunaway, Faye, 380 Doctor Zhivago, 301, 379 Dunning, Philip, 165 Doderer, Joop, 352 duplicate companies, 74, 77 Dodger Productions, 8, 354, 378, 379, Duquesnay, Ann, 370 381 Duquesne Theatre (Pittsburgh), 72 Dodger Theatricals, 8, 354, 379 Durang, Christopher, 395 Do I Hear a Waltz?, 184, 398 Dürrenmatt, Friedrich, 348 Dollar Princess, The, 44, 54 Dutch Musical Awards, 355 Dollars und Cents (Dollars and Cents), Dutch National Opera, 351 33 Dybbuk, 269 Doll Girl, The, 53 Dylan, Bob, 233 Doll’s House, A, 248 Doll’s Life, A, 248 Don Juan, 41 E Donkey Show, The, 481, 492, 493 East Asia, 149, 343 Donmar Warehouse, 388, 389 East River Park Amphitheater, 262 Donnelly, Dorothy, 76 Ebb, Fred, 203, 245, 246, 249, 388, Don’t Make a Black Woman Take off Her 399, 406, 502, 507n8 Earrings: Madea’s Uninhibited Ebersole, Christine, 397 Commentaries on Love and Life, 437 Eckert, Rinde, 481 Do Re Mi, 217, 397, 398 Edgley, Michael, 143 Dorothy, 40, 41, 139 Edwardes, George, 5, 19, 39–45, 51, 52, Douglass, Stephen, 143 54, 139 Dowling, Robert W., 209 Edwardes Menu Company, 40 528 INDEX

Edwards, Sherman, 39, 234, 237n9 Eyen, Tom, 295 Eglin, Russ, 316 Eyre, Richard, 418 Eisner, Michael, 413, 415, 416, 418, 423 Elice, Rick, 381 Eliot, T. S., 296, 313, 314 F Elisabeth, 343, 347, 348, 353 Facebook, 423 Elliott, Madge, 141 Face the Music, 89, 91, 398 Ellis, Scott, 387, 390, 490 Falsettos, 293, 361 Ellis, Vivian, 141 fame, 87, 192, 312, 443, 444, 500 Elmer Gantry, 378, 379 Family Affair, A, 243 Emmanuel Presbyterian Church, 262 family entertainment, 351 Emperor’s New Clothes, The, 283 Family Secrets, 468 empire(s), 9, 39, 49, 50, 61, 70, 71, 75, Fanny, 183, 219, 223, 224, 398 79, 107, 139, 174, 209, 269, 270, fans, 120, 139, 148, 150n15, 218, 300, 273, 280, 353, 436 306, 311, 339, 345, 347, 348, 417, Empire Theatre (London), 39 428, 435, 445, 447, 473, 474, 482 Empire Theatre (New York), 49, 50 Fantasticks, The, 221, 285, 334 Encores! Off-Center, 401 Farren, Nellie, 41 Encores! series, 8, 394, 397, 401, 402, fashion, 3, 11, 19, 23, 42, 47, 92, 97, 489 103, 121, 168, 193, 468 Encores! Summer Stars, 401 Father Comes Home from the Wars, 483 Endemol, 353 Father Goose, 234 English Daisy, An, 52 Father, The, 386 English 47 Workshop, 153, 164 Faulk, Robert, 166 enhancement money, 378 Faust Up to Date, 41 Ensler, Eve, 468, 472, 473, 483 Faye, Alice, 115 Epstein, Alvin, 480 Fearnley, John, 179 Erlanger, Abraham, 59–68, 71, 76, Feeling Electric, 469 80n4, 80n10, 86, 87 Fegi, Anna, 340 Ernst, Leila, 167, 169 Feiffer, Jule, 232 Escaway, 327 Feist, Gene, 386, 387, 389 Esparza, Raúl, 388, 397 Fela!, 491 Ettinger, Amos, 271 Ferber, Hailey, 307 Ettinger, Heidi, 378 Ferrer, Mel, 377 Euclid Avenue Opera House, 60 Feuer, Cy, 183, 199–205 Eugene O’Neill Theater Center, 7, 154, Fiasco Theater, 390 164, 307, 360 Fiddler on the Roof, 143, 203, 244, 270, Eureka Theatre, 372 271, 282, 298, 346, 442 Eustis, Oskar, 265, 369–75 Fields, Charlie, 129 Evans, Maurice, 243 Fields, Dorothy, 169, 175, 177, 187n31 Ever After, 7 Fields, Herbert, 124, 133, 154, 175, Everyday Rapture, 390 177, 187n31 Evita, 249, 296, 313, 326, 327, 330, Fields, Joseph, 175, 184 331n6, 346, 355, 456n1 Fields, Lew, 127–35, 175 Evviva Amico, 345 Fields, W. C., 110, 115 Execution of Justice, 372 Fierstein, Harvey, 421, 422, 491 Experimental Theatre Wing at NYU, 372 Finding Neverland, 9, 56n2, 483 Experiment in Modern Music, An, 111 Finian’s Rainbow, 398, 401 extravaganza, 19, 120, 141, 257 Finn, William, 361, 380, 401 INDEX 529

Fiorello!, 192, 194, 241, 242, 393–5, Four Cohans, 85 398 Four Seasons, The, 381 Firefly, The, 5 Fox Theatre, 433 Firm, the, 137–44. See also Williamson, Foxwoods Resort Casino, 409 James Cassius (J. C.) Foy, Eddie, 73, 99 first-class theatres, 61, 62, 64, 144 Foy, Eddie Jr., 193 First Lady Suite, 362 Frankel, Scott, 483 Fischer, Carl, 166, 243, 246 Frankenstein, or The Vampire’s Victim, 41 Fisher, Amy, 400 Frank Music Corp., 231, 232 Fisher, Jules, 345 Frank Productions, Inc., 232 Fisher, Rob, 394, 395 fraud, 15, 343, 405 Fiske, Harrison Grey, 59, 64 Freaky Friday, 380 Fiske, Minnie Maddern, 64 Freedley, Vinton, 119–25 Fitch, Clyde, 75 Freeman, Gerald, 263 Fitzgerald, F. Scott, 112 Freudiana, 347 Five Guys Named Moe, 320 Friedman, Gerald, 242 Fix, The, 320 Friedman, Michael, 373, 382 Flaherty, Stephen, 306, 361, 409 Friml, Rudolf, 5, 174 Fledermaus, Die, 142 Frogs, The, 359 flop, 12–14, 91, 105, 151, 199, 202, Frohman, Charles, 47–57, 60–2, 64, 207, 211, 227, 245, 258n1, 293, 80n4 294, 306, 307, 330, 381, 421, 433, Frohman, Daniel, 50, 56n3, 61, 67n17 460, 468, 471, 488, 489, 494 Frohman, Gustave (Gus), 61 Flora, The Red Menace, 245 Front Page, The, 364 Florodora, 139 Frost, John, 144 Flower Drum Song, 131, 184 Frozen, 382, 424 Floyd Collins, 362 Fryer, Robert, 169 Fluffy Ruffles, 52 Fugard, Athol, 305 Flying by Foy, 420 Full Gallop, 468 Flying High, 112 Full Monty, The, 8 Fo, Dario, 480 Fully Committed, 469 Follies (Sondheim), 399 fundraising, 6, 262, 312, 339, 361, 371, Follies (Ziegfeld), 60, 95, 97, 109, 114, 372, 377 398, 399 Fun Home, 266, 369, 373 Fonda, Henry, 202 Funny Face, 121–3 Foote, Horton, 281 Funny Girl, 4, 15, 143, 244 for colored girls who have considered suicide/ Funny Thing Happened on the Way to the when the rainbow is enuf, 264 Forum, A, 241, 246 Ford Center for the Performing Arts, Furth, George, 381 405, 409. See also Lyric Theatre Ford, John, 156 Ford, Nancy, 401 G Foreman, Richard, 480 Gaiety Girl, A, 42 For Goodness Sake, 120, 121 Gaiety Girl musicals, 51 Fortress of Solitude, The, 373 Gaiety Girls, 41, 42 Fosca, 297, 298 Gaiety Theatre (London), 139 Fosse, Bob, 158, 169, 235, 236, 240, Gaines, Boyd, 212, 387, 401 242, 294, 298, 345, 399, 401 Gaines, Reg E., 370 Foster, Sutton, 380, 389, 397, 401, 505 Gallagher, Peter, 397 530 INDEX

Gallo, David, 340 Giamatti, Bartlett, 479 Gamugeuk (Song and Dance Theatre), Giant, 373 257 Gibson, Deborah, 388 Gaon, Yehoram, 271, 273 Gielgud, Sir John, 202 Garber, Victor, 397 Gigi, 339, 499, 505 Garcia, Robert (Bobby), 337–9 Gilbert and Sullivan, 26, 40, 42, 43, 138, Garden, Mary, 5 139, 141, 142, 175 Garden Theatre, 280 Gilbert, Sir William Schwenk (W. S.), Garner, Arthur, 138, 139 385 Garrick Gaieties, The, 153–7, 160n1 Gillette, William, 53 Garrick Theatre, 154 Gilmore Girls, 505 Gattelli, Christopher, 422 Girl Behind the Counter, The, 129 Gaudio, Bob, 381 Girl Crazy, 122, 124, 398 Gaughan, John, 416 Girl Friend, The, 131–3 Gay Hussars, The, 5 Girl from Kay’s, The, 52–4 Gay Rosalinda, 142 Girl from Montmartre, The, 52, 53 Gecmen-Waldeck, Katerina, 460 Girl from Up There, The, 51, 53 Geheimnisse von New York, Die Girl from Utah, The, 54, 55 (The Secrets of New York), 33 Girls, 53, 73, 398 Geidt, Jeremy, 480 Girl Who Smiles, The, 33 Geisha, The, 42, 43 Gish, Lillian, 159 Gekidan Furusato Caravan (Theatre Givenik.com, 493 Company Hometown Caravan), 285 Givot, George, 124 Gekidan Shiki, 277–88. See also Shiki Glaser, Lulu, 73 Gekidan Shinkansen (Bullet Train Glass Menagerie, The, 483 Theatre Group), 285 Glass, Philip, 480, 481 Gelbart, Larry, 246, 480, 482 Glas Wasser oder Barock und Roll, Das Genatt, Simone, 9 (A Glass of Water, or “Barock and general manager, 232, 243, 294, 299, Roll”), 345 303, 307 Gleason, Jackie, 217 Gennaro, Peter, 158, 242, 243 global market, 314, 326, 328 Gentleman Unafraid, 174 Glöckner von Notre Dame, Der (The Gentlemen Prefer Blondes, 131, 398 Hunchback of Notre Dame), 348, Gerald Schoenfeld Theatre, 291, 300. See 353 also Plymouth Theatre Glorious Morning, 174, 175 Gergens, Andreas, 348 Glover, Savion, 370 Germania Theater, 30–6 Glucklichste Mensch in New York, Der (The Germany, 29, 30, 33, 268, 289, 317, Happiest Person in New York), 33 328, 344, 347, 353, 354, 379, 414 Gmür, Hans, 345 Gershwin, George, 90, 91, 107, 110, Godik, Giora, 267–75 113, 115, 120, 122, 124, 155, 200, Godik, Wladyslow, 267 393, 398 Godspell, 235, 293, 506 Gershwin, Ira, 90, 92, 117n25, 120, Going Up, 88 122, 125n6, 155, 156, 200, 393 Goldberg, Whoopi, 355, 409 Gershwin Theater, 408, 473 Golden Age, 6, 15, 151, 158, 501 Gersten, Bernard, 264, 266n10, 360, 361 Golden Apple, The, 209 Ghost, 337 Golden Bat, The, 284 ghost composer, 48 Golden Boy, 398 INDEX 531

Golden, John, 164 Griffin, Garry, 401 Golden Mask award, 463 Griffith, Robert, 166, 169, 191–7, 209, Goldfadn, Avram, 272 239, 240 Goldilocks, 209 Grimes, Tammy, 158, 159, 224, 390 Goldman, Irving, 291, 292 Grind, 248, 249 Gone with the Wind, 147, 280, 281 Groban, Josh, 484 Goodbye Girl, The, 306 grosses, 8, 387, 400 Goodman Theater, 360 Grossman, Larry, 248 Good News, 6 Group Theatre, 154 Goodspeed Opera House, 7, 211, 300 Guare, John, 264, 365, 395 Goodwin, Nat, 64 Guettel, Adam, 361, 362 Goold, Rupert, 320 Guild Theatre (Virginia Theatre, August Go, Rachelle Ann, 339 Wilson Theatre), 154 Gordon, Hayes, 142 Guiterman, Arthur, 155 Gordon, John Steele, 174, 186n21 Gummer, Grace, 504 Gordon, Max, 157 Gungnip Gamudan (National Song and Gordon, Paul, 379 Dance Troupe), 257 Gottlieb, Myron, 410 Gunn, Michael, 39 Gould, Matt, 483 Guys and Dolls, 199, 200 Government Service Insurance System Gwon, Adam, 390 Theatre, 338 Gypsy, 14, 143, 217, 219, 220, 226, 401 Governor’s Son, The, 86 Gräfin von Naschmarkt, Die (The Countess of Naschmarkt), 345 H Graham, James, 483 Habbema, Eddy, 354 Graham, Ronald, 169 Habima Theatre, 270 Grammer, Kelsey, 56n2, 483 Haimes, Todd, 287, 387–9, 391n3, Grand Opera House (Syracuse), 71 391n7, 391n8 Grand Street Follies, 154 Hair, 14, 114, 121, 184, 210, 263, 264, Grease, 9, 385 370, 372–4, 398, 481, 493 Great Adventure, The, 158 Hairspray, 7, 380, 501, 502, 504 Great American Musicals in Concert Half a Sixpence, 210 Program, 389, 393. See also Encores! Halliday, Richard, 184 Great American Musicals Series, 386, Halliday, Robert, 141 387 Hall, Josephine, 119, 138 Great Depression, 78, 79, 124, 155 Hall, Michael C., 388 Great White Way, 19, 115, 211, 236, Hall, Owen. See Davis, James 386, 399, 400, 414 Hamanaka Toru, 285 Great Ziegfeld, The, 15n1, 95 Hamburger, Anne, 377, 423 Greek Slave, A, 42 Hamilton, 266, 307, 315, 369, 373, 374 Green, Adolph, 158, 169, 248, 386 Hamilton, Henry, 44 Green, Amanda, 380 Hamlet, 202, 264, 369 Greene, Clay M., 138 Hamlisch, Marvin, 264 Green Grow the Lilacs, 155, 156, 176 Hammerstein, Arthur, 5, 130 Greenwillow, 232 Hammerstein, James, 159, 271 Greif, Michael, 377, 381, 470 Hammerstein, Oscar, 5, 28n13, 174, Grey Gardens, 8 176, 185n2, 185n6, 187n29, Grey, Joel, 399 188n62 532 INDEX

Hammerstein, Oscar II, 132, 153, 156, Heart of theMatter, The, 181 159, 173, 174, 189n80, 271, 359, Heckscher Theatre, 262 393, 456n1 Hedwig and the Angry Inch, 301, 337 Hammerstein, William, 5 Heffer, Haim, 271, 272 Hampton, Christopher, 379 Heil Germania—Heil Erin (Hail Hands on a Hardbody, 380 Germania—Hail Erin), 34 Hankyū Hanshin Holdings, 146 Heimat, 32 Hankyū Railway, 145 Heimweh nach St. Pauli (Homesick for Hapgood, Hutchins, 34, 37n5 St. Pauli), 345 Happy Birthday, 178 Hein, David, 382 Happy Time, The, 181, 221 Hein Snut’s Hochzeitsreise (Hein Snut’s Harbach, Otto, 5, 174 Honeymoon), 33 Harburg, E. Y., 155, 158 Helburn, Theresa, 153, 158, 160, 182 Harding, Tonya, 400 Held, Anna, 97, 114 Harlem Globetrotters, 268 Helden, Helden (Hero, Hero), 345 Harlem Opera House, 5 Helen Hayes Award for Excellence in Harlem Renaissance, 111, 115 Theater, 437 Harnick, Sheldon, 232, 243, 386, 387, Hello, Dolly!, 143, 218–21, 227, 244, 389, 393, 401 272 Harrigan and Hart, 293 Henderson, Florence, 183 Harrigan, Edward (Ned), 32 Henderson, Ray, 107 Harris, Barbara, 232 Henning, Doug, 416 Harris, Herbert, 131 Henry Miller’s Theatre, 388, 391n6 Harris, Jed, 165 Henry W. Savage Company, Inc., 5 Harris, Neil Patrick, 388 Hensley, Shuler, 507 Harris, Rosemary, 304 Herald Square, 71, 98 Hart, Charles, 318, 342n1 Herald Square Theatre, 71 Hart, Lorenz, 91, 123, 131, 133, 154, Herbert, Victor, 5, 54, 89, 101, 104, 165, 166, 168, 175, 377, 386 128 Hart, Moss, 84, 89–92, 181 Here Lies Love, 373 Hart, Tony, 32, 48 Here’s Hoover, 382 Harvard Dramatic Club, 164 Here’s Love, 232 Harvard University, 233, 479, 481 Her Majesty’s Theatre (Alexandra Hata Toyokichi, 280 Theatre, Melbourne), 139, 140, 143 Hathaway, Anne, 6, 397 Her Majesty’s Theatre (Sydney), 140, Hauptman, William, 31, 378 143 Haverly’s Mastodons, 49 Hero, 210, 444, 448n12 Havoc, June, 169 Heungbu and Nolbu (The Brothers Hayes, Evie, 142 Heungbu and Nolbu), 254, 258n5 Hayes, Helen, 178, 437 Hewitt, Frankie, 379 Hayes, Nancye, 143, 144 Heymann, Tomer, 451 Hayes, Sean, 401 Heyward, Dorothy, 155, 156 Hayman, Al, 62, 80n4 Heyward, DuBose, 155, 156 Hayward, Leland, 179, 180 Hibari Misora, 280 Hazel Kirke, 61 Hickey, John Benjamin, 388 headliner, 100, 101, 104, 105, 130 Higashi Yutaka, 284 Head of the Family, The, 164 Highway Ulysses, 481 Heads Up, 124 Hijinks!, 212 Hearst, William Randolph, 105 Hillman, Michael, 175 INDEX 533

Hilton, 306, 409 Hugo, Victor, 315, 379 Hilton, Daisy, 306 Humphrey, Doris, 157 Hilton, Violet, 306 Humphries, Barry, 144 Hilty, Megan, 503 Hunchback of Notre Dame, The, 348, Hippodrome Theatre (Bristol), 418 353, 379. See also Glöckner von Notre Hirson, David, 233 Dame, Der Hirson, Roger, 159 Hunter, Kim, 390 His Majesty’s Theatre (Melbourne), 141 Hunt, Peter, 234 hit show, 83, 131, 165, 170n17, 294, Hurlyburly, 430 328 Huston, Anjelica, 502, 503 Hit the Deck, 132 Hwang, David Henry, 233, 319, 419, H.M.S. Pinafore, 43, 385 420, 481 Hobson’s Choice, 202 Hwaryeohan Sanha (Magnificent Hoebee, Mark S., 7 Mountains and Rivers), 257 Holbrook, Hal, 304 Hyperion Productions, 413 Holgate, Ronald, 234 Hytner, Nicholas, 320, 385 Holliday, Judy, 158 Hyundai Theatre, 48n14, 441, 445 Hollingshead, John, 40 Hollywood, 95, 113, 124, 128, 165–8, 174, 175, 177, 179, 205n32, 209, I 262, 268, 308n7, 377, 380, 410, Ibsen, Henrik, 31, 51, 147, 154, 248, 445, 483 386 Holmes, Rupert, 490, 502, 507n8 I Can Do Bad All By Myself, 437 Home Brew, 33 I Do!, I Do!, 143 Honeymooners, The, 217 I’d Rather Be Right, 89, 91 Honeymoon in Vegas, 7 If/Then, 470, 474, 477n22 Hoover Comes Alive!, 382 I Got Merman, 285 Hope, Vida, 201 Ikeda Riyoko, 148 Hopkins, Anthony, 389 I Know I’ve Been Changed, 433, 434 Hopper, De Wolf, 73 Ikoku no Oka (An Exotic Hill), 284 Hoshi no ojisamā (The Little Prince), I Like Mike, 272 285 I Married an Angel, 141, 175 Hould-Ward, Ann, 416 I’m Getting My Act Together and Taking House of Blue Leaves, The, 365 It on the Road, 401 House of Flowers, 398 Im Lande der Freiheit (In the Land of House Un-American Activities Freedom), 33 Committee, 231, 263 immigration, 13 Howard, Eugene, 112, 115 Imperial Garden Theatre, 280 Howard, Sidney, 154, 208 Imperial Theatre (New York), 122, 167, Howard, Willie, 112 293, 296 How I Learned to Drive, 489, 490, Imperial Theatre (Tokyo), 280, 281 495n14 impersonation, 35, 103 How to Succeed in Business Without Really impresario, 4, 40, 42, 51, 107–18, 134, Trying, 10, 199, 202, 232, 270, 174, 176, 219, 236, 267, 271, 273, 344, 381 311–23, 338, 343 Hoym, Otto, 30 Im wilden Westen (In the Wild West), 36 Hoyt, Charles H., 53 Im Young-woong, 442 Hudes, Quiara Alegria, 382, 429 Inadmissible Evidence, 222 Hugh Jackman, Back on Broadway, 301 indecent performance, 25 534 INDEX independent producer, 8, 49, 236, 277, Israel, 16n6, 267–73, 274n6, 274n9, 303, 311, 316, 414, 436, 460, 488, 274n16, 275n21, 275n35, 307 494 It Happened in Nordland, 128, 129 Indiegogo, 506, 509n25 It’s a Bird … It’s a Plane … It’s infrastructure, 98, 313, 343 Superman, 245, 397, 398 Inner City Cultural Center in Los It’s a Wonderful Life, 200 Angeles, 370 It Shoulda Been You, 494 Instagram, 423 Ivaschenko, Alexey, 461 Institute for Advanced Theatre Training, Ives, David, 395 480 Izumi Taku, 278 Insular Life Auditorium, 334 Izumi Yukimura, 280 integrated musical, 6, 83, 132–4, 176–8, 185 interpolation, 35, 42, 43, 52, 55 J In the Heights, 339, 342n12, 382, Jack and the Beanstalk, 336 427–9 Jackson, Arthur, 120 Into the Woods, 335, 354, 390 Jackson, Cheyenne, 163, 164, 401 In Town, 41, 42, 191, 193, 194, 226, Jackson, Michael, 235 241, 242 Jacobs, Bernard B., 291, 295, 299, investment(s), 14, 15, 77, 79, 129, 130, 300 151, 153, 157, 159, 166, 176, 181, Jamaica, 219 184, 194, 208–10, 218–20, 222, Jamora, Jenny, 341 223, 245, 247, 293–5, 301, 308, Jane Eyre, 379 313, 314, 317, 338, 373, 410, 415, Jang Tae Hwa, 254 420, 421, 442, 446, 500, 505, 506 Janzen, Chantal, 355 investors, 8, 12, 13, 79, 123, 132, 154, Japan, 9, 10, 145–9, 248, 257, 277–85, 156, 160, 193, 194, 220, 222, 227, 286n6, 287n19–21, 287n27, 240, 241, 245, 246, 248, 250n8, 287n28, 299, 317, 327, 330, 347, 289, 293, 314, 316, 334, 335, 343, 348, 414, 444, 446, 506 405, 407, 410, 446, 470, 499, 506, Jardin de Paris, 98 509n30 Javerbaum, David, 380 Invisible Theatre, 183 Jazz, 103, 105, 107, 110–12, 114, 115, Iolanthe, 40 154, 156, 255, 268, 305, 370, 380, I Remember Mama, 176–7 399, 445 Irene, 104, 113, 140, 143 Jazz Age, 107, 112, 114, 399 Irma La Douce, 269, 345, 349n4, J. C. Williamson Award, 144 349n5, 398, 399 J. C. Williamson Ltd., 139, 142 Iron Mountain Productions, 305 J. C. Williamson Productions, 144 Iroquois Theatre, 59 J. C. Williamson Theatres Ltd., 142 Irving Berlin’s White Christmas, 430 Jefferson, Joseph, 60, 120 Irving, Jules, 360, 362 Jekyll & Hyde, 282, 287n27, 379, Irving Place Theater, 31, 37n2 456n1, 465n12 Irving, Sir Henry, 62, 63 Jelly’s Last Jam, 8, 370 Irving Trust Company, 78 Jeong’i Heureunae (Affections Overflow), Irwin, Bill, 414 257 Irwin, Flo, 26 Jerome Robbins’ Broadway, 293, 298, 299 Irwin, May, 26 Jersey Boys, 282, 381 Ishizuka Katsuhiko, 285 Jesus Christ Superstar, 282–4, 287n27, Isidro, Agot, 453 296, 313, 315, 325, 326, 330n1, INDEX 535

346, 441, 456n1, 464, 464n3, K 3331n2 Kabuki, 145, 147, 248, 280–2, 284, 285 Jewish identity, 471 Kail, Thomas, 401 J.H. Wallick’s traveling thespians, 49 Kallang Theatre, 328 Jibbenainosay, The, 137 Kanagawa Art Theatre, 285 Jimmy Kimmel Live, 414 Kander, John, 203, 245, 246, 249, 388, JK Kim Dong-wook, 444 399, 406, 490, 502, 507n8 J. & N. Tait Ltd., 140 Kanin, Garson, 70 J.O. Company, 279 Karimloo, Ramin, 507 Joel, Billy, 306 Karloff, Boris, 208, 213n9 Joe’s Pub, 265, 370 Karr, Harold, 232 Johanson, Robert, 6 Kartoffelkonig, Der (The Potato King), John, Elton, 417, 456n1 33 John F. Kennedy Center for the Katinka, 5 Performing Arts. See Kennedy Katzenberg, Jeffrey, 415 Center Kaufman, G.S., 84, 89–92, 192, 201 John Loves Mary, 178 Kaufmann, Stanley, 224 Johnny Baseball: The New Red Sox Kazablan, 267, 271–3 Musical, 482 Kazan, Elia, 360, 362, 366n17 Johnson, J.P., 111 Kaze to tomo ni sarinu (Gone with the Johnson, L.B., 210, 360, 482 Wind), 281, 287n18, 287n20 Johnson, Nunnally, 158, 201, 204n15 Kazino, 484 Johnson, Van, 169 Kazuto Ohira, 280 Jolivet, Rita, 55 KBS (Korean Broadcasting System), 445 Jolly Bachelors, The, 130, 135n8 KBS Hall, 445 Jolson, Al, 77, 81n32, 109 Kearns, Allen, 122–4 Jonas, Nick, 317 keiretsu model (corporate model), Jones, Cherry, 482, 483 279–81, 283, 285 Jones, Dean, 247 Keith-Albee circuit, 26 Jones, James Earl, 263 Keith, B. F., 26 Jones, Shirley, 39, 179 Kelly, Gene, 169 Jones, Sidney, 42 Kelly, Laura Michelle, 483 Jones, Tom, 334, 427 Kennedy Center, 207, 210–12, 215n41, Josef Suss, 141 233, 235, 316 Joselito, 268 Kennedy, Eliot, 483 Joseph and the Amazing Technicolor Kent, William, 123 Dreamcoat, 326, 335, 385, 407 Kerker, Gustave, 71 Josken, Greg V., 423 Kern, Jerome, 5, 48, 52–6, 57n13, Jubilee, 92 57n23, 88, 104, 113, 174, 177, 398 Juhnke, Harald, 346 Kerr, Jean, 209 Jujamcyn Theaters, 8, 313, 410, 467, Kerr, Walter, 8, 157, 209 487, 492 Kert, Larry, 247 jukebox musical, 306, 381, 430, 452 Kesselman, Wendy, 468 Julia, Jake and Uncle Joe, 293 Keukdan Shilhum Kukjang (Experimental Julius Caesar, 262 Theatre Group), 442 Jumbo, 165 Kickstarter, 506 Jung Sung-hwa, 444 Kid Boots, 104, 105 Juno, 210, 398 Kikuta Kazuo, 278, 280, 281, 287n19 Jurgens, Udo, 345 Kim Baek Bong, 256 536 INDEX

Kim Hee Jo, 256 Knights of Song, 174, 186n10 Kim Jong Pil, 254, 256 Kobayashi Ichizo, 145, 147, 279, 280 Kim Kwang-lim, 442 Koike Shuichiro, 145 Kim Kyeong Ok, 256 komedya, 449, 455, 456n1 Kim Saeng Ryeo, 254 König der Löwen, Der, 353, 354. See also Kim Sun-young, 446 Lion King, The Kim Ui-kyoung, 441 Korean Central Intelligence Agency Kim Won-jun, 442 (KCIA), 254 Kim Young Su, 255 Korean Wave, 444 King and I, The, 142, 160, 182, 184, Korie, Michael, 379, 483 188n62, 188n71, 255, 270–2, Koseki Yuji, 281 275n26, 335, 345, 349n6, 359, Koshiji Fubuki, 280 364, 365n1 Koslow, Pamela, 379 King, Carole, 233 Kozo Saeki, 280 King David, 414 K-pop, 444, 445 King, Merle, D., 159 Krabbe, Jeroen, 352 Kinky Boots, 487, 491, 492, 494 Krakowski, Jane, 401 Kinrōsha Engeki Kyōkai, the Workers’ Kramer, Larry, 265 Theatre Association, 281. See also Krapp, H.J., 123 Rōen Krasna, Norman, 178 Kinrōsha Ongaku Kyōkai, the Worker’s Krasnov, Boris, 460, 461 Music Council, 278. See also Rōon Kreisler, Georg, 345 Kirkorov, Filip, 461 Krieger, Henry, 295, 306 Kishida Tatsuya, 147 Kron, Lisa, 373 Kismet, 142, 397, 398 Kubler-Ross, Elisabeth, 233 Kiss Me, Kate, 142, 344, 465n12 Kuhn, Judy, 387 Kiss of the Spider Woman, 249, 293, 405, Kundera, Milan, 480 406, 409, 410 Kunze, Michael, 346–8 Kit Kat Klub, The, 388 Kushner, Tony, 371, 490 Kitt, Tom, 470, 474, 477n21 Kutschera, Rolf, 344–6, 349n2, 349n5 Kitty Grey, 54 Kiwis, The, 142 Kkotnimi, Kkotnimi, Kkotnimi, (The L Prettiest Bride in the World), 256 LaChiusa, Michael John, 362, 371, 373 Klausnitzer, Rudolf, 348 Lady, Be Good!, 117n25, 121, 122 Klaw & Erlanger, 59–66, 66n2, 67n8, Lady in the Dark, 83, 92, 94n38, 393, 68n30, 71, 80n4, 87 394, 398, 399 Klaw, Marc, 59–68, 71, 80n4, 87 La Jolla Playhouse, 8, 377–83, 423, 483 Kleban, Edward, 264 La Jolla’s Page to Stage program, 382 Klein Deutschland (Little Germany), 29, La, La, Lucille, 122 31–3, 35 Lamond, Toni, 142 Kleinsma, Simone, 355 Landesman, Rocco, 8, 313, 371, 378, Klein, William, 79, 82n41 410, 487, 492, 493 Klitschko, Vitali, 355 Landlady, Die, 32, 33, 35 Klitschko, Vladimir, 355 Lane, Burton, 399, 401 Klokow, Maik, 328 Lane, Nathan, 307, 397 Knickerbocker Girl, The, 119 Langner, Lawrence, 153, 155, 157, 158, Knickerbocker Theatre, 50 160, 161n6, 161n8, 161n12, 182, Knight, Shirley, 390 250n17, 250n19, 251n46 INDEX 537

Langner, Marilyn Clark, 154, 159 Leigh, Carolyn, 202, 387 Langner, Philip, 154, 158, 159 Leigh, Jennifer Jason, 388 Lannin, Paul, 120 Lemmon, Jack, 307, 336 Lapine, James, 297, 298, 300, 305, 380, Lemper, Ute, 346 381, 390, 395 Leonidoff, Leon, 157 Largely New York, 414 Leon, Kenny, 370 Larson, Jonathan, 337, 338, 381, 401, Lerner, Alan Jay, 211, 212, 344 428 Les Frères Corbusier, 382 Last Empress, The, 442–44 Leslie, Fred, 41, 105, 120, 122 Last Ship, The, 307 Leslie, Henry J., 40 Las Vegas, 429, 430 Lester, Edwin, 203, 205n31 Latouche, John, 209 Let ’Em Eat Cake, 89, 91, 394 Laughter on the 23rd Floor, 307 Levant, Harry, 167 Lauper, Cyndi, 491 Levay, Sylvester, 347, 348 Laura Pels Theatre, 390 Levin, Herman, 212 Laurence Schwab & Frank Mandel, Inc., Levis, Ednah, 164 6, 10n2 Lewis, Norm, 397 Laurents, Arthur, 184, 189n84, 209, Lewis, Sinclair, 378 401, 431 Liberty Jones, 157 Law, Mildred, 169 Liberty Theatre, 109, 122 Lawrence, Gertrude, 122, 123 license, 52, 189n75, 335, 336, 341, 348, Lawrence, Jerome, 194 380, 422, 446, 463 Lawrence, Lawrence Shubert Jr., 291, licensing, 9, 185, 317, 334, 343, 353, 292 395, 414, 422, 460 Layton, Joe, 281 Lieberson, Goddard, 232 Lazar, Aaron, 307 Lifegame, 469 Leader, James, 41 Light in the Piazza, The, 362–4 League of American Theatres and Light, Norman, 299, 500, 507n3 Producers, 292. See also Broadway Li’l Abner, 395, 398 League, The Liliom, 157, 177 League of Professional Theatre Women, Lincoln Center Theater, 159, 249, 500 266n10, 320, 359–67 Leap of Faith, 491 Lind, Letty, 42, 43 Lebo M., 417 Lindsay, Howard, 184 Lebow, Will, 480 Linn, Bambi, 182, 502 Lee Ban, 441 Lion in Winter, The, 304 Lee, Jeff, 420, 426n43 Lion King, The, 284, 315, 353, 356, Lee Jong-hoon, 442 409, 413, 414, 416–18, 421, 423 Lee, Ming Cho, 263 Lippa, Andrew, 401 Lee Moon-yeol, 442 Little, Cleavon, 369 Lee, Peggy, 202 Little Duchess, The, 97 Lee, Robert E., 194, 208, 300 Little House on the Prairie, 7 Lee, Spike, 300, 437, 439n33 Little Johnny Jones, 85, 87, 212 Lee Tae-won, 442 Little Me, 202, 387, 397, 398 Legarda, Maribel, 451, 452 Little Mermaid, The, 337–9, 354, 413, Legend of Lizzie, The, 304 420, 421, 423, 462 Legrand, Michel, 299 Little Michus, The, 44 Lehár, Franz., 54, 385 Little Miss Sunshine, 380 Leicester Square, 42 Little Nemo, 60 538 INDEX

Little Night Music, A, 143, 236, 247, Luftig, Hal, 491 248, 285, 293, 337, 346, 491 Luhrmann, Baz, 431 Little Shop of Horrors, 293, 315 Lunt-Fontanne Theatre, 202 Little Show, The, 113 LuPone, Patti, 361, 364, 397, 401 Littlestar, 9, 354 Luther, 219, 222, 226 Livent, Inc. (The Live Entertainment Lutz, Meyer, 41, 127 Corporation of Canada), 405, 406 Lyceum Theatre (New York), 427 Live Performance Australia, 144 Lyles, Aubrey, 111 Living Theatre, 372 Lynne, Gillian, 314 Lloyd Webber, Andrew, 212, 249, 283, Lyric Theatre, 43, 75, 120. See also Ford 284, 296, 297, 312–15, 318, 320, Center for the Performing Arts 325–32, 335, 337, 342n1, 345, Lysistrata, 482 346, 354, 407, 409, 415, 456n1, 462 location-based entertainment, 328, 329 M Lodge, David, 480 Mabou Mines, 370 Loeb Drama Center, 480 MacDermot, Galt, 263, 264, 398 Loeb, Philip, 153–5, 160, 160n2–4 Macdonald, Karen, 480 Loesser, Frank, 199, 200, 202, 203, 231, Macdonough, Glen, 128 232, 240, 361, 399 Mack and Mabel, 218, 221 Logan, Josh, 177, 179, 180, 187n41, MacKaye, Steele, 49, 61 188n48, 188n49, 188n52 Mack, Cecil, 111 Lollobrigida, Gina, 355 Mackintosh, Cameron, 249, 283, 289, Lonely Romeo, A, 132, 175 296, 311–23, 331n3, 335, 336, Long Day’s Journey into Night, A, 307 343, 348, 354, 388, 413, 418, 462, Long Depression, 25 494 long run, 31, 52, 87, 96, 97, 104, 246, MacLeish, Archibald, 233 326–8, 344, 379, 399, 409, 490, MacLeod, Mary, 401 493, 494 Madama Butterfly, 140, 318 Long, William Ivey, 399, 507 Madea’s Big Happy Family, 435 Look Back in Anger, 219, 224, 226 Madison Square Theatre, 49 Look, Ma, I’m Dancin, 168, 169 Maeterlinck, Maurice, 386 Loos, Anita, 178 Magic Flute, The, 4, 348 Lorelei, 293 Magic Show, The, 293 Loren, Sophia, 355 Magtoto, Liza, 451, 452 Los Angeles and San Francisco Civic Maid of the Mountains, The, 141 Light Opera Association, 203 Majestic Theatre, 124, 299 Lost in the Stars, 211, 398, 399 Makarova, Natalia, 212 lottery, 428 Male Animal, The, 218, 222 Louie the 14th, 104 Malem Corporation, 6, 10n2 Love ’em and Leave ’em, 165 Malloy, Dave, 184 Love Letter, The, 120 Maltby, Richard, Jr., 333, 489, 492 Love Never Dies, 330 Mambo Kings, The, 487, 493 Love’s Labour’s Lost, 373 Mame, 144 Lower East Side, 35, 88, 108, 116n6, Mamet, David, 480 127, 262, 428 Ma Mie Rosette, 139 Lucky Stiff, 361 Mamma Mia!, 9, 284 Luders, Geoerge, 5 Mamoulian, Rouben, 154, 156, 177–9, LuEsther Hall, 370 182, 183, 187n29 INDEX 539

Mam’selle ’Awkins, 119 Martin, Mary, 179, 182, 184, 221 Mam’selle Napoleon, 97 Martinson Hall, 370 management, 21, 22, 24, 26, 27, 42, 49, Marvin, Mel, 378 52, 53, 77, 85, 129, 135n4, 138, Marx, Jeff, 429 139, 143, 146–9, 154, 158, 160, Mary Poppins, 320, 348, 413, 418, 419, 177, 179, 185n3, 191, 192, 195, 421, 424n2, 425n33, 425n36 202, 268, 273, 292, 307, 311, 328, Mascotte, La, 139 330, 344, 348, 387, 405, 446, 451, masculinity/masculinization, 13–15, 61 462, 484, 486n13 Masked Marvel, The, 33 Mandel, Frank, 6, 10n2 Mason, Marsha, 390 Manhattan Mary, 112, 113 Mass, 210 Manhattan Opera Company, 5 Masteroff, Joe, 244 Manhattan Opera House, 5 Matchmaker, The, 243 Manhattan Theater Club, 503 matinee, 25, 140, 202 Mann, Emily, 372 Matsumoto Koshiro, 282 Man of La Mancha, 7, 10, 143, 272, Matthews, Griffin, 483 282, 345, 346, 467, 469 Mattioli, Louis, 159 Mantello, Joe, 471 May, Edna, 51–3 Marat/Sade, 222 Mayes, Sally, 387 Marcelle, 73 Mayflower, 345 Marco Millions, 360 M. Butterfly, 233, 234, 237n2 Marie Christine, 362, 363 McAnuff, Des, 377–9, 381 Marina, Imca, 352 McArdle, Andrea, 159 Marion, George Jr., 166 McCallum, John, 143, 144 marketing, 3, 4, 10, 87, 91, 113, 151, McCann, Elizabeth (Liz), 489, 490 159, 218, 223–4, 227, 279, 285, McCarthyism, 209 289, 314, 317, 322n15, 329, 338, McCollum, Kevin, 427–39 339, 341, 347, 351, 354–6, 406, McDonald, Audra, 389, 482 423, 427, 428, 444, 447, 454, 468, McDowell, Malcolm, 389–90 470, 472, 484, 490, 491 McGillin, Howard, 387 marketing campaign, 159, 223, 484 McGowan, John, 124 marketing strategy, 87, 314, 444, 491 McGuire, Dorothy, 377 Mark Taper Forum, 8, 372 McKechnie, Donna, 159, 397 Mark Twain Tonight!, 304 McKenna, Patrick, 328 Mark, Zane, 370 McKeown, Erin, 382 Married Alive!. See Darling of the Day McMullan, James, 364, 365, 367n27 Marshall, Armina, 117n35, 153, 158, McNally, Terrence, 249, 395, 409 159, 381 McPhee, Katherine, 503 Marshall, Kathleen, 397, 400 Me and Juliet, 169 Marshall, Rob, 387, 388, 397 Me and My Girl, 147 Martin, Andrea, 397 Mee, Charles L., 480 Martin Beck Theater (Al Hirschfeld Meehan, Thomas, 380, 501, 508n16 Theatre), 8, 469 megamusical, 315, 318, 320 Martin, Ernest, 199–205 Megged, Abaron, 272 Martinez, Cris, 450 Mehr! Entertainment, 328 Martinez, Leo, 334 Meinrad, Josef, 346 Martin Guerre, 320 Mein Vaterland (My Fatherland), 33 Martin, Hugh, 168, 169 Meiser, Edith, 154 Martin, Jesse L., 503 Melba, Nellie, 5, 140, 141 540 INDEX

Melba-Williamson Grand Opera Miki Takashi, 284 Company, 140 Miklaszewska, Agata, 460 Melody, 112 Miklaszewska, Maryna, 460 Melody Man, The, 133, 135n19 Military Maid, The, 119 melting pot, 127 Millado, Cris, 450, 453 Memphis, 112, 381, 382 Miller, Ann, 6, 113, 115, 168 Menchell, Ivan, 380 Miller, Flournoy, 111 Mendes, Sam, 312, 320, 388 Miller, Jason, 264 Menendez, Eric, 400 Miller, Jonathan, 403n15, 480 Menendez, Lyle, 400 Miller, Marilyn, 103, 104 Menier Chocolate Factory, 389 Miller, Patina, 482 Menken, Alan, 379, 414, 415, 422, 482 Miller, Paul, 340 mentoring, 24, 154, 163, 192, 239, 243, Miller, Roger, 378, 389, 480 295, 307 Millionenschwab, Der (The Millionaire Menzel, Idina, 397 Swabian), 33 Meralco Theatre, 335, 336 Milner, Ray, 360 Mercado, Monina, 334 Mimi, 33, 335, 340 Mercado, Tony, 334 “Mind the Paint” Girl, The, 52, 53 merchandise, 64, 315, 364, 414, 460 Miner’s Bowery Theater, 127 Merchant of Venice, The, 137, 263 Minnelli, Liza, 199, 203, 245, 355 Merman, Ethel, 113, 122, 124, 125, minstrelsy, 19, 22, 23, 49, 83, 84, 86, 91 177, 184, 285 Miracle on 34th Street, 232 Merrick, David, 107, 159, 170, 183, Miramax, 56n2, 491 194, 199, 217–29, 244–6, 261, Miranda, Lin-Manuel, 373, 429, 492 304, 467 Mirvish, David, 379 Merrill, Bob, 221, 242, 398 Misérables, Les, 7, 282, 287n27, 296, Merrily We Roll Along (1934), 192, 247, 311, 312, 314–16, 318, 320, 335, 248, 381, 395, 398 336, 339, 342n9, 347, 352, 355, Merrily We Roll Along (Sondheim), 247, 379, 388, 456n1 248, 381, 398 Miser, The, 386 Merry Widow, The, 5, 36, 44, 54, 62, 63, Misleading Lady, The, 164 76, 139, 385 Miss 1917, 5, 100, 109 Messing, Debra, 503 Miss Helyett, 51 Metro, 460, 461, 464n4, 464n5 Miss Julie, 334 Metropolitan Opera, 5, 49, 99, 156 Miss Liberty, 89 Metropolitan Opera House (old), 49 Miss Millions, 120 Metropol Theater, 353 Miss Saigon, 282, 293, 296, 314, 318, Meyers, Annette, 243 319, 321, 322n21, 335, 336, 338, Meynell, Clyde, 140 339, 342n6, 388 Michener, James, 179, 180 Miss You Like Hell, 382 middle-class, 21, 32, 256, 288n35, 311, Mitchell, Brian Stokes, 397 335, 464, 488 Mitchell, Jerry, 491 Midnight Frolics, 99 Mitchell, John Cameron, 337 Midnight Girl, The, 33, 36 Mitchell, Julian, 48, 114, 128 Midnight Sons, The, 130 Mitchell, Ruth, 243–6, 250n41 Midsummer Night’s Dream, A, 481, 492 Mitternachtsmädel, Das (The Midnight Midwest, 25, 26, 36, 96, 98 Girl), 33 Mielziner, Jo, 166, 168, 362 Mitzi Newhouse Theater, 361 Mikado, The, 40, 43, 71 Miura Tetsuo, 284 INDEX 541

Mobile Shakespeare Unit, 263, 373 MTI. See Music Theatre International modernity, 147, 149n4 (MTI) Moeller, Philip, 153 Mueller, Jessie, 483, 485n7, 485n9, Molière, 155, 283, 386 486n10, 486n16 Molnar, Ferenc, 154, 157, 177, 386 Mulan Jr., 336 Monckton, Lionel, 41, 42 Müller, Heiner, 480 Moncrieff, Gladys, 141 Müller, Stephan, 372 Monk, Debra, 490 Munson, Ona, 112 Monnot, Marguerite, 399 Muppets, 429 monopoly, 47, 60, 372 Murphy, Donna, 397, 400 Mon Paris, 147 Murray, Diedre, 482 Monte Cristo, Junior, 41 Musgrove, George, 138, 139 Montgomery, David C., 48 musical comedy or musical variety Moon is East, The Sun is West, The, 284–5 comedy, 41 Moore, Carrie, 139 musical film, 12, 16n8, 501 Moore, Maggie, 137, 139 Musical Jubilee, A, 159 Moore, Mary Tyler, 220 musical theatre, 3–10, 19, 29, 30, 33, Moore, Victor, 90, 123 39–45, 48, 51, 53, 60, 83, 84, 89, Moreda, Dale, 345 91, 129, 130, 139, 142–5, 147, Morgan, Helen, 115 151, 153–61, 163, 167, 170, 178, Moross, Jerome, 209 200, 207, 212, 219–21, 227, 233, Morrison, Matthew, 483 234, 239, 246, 247, 253–9, 267, Morris, Richard, 158, 380 269, 270, 283–6, 289, 298, 306, Morton, Hugh, 71 314, 321, 322, 325–32, 335–8, Moscow Art Theatre, 160n1, 480 340, 341, 344–8, 351–6, 359, 361, Moscow Operetta Theatre (MOT), 460, 362, 364, 369, 370, 373, 374, 463, 465n12, 465n13 377–83, 386, 387, 389, 390, 394, Moscow Youth Palace, 460 398, 399, 402, 410, 413, 419, 429, Moses, Robert, 263 430, 433–9, 442, 443, 445, 449, Mosher, Gregory, 360 455, 456, 459, 460, 462–4, 464n1, Mossinsohn, Yigal, 271 474, 483, 500, 502 Mostel, Zero, 13, 203, 244, 246, 247, Musical Theatre Initiative, 373 298 Musical-za (Musical Theatre), 285 Most Happy Fella, The, 7, 142, 232, 359, Music Box Revue, The, 83, 89, 104 361, 398 Music Box Theatre, 178 MOT. See Moscow Operetta Theatre music hall, 26, 34, 39, 41, 42, 113, 123, (MOT) 127, 130 Motown Records, 222, 235 Music in the Air, 398 Moulin Rouge (New York), 99 Music Man, The, 199, 202, 232 movie musicals, 203, 204n5, 268, 280 Music Master, The, 128 movies, 13, 14, 27, 76, 96, 158, 159, Music Museum, 337, 338 166, 171n42, 177, 199, 203, Music Theatre International (MTI), 334, 204n5, 209, 211, 268–70, 280, 336 299, 315, 377, 380, 406, 415, 418, Music Theater of Lincoln Center, 184 425n21, 436, 469, 504 Mutual Benefit Life Insurance Company, Movin’ Out, 306 316 Mozart!, 4, 343, 348 Myerberg, Michael, 208 Mozart, Wolfgang Amadeus, 4, 343, 348 My Fair Lady, 142, 255, 269, 270, 280, MSNBC, 493 282, 334, 344, 385 542 INDEX

My Favorite Year, 361 newspapers, 26, 59, 63, 64, 85, 87, My New York, 33 89–91, 101, 102, 108, 129, Mystery of Edwin Drood, The, 282, 389 170n17, 213n1, 223, 224, 235, 261, 262, 270, 314, 315, 355, 447n6, 472 N Newton-John, Olivia, 380 Napier, John, 314, 316, 379 New Voice Company (NVC), 337, 338, Natasha, Pierre & The Great Comet of 341 1812, 484 New York, 36 National Endowment for the Arts New York bei Nacht (New York at Night), (NEA), 8, 207, 210, 265, 378, 33 493 New York City, 6, 7, 10, 23, 24, 29–31, national identity, 277 34, 36, 48, 62, 69, 71, 77, 86, 88, national theatre chain, 62 108, 182, 208, 211, 223, 225, 239, National Theatre of Korea, 257 247, 265, 280, 284, 289, 292, 297, National Yegrin Performing Arts 307, 315, 339, 363, 381, 386, 389, Company, 258 393, 406, 421, 429, 483, 484, 492 Naughton, James, 399 New York City Center, 389, 393 Naughty Marietta, 5 New York Dramatic Mirror, 64 Navarro, Lauren, 453 New Yorker Brauer, Ein, 32 Navon, Aryeh, 272 New Yorker Brauer und seine Familie, NEA. See National Endowment for the Der (The New York Brewer and His Arts (NEA) Family), 33 Neagle, Anna, 143 New York in Wort und Bild (New York in Nederlander, 9, 316 Word and Image), 33 Nederlander, Amy, 468 New York, New York, 203 Nederlander Theatre, 9, 421, 428 New York Shakespeare Festival, 262, Nederlander Worldwide Entertainment 360, 369 (NWE), 9 New York Spellbinders, 33 Neighborhood Playhouse, 154 New York State Council on the Arts, 499 Neil Simon Theatre, 499 New York Theatre Workshop, 428 Nelson, Richard, 296 New York Times, 51, 54, 55, 66, 67n18, Nemuranai otoko Naporeon: ai to eikô no 85, 90, 108, 111, 114, 123, 155, hate ni (Napoleon, A Man Who 158, 159, 174–9, 181–3, 187n29, Does Not Sleep: At the End of Love 194, 196n22, 201, 203, 210, 219, and Glory), 145 223, 224, 234, 235, 249n4, 261, Netherlands, the, 289, 347, 352–6, 462 262, 292, 305, 307, 312, 313, 316, Neuendorff, Adolf, 29, 30 320, 332n23, 332n25, 360, 362, Neuwirth, Bebe, 399 363, 365, 387, 394, 397, 400, 407, New Amsterdam Theatre, 59, 409, 414, 414, 415, 421, 424, 428, 430, 461, 415, 419, 424 467, 473, 475n7, 476n14, 477n20, New Brain, A, 401 489, 493, 500, 504–6 New Girl in Town, 191, 193, 194, 241, New York University, 291, 304, 386, 242 475n3 New Line Theatre, 380 New York World’s Fair, 166 Newman, David, 245 Next to Normal, 467, 469–71, 474 Newman Theater, 369 Ngema, Mbongeni, 361 New Moon, The, 6, 398, 399 Niblo, Fred, 86 Newsies (aka Newsies: The Musical ), 421 Niblo’s Garden, 48 INDEX 543

Nice Work if You Can Get It, 301 O’Donnell, Rosie, 505, 508n19 Nicholas Nickleby, 379 Off Broadway, 209, 233, 263, 264, 289, Nicholaw, Casey, 397, 424 294, 295, 305, 315, 338, 362, 380, Nichols, Mike, 211, 232, 294 381, 389, 390, 401, 408, 410, 427, Nick & Nora, 489 430, 443, 468, 481, 483, 484, 489, Niemtzow, Annette, 379 490, 492, 500, 504 Nightline, 414 Of Thee I Sing, 83, 89–91, 398 ’night, Mother, 480 O’Hara, Kelli, 281, 364, 389 Nimmo, Derek, 143 O’Hare, Denis, 388 Nine, 300, 389 Oh Brother!, 212 nineteenth century, 7, 10, 21, 26, 39, Oh Emile!, 33 57n14, 96, 128, 129, 243, 316, Oh, Kay!, 7, 54, 122, 218, 219 345, 346, 460 Ohne Louis geht es nicht (It Doesn’t Work Nirdlander (Nixon), Samuel, 62 Without Louis), 33 Nissei Gekijō, 283 Oh, Oh Delphine, 60 Nixon, Richard M., 210, 234, 235 Ok Ju-hyun, 446 No, No, Nanette, 143, 397, 398 Oklahoma!, 142, 147, 153, 155–7, 159, Nord-Ost, 461, 462 160, 173, 176–84, 186n21, 320 Normal Heart, The, 265 Old Dutch, 130 Norman, Marsha, 480, 499, 500, 507n2, Old Heidelberg, 76 507n3 Old Possum’s Book of Practical Cats, 296, Norma Terris Theatre, 7 314 North Shore Music Theatre, 381 Olias, Lotar, 345 Northwestern Theatrical Association, 74 Oliver!, 142, 210, 217, 219, 220, 272, North York Centre, 408, 409 312, 320, 321, 335 Norton, Jim, 401 Olympia Theatre, 5 nostalgia, 16n2, 35, 177, 385, 459–65 On a Clear Day You Can See Forever, 398 No Strings, 184, 398 Once, 301 not-for-profit, 7, 8, 151, 374, 377, 378, Once in a Lifetime, 84 382, 389, 505 Once on this Island, 293, 361 Notre Dame de Paris, 379 Once Upon a Tailor, 209 Nugent, Elliott, 222 On Death and Dying, 233 Nunn, Trevor, 296, 312, 314, 316, 318, O’Neill, Eugene, 7, 154, 164, 241, 307, 320, 348 360 Nur einmal blüht die Liebe (Love Only One Touch of Venus, 398, 399 Blossoms Once), 33 On the Town, 169, 371, 398 NVC. See New Voice Company (NVC) On the Twentieth Century, 389 Nyman, Betty Anne, 169 On Your Toes, 165, 175, 183, 212, 398 O.P.C., 483 opening night, 53, 98, 110, 112, 123, O 130, 131, 175–7, 180, 182, 209, Oberon, 481, 483. See also Zero Arrow, 210, 224, 232, 241, 269, 273, 315, The 354, 408, 414 OBIE Awards, 381 opera, 4, 5, 19, 29, 31, 34, 39–44, 51, O’Brien, Jack, 397 54, 72, 139, 140, 154–6, 174, 176, O’Casey, Sean, 262 207, 242, 317, 325, 343, 344, 348, Occupation of Japan (1945–1952), 279 361, 381, 417, 421, 423, 431, 442, Occupy Wall Street, 421 459, 464n1, 481, 482, 484 O’Donnell, Mark, 380, 501 Opera Comique (London), 40 544 INDEX operetta, 5, 6, 19, 26, 29–32, 34, 35, 39, Paint Your Wagon, 142, 398 44, 48, 51, 54, 62, 63, 69, 72, 73, Pajama Game, The, 142, 169, 192–4, 76, 79, 92, 96, 105, 112, 120, 130, 240–2, 389, 398, 399 139, 141, 175, 272, 344, 345, 385, Palace Theatre, 321, 415, 417 463, 464n2 Pal Joey, 165, 168, 175, 377, 389, 395, Operettenhaus, 353 398 Oprah Winfrey Show, The, 433 Palladium Theater, 353 Orchard, Rob, 480 Panic of 1893, 31, 61 orchestra, 25, 43, 55, 110, 146, 156, Panic of 1907, 65 167, 175, 176, 246, 253, 254, 282, pantomime, 39, 72, 139, 140, 344 334–6, 346, 394, 396, 397, 400, Paper Dolls, 451 455, 463 Paper Mill Playhouse, 6, 379, 421, 422 orchestrations, 246, 313, 361, 394, 395 Papp, Joseph, 261–6, 295, 304, 360–2, Ordinary Days, 390 364, 369–74, 389 Ordway Center for the Performing Arts, Parade (1935), 155 429 Parade (1998), 249, 362 Original Filipino Musical (OFM), 339, Paramount, 165 449–57 Paramount Theatre, 124 Orion Group, 446 Pardon My English, 124, 398 Orpheus X, 481 Paris Commune, 382 Osawa Yoshio, 279 Parisian Model, A, 97 Osmond, Donny, 212, 407 Park Man Kyu, 256, 258n5, 448n11 Ostrow, Stuart, 231–7, 293 Parks, Suzan-Lori, 371, 373, 482, 483 Ost, Tobin, 422 Park Yong Gu, 255, 257 Othello, 273 Parlor Match, A, 97 Our Heroes, 33 Parnell, Peter, 379 Our Miss Gibbs, 139 parody, 35, 41, 76 Outer Critic Circle Awards, 388 partnership, 6, 7, 9, 12, 50, 60, 61, 71, Out of this World, 201, 398 73, 80n4, 88, 89, 109, 115, 124, out of town tryout, 177, 220, 289, 307, 128, 129, 138, 139, 143, 176, 191, 316, 340, 416, 420, 421, 423, 430, 192, 194, 221, 233, 240, 243, 335, 471, 487, 491, 502 339, 340, 378, 382, 389, 413, 418, outreach, 370 428, 431, 439n31, 460, 505 over-capitalizing, 239 Party with Betty Comden & Adolph Over the River, 99 Green, A, 158 Ovitz, Michael, 410 Pascal, Adam, 388 Owens, Elizabeth, 386 Passe Muraille, Le (The Man Who Walks Owol’ui Chan’ga (The Paean of May), Through Walls), 299 254 Passing Show, The, 76, 77 Passing Strange, 266, 300, 373 Passion, 293, 297 P Passione d’amore, 297 Pacific Overtures, 247, 248, 285, 293, Pasternak, Boris, 379 389 Pastor’s New Theater, 25 Paez, Buddy, 334 Pastor’s New 14th Street Theater, 26 Page, Janice, 193 Pastor’s Opera House, 24, 48 Page, Ken, 315 Pastor, Tony, 21–8, 48, 49, 127, 128 Pagnol, Marcel, 202 Patience, 40 Paige, Elaine, 314, 315 Patinkin, Mandy, 483 INDEX 545 patriotism, 86, 87, 100, 103, 235, 463 Philadelphia, 22, 23, 59, 62, 66–7n5, Patsy, The, 141 105n4, 119, 120, 187n31, 194, Paul Jones, 139 224, 232, 241, 247n1, 295 Paulus, Diane, 479, 481–5, 485n6, Philadelphia, Here I Come!, 224 486n14, 493 Philipp, Adolf, 29–36, 37n3, 37n7 Pavarotti, Luciano, 143 Philippine Educational Theatre Pavlova, Anna, 141 Association (PETA), 449, 451, 452, Pawk, Michele, 388 456, 457n8, 457n18 Pawnbroker von der East Side, Der (The Philippines, 333–42, 414, 449–56, Pawnbroker from the East Side), 32, 456n3, 457n18 33, 35 Philippines Star, 338, 339, 342n2, PBS, 6, 229n52, 409, 424n1 342n10, 342n13–15, 457n17 Peck, Gregory, 377, 382n1 Phish, 380 Peck’s Bad Boy, 85 Phoenix Repertory, 243 Peggy Ann, 132, 133 Photo Chemical Laboratories (PCL), Pelleas and Melisande, 386 279 Penn, Arthur, 242 Piaf: The Early Years, 203 Pennington, Ann, 109–12 Picoult, Jodi, 494 Penn & Teller, 492 Pierce, David Hyde, 490 People in the Picture, The, 390 Piggy Donovan’s, 108 Peress, Maurice, 210 Pineda, Eric, 338 Perfectly Harmless, 164 Pinero, Arthur Wing, 53 Periscope, 493, 494 Piñero, Miguel, 360 Perry, Frank, 158 Pinkins, Tonya, 397 Perryman, Jill, 142–4, 144n7 Pink Lady, The, 60, 63 Perry, Tyler, 433, 434, 437, 437n3, Pins and Needles, 387 438n5–7, 438n9, 438n10, 438n15, Pipe Dream, 183, 398 439n23, 439n25, 439n28, 439n31, Pippin, 9, 143, 231–6, 293, 298, 345, 439n32, 439n34, 439n37 482 Pesni Nashego Veka (The Songs of our Pirates of Penzance, The, 40 Century), 462 Pitou, Augustus, 61, 67n14 PETA. See Philippine Educational Pixley, Frank, 5 Theatre Association (PETA) Platters, The, 268 Peter and the Starcatcher, 413 Platt, Marc, 469 Peter Pan, 47, 48, 55, 208, 213n9, Playwrights Horizons, 305, 361, 426n44, 441, 483 362 Peters, Paul, 155 Playwrights’ Producing Company (PPC), Petrified Prince, The, 408 208 Petticoat, 355 plot-driven, 39, 48 Pettit, Charles, 133 Plume de Ma Tante, La, 220, 226 Phantom der Oper, Das, 353. See also Plymouth Theatre, 298, 300. See also Phantom of the Opera, The Gerald Schoenfeld Theatre Phantom of the Opera, The, 147, 195n4, Polanski, Roman, 348 249, 249n3, 284, 293, 296, 311, Polterabend, 345 313, 317, 326, 333, 342n1, 347, Poor Little Ritz Girl, 133, 175 352, 353, 355, 388, 405, 406, 445, Popularity, 88 456n1, 462, 465n8 popular song, 42, 89, 97, 202, 231, 272, Phantom Phone, 355. See also See 275n30, 452, 454 Tickets; Top Ticket Line Porgy, 155, 156 546 INDEX

Porgy and Bess, 90, 110, 155, 156, 160, product placement, 91, 414 442, 482 profit(s), 5, 7, 43, 62, 63, 70, 73, 75, Porter, Cole, 92, 199, 201, 203, 77–9, 81n19, 84, 129, 131, 157, 204n12, 304, 361, 386, 398 160, 176, 178, 180–3, 194, 209, Portrait of a Lady on a Balcony, 337 211, 222, 223, 233, 242, 243, posters, 159, 183, 213n1, 241, 312, 245–7, 273, 280, 285, 327, 347, 314, 329, 334, 364, 365 352, 382, 389, 394, 407, 414, 417, Powell, Eleanor, 115 441, 442, 471, 481, 505–7 Powers, Amy, 379 Prohibition, 96, 100, 103, 110 Prawy, Marcel, 344 Promises, Promises, 143, 218, 395, 397 Presgurvic, Gérard, 145, 146 proscenium, 321, 362, 394 Preston, Robert, 221, 232, 304 Pryce, Jonathan, 319 Price, Lonny, 397 publicity, 3, 21, 74, 90, 91, 102, 128, Price, Michael, 7 159, 167, 173, 174, 176, 179, Price, Vincent, 158 181–3, 195, 218, 224, 227, 241, Prince Edward Theatre, 322, 339, 418 269, 314, 317, 318, 338, 339, 341, Prince, Faith, 397 355, 454, 468, 470, 472, 473, 505 Prince, Harold (Hal), 3, 4, 151, 169, publicity stunts, 114, 218, 223, 226, 227 191–5, 195n2, 196n5, 196n9, public taste(s), 44, 63 196n14, 196n20, 196n22, 196n25, Public Theater, 261–6, 295, 300, 362, 209, 239–51, 261, 286n8, 294, 369–75, 389, 408, 481, 483, 490, 318, 345, 346, 388, 406, 408, 467, 504 488, 506, 507 Puccini, Giacomo, 140, 318 Prince, Milton, 239 Puig, Manuel, 406 Prince of Bohemia, The, 130 Pulitzer Prize, 91, 180, 192, 202, 233, Prince of Broadway, 4, 506, 507 242, 264, 265, 297, 305, 371, 428, Prince of Grand Street, The, 293 429, 467, 470, 474, 480, 489, 490, Prince of Pilsen, The, 5 499 Prince of Wales’s Theatre (London), 40, Purlie, 398 41, 51 Pyo Jae-soon, 441 Princess Ida, 40 Princess Theatre (Melbourne), 139 Princess Theatre (New York), 119, 133 Q Princess Theatre musicals, 119 Quart, Anne, 422 print media, 63, 339 Queen’s Theatre, 339 Producers, The (1968), 4, 12–14, 500, Quiety, William H., 255 501 Quinto, Zachary, 483 Producers, The (2001), 4, 7, 8, 11, 12, 14–15, 17n15, 500, 501 Producers, The (2005), 4, 12, 16n8, 500 R Producers Theatre, Inc., 209 Rabe, David, 430, 480 Producing Office, The, 428, 431 race relations, 211 producing partners, 77, 120, 164, 191, racism, 287n19, 371, 408, 409, 482 297, 306, 430, 431 radio, 75, 96, 110, 134, 141, 158, 176, producing syndicates, 194 200, 201, 223, 224, 231, 240, 255, production costs, 157, 158, 177, 191, 256, 315, 317, 326, 337, 355 193, 195, 293, 299, 329, 352, 395, Rado, James, 263 446 Ragni, Gerome, 263 production stage manager, 193, 240 ragtime, 87, 95, 109, 115 INDEX 547

Ragtime, 306, 405–7, 409, 410 Repertory Philippines (Rep Phil), 333–8, Rahman, A. R., 329, 330 340, 341 Raimund Theater, 347 Repertory Theater of Lincoln Center, Raitt, John, 159, 179, 187n43, 187n44, 360, 362 193 replicas, 9, 318, 334, 335, 338, 343, Ramaciotti, Gustave, 139 347, 362, 395 Rando, John, 401 Rep Phil’s Children’s Theatre program, Rand Opera House (Troy), 71 336 Rank, Bernhard, 35 resident company(ies), 270, 277, 450 Rapp, Adam, 480 reviews, 26, 87, 100, 104, 105, 109, Raymond and Waring’s minstrel troupe, 111, 113, 123, 129, 155, 159, 167, 22 175, 177, 182, 184, 185, 201, 203, Raz, Rivkah, 269, 270 208–12, 217, 223, 224, 241, Reagan, Ronald, 212 258n1, 296, 298, 300, 305, 306, Reale, Robert, 482 315, 316, 319, 320, 322, 329, real estate, 4, 7, 73, 78, 142, 143, 146, 332n25, 348, 360, 362, 378, 379, 208, 209, 213n1, 301, 415, 488, 387, 388, 394, 395, 397, 400, 406, 492, 493 407, 420, 421, 471, 473, 485, 503 Reale, Willie, 482 revival(s), 3, 6–9, 53, 57, 69, 138, 141, Really Rosie, 233 142, 160, 177, 180, 183, 184, 193, Really Useful Company, 326, 327 199, 203, 208, 211, 212, 218, 219, Really Useful Group (RUG), 9, 283, 245, 246, 257, 265, 282, 298, 305, 317, 325–32, 354, 388, 446 306, 311, 312, 320, 321, 339, 345, Real Thing, The, 303 359–61, 371, 377, 378, 381, Rebecca, 343, 348 385–91, 393–402, 405, 408, 430, Rebeck, Theresa, 503, 508n12 431, 468, 469, 471, 476n8, 482, Red and the Black, The, 147 491, 492, 494, 506 red carpet, 354 revue(s), 4, 19, 39, 50, 65, 76, 79, 83–4, Red, Hot, and Blue, 125 87, 89, 91, 92, 95, 96, 99, 101, Red Rust, 156 103–5, 107–15, 120, 123, 129, Red Widow, The, 88 130, 133, 142, 145–7, 153–5, Red Wing, 372 157–9, 192, 280, 387, 452 refreshments, 40, 123 Reyes, Arnold, 453 regional theatre, 6, 7, 289, 377, 379–82, Reynolds, Debbie, 203 423, 430, 464, 480 Reynolds, Herbert, 54 rehearsal(s), 47, 84, 92, 111, 121, 131, Rhapsody in Blue, 111, 112 132, 167, 174, 177, 184, 187n44, Rhythm of the Pride Lands, 417 191, 211, 221, 242, 244, 245, 265, Rice, E. E., 53 272, 294, 297, 298, 313, 346, 348, Rice, Elmer, 154, 202, 208 394, 396, 397, 408, 409, 419, 430, Rice, Tim, 284, 295, 296, 313, 325, 443, 460, 501 326, 335, 414, 417, 456n1 Reicher, Frank, 157 Richard, Cliff, 268 Reilly, Walter, 158 Richards, Lloyd, 370 Reinheimer, Howard, 183, 189n72, Richardson, Natasha, 388 189n75, 200 Richert, Wanda, 221 Reinking, Ann, 399 Richman, Harry, 107, 112, 115, 116n2, Reise nach Amerika, Der (The Voyage to 118n42, 118n61 America), 33 Rich Mr. Hoggenheimer, The, 52 Rent, 337, 338, 340, 381, 427–9 Rickett, Edmond W., 155 548 INDEX

Rifkin, Ron, 388 Rodriguez, JM, 340 Riggs, Lynn, 155, 156, 176 Rōen, 281, 282. See also Kinrōsha Engeki Ri Koran,̄ 284 Kyōkai, Workers’ Theatre Ringwald, Molly, 388 Association Rio Rita, 105 Rogers, Ginger, 124 Ripley, Alice, 306 Rogers, Will, 4, 97, 100, 101, 105n5, Rip Van Winkle, 60 234 risk(s), 14, 89, 92, 132, 203, 208, 210, Rollicking Girl, The, 53 227, 233, 234, 236, 263, 264, 285, Rolls, Ernest C., 141, 142 293, 305, 327, 341, 356, 371, 414, Romberg, Sigmund, 6, 76, 133, 174, 488, 504 399 Ritchard, Cyril, 141 Rome, Florence, 281, 287n19 Ritz Theatre (Walter Kerr Theatre), 8 Rome, Harold, 219, 281, 287n19, 386 Rivera, Chita, 389, 407 Romeo and Juliet, 41, 262 Rivers, Frank, 22, 23 Ronacher Theater, 343, 347 RKO, 124, 168 Room Service, 192 road company(ies), 49, 62, 71, 74–7, Rōon, 278. See also Kinrōsha Ongaku 166, 317 Kyōkai, the Worker’s Music Council Road Show, 373 Rosalie, 104 road, the, 23, 25, 69–71, 73–5, 77, 78, Rosalsky, Otto, 65 86, 96, 98, 102, 158–60, 236, 246, Rose, Billy, 165, 176 288, 434 Rose Marie, 5, 141 Road to Yesterday, The, 73 Rosencrantz and Guildenstern are Dead, Roar China, 156 219 Robber Bridegroom, The, 233, 390 Rose of Algeria, The, 130 Robbins, Jerome, 48, 158, 169, 209, Rose of Persia, The, 51 212, 232, 240, 242, 244, 246, 298, Rose of Versailles, The, 147, 148. See also 299 Berusaiyu no bara (The Rose of Robert Butler’s touring troupe, 25 Versailles) Roberts, Joan, 156 Ross, Adrian, 41 Roberts, Julia, 469 Ross, Jerry, 240, 241, 399 Robert Stigwood Organization (RSO), Rossiya (Russia) Theatre, 462 327, 340 Roth, Daryl, 233, 390, 487–96, 500 Robinson, Janet, 379 Roth, Jordan, 8, 487–96 rock opera, 325, 381 Roth, Robert Jess, 415 Rock-Opera, 464 Roth, Steven, 488 Rocky Horror Show, The, 492 Rotten, Johnny, 325 Rocky the Musical, 301, 355 Roundabout Theatre Company, 265, Rodewald, Heidi, 300, 373 385–91, 401 Rodgers & Hammerstein Organization, Routh, Marc, 9 173, 176, 359 Routledge, Patricia, 158 Rodgers, Mary, 174, 380 Royal College of Music, 326 Rodgers, Richard, 6, 91, 123, 124, Royal Comic Opera Company, 139 125n9, 131–3, 153–60, 165, 166, Royale Theatre, 300. See also Bernard 168, 169, 171n47, 172n51, B. Jacobs Theatre 173–89, 193, 199, 271, 274n15, Royal National Theatre, 159, 320 275n22, 275n26, 275n33, 320, Royal Shakespeare Company, 314 359, 361–3, 377, 386, 393, 456n1 Royal Vagabond, The, 88 Rodrigues, Amália, 268 Royle, Bert, 139 INDEX 549

Roza, 293 Sam S. Shubert Booking Agency, 73, Rubaii, Jenna, 340 75 Rubendall, Brandon, 340 Samsung Corporation, 444 Rudin, Scott, 371, 467 Samuel French, 334, 336 Rudolf, 348 Sanderson, Harry, 27 Runaway Girl, A, 41 Sanderson, Julia, 53, 54, 56 Running for Office, 86 Sandow, Eugene, 96, 97 Runnin’ Wild, 111, 115 Sankoff, Irene, 382 Runyon, Damon, 200 Sannin Musume (Three Young Girls), Russell, Bill, 306 280 Russell, Lillian, 26 Santaland Diaries, The, 468 Russell, Robert, 245 Santos, Erik, 339 Russell, Rosalind, 193, 240 San Toy, 42, 139 Russia, 289, 353, 414, 459–65 Sarafina!, 361 Russian Academy of Theatre (GITIS), Sarangeun Bireul Tago (Singing in the 463 Rain, Korean musical), 445 Russian Ministry of Culture, 460 sarsuwela, 449, 455, 456n2 Ryan, Benny, 109 Sater, Steven, 382 Ryskind, Morrie, 90 satire, 23, 89–91, 127, 132, 360 Satuloff, Bob, 378 Saturday Night Fever, 337, 340, 341 S Saturno, Vehneeh, 452, 454 Sachs, Elliott, 363, 366n21 Savage, Henry W., 4, 5, 62, 63 Sadie from Riverside Drive, 33 Savo, Jimmy, 156 Saint, Eva Marie, 390 Savoy Theatre (London), 40 St. James Theatre, 401, 494 Savoy Theatre (New York), 86 St. John, Betta, 179 S2BN Entertainment, 325 St. Louis, 8, 25, 28n6, 218, 222, 225, Scandals, 76, 103, 107–18, 120 226, 380, 423, 429, 430 Scanlan, Dick, 380, 390 St. Louis Municipal Opera (the Muny), Scaretto (Scarlett), 281 218, 423, 429, 430 Scarlet Pimpernel, The, 147, 379 St. Petersburg Theatre of Musical scenery, 72, 74, 77, 101, 143, 168, 174, Comedy (SPTMC), 462n12, 463 245, 247, 271, 364, 396, 400, 401, Saint-Exupéry, de, Antoine, 285 424 Saint-Saëns, Camille, 140 Schary, Dore, 158 Salad Days, 311 Schenkan, Robert, 482 Saljjagi Obseoye (Sweet, Come to Me Schenker, Joel, 158, 159 Stealthily), 253, 255 Schikaneder, Emanuel, 4, 10, 343, 348 Sally, 96, 104, 113, 141 Schlemiel the First, 480 Salonga, Lea, 317–19, 335, 336, 338, Schlesinger, Adam, 380 341 Schmidt, Harvey, 334 Saltzman, Mark, 390 Schneider, Peter, 416 Saludo, Ricardo, 451, 457n14 Schoenfeld, Gerald, 291–300, 301n4, Samcheonman’ui Hyangyeon (A Feast for 301n8, 301n10, 301n12, 301n14, 30 Million), 254 301n15, 301n19 Sam S. and Lee Shubert, incorporated, Scholten, Hilde, 355, 356n7, 357n27, 72–4 357n30 Sams, Jeremy, 300 Schönberg, Claude-Michel, 212, 315, Samson and Delilah, 140 316, 318, 320, 335, 456n1 550 INDEX

Schön war’s doch (It Was So Beautiful), Seol Musical Company, 445 33 Seoul Arts Center, 445 School for Husbands, The, 155 Seoul Broadcasting System (SBS), 444 School Girl, The, 51–3, 57n12 Seoul City Musical Theatre, 442. See also School of Rock the Musical, 301, 327, 330 Yegrin Schulman, Susan H., 397 Seoul Civic Center, 256 Schumacher, Thomas, 416, 418, 419, Seoul Musical Company, 258, 445 422, 423, 467, 491 Seoul Musical Festival, 258 Schwab and Mandel, 6 Seoul Sirip Gamudan (Seoul Municipal Schwab, Laurence, 6 Song and Dance Troupe), 258 Schwab & Mandel-Chanin’s 46th Street September 11, 371, 382 Theatre, 6 Serban, Andrei, 480, 482 Schwab & Mandel-Good News Serino/Coyne, 159, 314, 315 Company, 6 Sesame Street, 429 Schwab & Mandel-New Moon Company, Seurat, Georges, 297, 305 6 Seven Ages, 10 Schwartz, Arthur, 169 SFX Entertainment, 409 Schwartz, Scott, 379 Shaiman, Marc, 501 Schwartz, Stephen, 6, 191–7, 235, Shakespeare Theatre Workshop, 262 342n1, 348, 379, 456n1, 482 Shange, Ntozake, 264 Scola, Ettore, 297 Shanghai Media Group, 9 Scorsese, Martin, 203 Sharaff, Irene, 271 Scott, George C., 263 Shawn, Wallace, 265 Scottsboro Boys, The, 301 Sheik, Duncan, 382 Scott, Sherrie Rene, 390 She Loves Me, 212, 244, 385, 387, 390 Scratch, 233 Shemer, Naomi, 271 screen-to-stage musical adaptation, 380 Shenandoah, 7, 48, 49 Scribner, Sam, 85 Shepard, Sam, 480 Search for Signs of Intelligent Life in the Sheridan, Jamey, 504 Universe, The, 467 Sherman-Palladino, Amy, 505, 508n22 Second Stage Theatre, 380 Sherwood, Robert E., 208 Secret Garden, The, 8 Shevelove, Burt, 246 See Tickets, 355. See also Phantom Shields, Brooke, 388 Phone; Top Ticket Line Shiki, 4, 9, 10, 278, 282, 285, 288n33, Segal, Jenna, 499, 507n1 327, 328. See also Gekidan Shiki Sehnsucht, 32 Shin Chun-soo, 379 Seitz, George B., 122 Shin Ongaku-za (New Music Theatre), Seldes, Gilbert, 112, 114, 118n58 285 Select Operating Corporation, 78–9 Shirai Tetsuzō, 147 Select Theatres, 78–9 Shire, David, 489, 492 Select Theatres Corporation, 79 Shiva Theatre, 370 Sellars, Peter, 480 Shochiku, 281, 287n21 Seller, Jeffrey, 428–31 Shop Around the Corner, The, 244 Seltzer, Dov, 271, 272 Shop Girl, The, 41 Selznick, David, 377 Short Eyes, 360 Sendak, Maurice, 233 Shotgun Wedding, 123 Sentimental Bloke, The, 142 Show Boat, 3, 6, 10, 96, 105, 112, 141, Seol & Company, 441–8 174, 177, 245, 405, 408–10 Seol Do-yoon, 444, 448n18 showmanship, 22, 113, 218, 408 INDEX 551

Shows for Days, 364 Sinatra, Frank, 202, 268, 346 Shrek, 337 Singer, David, 378 Shubert Alley, 75 Singin’ in the Rain, 462 Shubert brothers Sing Out, Sweet Land!: A Salute to Jacob J. (J. J.), 65, 69–72, 76, 79, American Folk and Popular Music, 80n1, 80n10, 81n30, 129, 130, 157 291, 293, 299 Siren, The, 54 Lee, 65, 69–74, 76, 78, 79, 80n1, Sister Act, 301, 355, 413 80n10, 81n30, 81n37, 82n41, Skinner, Emily, 306, 507 291, 292 Skinner, Randy, 159, 397 Samuel S. (Sam S.), 69, 72–5 Skipper Next to God, 304 Shubert Corporation, 70, 78, 80n11 Sklar, George, 155 Shubert, David, 71 Skyscraper, 199, 202 Shubert Foundation, The, 292, 299, 300 Smash, 493, 499–509 Shubert Organization, The, 291–301, Smiles, 33, 105 305 Smith, Anna Deavere, 371 Shubert Theatre (Los Angeles), 299 Smith, Betty, 169 Shubert Theatre (New York), 75, 292, Smith, Harry B., 54, 97, 105n2 447 Smith, Paul Gerard, 124 Shubert Theatrical Company, 72–6, Smith, Philip J., 299–301 80n12, 80n14, 81n20 Smith, Winchell, 164 Shubert Theatrical Company of New Smokey Joe’s Café, 7 Jersey, 75–6, 81n20 social media, 422, 423, 487, 491, 494 Shubert Theatrical Company of Something’s Rotten, 8, 494, 507n7 New York, 75 Sondheim on Sondheim, 390 Shubert Theatrical Corporation, 76–9 Sondheim, Stephen, 184, 193, Shubert Theatrical Corporation of 1924, 196n19, 209, 236, 242, 243, 76 246–9, 285, 297, 298, 305, Shuffle Along, 111 306, 321, 361, 373, 381, 386, Shumlin, Herman, 219, 222, 225, 226 387, 389, 390, 399, 482 Shutta, Ethel, 104 Son, Diana, 371 Shvydkoy, Mikhail, 462, 463 Song and Dance, 293, 315 Side by Side by Sondheim, 312 Song of Norway, 142 Side Show, 306, 309n30, 494 Songs for a New World, 362 Sie hat so etwas (There’s Something songwriting, 85, 271, 483 About Her), 34 Son of the Grand Eunuch, 133 Siff, Andrew, 243 Soul of Shaolin, 9 Signature Theatre, 380 Sound of a Voice, 481 Silberg, Joel, 272 Sound of Music, The, 10, 14, 142, 173, Silence of the Lambs, The, 434 184, 202, 282, 441, 456n1, 462 Silent Soprano, The, 449–51, 453–5, Sousa, John Philip, 89 457n14 Southeast Asia, 338, 340, 444 Silk Stockings, 199, 201 Southern Cross, 284 Silvers, Phil, 247 South Korea, 149, 253–5, 258, 347, Simon, Lucy, 379 414, 441–6, 447n6 Simon, Neil, 272, 275n31, 305–7, 395, South Korean Ministry of Culture and 499 Tourism, 444 Simonson, Lee, 153 South Pacific, 15, 142, 173, 179–81, Simpson, O. J., 400 184, 335, 359, 456n1 552 INDEX souvenir program, 271, 450, 451, State Fair, 159, 160, 177, 187n27, 219 457n12 Steampower Music Company, 327 Sovern, Michael I., 299 Steele, Tommy, 210 Soviet Dom Kul’tury (House of Steinbeck, John, 189n80, 202 Culture), 461 Stein, Joseph, 246 Soyinka, Wole, 360 Steinmeyer, Jim, 416 Spacey, Kevin, 307 Stella AG, 353, 356n12 Spanish–American War, 35 Stern, Blanche, 239 Spider-Man: Turn Off the Dark, 325 Stern, Gideon, 481 Spielberg, Steven, 434, 475n3 Stevens, Roger L., 8, 207–15, 233, 235, spotlight, 48, 100, 224, 305, 352, 354, 242, 261, 316 369, 457n18, 500 Stew, 300, 373 Spring Awakening, 338, 348, 382, 493 Stewart, Michael, 191, 196n22 Springer, Jerry, 492 Stewart, Nellie, 139 Spring Is Here, 123 Stigwood, Robert, 327, 331n9, 340 Spunk, 370 Sting, 307 Stadsschouwburg (Amsterdam), 351 stock company, 34, 53, 129, 137, 377 Stage-door Johnnies, 42 Stock Market Crash, 70, 78, 89, 96, 105, Stage Entertainment, 283, 348, 351–7, 134 462, 463 Stockton, Frank R., 232 Stage Entertainment Russia, 462, 463 Stoker, Bram, 62, 63, 379 Stage Holding, 353 Stokłosa, Janusz, 460 stage management, 191, 192, 195, 307, Stoller, Mike, 390 311 Stone, David, 467–77 Stages, 233 Stone, Ezra, 166 Stages Group Incorporation (Stages), Stone, Fred, 48 449, 452, 454–6 Stone, Peter, 234, 237n9, 507n8 Stairway to Paradise, 398 Stong, Phil, 159 Stallone, Sylvester, 355 Stop Flirting, 121. See also For Goodness Stamos, John, 388 Sake Standard Theatre, 50 Stoppard, Tom, 303, 305, 308n1 Starlight Express, 328 Stop the World—I Want to Get Off, 224 Starlighthalle, 328 Stranger in New York, A, 71 stars, 3, 4, 6, 12, 23, 27, 42, 47, 48, Strasberg, Lee, 154, 157, 386 50–6, 57n14, 61, 63, 64, 73–5, 77, Stratton, Gil, 169 85, 87, 88, 97–101, 104, 107, 110, Strike Up the Band, 398 114–15, 117n29, 120, 123–5, 128, Strindberg, August, 334, 386 130, 132, 134, 139, 141–3, 147, Stroman, Susan, 4, 408, 507 159, 160, 166–8, 173, 177, 179, Strong, Austin, 164 184, 193, 200, 202, 203, 212, 224, Strong, Edward, 354 239, 241, 244, 246, 268, 269, 278, Strouse, Charles, 245, 386, 398, 399 280, 287n27, 300, 308n7, 315, Struck Oil, 138, 139 317, 319, 332n25, 339, 351, 352, Struppeck, Christian, 348 354, 355, 360, 361, 364, 371, 385, Stuart Ostrow Foundation’s Musical 388–90, 394, 407, 419, 430, 444, Theatre Lab, 233 445, 453, 460, 461, 469, 482–3, Student Prince, The, 6, 69, 76, 141 502, 505, 507 Studio 54, 388, 389, 401 star system, 53, 57n14 Styne, Jule, 158, 200, 398 Star Theatre, 49 subscribers, 154, 386, 387 INDEX 553 subscription, 82n37, 84, 205n31, 386, Taiwan, 149, 150n21, 150n22, 446 397, 422, 484 Takarazuka Grand Theatre (Takarazuka subsidy, 316, 347 dai gekijō), 145 Subways are for Sleeping, 224 Takarazuka Music School, 146 Sugar, 219, 221 Takarazuka Revue, 145–50 Sullivan, Sir Arthur, 186n10, 385 Takei, George, 506, 509n25 Summer Playhouse, 377 Take Me Along, 217 summer stock, 397 Tales of the South Pacific, 179 Summer Widowers, The, 130, 135n8 Tallis, George, 139–41 Sundance Film Festival, 491 Taming of the Shrew, The, 262 Sunday Afternoon on the Island of La Tandy, Jessica, 175 Grande Jatte, A, 297 Tanghalang Nicanor Abelardo (Main Sunday in the Park with George, 293, theatre) of the CCP, 338, 342n1 297, 300, 305, 361, 381, 389 Tanghalang Pilipino (TP), 449–51, 453, Sundsten, Lani, 306 456, 457n12 Sunico, Raul, 333 Tankard, Meryl, 419 Sunrise at Campobello, 158 Tanz der Vampire (Dance of the Sunset Boulevard, 293, 379 Vampire), 343, 348, 465n17 Sunshine Boys, The, 305 Tanz-Gesang-Studio Theater, 347 Sunshine Girl, The, 41, 54 Tanz um den Dollar, Die (The Dance for Suntory International, 293 the Dollar), 34 Sutherland, Joan, 143, 144 Tap Dance Kid, The, 293 Suzuki Tadashi, 282 Tarchetti, Ugo, 297 Swan Lake, 320 Tarzan, 339, 354, 413, 419–21, 423, Sweeney Todd, The Demon Barber of Fleet 425n39, 425n41 Street, 247, 248, 282, 285 taste, 31, 48, 50, 57n26, 63, 71, 72, 97, Sweet Adeline, 398 102, 109, 113, 143, 202, 220, 239, Sweet Charity, 143, 235 241, 247–9, 373, 464, 487, 489, Sweet Nell of Old Drury, 139 490, 504 Swerling, Jo, 200 Taylor, Albert, 241 Swim in the Sea, A, 241 Taylor, Dwight, 175 Swinton, Sunny, 108, 109, 115 Taymor, Julie, 416, 417, 423, 425n23 Switzerland, 141 Teatral’niy Tsentr na Dubrovke (Theatre Syndicate, 48, 59–66, 66n4, 66n5, Centre on Dubrovka), 461 68n28, 70–2, 74–6, 80n4, 80n10, Telecharge, 293, 301 81n19. See also Theatrical Syndicate Telefónica, 353 television, 142, 159, 176, 180, 204, 223, 224, 232, 234–6, 240, 257, 262, T 273, 280, 320, 327, 337–9, 346, Tabernacle, The (formerly the House of 352, 353, 355, 390, 408, 409, 414, Blues), 433 429, 434–7, 438n3, 439n31, 445, Taboo, 505, 508n19 453, 454, 482, 483, 493, 501, 502, Tag in Manila, Ein (A Day in Manila), 505 33, 35 television commercial, 236 Tait, Charles, 140 Temperance meetings, 22 Tait, E. J. (Ted), 140 Tempest, Marie, 42, 43 Tait, Frank, 140, 143 Ten Bridges Media Corporation, 340 Tait, John, 140 Tenderloin, 34, 241, 243, 395, 397, 398, Tait, Nevin, 140 1974 554 INDEX

Tesori, Jeanine, 371, 373, 380, 401, 490 Tillie’s Nightmare, 130, 132, 135n8 Texas Steer, A, 71 Timbers, Alex, 373, 382, 390 Tharp, Twyla, 306 Times Square, 4, 5, 50, 69, 70, 95, 98, That Championship Season, 264 100, 105, 291–3, 354, 363, 405, Theater am Potsdamer Platz, 353, 356 408, 415, 487 Theater an der Elbe, 354 Tinio, Rolando, 334 Theater an der Wien, 4, 343–8, 349n2, Tin Pajamas, 33 349n4–349n6 Tin Pan Alley, 35, 113, 128, 305 Theater Carré, 352 Tin Pan Alley Rag, 390 Theater des Westens, 344 Tip-Toes, 122 Theater Hall of Fame, 212 Titanic, 234, 354, 355 Theater im Hafen, 354 [title of show], 427, 428 Theater Neue Flora, 353 Tivoli vaudeville circuit, 141 Theater Subdistrict Council, 492 TKTS discount ticket booth, 292 Theatre and Arts Foundation of San Tōhō International, 277–88 Diego County, 377 Tōhō Motion Picture Company, Limited, Theatre at Solaire, The, 340, 341 279 Theatre Guild, 153–61, 176, 177, 179, Tōhō Musicals (Tōhō Myūjikaru), 183 279–83 Theatre Guild Studio, 154, 156, Tokyo Kid Brothers, 284 160n2–160n4 Tokyo Takarazuka Corporation (Tōhō), Theatre of the Musical, The (ToM), 462, 4, 277–88 463 Tokyo Takarazuka Theatre (Tokyo theatre programs, 40, 480 Takarazuka gekijō), 145, 280 Theatre Royal (Melbourne), 138, 141 Tomlin, Lily, 467 Theatre Royal Drury Lane, 281 Tommy, 381 Theatre Union, 155 Tom Sawyer, 378 Theatre Yonwoo Company, 442 Tony Award, 7, 38, 144, 219, 222, theatrical networks, 63 227n10, 232–4, 236, 241, 295, Theatrical Syndicate, 47, 59, 60, 63. See 297–300, 303, 305, 335, 337, 340, also Syndicate 354, 355, 361, 370, 373, 378, 381, theme park, 307, 415–17, 423 382, 385, 387, 388, 400, 401, 405, Theresa, Be Mine!, 33 408, 422, 428, 429, 461, 470, Therese sei nicht böse (Theresa, Don’t Be 480–3, 487, 492, 494, 504 Naughty), 33 Tony Pastor’s Opera House, 24, 48 Third Man, The, 348 Too Many Girls, 165–8, 171n28 This Is the Army, 231 TopDog/Underdog, 371 Thompson, Lea, 388 Top Ticket Line, 355. See also Phantom Thompson, Tazewell, 370 Phone; See Tickets Thoroughly Modern Millie, 380 Toronto Stock Exchange, 405, 407 Three Days of Rain, 469 Tosca, 140 Three Little Maids, 51, 57n10 Toshie Sugie, 280 Three Men on a Horse, 165, 192 Total Abandon, 414 Three Musketeers, The, 105, 112 Touch and Go, 168, 171n49, 192, 240 Three Tall Women, 488, 490, 495n14 touring circuit, 59, 62 thrust stage, 362 touring, tours, 6, 7, 9, 10, 23–5, 27, 36, Thurber, James, 222 43, 47, 49, 55, 57n14, 59–64, 69, Tick, Tick … Boom!, 337, 338, 401 71, 74–6, 79, 81n19, 85, 87, 96, Tilley, Vesta, 26, 28n13 97, 100, 127, 128, 138–42, 149, INDEX 555

159, 167, 174, 179–84, 203, Twelfth Night, 208 205n31, 210, 219, 220, 222, 241, Twentieth Century, 165 242, 247, 257, 258n7, 262, 265, twentieth-century, 4, 21, 26, 27, 35, 36, 267–72, 281–4, 295, 297, 298, 44, 48, 50, 53, 57n14, 60, 61, 63, 307, 311, 315, 318, 319, 321, 71, 129, 173, 174, 185, 192, 218, 325–7, 330, 336–8, 340, 344, 347, 277, 300, 326, 345, 395, 396, 409, 352, 370, 378, 379, 381, 382, 400, 435, 438n19, 444 402, 406, 407, 410, 414, 419, 422, Two by Two, 185, 234 429, 430, 434, 435, 437, 438n14, Two Gentlemen of Verona, 264, 273 443, 445, 446, 460, 462, 464, 473, Two Is Company, 33 480, 481, 488, 494 Two Lots in the Bronx, 33 tourism, 444 Townsend, Pete, 381 transfer, 7, 9, 43, 52, 201, 262, 264, U 265, 280, 295, 296, 305, 320, 322, Über’n grossen Teich (From Across the 336, 347, 349n5, 361, 370, 373, Big Pond), 36 378, 379, 381, 382, 387, 389, Ueda Shinji, 148 399–401, 422, 430, 467, 470, 471, Uhry, Alfred, 233, 249 480, 481, 483 Ulvaeus, Björn, 295 translation, 31, 43, 269–71, 278, 283, Union Square, 98, 490 314, 349n10, 356n1, 447n3, 451, United Asia Live Entertainment, 9, 476n8 321 Travers, P.L. (Pamela), 418 United Booking Office (UBO), 65 Tree Grows in Brooklyn, A, 168, 169, United States, 5, 9, 19, 21, 22, 26, 27, 397, 398 28n13, 29, 30, 36–7n1, 48, 50, Trentini, Emma, 5 59–61, 63, 65, 66, 70–2, 74, 77, Trinity Repertory Company, 372 80n4, 84, 89, 96, 113, 138, 147, Trocadero (Chicago), 96 207, 210, 211, 231, 255, 259n7, Trockenen und die Nässen, Die (The 268, 270, 272, 274n3, 281, 283, Teetotalers and the Drinkers), 34 287n27, 291, 296, 297, 300, 304, Trono, Alvin, 452, 454 317, 326, 327, 330, 331n6, 345, Trujillo, Sergio, 397 370, 371, 373, 388, 399, 405, 406, Trüllbü aus der Avenue A (Trilby from 429, 430, 462 Avenue A), 33, 35 United States Air Force, 231 Trumbull, John, 235 Unsinkable Molly Brown, The, 158 Truscott, John, 143 Up Here, 382 tryouts, 131, 154, 158, 159, 167, 175, Urban, Joseph, 100, 101, 105 177, 193, 201–3, 205n31, 211, Urinetown, 354 220, 224, 232, 242, 244, 248, 307, USSR, 459 316, 340, 382, 410, 416, 420, 421, 423, 430, 471, 487, 491, 502 Tsekalo, Alexander, 461 V Tsuruya Namboku, 282 Vagina Monologues, The, 468, 471–3, Tsypin, George, 421 483 Tuacahn Amphitheatre, 423 Valdez, Eula, 453 Tucker, Robert, 159 Vallee, Rudy, 115 Turkey, 99, 109, 115 Valli, Frankie, 381 Turkey Trot, 99, 109, 115 Van Cauwelaert, Didier, 300 Twain, Mark, 132, 232, 378 Van Cleve, Edith, 166 556 INDEX van den Ende, Joop, 351–6, 356n1, Visit, The, 301, 348 356n6, 356n9 Viva Atlantis Theatricals (VAT), 339–41. van der Meijden, Henk, 355 See also Atlantis Productions, Inc. van Dijk, Bill, 354 (API); Atlantis Theatrical van Druten, John, 176 Entertainment Group (ATEG) van Duin, André, 352 Viva Entertainment, 339, 340 van Heusen, Jimmy, 202 Vivian Beaumont Theater, 362 Vanities, 76, 103 Vogel, Paula, 480, 494, 495n14 variety, 21–7, 29, 35, 41, 42, 88, 92, Volante, Nyoy, 339 102, 130, 163, 164, 241, 253, 254, Volksoper, 344 257, 258n7, 262, 364, 381, 388, Volksstück, 31, 32 395, 402, 414, 448, 454 Vreeland, Diana, 468 Variety, 17n10, 93n27, 94n29, 130, 160, 161n18, 161n19, 171n34, 171n36, 171n37, 383n6, 411n5, W 415, 420, 425n16, 426n46, Waitress, 9, 483–5, 485n8, 486n12 426n58, 485n7, 486n11, 493 Walcott, Derek, 480 variety halls, 23–5 Waldman, Robert, 233 variety shows, 253, 254, 257, 262, 454 Walker, Alice, 505 Varricchio, Nick, 340 Walker, Nancy, 169 Vasiliev, Georgii, 461 Walking Happy, 199, 202 vaudeville, 5, 21–8, 34, 54, 65, 68n30, Wallack, Lester, 48 72, 84–6, 93n17, 105, 107, 109, Wallack’s Theatre, 137 115, 127–30, 132, 133, 141, 175, Waller, Fats, 305 345, 414, 435, 438n19, 464n1 Wallick, J. H., 49 Vaudeville Theatre (London), 51 Wall Street Crash of 1929, 69 Vera Violetta, 88 Wal-Mart, 415 Verdi, Giuseppe, 417 Walt Disney Corporation, 414, 415, 418 Verdon, Gwen, 191, 241, 242 Walt Disney Studios, 414, 415 Vereen, Ben, 235 Walt Disney World, 416 Vereinigte Bühnen Wien (United Stages Walter Kerr Theatre (Ritz Theatre), 8 Vienna), 4, 283, 343–9, 463 Walton, Tony, 345 Vergara, Carlo, 450 Waltz Dream, A, 139 Verne, Jules, 378 Wankel, Robert E., 300, 301 Very Good Eddie, 55 War and Peace, 484 Victorian Arts Centre (Arts Centre Ward, Hugh J., 140, 416 Melbourne), 143 Washington Square Players, 153 Victoria Palace Theatre, 321 Watch Your Step, 5 Victoria Theatre, 329, 340 Waters, Daryl, 370 Vienna State Opera, 344 Waters, Ethel, 91 Viertel, Jack, 7, 8, 10n3, 396, 403n7 Waters, John, 380, 501 Viertel, Tom, 7, 8 Waxman, Anita, 371 View, The, 414 Waxman Williams Entertainment, 329 Viktoria and Her Hussar, 141 Wayburn, Ned, 100, 114 Vinaver, Steven, 158 Weaver, John V. A., 165 Violet, 389, 401, 505, 506 Weber and Fields, 52, 127, 128, 134 Virata, Joy, 336, 342n10 Weber and Fields Broadway Music Hall, Virginia Theatre (Guild Theatre, August 127 Wilson Theatre), 371 Weber, Joe, 36, 127, 128, 130, 134 INDEX 557

Weck, Peter, 346, 348 Whitty, Jeff, 429 Wedekind, Frank, 382 Whoopee!, 104 Weidman, Charles, 157 Whoop-Up, 202 Weidman, Jerome, 243 Who’s Afraid of Virginia Woolf?, 218, Weidman, John, 395 334, 488 Weill, Kurt, 92, 211, 386, 393, 399 Who, The, 381 Weinstein, Harvey, 483 Whyte, Jerome (Jerry), 166, 167, Weir, Mary, 139, 291 179 Weissler, Barry, 8, 9, 400, 467 Wicked, 235, 333, 342n1, 429, 446, Weissler, Fran, 8, 9, 400, 467 456n1, 467, 469, 471–4, 477n18 Weitzman, Ira, 393 Wien Holding, 347 Weller, Michael, 379 Wieting Theatre (Syracuse), 71 Wells, William K., 112 Wiggins, Anne, 156 Wertheim, Maurice, 153 Wilder, Gene, 13, 14, 16n6 Wescott, Marcy, 169 Wilder, Thornton, 243, 244 West End, 9, 142, 147, 151, 210, 211, Wildhorn, Frank, 379, 380, 456n1 219, 277–88, 296, 314, 316, 318, Wild Party, The (LaChiusa), 371 320, 321, 326, 328–30, 333–42, Wild Party, The (Lippa), 401 343, 355, 406, 419, 443, 448n8, Wild Rose, The, 130 448n20, 449, 452, 456n1, 460, 462 Wilhelminche (Little Wilhelmina), 34 Westernization, 147 Wilk, Max, 159 Westley, Helen, 153 William J. Shaw Theatre, 336 Westport Country Playhouse, 154–6 Williams, Bert, 101, 103, 117n36 West Side Story, 14, 142, 147, 192–4, Williams, Elizabeth, 371 203, 207, 209, 212, 214n16, Williams, Frances, 112 240–2, 246, 250n18, 268, 269, Williams, Hattie, 52, 53 271, 274n2, 280, 282, 283, Williams, Michelle, 325 287n27, 344, 359–67, 369, 431, Williamson–Edgley Theatres, 143 441, 465n12 Williamson, James Cassius (J. C.), 19, West Side Story Company, 209 137–44, 176 We Take the Town, 232 Williamson Music, 142, 176 We Will Rock You, 430 Williamstown Theatre Festival, 489 Wharton, John F., 208, 209 Williams, Vanessa, 397, 407 What’s Wrong with This Picture?, 468 Willman, Noel, 158 What the Public Wants, 158 Will Rogers Follies, The, 4, 234 What the Wine Sellers Buy, 360 Willson, Meredith, 158, 201, 204n19, Wheeler, Hugh, 246 232 When Hell Freezes Over, I’ll Skate, 212 Wilson, August, 8, 154, 437 Where Do We Go From Here?, 174, 175 Wilson, Mary Louise, 388 Where’s Charley?, 48, 192, 200, 398 Wilson, Monique, 335–7, 341 White, Charley, 24 Wilson, Robert, 463, 480 White Christmas, 430 Wilson, Sandy, 201 White, George, 76, 103, 107–18, 120 Wilson, Snoo, 378 Whitehead, Robert, 209–11, 360 Wilson, Viola, 142 White Horse Inn, 141 Wiman, Dwight D., 165 White House, 210, 211, 234, 235 Winfrey, Oprah, 437, 505 Whiteman, Paul, 110, 111, 117n32 Winter Garden Theatre, 75, 224, 297, White Rats of America, 86 315 Whiteway, Preston, 307 Wintergarten, 34 558 INDEX

Wintergarten zum schwarzen Adler (the Wright, Jeffrey, 371 Winter Garden at the Sign of the Wunder von Bern, Das (The Miracle of Black Eagle), 36 Bern), 354 Winter’s Tale, A, 482 Wynn, Steve, 429 Winter, William, 64 Wit, 489, 490 Witches of Eastwick, The, 320 X Witching Hour, The, 73 Xanadu, 380 Witch, The, 272 Withers, Googie, 144 Withers, Iva, 179, 187n44 Y Witness Uganda, 483 Yale, 8, 479 Wittman, Scott, 501 Yale School of Drama, 479 Mr. Wix of Wickham, 52 Yamaguchi Hideya, 285 Wizard of Oz, The, 467 Yamaguchi Yoshiko, 284 Wiz, The, 143, 401 Yang Jiamin, 9 Wolf, 73 Yankee Girl, The, 130 Wolfe, George C., 265, 369–75, 492, Yegrin, 253–9, 442, 448n14. See also 504 Seoul City Musical Theatre Wolfe, Thomas, 164 Yegrin Akdan, 253–7 Wolsk, Eugene, 304 Yegrin Gidongdae (Yegrin Task Force), Woman of the Year, 234 257 women, 12, 15, 21, 23–5, 35, 40–2, 90, Yegrin Musical Award, 258 91, 93n17, 96–9, 101–3, 145–50, Yeoreumbam’ui Ggoom (Summer Night’s 167, 305, 319, 320, 341, 373, 468, Dream), 254 473, 474, 476n15, 484, 488–91, Yiddish theatre, 32, 34, 35, 270, 304 499–506 Yip Yip Yaphank, 89 Wonderful Town, 131, 169, 193, 239, Yoon Ho-jin, 442 240, 344, 398, 400, 401 Yorkey, Brian, 470, 474 Wong, B. D., 319 York Theatre Company, 477n21, Woodruff, Robert, 479–81 477n22 Woods, Albert, 85 Yorkville Deutsches Theatres, 34 Woolfson, Eric, 347 Youmans, Vincent, 132, 174 Woollcott, Alexander, 104, 108, 110, Young, Florecne, 139 116n1, 116n3, 116n10, 116n11, Yowoo sanyang (The Fox Hunt), 442 117n26, 117n30 Yugoslav-American Hall, 262 working class, 21, 24, 32, 87, 308n7, Yume Kara sameta yume (A Dream 351, 456 within a Dream), 284 workshop, 164, 233, 234, 265, 289, Yuta no fushigi na nakama tachi (Yuta 294, 295, 297, 336, 340, 378, 379, and Enchanting Friends), 284 382, 406, 409, 420, 470, 491 World War I, 29, 65, 75, 86, 89, 96, 103, 153 Z World War II, 29, 142, 157, 159, 246, Zaks, Jerry, 397 267 Zambello, Francesca, 421, 423 Woza Afrika!, 361 Zauberflöte, Die. See Magic Flute, The WPA Theatre, 362 Zechner, Kathrin, 348 Wright, Doug, 380 Zero Arrow, The, 480, 481. See also Wright, Huntley, 42 Oberon INDEX 559

Zhivago. See Doctor Zhivago Ziemba, Karen, 397 Ziegeunerbraut, Die (The Gypsy Bride), Zimmerman, Frederick, 62, 80n4 33 Zippel, David, 482 Ziegfeld, Florenz, 3, 4, 10, 15–16n1, 50, Zipprodt, Patricia, 345 60, 95–107, 109, 110, 112–15, Zoot Suit, 293 129, 130, 177, 408 Zorba, 246, 395, 398 Ziegfeld Follies (film), 95 ZsaZsa Zaturnnah, Ze Muzikal, 449, Ziegfeld Follies (stage), 60, 76, 97, 109, 450, 453–5 114 Zwei Lots in the Bronx (Two Lots in the Ziegfeld Follies of 1936, 398, 399 Bronx), 33 Ziegfeld Girl, 95, 96, 100–4 Zwischen Zwölf und Eins (Between Ziegfeld Theatre, 105 Twelve and One O’Clock), 34