The Future of Public Service Broadcasting in South Africa: the Need to Return to Basic Principles
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Who Owns the News Media?
RESEARCH REPORT July 2016 WHO OWNS THE NEWS MEDIA? A study of the shareholding of South Africa’s major media companies ANALYSTS: Stuart Theobald, CFA Colin Anthony PhibionMakuwerere, CFA www.intellidex.co.za Who Owns the News Media ACKNOWLEDGEMENTS We approached all of the major media companies in South Africa for assistance with information about their ownership. Many responded, and we are extremely grateful for their efforts. We also consulted with several academics regarding previous studies and are grateful to Tawana Kupe at Wits University for guidance in this regard. Finally, we are grateful to Times Media Group who provided a small budget to support the research time necessary for this project. The findings and conclusions of this project are entirely those of Intellidex. COPYRIGHT © Copyright Intellidex (Pty) Ltd This report is the intellectual property of Intellidex, but may be freely distributed and reproduced in this format without requiring permission from Intellidex. DISCLAIMER This report is based on analysis of public documents including annual reports, shareholder registers and media reports. It is also based on direct communication with the relevant companies. Intellidex believes that these sources are reliable, but makes no warranty whatsoever as to the accuracy of the data and cannot be held responsible for reliance on this data. DECLARATION OF CONFLICTS Intellidex has, or seeks to have, business relationships with the companies covered in this report. In particular, in the past year, Intellidex has undertaken work and received payment from, Times Media Group, Independent Newspapers, and Moneyweb. 2 www.intellidex.co.za © Copyright Intellidex (Pty) Ltd Who Owns the News Media CONTENTS 1. -
South Africa: Afrikaans Film and the Imagined Boundaries of Afrikanerdom
A new laager for a “new” South Africa: Afrikaans film and the imagined boundaries of Afrikanerdom Adriaan Stefanus Steyn Thesis presented in fulfilment of the requirements for the degree of Master of Arts in Social Anthropology in the faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr Bernard Dubbeld Faculty of Arts and Social Sciences Department of Sociology and Social Anthropology December 2016 Stellenbosch University https://scholar.sun.ac.za By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2016 Copyright © 2016 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract The Afrikaans film industry came into existence in 1916, with the commercial release of De Voortrekkers (Shaw), and, after 1948, flourished under the guardianship of the National Party. South Africa’s democratic transition, however, seemed to announce the death of the Afrikaans film. In 1998, the industry entered a nine-year slump during which not a single Afrikaans film was released on the commercial circuit. Yet, in 2007, the industry was revived and has been expanding rapidly ever since. This study is an attempt to explain the Afrikaans film industry’s recent success and also to consider some of its consequences. To do this, I situate the Afrikaans film industry within a larger – and equally flourishing – Afrikaans culture industry. -
A Channel Guide
Intelsat is the First MEDIA Choice In Africa Are you ready to provide top media services and deliver optimal video experience to your growing audiences? With 552 channels, including 50 in HD and approximately 192 free to air (FTA) channels, Intelsat 20 (IS-20), Africa’s leading direct-to- home (DTH) video neighborhood, can empower you to: Connect with Expand Stay agile with nearly 40 million your digital ever-evolving households broadcasting reach technologies From sub-Saharan Africa to Western Europe, millions of households have been enjoying the superior video distribution from the IS-20 Ku-band video neighborhood situated at 68.5°E orbital location. Intelsat 20 is the enabler for your TV future. Get on board today. IS-20 Channel Guide 2 CHANNEL ENC FR P CHANNEL ENC FR P 947 Irdeto 11170 H Bonang TV FTA 12562 H 1 Magic South Africa Irdeto 11514 H Boomerang EMEA Irdeto 11634 V 1 Magic South Africa Irdeto 11674 H Botswana TV FTA 12634 V 1485 Radio Today Irdeto 11474 H Botswana TV FTA 12657 V 1KZN TV FTA 11474 V Botswana TV Irdeto 11474 H 1KZN TV Irdeto 11594 H Bride TV FTA 12682 H Nagravi- Brother Fire TV FTA 12562 H 1KZN TV sion 11514 V Brother Fire TV FTA 12602 V 5 FM FTA 11514 V Builders Radio FTA 11514 V 5 FM Irdeto 11594 H BusinessDay TV Irdeto 11634 V ABN FTA 12562 H BVN Europa Irdeto 11010 H Access TV FTA 12634 V Canal CVV International FTA 12682 H Ackermans Stores FTA 11514 V Cape Town TV Irdeto 11634 V ACNN FTA 12562 H CapeTalk Irdeto 11474 H Africa Magic Epic Irdeto 11474 H Capricorn FM Irdeto 11170 H Africa Magic Family Irdeto -
The Development of a Business Model for a Community Radio Station
Developing a business model for a community radio station in Port Elizabeth: A case study. By Anthony Thamsanqa “Delite” Ngcezula Student no: 20531719 Submitted in partial fulfilment of the requirements for the degree of Masters in Business Administration at the NMMU Business School Research supervisor: Dr Margaret Cullen November, 2008 DECLARATION BY STUDENT FULL NAME: Anthony Thamsanqa “Delite” Ngcezula STUDENT NUMBER: 20531719 QUALIFICATION: Masters in Business Administration DECLARATION: In accordance with Rule G4.6.3, I hereby declare that this treaties with a title “Developing a business model for a community radio station in Port Elizabeth: A case study” is my own work and that it has not previously been submitted for assessment to another University or for another qualification. SIGNITURE: __________________________ DATE: ________________________ i ACKNOWLEDGEMENTS I would like to express my sincere gratitude and thanks to my research supervisor, Doctor Margaret Cullen, whose academic guidance and encouragement was invaluable. I wish to thank Kingfisher FM as without their cooperation this treatise would not have been possible. I would like to thank my wife, Spokazi for putting up with the long hours I spent researching and writing this treatise. I wish to thank my girls, Litha and Gcobisa for their unconditional love. I would like to thank my parents, Gladys and Wilson for the values they instilled in me. I wish to thank the following people who made listening to radio an experience and inspired my love for radio presenting and -
Analysis of SABC News and Programming Lack of Diversity (Repeat) Analysis of SABC News and Programming
Lack of Diversity (Repeat) Analysis of SABC News and Programming Lack of Diversity (Repeat) Analysis of SABC News and Programming Written by Lethabo Thebe Dibetso and Thandi Smith Edited by Wellington Radu, William Bird and Sandra Banjac Creative Commons Copyright Media Monitoring Africa 2012 Funded by: Quality and Diversity in SABC Content South Africa is a country rich in diversity and it is not only important that the SABC celebrates South Africa’s national identity and culture but also reflects South Africa’s diverse languages, cultures, and people in its programmes, as required by its mandate. This report assesses the quality and diversity of all SABC programming and news content across different mediums. Acknowledgements The successful completion of this project can be attributed to the project team consisting of Carol Netshifhefhe, Lethabo Thebe Dibetso, Thandi Smith, with the help of Wellington Radu, Sandra Roberts and Albert van Houten. Data was collected by Bradley Romersa, Musa Rikhotso, Nobantu Urbania Mkhwanazi, Silvia Matlala, Sandile Ndlangamandla and Uyanda Siyotula. Media Monitoring Africa would also like to acknowledge MMA’s Director, William Bird for his oversight of this research. We would also like to thank the Open Society Foundation for their support of this research report. i Table of Contents Table of Contents ii List of Figure iv Executive Summary vii 1. Introduction 1 2. SABC’s Commitments to Quality and Diversity 2 3. How the research was conducted 5 3.1 What do we mean by diversity and quality of programming and news? 5 3.1.1 How the schedule analysis was conducted 6 3.1.2 How the news was analysed 6 3.2 The criteria for news analysis 7 3.3 Research limitations 8 4. -
Towards the Transformation of the ZBC Into a Public Broadcaster
MISA-Zimbabwe MISA-Zimbabwe submissions on the need for the transformation of the Zimbabwe Broadcasting Corporation (ZBC) into an independent public broadcasting service 1 Introduction Zimbabwe, being a member of such bodies as the United Nations (UN), the African Union (AU), and the Southern African Development Community (SADC), is party to such documents as the Universal Declaration of Human Rights, the Windhoek Declaration, the African Charter on Broadcasting and the SADC Protocol on Culture, Information and Sport. All these declarations require that signatory states respect basic human rights, especially freedom of expression, and in particular, they call for the creation of an enabling environment for media freedom, pluralism and diversity. Some of these declarations set minimum standards for the transformation of the state broadcasters into genuine public service broadcasters (PSBs) that are protected against political or commercial interference and whose programming serve the public interest. This paper seeks to advance the Media Institute of Southern Africa-Zimbabwe’s position on the need to transform the Zimbabwe Broadcasting Corporation (ZBC) into a truly public service broadcasting (PSB) entity. To achieve this, the paper starts by giving a background to MISA and its activities, mission and values, as well as the organisation’s key programme areas. This is followed by defining the role of the media in society and a definition of the notion of PSB, as a way of providing some conceptual background. It is argued that PSB plays too crucial a role in the democratisation and development of a nation to be left to the whims of a Ministry which is only accountable to the Executive alone. -
Ideology and Myth in South African Television: a Critical Analysis of Sabc Channel Brand Identities
IDEOLOGY AND MYTH IN SOUTH AFRICAN TELEVISION: A CRITICAL ANALYSIS OF SABC CHANNEL BRAND IDENTITIES by WOUDRI BOTHA Submitted in fulfilment of the requirements for the degree Magister Artium (Visual Studies) in the FACULTY OF HUMANITIES UNIVERSITY OF PRETORIA May 2010 Supervisor: Prof Jeanne van Eeden © University of Pretoria DECLARATION Student number: 21284254 I declare that Ideology and myth in South African television: a critical analysis of SABC television channel brand identities is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. ___________________________ ________________________ Ms W Botha Date ii “There are many different kinds of metaphors in which our thinking about cultural change takes place. These metaphors themselves change. Those which grip our imagination, and, for a time, govern our thinking about scenarios and possibilities of cultural transformation, give way to new metaphors, which make us think about these difficult questions in new terms” (Stuart Hall 1996f:287). iii SUMMARY Title: Ideology and myth in South African television: a critical analysis of SABC channel brand identities Name: Woudri Botha Supervisor: Prof Jeanne van Eeden Department: Department of Visual Arts Degree: Magister Artium (Visual Studies) Summary: This dissertation investigates the brand identities of the South African Broadcasting Corporation television channels SABC1, SABC2 and SABC3 during the first decade of the 2000s (from 2000 to 2009). The study explores the manifestation and dissemination of dominant political ideologies and myths by the SABC television channels and their respective brand identities. It is argued that SABC television channels are structured and organised according to specific brand ideologies that match dominant political ideologies prevalent in South Africa. -
Annual Report 2010 N T Ann Rrepo P
AnnualAnn RReReportpop rtt 2010 The Naspers Review of Governance and Financial Notice of Annual Group Operations Sustainability Statements General Meeting 2 Financial highlights 22 Review of operations 42 Governance 74 Consolidated 198 Notice of AGM 4 Group at a glance 24 Internet 51 Sustainability and company 205 Proxy form 6 Global footprInt 30 Pay television 66 Directorate annual financial 8 Chairman’s and 36 Print media 71 Administration and statements managing corporate information director’s report 72 Analysis of 16 Financial review shareholders and shareholders’ diary Entertainment at your fingertips Vision for subscribers To – wherever I am – have access to entertainment, trade opportunities, information and to my friends Naspers Annual Report 2010 1 The Naspers Review of Governance and Financial Notice of Annual Group Operations Sustainability Statements General Meeting Mission To develop in the leading group media and e-commerce platforms in emerging markets www.naspers.com 2 Naspers Annual Report 2010 The Naspers Review of Governance and Financial Notice of Annual Group Operations Sustainability Statements General Meeting kgFINANCIAL HIGHLIGHTS Revenue (R’bn) Ebitda (R’m) Ebitda margin (%) 28,0 6 496 23,2 26,7 6 026 22,6 09 10 09 10 09 10 Headline earnings Core HEPS Dividend per per share (rand) (rand) share (proposed) (rand) 8,84 14,26 2,35 8,27 11,79 2,07 09 10 09 10 09 10 2010 2009 R’m R’m Income statement and cash flow Revenue 27 998 26 690 Operational profit 5 447 4 940 Operating profit 4 041 3 783 Net profit attributable -
South Africa 2018/19 Communications
OFFICIAL GUIDE TO South Africa 2018/19 Communications 53 Official Guide to South Africa 2018/19 Communications 54 Department of Communications (DoC) and Digital Technologies (DCDT) Following the reconfiguration of government departments in June 2019, the DoC was merged with the Department of Telecommunications and Postal Services (DTPS) to form the new DCDT. The then DoC was spearheading the process of migrating broadcasting signals from analogue to digital. South Africa’s national digital network coverage comprises DTT transmission coverage of 84% of the population with the remaining 16% to be covered by satellite network. DTT is a reliable and cost-efficient means to distribute linear TV content and has many advantages over the analogue broadcasting system. One of its major advantages for communities is that it clears the analogue spectrum for the delivery of broadband mobile Internet and Wi-fi services. To view digital TV signals on an ordinary analogue TV set, consumers will need a set-top box (STB). Government will provide about five million poor TV-owning households with free STBs. Once the migration is complete, high definition TV telecast facilities would be available, along with expanded community, FM and satellite radio services to the entire population. During the 2017/18 financial year, the then DoC developed the White Paper on Audio-Visual and Digital Content Policy for South Africa, which provides enabling mechanisms to facilitate ownership of the new audio-visual digital content value chain by previously disadvantaged communities and small, medium and micro enterprises. Fourth Industrial Revolution (4IR) In 2018, Communications (and Digital Technologies) Minister Stella Ndabeni-Abrahams announced the “Building a Capable 4IR Army” capacity development programme to ensure that communities are equipped to take advantage of new digital technologies, unlock future jobs and drive competitiveness. -
Material Requirements & Deadlines
Material Requirements & Deadlines Logs open 6-weeks prior to Broadcast – Deadline for material/schedule changes: * 7 business-days prior to broadcast….TO ENSURE AN ERROR FREE BROADCAST * A great deals happens prior to 72-hour LOCKDOWN & Transmission! LOGS & BREAKS CHECKED 7 3 BUSINESS DAYS BUSINESS DAYS 72-HOURS LOCKDOWN MATERIAL ACCEPTANCE 72 48 24 TX HOURS HOURS HOURS DStv Commercial Channel Play-Outs Aspect Ratio GENERAL ENTERTAINMENT DOCUMENTARY & NEWS MUSIC YOUTH 4:3 GENERAL ENTERTAINMENT LIFESTYLE DOCUMENTARY & NEWS SPORT MUSIC YOUTH 16 x 9 SD GENERAL ENTERTAINMENT SPORT HD Dualcast on HD & 16:9SD kykNET & kie, Mzansi Magic, Mzansi Wethu, Mzansi Bioskop, M-Net Movies Zone 4:3 WSS and can accept 16:9 SD - & naturally HD, material Channel’s are subject to change / move – the above is correct as provided by our Channel’s at the time of release Production House / Creative Agency: Work-Flow Material Digital Delivery Adstream HD Brendon Richie [email protected] +27 82 990 3126 Media Move 16:9 SD Neels Bester [email protected] +27 082 384 7098 On-Air Play-Out: HD Copy Only 4:3 (HD, 16:9 SD and 4:3 Channel’s) On-Air Play-Out: 16:9 SD Copy HD (16:9 SD & 4:3 Channel’s ) Full Screen (title-safe preferable) 16:9 SD Full Screen OR (title-safe preferable) On-Air Play-Out: 4:3 Copy (4:3 Channel’s Only) QC Audio levels, 16:9 SD 4:3 4:3 Audio & video Letterboxed Letterboxed 4:3 Down Rendered quality, Full Screen Encoding Play-Out Material Specs, Delivery & Timelines No more tapes or different ad formats for different channels….SEND JUST ONE HD COPY Clients can elect to continue to send 4:3 material if they do not want the copy ‘letterboxed’ on-air. -
2017 Multichoice Annual Results
Annual results announcement Summary of the annual results of the MultiChoice group for the year ended 31 March 2017 MultiChoice South Africa Holdings Proprietary Limited (Registration number 2006/015293/07) (MultiChoice or the group) REPORT OF THE INDEPENDENT AUDITOR Revenue R’bn RevenueCore headlineR’bn earnings R’bnCore headline earnings R’bn The annual financial statements have been audited by the company’s auditor, PricewaterhouseCoopers Inc., whose unqualified audit 40,5 40,5 reports on the annual financial statements and annual results announcement are available for inspection at the registered office of 35,7 35,7 6,9 7,0 6,9 7,0 the company and on the company’s website. The auditor’s report does not necessarily cover all the information in this annual results announcement. Shareholders are advised that to obtain a complete understanding of the nature of the auditor’s work they should obtain a copy of that report, together with the annual financial statements, from the registered office of the company or the company’s website. 13% 13% On behalf of the board Nolo Letele Executive chair and acting chief executive Randburg 23 June 2017 Consolidated statements of profit or loss Year ended Year ended 31 March 31 March 2016 2017 2016 2016 2017 2017 2016 2017 2017 2016 R’m R’m The group produced satisfactory financial results despite tough conditions in the South African economy, driven by lower commodity prices, drought, political uncertainty, continued currency weakness and shifts in the competitive landscape. Consolidated revenues Revenue 40 544 35 704 increased by 14% for the review period. -
SD PVR Remote Control Manual
PVR Remote Control Manual Version 1.4 (Dec 2005) e&oe Table Of Contents 1 .Welcome ..................................................................................................................................... 3 2. Taking Care of your Remote Control ........................................................................................... 3 2.1 CLEANING .............................................................................................................................. 3 2.2 BATTERIES .............................................................................................................................3 3. Basic Navigation ..........................................................................................................................4 4. What’s New? ............................................................................................................................... 5 4.1 SHIFT .................................................................................................................................... 5 4.2 THE DIAL ............................................................................................................................... 6 4.3 BLINKING LIGHTS .................................................................................................................... 7 4.4 TIMEOUTS .............................................................................................................................. 8 5. Advanced Functionality ..............................................................................................................