Selected Bibliography
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SELECTED BIbLIOGRAPHY Abbott, George. Mister Abbott. New York: Random House, 1963. Abe, Yasushi. Gekidan shiki musicals: asari keita to roido webā (Shiki Company Musicals: Asari Keita and Lloyd-Webber). Tokyo: Hinodeshuppan, 1996. Anan, Nobuko. Contemporary Japanese Women’s Theatre and Visual Arts: Performing Girls’ Aesthetics. Basingstoke: Palgrave Macmillan, 2015. Anan, Nobuko. ‘Two-Dimensional Imagination in Contemporary Japanese Women’s Performance’. The Drama Review 55, no. 4 (2011), 96–112. Anderson, Joseph L. and Donald Richie. The Japanese Film: Art and Industry. Princeton, NJ: Princeton University Press, 1982. Asahi Digital.Takarazuka ‘Berubara’, kankyaku 500 man nin toppa 2084 kai de (The Audience Attendance of Takarazuka’s The Rose of Versailles Has Exceeded Five Million in Its 2,084th Production). Asahi Digital, 2014. http://www.asahi.com/ articles/ASG6W53Q6G6WUCLV00C.html (accessed 27 June 2014). Atkey, Mel. A Million Miles from Broadway—Musical Theatre Beyond New York and London. Delta, BC: Friendly Song Books, 2012. Atkinson, Brooks. ‘Personal Style in Producing’. In Broadway, 40–7. New York: Limelight, 1974. Azuma, Sonoko. ‘Josei no homosōsharu na shinmitsusei o meguru bunka shakaigaku teki kōsatsu: ‘Takarazuka’ to ‘yaoi’ no media ron teki bunseki o tōshite' (An Examination of Female Homosocial Intimacy from a Perspective of Sociology of Culture: Through Media Analyses of ‘Takarazuka’ and ‘Yaoi’) (PhD diss., Osaka University, 2010). Bordman, Gerald. Jerome Kern: His Life and Music. New York: Oxford University Press, 1980. Brau, Lori. ‘The Women’s Theatre of Takarazuka’. The Drama Review 34, no. 4 (1990), 79–95. Brooks, Mel and Thomas Meehan. The Producers. New York: Musical Theatre International, 2001. Brooks, Mona Rebecca. ‘The Development of American Theatre Management Practices Between 1830 and 1896’ (PhD diss., Texas Tech University, 1981). Citron, Stephen. Stephen Sondheim and Andrew Lloyd Webber: The New Musical. New York: Oxford University Press, 2001. Cohen, Patricia. ‘Rethinking Gender Bias in Theater’. New York Times, 23 June 2009. © The Author(s) 2017 511 L. MacDonald, W.A. Everett (eds.), The Palgrave Handbook of Musical Theatre Producers, DOI 10.1057/978-1-137-43308-4 512 SELECTED BIBLIOGRAPHY Cohen, Stefanie. ‘“Gigi” Back on Broadway Thanks to Jenna Segal, a Rookie Producer’. Wall Street Journal, 19 March 2015. Conolly-Smith, Peter. ‘“Ersatz-Drama” and Ethnic (Self) Parody: Adolf Philipp and the Decline of New York’s German-Language Stage’. In Multilingual America: Transnationalism, Ethnicity, and the Languages of American Literature, edited by Werner Sollors, 215–39. New York: New York University Press, 1998. Conolly-Smith, Peter. ‘Kulturkrieg: Direktor Christians, the Irving Place Theater, and German-Language Drama in New York’. In Not English Only: Redefining ‘American’ in American Studies, edited by Orm Øverland, 48–66. Amsterdam: VU University Press, 2001. Conolly-Smith, Peter. Translating America: An Immigrant Press Visualizes American Popular Culture, 1895–1918. Washington, DC: Smithsonian, 2004. Cox, Gordon. ‘Broadway Investment Goes Digital with “On the Town”’. Variety.com., 13 August 2014. http://variety.com/2014/legit/news/broadway-crowdfunding- investment-on-the-town-1201282160/ (accessed 29 May 2015). Daboo, Jerri. ‘One Under the Sun: Globalization, Culture, and Utopia in Bombay Dreams’. Contemporary Theatre Review 15, no. 3 (2005), 330–7. Davenport, Ken. peopleofgodspell.com. http://www.peopleofgodspell.com (accessed 19 May 2015). Dicker, Ian G. JCW—A Short Biography of James Cassius Williamson. Rose Bay, NSW, Australia: Elizabeth Tudor Press, 1974. Dorbian, Iris. Great Producers: Visionaries of American Theater. New York: Allworth Press, 2013. Driessen, Camil and Daan van Lent. ‘Hoe Misérable Wordt Dit?’ nrc.next, 20 June 2015. Fields, Armond and L. Marc Fields. From the Bowery to Broadway: Lew Fields and the Roots of American Popular Theatre. New York and Oxford: Oxford University Press, 1993. Fukushima, Yoshiko. ‘To the Rhythm of Jazz: Enoken’s Postwar Japanese Musical Comedies’. In Rising from the Flames: The Rebirth of Theater in Occupied Japan, 1945–1952, edited by Samuel Leiter, 335–60. Lanham, MD: Lexington, 2009. Galbraith IV, Stuart. The Toho Studios Story. Lanham, MD: Scarecrow, 2008. Gelb, Arthur. ‘Producers: The Theatre Views Its Economic Crisis One Year After the Broadway Blackout’. New YorkTimes, 5 June 1961. Gelder, Henk van. Joop van Den Ende: De Biografie. Amsterdam: Nijgh & Van Ditmar, 2012. Gelder, Henk van. ‘Met Alle Tekorten en Beperkingen Meer Dan Geslaagd’. In Musicals in Nederland, edited by Hilde Scholten, 21–23. Houten: Terra, 2004. Ginsburgh, Victor A. and David Thorsby, eds. Handbook of the Economics of Art and Culture. Amsterdam: Elsevier, 2006. Goldman, William. The Season: A Candid Look at Broadway. New York: Limelight Editions, 2000. Griffith, Paul, Ronald Cavaye, and Akihiko Senda, eds.A Guide to the Japanese Stage: From Traditional to Cutting Edge. Tokyo: Kodansha International, 2004. Haenni, Sabine. ‘“A Community of Consumers”: Legitimate Hybridity, German American Theatre, and the American Public’. Theatre Research International 28, no. 3 (2003), 267–88. Haenni, Sabine. The Immigrant Scene: Ethnic Amusements in New York, 1880–1920. Minneapolis, MN: University of Minnesota Press, 2008. SELECTED BIBLIOGRAPHY 513 Hapgood, Hutchins. The Spirit of the Ghetto: Studies of the Jewish Quarter in New York. New York: Funk & Wagnalls, 1902. Havens, Thomas R. H. Artist and Patron in Postwar Japan. Princeton, NJ: Princeton University Press, 1982. Healy, Patrick. ‘A Prince with No Fairy Godmother’. New York Times, 26 September 2013. Healy, Patrick. ‘It May Be a Nonprofit Theater, but the Tickets Look For-Profit’.New York Times, 14 February 2014. Healy, Patrick. ‘On Broadway, Investors with Shallow Pockets’. New York Times, 18 April 2012. Hernandez, Ernio. ‘Oprah Winfrey Joins Producers of Broadway’s The Color Purple Musical Adaptation’. Playbill.com. 26 September 2005. http://www.playbill.com/ news/article/oprah-winfrey-joins-producers-of-broadways-the-color-purple- musical-adaptat-128258 (accessed 19 May 2015). Hirsch, Foster. The Boys from Syracuse: The Shuberts’ Theatrical Empire. Carbondale and Edwardsville: Southern Illinois University Press, 1998. Holmes, Rupert. Curtains. Original book and concept by Peter Stone, lyrics by Fred Ebb, with additional lyrics by John Kander and Rupert Holmes, music by John Kander. New York: Theatrical Rights Worldwide, 2009. Ilson, Carol. Harold Prince: From ‘Pajama Game’ to ‘Phantom of the Opera’. Ann Arbor, MI: UMI Research Press, 1989. Kahn, E. J., Jr., Walter Zvonchenko, Ruth Mayleas, Tom Prideaux, and David Richards. Roger L. Stevens Presents. Washington, DC: Library of Congress, 2002. Kawasaki, Kenko. Takarazuka: shōhi shakai no supekutakuru (Takarazuka: Spectacles of Consumer Society). Tokyo: Kōdansha, 1999. Kishi, Tetsuo. Myūjikaru ga saikō de atta koro (The Greatest Musicals of Their Times). Tokyo: Shobunsha, 2006. Koegel, John. ‘Adolf Philipp and Ethnic Musical Comedy in New York’s Little Germany’. American Music 24, no. 3 (Fall 2006), 267–319. Koegel, John. ‘The Development of the German-American Musical Theatre in New York, 1840–1890’. In European Music and Musicians in New York City, 1840–1900, edited by John Graziano, 149–81. Rochester, NY: University of Rochester Press, 2006. Koegel, John. Music in German Immigrant Theater: New York City, 1840–1940. Rochester, NY: University of Rochester Press, 2009. Koegel, John. ‘Non-English Language Musical Theatre in the United States’. In The Cambridge Companion to the Musical, 2nd edn., edited by William A. Everett and Paul R. Laird, 29–53. Cambridge: Cambridge University Press, 2008. ‘“Konkurrenz Belebt Das Geschäft”: Stella Musical Theater Klaus von Der Heyde, Vorstandsvorsitzender Der Stella Entertainment AG, Im Gespräch’. Berliner Zeitung, 22 February 2002. http://www.berlinerzeitung.de/archiv/-konkurrenz-belebt- das-geschaeft--stella-musical-theater-klaus-von-der-heyde-vorstandsvorsitzender- der-stella-entertainment-ag--im-gespraech,10810590,9976354.html. Koren, Yaël. Andere Tijden: Het Musical-Avontuur Op Broadway. Documentary. 2014. NTR/VPRO. http://www.npodoc.nl/speel.NPS_1237502.html. Kühn, Alexander von. ‘Der Traumfabrikant’. Der Spiegel, 23 January 2012. http:// www.spiegel.de/spiegel/print/d-83679170.html. Lieberman, Al and Patricia Esgate. The Entertainment Marketing Revolution: Bringing the Moguls, the Media, and the Magic to the World. Upper Saddle River, NJ: Financial Times / Prentice-Hall, 2002. 514 SELECTED BIBLIOGRAPHY Lloyd Webber, Imogen. ‘Tony Nominee Ramin Karimloo Will Headline The Prince of Broadway in Japan’. Broadway.com, 28 May 2015. http://www.broadway.com/ buzz/180925/tony-nominee-ramin-karimloo-will-headline-the-prince-of- broadway-in-japan/ (accessed 29 May 2015). Long, Robert Emmet. Producing and the Theatre Business. New York and London: Continuum, 2007. Lunden, Jeff. ‘Stage Mother from Hell: Needy, Greedy Mama Rose’. Npr.org, 13 April 2008. http://www.npr.org/2008/04/13/89512165/stage-mother-from-hell- needy-greedy-mama-rose (accessed 19 May 2015). Marcosson, Isaac F. and Daniel Frohman. Charles Frohman: Manager and Man. New York: Harper, 1916. Marra, Kim. ‘Birds of a Feather’ and ‘Through Fairy and Fowl’. Chapters 3 and 4 in Strange Duets: Impresarios and Actresses in the American Theatre, 1865–1914. Iowa City: University of Iowa Press, 2006. Martin, Denise. ‘Amy Sherman-Palladino and Dan Palladino on Stalking Sutton Foster,