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The Federal Reserve's Catch-22: 1 a Legal Analysis of the Federal Reserve's Emergency Powers
~ UNC Jill SCHOOL OF LAW *'/(! 4 --/! ,.%'! " ! ! " *''*1.$%-) %.%*)'1*,&-. $6+-$*',-$%+'1/)! /)% ,.*".$! )&%)#) %))!1*((*)- !*((!) ! %..%*) 5*(-*,.!, 7;:9;8;<= 0%''!. $6+-$*',-$%+'1/)! /)%0*' %-- 5%-*.!%-,*/#$..*2*/"*,",!!) *+!)!--2,*'%)1$*',-$%+!+*-%.*,2.$-!!)!+.! "*,%)'/-%*)%)*,.$,*'%) )&%)#)-.%./.!2)/.$*,%3! ! %.*,*",*'%)1$*',-$%+!+*-%.*,2*,(*,!%)"*,(.%*)+'!-!*).. '1,!+*-%.*,2/)! / The Federal Reserve's Catch-22: 1 A Legal Analysis of the Federal Reserve's Emergency Powers I. INTRODUCTION The federal government's role in the buyout of The Bear Stearns Companies (Bear) by JPMorgan Chase (JPMorgan) will be of lasting significance because it shaped a pivotal moment in the most threatening financial crisis since The Great Depression.2 On March 13, 2008, Bear informed "the Federal Reserve and other government agencies that its liquidity position had significantly deteriorated, and it would have to file for bankruptcy the next day unless alternative sources of funds became available."3 The potential impact of Bear's insolvency to the global financial system4 persuaded officials at the Federal Reserve (the Fed) and the United States Department of the Treasury (Treasury) to take unprecedented regulatory action.5 The response immediately 1. JOSEPH HELLER, CATCH-22 (Laurel 1989). 2. See Turmoil in the Financial Markets: Testimony Before the H. Oversight and Government Reform Comm., llO'h Cong. -- (2008) [hereinafter Greenspan Testimony] (statement of Dr. Alan Greenspan, former Chairman, Federal Reserve Board of Governors) ("We are in the midst of a once-in-a century credit tsunami."); Niall Ferguson, Wall Street Lays Another Egg, VANITY FAIR, Dec. 2008, at 190, available at http://www.vanityfair.com/politics/features/2008/12/banks200812 ("[B]eginning in the summer of 2007, [the global economy] began to self-destruct in what the International Monetary Fund soon acknowledged to be 'the largest financial shock since the Great Depression."'); Jeff Zeleny and Edmund L. -
Winter 2021 January – April BLOOMSBURY PUBLISHING JANUARY 2021
BLOOMSBURY Winter 2021 January – April BLOOMSBURY PUBLISHING JANUARY 2021 A Court of Silver Flames Sarah J. Maas The fourth book in the Court of Thorns and Roses series from #1 global bestseller Sarah J. Maas. The fourth book in the Court of Thorns and Roses series from #1 global bestseller Sarah J. Maas. PRAISE for ACOTAR "Simply dazzles." —Booklist, starred review "Passionate, violent, sexy and daring . A true page-turner." —USA Today "Suspense, romance, intrigue and action. This is not a book to be missed!" FICTION / FANTASY / ROMANTIC —HuffPost Bloomsbury Publishing | 1/26/2021 "Vicious and intoxicating . A dazzling world, complex characters, and sizzling 9781681196282 | $28.00 / $38.00 Can. romance." —RT Book Reviews, Top Pick Hardcover with dust jacket | 648 pages 9.3 in H | 6.1 in W "A sexy, action-packed fairy tale." —Bustle for ACOMAF "Fiercely romantic, irresistibly sexy and hypnotically magical. A veritable feast for the senses." —USA Today MARKETING Major prepublication buzz-building "Hits the spot for fans of dark, lush, sexy fantasy." —Kirkus Reviews campaign starting 8 months prepub "An immersive, satisfying read." —PW Social media campaign to include title and "Darkly sexy and thrilling." —Bustle cover reveals, sneak peaks, character quotes, animated trailer and more for ACOWAR Exclusive swag item available at NY "Fast... ComicCon 2020 Global preorder offer launching several months before publication SARAH J. MAAS is the #1 New York Times and internationally bestselling author of the Court of YouTube live author appearances teasing Thorns and Roses and the Crescent City series, as well as the Throne of Glass series. -
The New School, Everybody Comes to Rick's
Narrative Section of a Successful Application The attached document contains the grant narrative and selected portions of a previously funded grant application. It is not intended to serve as a model or to indicate particular areas that are of interest to the Endowment, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects his or her unique project and aspirations. Prospective applicants should consult the Research Programs application guidelines at https://www.neh.gov/grants/research/public- scholar-program for instructions. Formatting requirements, including page limits, may have changed since this application was submitted. Applicants are also strongly encouraged to consult with the NEH Division of Research Programs staff well before a grant deadline. Note: The attachment only contains the grant narrative and selected portions, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Everybody Comes to Rick’s: How “Casablanca” Taught Us to Love Movies Institution: The New School Project Director: Noah Isenberg Grant Program: Public Scholar Program 400 Seventh Street, S.W., Washington, D.C. 20506 P 202.606.8200 F 202.606.8204 E [email protected] www.neh.gov Everybody Comes to Rick’s: How Casablanca Taught Us to Love Movies On Thanksgiving Day 1942, the lucky ticket holders who filled the vast, opulent 1,600-seat auditorium at Warner Brothers’ Hollywood Theatre in midtown Manhattan—where today the Times Square Church stands—were treated to the world premiere of Casablanca, the studio’s highly anticipated wartime drama. -
FIST STICK KNIFE GUN a Personal History of Violence Author Website: by Geoffrey Canada
Academic Marketing Dept. • 1745 Broadway • New York, NY 10019 Random House, Inc. Tel: 212-782-8482 • Fax: 212-782-8915 • ) [email protected] CONTENTS FEaturEd titlEs subjEct catEgoriEs THE OXFORD PROJECT By Stephen G. Bloom and Peter Feldstein ............................2–3 CULTURAL / ETHNIC STUDIES THE SOCIAL ANIMAL By David Brooks ......................................................................4–5 Anthropology ................................................................................................................34 FIST, STICK, KNIFE, GUN By Geoffrey Canada ..........................................................6–7 American Studies ....................................................................................................34–35 HOLLOWING OUT THE MIDDLE By Patrick J. Carr and Maria J. Kefalas ....................8–9 Ethnomusicology ..........................................................................................................35 I DON’T WISH NOBODY TO HAVE A LIFE LIKE MINE By David Chura ................10–11 African / African American Studies ..........................................................................35–36 THE AGE OF EMPATHY By Frans de Waal ..............................................................12–13 Asian Studies..................................................................................................................36 OCCULT AMERICA By Mitch Horowitz....................................................................14–15 Latino / Latina Studies....................................................................................................36 -
4Th Annual Honors Lecture of the Year Tuesday, February 7, 2012 7:00Pm ASU Student Union Auditorium
Honors Lecture 4th Annual Honors Lecture of the Year Tuesday, February 7, 2012 7:00pm ASU Student Union Auditorium Event Co-Sponsors Platinum ASU Lecture-Concert Series Gold “Half my life ago, I killed a girl.” In this powerful, The Honors College unforgettable memoir, acclaimed novelist Darin Strauss The Graduate School recounts a tragedy and its aftermath. In his last month of College of Business high school, just after turning eighteen, Strauss is behind College of Communications the wheel of his father's Oldsmobile, driving with friends—having “thoughts of mini-golf, another thought College of Education of maybe just going to the beach.” Then out of the blue: College of Fine Arts a collision that results in the death of a bicycling College of Humanities & Social Sciences classmate that shadows the rest of his life. In spare and College of Nursing & Health Professions piercing prose, Darin Strauss explores loss and guilt, College of Sciences & Mathematics maturity and accountability, hope and acceptance—and the result is a staggering, uplifting tour de force. Continuing Education & Community Outreach Dean B. Ellis Library A recipient of the Guggenheim Fellowship and a winner Student Government Association (SGA) Action Fund of the American Library Association's Alix Award and The Silver National Book Critics Circle Award, the internationally- The Honors College Association (HCA) bestselling writer Darin Strauss is the author of the novels “Chang & Eng,” “The Real McCoy,” and “More College of Agriculture & Technology Than It Hurts You,” and the NBCC-winning memoir “Half College of Engineering a Life.” These have been New York Times Notable Books, Newsweek, Los Angeles Times, San Francisco Chronicle, Amazon, Chicago Tribune, and NPR Best Books of the Year, among others. -
CURRICULUM VITAE: LESLIE EPSTEIN Married
CURRICULUM VITAE: LESLIE EPSTEIN Married: Ilene Epstein Three children: Anya, Paul, Theo Born: Los Angeles, l938 EDUCATION: BA: Yale College, summa cum laude, 1960 Dip. Anthro. Oxon: Oxford, 1962 MA: Theater Arts, UCLA, 1963 DFA: Yale University (Yale Drama School), 1967 ACADEMIC POSITIONS: Queens College, CUNY, 1965-1978, starting as lecturer, ending as Professor of English Boston University, Director, Graduate Creative Writing Program (and Professor of English), 1978-present Visiting Positions: Lane College, summer, 1964 (a civil rights project) Yale University, creative writing, and honorary fellow, Silliman College, spring, 1972 Groningen University (Holland), Visiting Professor of English and American Literature, 1972/73 (A Fulbright teaching fellowship) John Hopkins University, Department of Writing Seminars, spring, 1977 Various writing workshops and seminars, most notably teaching at The Writers' Community, New York City, 1976; a residency at Yaddho in 1982; three weeks in India, helping to initiate writers' workshops in New Delhi (1992); and a six-week residence at the Rockefeller Institute, Villa Serbelloni, Bellagio, 1994; numerous summer writing conferences. FELLOWSHIPS AND AWARDS: Rhodes Scholarship, Merton College, Oxford, 1960-1962 Samuel Goldwyn Creative Writing Award ($2000) (UCLA), 1963 Lemist Esler Fellowship, Yale Drama School, 1963-65 National Endowment for the Arts Award ($1000 and publication of story), 1969 Playboy Editors Award (non-fiction), 1971 National Endowment for the Arts Fellowship Grant ($5000), 1972 -
The Book House
PETER BLUM GALLERY Where is Our Reckoning? September 29, 2020 Text by Catherine Wagley Mock Bon Appétit cover by Joe Rosenthal (@joe_rosenthal). For weeks, I have been preoccupied with the brilliantly crafted tweets of freelance food and wine writer Tammie Teclemariam, who has been fueling, supporting, and live-tweeting reckonings in food media since early June. Her early grand slam, tweeted alongside a 2004 photo of now-former Bon Appétit editor-in-chief Adam Rapoport in brown face (two anonymous sources sent her the photo, which the editor allegedly kept on his desk),1 read: “I don’t know why Adam Rapoport doesn’t just write about Puerto Rican food for @bonappetit himself!!!”2 Hours later, Rapaport—who, according multiple accounts, nurtured a toxic, discriminatory culture at the publication—had resigned. But perhaps my favorite tweet came after Teclemariam’s tweets contributed to the resignation of Los Angeles Times food section editor Peter Meehan: “I’m so glad the real journalism can start now that everyone is running their mouth.”3 In its glib concision, her tweet underscored the ideal aim of many recent so-called media call-outs: to expose, and hopefully excise, a toxicity that narrows, stifles, and handicaps writing about culture—the importance of which has been underscored by the ongoing uprisings against violent systemic racism. Blumarts Inc. 176 Grand Street Tel + 1 212 244 6055 www.peterblumgallery.com New York, NY 10013 Fax + 1 212 244 6054 [email protected] PETER BLUM GALLERY Not everyone appreciates that tweets like -
Author Event for NYC Educators
You are Invited to the Fourth Annual Author Event Academic Resources for NYC Educators FRIDAY, JUNE 29, 2012 from Noon–3:00pm (A Free Lunch will be served starting at 12 noon. The event will start promptly at 12:30 PM.) RANDOM HOUSE, INC. FEATURING: 1745 Broadway, N.Y., N.Y. (between W. 55th and W. 56th Streets) A SPECIAL PRESENTATION on the Come hear these authors speak and get a FREE copy of each of their books. COMMON CORE STANDARDS by FREE Event. Space is limited. To RSVP, email [email protected] For information about author school visits, contact [email protected] JULIE OTSUKA SAM BRACKEN THE BUDDHA IN THE AttIC MY ORANGE DUFFEL BAG Winner of the PEN/Faulkner Award for Fiction A Journey to Radical Change National Book Award Finalist Winner of the National Indie Los Angeles Times Book Prize Finalist Excellence Book Award A New York Times Notable Book Benjamin Franklin Book Award Silver Medalist tour de force of economy and A precision, Julie Otsuka’s long awaited n this graphic mini-memoir combined follow-up to When the Emperor Was Divine Iwith transformational self-help, Sam tells the story of a group of young women Bracken shares his harrowing personal brought over from Japan to San Francisco journey from an abusive childhood as “picture brides” nearly a century ago. to the successful life he leads today. He also shows students how they can “Exquisitely written. An understated turn their lives around by sharing his rules for the road: everything masterpiece. Destined to endure.” he learned about radically changing his life and how anyone can —SAN FRANCISCO CHRONICLE create positive, lasting change. -
Fordham Journal of Corporate & Financial
Fordham Journal of Corporate & Financial Law Volume 11 Issue 4 Article 3 2006 Does the Law Encourage Unethical Conduct in the Securities Industry? Di Lorenzo Vincent Follow this and additional works at: https://ir.lawnet.fordham.edu/jcfl Part of the Banking and Finance Law Commons, and the Business Organizations Law Commons Recommended Citation Di Lorenzo Vincent, Does the Law Encourage Unethical Conduct in the Securities Industry?, 11 Fordham J. Corp. & Fin. L. 765 (2006). Available at: https://ir.lawnet.fordham.edu/jcfl/vol11/iss4/3 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Journal of Corporate & Financial Law by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. DOES THE LAW ENCOURAGE UNETHICAL CONDUCT IN THE SECURITIES INDUSTRY? Vincent Di Lorenzo* A 2002 Citigroup Inc. memo, released as part of a Florida lawsuit, shows that the bank's own analysts were reluctant to publish less- biased research over concerns of a backlash from its investment bankers. John Hoffmann, the former head of equity research at Citigroup's Salomon Smith Barney unit, wrote in March 2002 that the firm's analysts were considering an increase in the number of "negative" ratings on stocks. In the same memo to Michael Carpenter, then head of Citigroup's corporate and investment bank, Hoffmann said doing so would threaten more than $16 billion in fees and risk putting the firm at a disadvantage. -
Letter Received in Response to Appeals Court Decision
[email protected] June 28, 2005 (202) 887-3746 (202) 530-9653 VIA E-MAIL Mr. Jonathan G. Katz Secretary Securities and Exchange Commission 100 Fifth Street, N.E. Washington, DC 20549 Re: Investment Company Governance Rule; File No. S7-03-04 Dear Mr. Katz: I am enclosing the following materials for inclusion in the rulemaking record in advance of the June 29 Open Meeting concerning the above-titled proceeding: • A June 21, 2005 article from Bloomberg.com, titled “SEC Must Reconsider Fund Governance Rule, Court Says”; • An email from C. Meyrick Payne of Management Practice Inc.; • A June 23, 2005 article from the Wall Street Journal, titled “Donaldson's Last Stand”; • A June 23, 2005 article from CBS MarketWatch, titled “Business group urges SEC to hold off fund vote”; • A letter from the Honorable Harvey L. Pitt to the Commission; • A June 24, 2005 article from Dow Jones Newswire, titled “Republican Senators Urge SEC to Defer Action on Fund Rule”; • A June 24, 2005 article from the Washington Post, titled “National Briefing: Regulation”; • A June 24, 2005 article from Bloomberg.com; • A June 25 New York Times article, titled “Ex-Officials Urge S.E.C. to Postpone a Vote”; • A June 28, 2005 New York Times article, titled “S.E.C. Chief Defends Timing of Fund Vote”; • A June 28, 2005 Wall Street Journal article, titled “Donaldson's Finale Draws Uproar”; and • A PDF of a letter from eight United States Senators to the Commission. Very truly yours, Cory J. Skolnick Enclosures cc: Hon. William H. Donaldson, Chairman, SEC (via hand delivery w/ enclosures) Hon. -
Enterprise and Individual Risk Management
Enterprise and Individual Risk Management v. 1.0 This is the book Enterprise and Individual Risk Management (v. 1.0). This book is licensed under a Creative Commons by-nc-sa 3.0 (http://creativecommons.org/licenses/by-nc-sa/ 3.0/) license. See the license for more details, but that basically means you can share this book as long as you credit the author (but see below), don't make money from it, and do make it available to everyone else under the same terms. This book was accessible as of December 29, 2012, and it was downloaded then by Andy Schmitz (http://lardbucket.org) in an effort to preserve the availability of this book. Normally, the author and publisher would be credited here. However, the publisher has asked for the customary Creative Commons attribution to the original publisher, authors, title, and book URI to be removed. Additionally, per the publisher's request, their name has been removed in some passages. More information is available on this project's attribution page (http://2012books.lardbucket.org/attribution.html?utm_source=header). For more information on the source of this book, or why it is available for free, please see the project's home page (http://2012books.lardbucket.org/). You can browse or download additional books there. ii Table of Contents About the Authors................................................................................................................. 1 Acknowledgments................................................................................................................. 6 Dedications............................................................................................................................ -
2014 Annual Report
Wadsworth Atheneum Museum of Art Annual Report 2014 REPOR T from the President and Director & CEO Renewing the Wadsworth Atheneum The past twelve months have been one of the most transformative chapters in the long and illustrious history of the Wadsworth Atheneum. From completing the second phase of our $33 million roof-to-basement renovation, bringing our campus of five historic buildings into the 21st century, to maintaining the museum’s standards for excellence in scholarship, acquisitions, and groundbreaking exhibitions, Daniel Wadsworth’s “spirit of genius” has continued to inspire creative collaboration and forward momentum since the museum first opened to the public 170 years ago on July 31, 1844. Increased commitments from generous funders energized the massive renewal project. The year began on a high note with the thrilling news of a $5 million award from the State of Connecticut, bringing the State’s total investment in our building renovation to $25 million and ensuring that we could confidently enter the final phase of work on the Wadsworth and Morgan Memorial Buildings. We extend our utmost gratitude to Governor Malloy and his administration for their trust in our mission, and we are fully committed to our crucial role as a thriving cultural destination with a measurable economic impact for the State of Connecticut. Another transformative moment came with the unexpected announcement of the largest single bequest in the museum’s history — $9.6 million from the estate of former museum member Charles H. Schwartz. This significant gift, designated for the acquisition of European artworks from the 18th century or earlier, was immediately put to good use by our curatorial team’s newest member, Susan Morse Hilles Curator of European Art Oliver Tostmann.