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Annual Report 2018/2019
Annual Report 2018/2019 Section name 1 Section name 2 Section name 1 Annual Report 2018/2019 Royal Academy of Arts Burlington House, Piccadilly, London, W1J 0BD Telephone 020 7300 8000 royalacademy.org.uk The Royal Academy of Arts is a registered charity under Registered Charity Number 1125383 Registered as a company limited by a guarantee in England and Wales under Company Number 6298947 Registered Office: Burlington House, Piccadilly, London, W1J 0BD © Royal Academy of Arts, 2020 Covering the period Coordinated by Olivia Harrison Designed by Constanza Gaggero 1 September 2018 – Printed by Geoff Neal Group 31 August 2019 Contents 6 President’s Foreword 8 Secretary and Chief Executive’s Introduction 10 The year in figures 12 Public 28 Academic 42 Spaces 48 People 56 Finance and sustainability 66 Appendices 4 Section name President’s On 10 December 2019 I will step down as President of the Foreword Royal Academy after eight years. By the time you read this foreword there will be a new President elected by secret ballot in the General Assembly room of Burlington House. So, it seems appropriate now to reflect more widely beyond the normal hori- zon of the Annual Report. Our founders in 1768 comprised some of the greatest figures of the British Enlightenment, King George III, Reynolds, West and Chambers, supported and advised by a wider circle of thinkers and intellectuals such as Edmund Burke and Samuel Johnson. It is no exaggeration to suggest that their original inten- tions for what the Academy should be are closer to realisation than ever before. They proposed a school, an exhibition and a membership. -
© 2018 Donata Panizza ALL RIGHTS RESERVED
© 2018 Donata Panizza ALL RIGHTS RESERVED OVEREXPOSING FLORENCE: JOURNEYS THROUGH PHOTOGRAPHY, CINEMA, TOURISM, AND URBAN SPACE by DONATA PANIZZA A dissertation submitted to the School of Graduate Studies Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Italian Written under the direction of Professor Rhiannon Noel Welch And approved by ________________________________ ________________________________ ________________________________ ________________________________ New Brunswick, New Jersey OCTOBER, 2018 ABSTRACT OF THE DISSERTATION Overexposing Florence: Journeys through Photography, Cinema, Tourism, and Urban Space by DONATA PANIZZA Dissertation Director Rhiannon Noel Welch This dissertation examines the many ways in which urban form and visual media interact in 19th-, 20th-, and 21st-centuries Florence. More in detail, this work analyzes photographs of Florence’s medieval and Renaissance heritage by the Alinari Brothers atelier (1852- 1890), and then retraces these photographs’ relationship to contemporary visual culture – namely through representations of Florence in international cinema, art photography, and the guidebook – as well as to the city’s actual structure. Unlike previous scholarship, my research places the Alinari Brothers’ photographs in the context of the enigmatic processes of urban modernization that took place in Florence throughout the 19th century, changing its medieval structure into that of a modern city and the capital of newly unified Italy from 1865 to 1871. The Alinari photographs’ tension between the establishment of the myth of Florence as the cradle of the Renaissance and an uneasy attitude towards modernization, both cherished and feared, produced a multi-layered city portrait, which raises questions about crucial issues such as urban heritage preservation, mass tourism, (de)industrialization, social segregation, and real estate speculation. -
CENTRAL PAVILION, GIARDINI DELLA BIENNALE 29.08 — 8.12.2020 La Biennale Di Venezia La Biennale Di Venezia President Presents Roberto Cicutto
LE MUSE INQUIETE WHEN LA BIENNALE DI VENEZIA MEETS HISTORY CENTRAL PAVILION, GIARDINI DELLA BIENNALE 29.08 — 8.12.2020 La Biennale di Venezia La Biennale di Venezia President presents Roberto Cicutto Board The Disquieted Muses. Luigi Brugnaro Vicepresidente When La Biennale di Venezia Meets History Claudia Ferrazzi Luca Zaia Auditors’ Committee Jair Lorenco Presidente Stefania Bortoletti Anna Maria Como in collaboration with Director General Istituto Luce-Cinecittà e Rai Teche Andrea Del Mercato and with AAMOD-Fondazione Archivio Audiovisivo del Movimento Operaio e Democratico Archivio Centrale dello Stato Archivio Ugo Mulas Bianconero Archivio Cameraphoto Epoche Fondazione Modena Arti Visive Galleria Nazionale d’Arte Moderna e Contemporanea IVESER Istituto Veneziano per la Storia della Resistenza e della Società Contemporanea LIMA Amsterdam Peggy Guggenheim Collection Tate Modern THE DISQUIETED MUSES… The title of the exhibition The Disquieted Muses. When La Biennale di Venezia Meets History does not just convey the content that visitors to the Central Pavilion in the Giardini della Biennale will encounter, but also a vision. Disquiet serves as a driving force behind research, which requires dialogue to verify its theories and needs history to absorb knowledge. This is what La Biennale does and will continue to do as it seeks to reinforce a methodology that creates even stronger bonds between its own disciplines. There are six Muses at the Biennale: Art, Architecture, Cinema, Theatre, Music and Dance, given a voice through the great events that fill Venice and the world every year. There are the places that serve as venues for all of La Biennale’s activities: the Giardini, the Arsenale, the Palazzo del Cinema and other cinemas on the Lido, the theatres, the city of Venice itself. -
Gruppo 03.Pdf
CONTENTS Compiled and edited by Yang Yuxin Chen Rui Tian Junyao Herb Lubalin: He Shaped Modern Design AIGI Medalista: Lubalin 3 Peace on Earth Good Will Toward All Men 9 The Most Avant-garde Designer of All 14 U&lc: the Most Prestigious Magazine in Typesetting 18 Gianni Berengo Gardin: Man in Black and White Images of Human Toil and Struggle 23 Berengo’s Take on Photography 27 “A Leica isn’t just any camera, it is THE camera” 39 “On a Vaporetto, Venice” 41 Tina Modotti: Beauty, Politics, Passions and Revolution The Incredible Story of Tina Modotti 46 Spain, Russia and an Unclear End 50 Her Legend Returns Home 53 Tina Modotti and the Importance of Honest Photograph 57 w Herb Lubalin He Shaped Modern Design by Yang Yuxin Herb Lubalin (1918-1981) was an American graphic designer, type designer, typographer and teacher. Studyded design at Cooper Union in New York and graduated in 1939. In the same year, he worked for the World Exhibition in New York. After that the magazines "Eros", "Avant Garde", "Fact", and "U & lc" designed in the 1960s brought a huge impact to graphic design in Europe and America. In 1964 he set up his own studio, Herb Lubalin Inc. Then founded the International Font Company (ITC) with Aaron Burns in New York in 1970. 1972-1981, taught at Cornell University and the Cooper Union in New York. In 1981, awarded the highest honor by the Professional Design Association of the United States. He recevied more than 500 awards in his life, along with Sol Bath and Paul Lang, is known as the greatest trio of American graphic design. -
Extraordinary Visions. Italy
EXTRAORDINARY VISIONS. ITALY Iwan Baan, Olivo Barbieri, Gabriele Basilico, Letizia Battaglia, Jordi Bernadò, Alighiero Boetti, Andrea Botto, Silvia Camporesi, Giovanni Chiaramonte, Mario Cresci, Franco Fontana, Gianni Berengo Gardin, Luigi Ghirri, Guido Guidi, Giuseppe Leone, Ugo Mulas, Walter Niedermayr, Massimo Piersanti, Fabio Ponzio, Massimo Vitali MAXXI is taking its photography collection to India on the occasion of the celebrations for the 70th anniversary of diplomatic relations between Italy and India and the 24th edition of the Technology Summit at which Italy is a guest 31 October 2018 – 13 January 2019 Italian Institute of Culture, New Delhi - India Next stop: Italian Institute of Culture, Mumbai, India, March 2019 www.maxxi.art | #ExtraordinaryVisionsItaly Rome, 30 October 2018. From the metaphysical visions of Luigi Ghirri to the crowded beaches of Massimo Vitali, from the saturated colours of the landscapes of Franco Fontana to the anguished story of an abandoned land by Letizia Battaglia, from the elegant and essential architectural visions of Gabriele Basilico to the mountains of Walter Niedermayr, all this and more can be found in EXTRAORDINARY VISIONS. ITALY, a portrait of Italy seen through the eyes of many of the masters of Italian photography, the MAXXI exhibition curated by Margherita Guccione and Simona Antonacci, running from 30 October 2018, at the Italian Institute of Culture in New Delhi on the occasion of the celebrations of the 70th anniversary of diplomatic relations between Italy and India and the 24th edition of the Technology Summit at which Italy is a guest nation this year. The exhibition, promoted by the Ministry of Economic Development and with the fundamental support of SACE SIMEST (Cassa depositi e prestiti Group), with its 20 artists of international renown and the over 100 photographs on show, is a reboot of the earlier show Extraordinary Visions. -
UNIVERSITY of CALIFORNIA Los Angeles the State of Architecture A
UNIVERSITY OF CALIFORNIA Los Angeles The State of Architecture A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Sebastiano Fabbrini 2018 © Copyright by Sebastiano Fabbrini 2018 ABSTRACT OF THE DISSERTATION The State of Architecture by Sebastiano Fabbrini Doctor of Philosophy in Architecture University of California, Los Angeles, 2018 Professor Sylvia Lavin, Chair Although architecture was historically considered the most public of the arts and the interdependence between building and the public realm was a key feature of the post-war discourse, the process of postmodernization undermined the traditional structures of power through which architecture operated. At the center of this shakeup was the modern structure par excellence : the State. This dissertation analyzes the dissolution of the bond between architecture and the State through a double lens. First, this study is framed by the workings of an architect, Aldo Rossi, whose practice mirrored this transformation in a unique way, going from Mussolini’s Italy to Reagan’s America, from the Communist Party to Disneyland. The second lens is provided by a set of technological apparatuses ii that, in this pre-digital world, impacted the reach of the State and the boundaries of architecture. Drawing on the multifaceted root of the term “State,” this dissertation sets out to explore a series of case studies that addressed the need to re-state architecture – both in the sense of relocating architecture within new landscapes of power and in the sense of finding ways to keep reproducing it in those uncharted territories. iii The dissertation of Sebastiano Fabbrini is approved. -
BERENGO GARDIN 16 AUTORI Di Giuliana Mariniello
SOMMARIO LUGLIO/AGOSTO PERISCOPIO 04 TANTI PER TUTTI 10 ATTIVITÀ FIAF di AAVV GIANNI BERENGO GARDIN 16 AUTORI di Giuliana Mariniello PROGETTO PRESIDENTI TALENT SCOUT 22 LORENZO LESSI 24 TALENT SCOUT di Attilio Lauria MATTEO SIGNANINI 28 LORENZO PORTFOLIO ITALIA di Massimo Mazzoli 24 LESSI TONI THORIMBERT 32 INTERVISTA a cura di Giovanna Calvenzi VENTICINQUE VOLTE DIA SOTTO LE STELLE 38 ATTIVITÀ FIAF di Massimo Pinciroli SINGOLARMENTE FOTOGRAFIA 42 AZELIO MAGINI, DOMENICO LORENZONI, BRUNO CHERUBINI, MIRKO ZANETTI, LAURA DELL’IRA, ADRIANO FAVERO. DEMON KEN 46 VISTI PER VOI di Giuliana Mariniello STEFANO MALFETTI 50 AUTORE DELL’ANNO REGIONALE TOSCANA di Massimo Agus MATTEO 28 SIGNANINI IL PROCESSO CREATIVO 52 SAGGISTICA di Isabella Tholozan CLUB FOTOGRAFICO APUANO 58 CIRCOLI FIAF di Massimo Pinciroli LAVORI IN CORSO 60 a cura di Romano Cicognani CONCORSI 62 a cura di Piero Sbrana CHI CONCORRE FA LA FIAF 64 a cura di Enzo Gaiotto Copertina: Foto di Toni Thorimbert - Keith Haring, “Amica”, 1984. GIANNI BERENGO GARDIN LO SGUARDO SULL’ ITALIA AUTORI di Giuliana Mariniello umanistica di Robert Doisneau, Si è recentemente aperta al Palazzo Edouard Boubat e Willy Ronis oltre che dal reportage di tipo sociale. Nel delle Esposizioni di Roma la grande 2005 la FIAF, di cui è socio storico e MFI, gli ha dedicato un volume della retrospettiva dedicata a Serie Grandi Autori, Gianni Berengo Gardin. Parigi 1954, che raccoglie Gianni Berengo Gardin, Vera fotografia. la documentazione di quel periodo irripetibile trascorso nella capitale francese. Altrettanto -
Italian Humanist Photography from Fascism to the Cold War
ITALIAN HUMANIST PHOTOGRAPHY FROM FASCISM TO THE COLD WAR ITALIAN HUMANIST PHOTOGRAPHY FROM FASCISM TO THE COLD WAR Martina Caruso Bloomsbury Academic An imprint of Bloomsbury Publishing Plc LONDON • OXFORD • NEW YORK • NEW DELHI • SYDNEY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2016 © Martina Caruso, 2016 Martina Caruso has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the author. Unless otherwise indicated, translations are the author's own. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-1-4742-4693-4 ePDF: 978-1-4742-4696-5 ePub: 978-1-4742-4694-1 Library of Congress Cataloging-in-Publication Data Names: Caruso, Martina, author. Title: Italian humanist photography from fascism to the Cold War / Martina Caruso. Description: London; New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing, Plc, [2016] | Includes bibliographical references and index. -
NESSUNO ESCLUSO | Charity Art Auction Friday 10 November 2017 | Monaco
Friday 10 November 2017 | Monaco | Monaco 2017 10 November Friday | Charity Art Auction Art Auction | Charity NESSUNO ESCLUSO “DIFFICULT KIDS ARE EVERYBODY’S KIDS” “I RAGAZZI DIFFICILI SONO DI TUTTI: ANCHE NOSTRI” Professore Gustavo Pietropolli Charmet | Charity Art Auction Friday 10 November 2017 Tunnel Riva | Monaco “Nessuno Escluso was born with the sole purpose of supporting the incredible work that the therapists of the Minotauro Free Counseling Practice perform with the teenagers and families involved. To continue this great work the “Consultorio” which is supported only by Institutions and private donors, still needs help. This is what motivated the birth of this third edition” Silvia Marzocco Silvia GUSTAVO PIETROPOLLI CHARMET is one of the most influential Italian psychiatrists and psychotherapists. Professor of Dynamic Psychology at the State University of Milan and the University of Milan Bicocca, he is the primary lead at several psychiatric hospitals across the country. In 1985, with the support of Franco Forna- ri and partners, Charmet founded the Institute of the Minotaur where he was president until 2011 currently a partner. The Free Practice incentive spearheaded by Professor Gustavo Pietropolli Charmet at the Minotauro Institute aims to help 100 families per year af- fected by mental health issues in teenagers, whose ISEE income is below 20,000 euro. The service supports adolescents suffering with; eating disor- ders, social isolation, withdrawal and internet addiction, self-harm and attempted suicide. Via an evaluation process undertaken by a team of leading psychologists and psychotherapists under the supervision of Prof. Charmet, patients are provided with a course of weekly psychotherapy sessions and meetings and fortnightly or monthly consultations for parents. -
The Architectural Photography Of
TOWARD A NEW LANDSCAPE: THE ARCHITECTURAL PHOTOGRAPHY OF GABRIELE BASILICO, 1978-1984 by LAUREN JOSEPHINE SZUMITA A THESIS Presented to the Department of the History of Art and Architecture and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts December 2014 THESIS APPROVAL PAGE Student: Lauren Josephine Szumita Title: Toward a New Landscape: The Architectural Photography of Gabriele Basilico, 1978-1984 This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of the History of Art and Architecture by: Joyce Suechun Cheng Chairperson Kate Mondloch Member Dan Powell Member and J. Andrew Berglund Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded December 2014 ii © 2014 Lauren Josephine Szumita iii THESIS ABSTRACT Lauren Josephine Szumita Master of Arts Department of the History of Art and Architecture December 2014 Title: Toward a New Landscape: The Architectural Photography of Gabriele Basilico, 1978-1984 Trained as an architect shortly before becoming a photographer of urban spaces, Italian photographer Gabriele Basilico (1944-2013) is celebrated for his work on the city in transition. Beginning in 1978, Basilico refrained from photographing people and turned his attention to the architectural structures that make up a city, an approach that would define the remainder of his career. His focus on architecture and urban landscapes places Basilico in the realm of the “new landscape photography” in Italy, which is recognized for depicting previously overlooked areas of the city, such as defunct industrial sites, with renewed interest. -
The Years of Alienation in Italy
The University of Manchester Research The years of alienation in Italy DOI: 10.1007/978-3-030-15150-8 Link to publication record in Manchester Research Explorer Citation for published version (APA): Diazzi, A., & Sforza Tarabochia, A. (Eds.) (2019). The years of alienation in Italy: factory and asylum between the economic miracle and the years of lead. Palgrave Macmillan Ltd. https://doi.org/10.1007/978-3-030-15150-8 Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:04. Oct. 2021 The Years of Alienation in Italy Factory and Asylum Between the Economic Miracle and the Years of Lead Edited by Alessandra Diazzi Alvise Sforza Tarabochia The Years of Alienation in Italy [email protected] Alessandra Diazzi • Alvise Sforza Tarabochia -
FIAP and the Global Photo-Club Culture, 1950–1965
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2020 The “Olympiad of Photography”: FIAP and the Global Photo-Club Culture, 1950–1965 Alise Tifentale The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3537 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE “OLYMPIAD OF PHOTOGRAPHY”: FIAP AND THE GLOBAL PHOTO-CLUB CULTURE, 1950–1965 by ALISE TIFENTALE A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 ALISE TIFENTALE All Rights Reserved ii The “Olympiad of Photography”: FIAP and the Global Photo-Club Culture, 1950–1965 by Alise Tifentale This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Siona Wilson Chair of Examining Committee Date Rachel Kousser Executive Officer Supervisory Committee: Romy Golan Anna Indych-López Karen Strassler THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT The “Olympiad of Photography:” FIAP and the Global Photo-Club Culture, 1950–1965 by Alise Tifentale Advisor: Siona Wilson This dissertation examines the global photo-club culture of the 1950s through the work of the International Federation of Photographic Art (Fédération internationale de l'art photographique, FIAP), founded in 1950.