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Lara Pan Curates Fordproject's Inaugural Exhibition When the Fairy
Lara Pan curates fordPROJECT’s inaugural exhibition When the Fairy Tale Never Ends (New York, NY) Altpoint Capital Partners, parent company of Ford Models, is pleased to announce that the inaugural exhibition at its new contemporary art space fordPROJECT will be When the Fairy Tale Never Ends curated by Lara Pan. The exhibition will open to the public on January 20, 2011 and will include works by both established and emerging artists including Michaël Aerts, Eleanor Antin, Valentina Battler, carballo-farman, Henry Darger, Wim Delvoye, Braco Dimitrijevic, Eagleton- Enright, Kent Henricksen, Natacha Ivanova, Robert Lazzarini, Panni Malekzadeh, Vincent Olinet, Gretchen Ryan and Kenny Scharf. Pan will take over fordPROJECT’s dual-level penthouse located at 57 W 57 (a historic Warren + Wetmore building) to create a rich environment that explores the concept of fairytale and myth as they merge with the realities of contemporary life. Panni Malekzadeh, Peep Show, oil on linen, 62 x 89 inches. The title of Pan’s show is derived from overarching themes of beauty, intrinsic value, the transgressive quality of fairytales in contemporary culture and the often unrealistic adolescent expectations for an idyllic life. In exploring these themes Pan highlights that certain archetypes have morphed over time, some in subtle ways and others quite drastically. An example is Eleanor Antin’s The Little Match Girl Ballet, a 26-minute performance piece captured on video in 1975 in which the artist, dressed in a tutu, entertains a captive gallery audience with a monologue explaining her strategy for becoming a famous ballerina. Antin’s performance is the physical manifestation of the sociological pressures that women face in modern western society. -
Annual Report of the Connecticut Commission for Educational
Annual Report of the Connecticut Commission for Educational Technology Calendar Year 2018 Submitted in Accordance with CGS § 61a, Sec. 4d-80(c)(8) Hartford, Connecticut January 2, 2019 55 Farmington Avenue Hartford, CT 06105 (860) 622-2224 www.ct.gov/ctedtech Contents Executive Summary ............................................................................................................................. 3 Introduction .......................................................................................................................................... 6 Background and Membership ........................................................................................................... 6 Leadership ............................................................................................................................................ 7 Meetings ............................................................................................................................................... 9 State Educational Technology Goals and Plan ............................................................................ 11 Digital Learning .............................................................................................................................. 13 Infrastructure ................................................................................................................................... 17 Data and Privacy .......................................................................................................................... -
Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb. -
The Federal Reserve's Catch-22: 1 a Legal Analysis of the Federal Reserve's Emergency Powers
~ UNC Jill SCHOOL OF LAW *'/(! 4 --/! ,.%'! " ! ! " *''*1.$%-) %.%*)'1*,&-. $6+-$*',-$%+'1/)! /)% ,.*".$! )&%)#) %))!1*((*)- !*((!) ! %..%*) 5*(-*,.!, 7;:9;8;<= 0%''!. $6+-$*',-$%+'1/)! /)%0*' %-- 5%-*.!%-,*/#$..*2*/"*,",!!) *+!)!--2,*'%)1$*',-$%+!+*-%.*,2.$-!!)!+.! "*,%)'/-%*)%)*,.$,*'%) )&%)#)-.%./.!2)/.$*,%3! ! %.*,*",*'%)1$*',-$%+!+*-%.*,2*,(*,!%)"*,(.%*)+'!-!*).. '1,!+*-%.*,2/)! / The Federal Reserve's Catch-22: 1 A Legal Analysis of the Federal Reserve's Emergency Powers I. INTRODUCTION The federal government's role in the buyout of The Bear Stearns Companies (Bear) by JPMorgan Chase (JPMorgan) will be of lasting significance because it shaped a pivotal moment in the most threatening financial crisis since The Great Depression.2 On March 13, 2008, Bear informed "the Federal Reserve and other government agencies that its liquidity position had significantly deteriorated, and it would have to file for bankruptcy the next day unless alternative sources of funds became available."3 The potential impact of Bear's insolvency to the global financial system4 persuaded officials at the Federal Reserve (the Fed) and the United States Department of the Treasury (Treasury) to take unprecedented regulatory action.5 The response immediately 1. JOSEPH HELLER, CATCH-22 (Laurel 1989). 2. See Turmoil in the Financial Markets: Testimony Before the H. Oversight and Government Reform Comm., llO'h Cong. -- (2008) [hereinafter Greenspan Testimony] (statement of Dr. Alan Greenspan, former Chairman, Federal Reserve Board of Governors) ("We are in the midst of a once-in-a century credit tsunami."); Niall Ferguson, Wall Street Lays Another Egg, VANITY FAIR, Dec. 2008, at 190, available at http://www.vanityfair.com/politics/features/2008/12/banks200812 ("[B]eginning in the summer of 2007, [the global economy] began to self-destruct in what the International Monetary Fund soon acknowledged to be 'the largest financial shock since the Great Depression."'); Jeff Zeleny and Edmund L. -
What Is Cross Registration
CROSS REGISTRATION GRADUATE STUDENTS “Empowering and Investing in Connecticut’s students for College, for Leadership, for Life.” www.hartfordconsortium.org | / hchehartford | /HartfordConsortium HCHE Members: Capital Community College, Central Connecticut State University, Goodwin College, Manchester Community College, Hartford Seminary, St. Thomas Seminary, Trinity College, University of Saint Joseph, UCONN - Hartford, University of Hartford Affiliate Members: Connecticut Public/CPTV/WNPR, TheaterWorks GRADUATE STUDENTS Welcome to the Cross Registration program sponsored by the member colleges and universities of the Hartford Consortium for Higher Education. By participating in this program you have the opportunity to expand your learning experience, learn about other institutions of higher education in our region and maximize your personal educational goals. In order to take full advantage of the cross registration program, and to satisfy all requirements for registration and participation, it is very important that you read this brochure carefully. If you have any questions, you may contact your home school’s registrar’s office or the HCHE office. See the contact list below: HOW TO SELECT A COURSE Contact the Registrar at the host school for courses and availability options **Connecticut Public/CPTV/WNPR and TheaterWorks are HCHE Affiliate members Capital Community College Registrar: Argelio Marrero St. Thomas Seminary 950 Main Street, Rm. 207, Hartford CT 06103 Gayle Keene 860-906-5125 | [email protected] 467 Bloomfield Avenue, Bloomfield CT 06002 860-242-5573 Ext. 2662 | [email protected] Central CT State University UCONN-Hartford Associate Registrar: Matthew Bielawa Assistant Registrar: Nicole Ariyavatkul 1615 Stanley Street, Davidson Hall, Rm 116 Thelma Morris 860-832-2236 | [email protected] 10 Prospect Street, Hartford CT 06106 959-200-3833 | [email protected] | [email protected] Goodwin College University of Hartford Assistant Registrar: Rebecca Straub Registrar Administrator: Sandra Stevens 1 Riverside Drive, Rm. -
Macdonald Center Faculty
pra xis News from Hartford Seminary • April 2008 • Vol. XX • No. 1 Macdonald Center Faculty NEWAyoub Appointed as MIchot Named Faculty Associate Senior Professor Mahmoud Ayoub, a pre-eminent The Board of Trustees of Hartford scholar in Islam and interfaith Seminary and President Heidi Hadsell dialogue in the United States and have named Yahya M. Michot, an around the world, has been named internationally known scholar in Faculty Associate in Shi‘ite Islam Islamic theological and philosophical and Christian-Muslim Relations at Hartford Seminary, starting July 1. thought, to the faculty at Hartford Seminary. Dr. Ayoub comes to Hartford Seminary from Temple University Michot will be Professor of Islamic in Philadelphia where he was a Studies and Christian-Muslim professor and Director of Islamic Relations, effective September 1. He Studies in the Department of will join the Seminary’s Macdonald Religion. Heidi Hadsell, President Center for the Study of Islam and of Hartford Seminary, announced Christian-Muslim Relations and co- the appointment. edit the Muslim World journal. “It will be a pleasure and a privilege “I am delighted that Yahya Michot to welcome Mahmoud Ayoub, Continued on page 9 Continued on page 15 Agosto Named Academic Dean of Hartford Seminary Heidi Hadsell, President of Hartford Seminary, has named Efrain Agosto, Professor of New Testament and noted Pauline scholar, as Academic Dean of the Seminary. The appointment was ratified by the Board of Trustees at a meeting in March. “We are very pleased that Efrain has assumed this -
Selected Highlights of Women's History
Selected Highlights of Women’s History United States & Connecticut 1773 to 2015 The Permanent Commission on the Status of Women omen have made many contributions, large and Wsmall, to the history of our state and our nation. Although their accomplishments are too often left un- recorded, women deserve to take their rightful place in the annals of achievement in politics, science and inven- Our tion, medicine, the armed forces, the arts, athletics, and h philanthropy. 40t While this is by no means a complete history, this book attempts to remedy the obscurity to which too many Year women have been relegated. It presents highlights of Connecticut women’s achievements since 1773, and in- cludes entries from notable moments in women’s history nationally. With this edition, as the PCSW celebrates the 40th anniversary of its founding in 1973, we invite you to explore the many ways women have shaped, and continue to shape, our state. Edited and designed by Christine Palm, Communications Director This project was originally created under the direction of Barbara Potopowitz with assistance from Christa Allard. It was updated on the following dates by PCSW’s interns: January, 2003 by Melissa Griswold, Salem College February, 2004 by Nicole Graf, University of Connecticut February, 2005 by Sarah Hoyle, Trinity College November, 2005 by Elizabeth Silverio, St. Joseph’s College July, 2006 by Allison Bloom, Vassar College August, 2007 by Michelle Hodge, Smith College January, 2013 by Andrea Sanders, University of Connecticut Information contained in this book was culled from many sources, including (but not limited to): The Connecticut Women’s Hall of Fame, the U.S. -
Certified Products List
THE ART & CREATIVE MATERIALS INSTITUTE, INC. Street Address: 1280 Main St., 2nd Floor Mailing Address: P.O. Box 479 Hanson, MA 02341 USA Tel. (781) 293-4100 Fax (781) 294-0808 www.acminet.org Certified Products List March 28, 2007 & ANSI Performance Standard Z356._X BUY PRODUCTS THAT BEAR THE ACMI SEALS Products Authorized to Bear the Seals of The Certification Program of THE ART & CREATIVE MATERIALS INSTITUTE, INC. Since 1940, The Art & Creative Materials Institute, Inc. (“ACMI”) has been evaluating and certifying art, craft, and other creative materials to ensure that they are properly labeled. This certification program is reviewed by ACMI’s Toxicological Advisory Board. Over the years, three certification seals had been developed: The CP (Certified Product) Seal, the AP (Approved Product) Seal, and the HL (Health Label) Seal. In 1998, ACMI made the decision to simplify its Seals and scale the number of Seals used down to two. Descriptions of these new Seals and the Seals they replace follow: New AP Seal: (replaces CP Non-Toxic, CP, AP Non-Toxic, AP, and HL (No Health Labeling Required). Products bearing the new AP (Approved Product) Seal of the Art & Creative Materials Institute, Inc. (ACMI) are certified in a program of toxicological evaluation by a medical expert to contain no materials in sufficient quantities to be toxic or injurious to humans or to cause acute or chronic health problems. These products are certified by ACMI to be labeled in accordance with the chronic hazard labeling standard, ASTM D 4236 and the U.S. Labeling of Hazardous NO HEALTH LABELING REQUIRED Art Materials Act (LHAMA) and there is no physical hazard as defined with 29 CFR Part 1910.1200 (c). -
Cheney Brothers, the New York Connection
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1998 Cheney Brothers, the New York Connection Carol Dean Krute Wadsworth Atheneum Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Dean Krute, Carol, "Cheney Brothers, the New York Connection" (1998). Textile Society of America Symposium Proceedings. 183. https://digitalcommons.unl.edu/tsaconf/183 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Cheney Brothers, the New York Connection Carol Dean Krute Wadsworth Atheneum The Cheney Brothers turned a failed venture in seri-culture into a multi-million dollar silk empire only to see it and the American textile industry decline into near oblivion one hundred years later. Because of time and space limitations this paper is limited to Cheney Brothers' activities in New York City which are, but a fraction, of a much larger story. Brothers and beginnings Like many other enterprising Americans in the 1830s, brothers Charles (1803-1874), Ward (1813-1876), Rush (1815-1882), and Frank (1817-1904), Cheney became engaged in the time consuming, difficul t business of raising silk worms until they discovered that speculation on the morus morticaulis, the white mulberry tree upon which the worms fed, might be far more profitable. As with all high profit operations the tree business was a high-risk venture, throwing many investors including the Cheney brothers, into bankruptcy. -
The Magic of Color
Materials list – The Magic of Color Drawing & Painting Botanicals with wax-based permanent (non-soluble) traditional Colored Pencils Art-Instructor: Monica Ray [email protected]/www.MonicaRayArtist.com/www.Facebook.com/MonicaRayArtist Updated January, 2019 There are many different brands of colored pencils on the market. I recommend materials of artists’ quality, which are a pleasure to use and create lasting works. Artist/Professional-grade colored pencils have a high percentage of pigments and better quality binders & waxes. Therefore, do yourself a favor and buy the best materials you can afford! Graphite pencils: . 3 good quality graphite pencils – HB, 2H and 2B (I recommend Tombow Mono, Faber Castell 9000 or Staedtler) Colored pencils: 1. A set of Prismacolor Premier – Botanical Garden Set and supplement with the following: black grape, grayed lavender, true blue, process red. To complete your starter palette, I also recommend the following colors: nectar, jade green, sand, dark green, Tuscan red & indigo blue 2. Prismacolor Verithin pencils, minimum set of 12 (also available as open-stock. When purchasing individual pencils try to coordinate the colors with the hues in your basic set) Blenders: Colorless blender(s): Lyra Rembrandt – Splender and Prismacolor Premier colorless blender (I recommend to buy both, because each one gives a different result) Sharpener: Preferably a portable battery-operated sharpener with a spiral (aka helical) blade. Papers: . A pad (15-sheets) of Legion Stonehenge, white, min. size 9” x 12”, bright green cover (if it is old stock, the cover is different, make sure that it says that the paper within has a vellum surface) . -
Deborah Oropallo @ Stephen Wirtz + Interview
HOME ARCHIVE ABOUT/CONTACT D O N A T E ! SUBSCRIBE Search this website SEARCH SQUARECYLINDER.COM –NORTHERN ART CALIFORNIAREVIEWS ART | ART MUSEUMS | ART GALLERY LISTINGS NORTHERN CALIFORNIA INTERVIEWS NEWS PREVIEWS PROFILES REVIEWS SPECIAL REPORTS TOP STORIES Deborah Oropallo @ Stephen Wirtz + Interview APRIL 6, 2012 "How Can This be Possible?", 2012, a/c on canvas, 80 x 60" Years ago, when Deborah Oropallo abandoned the brush for the computer, many painters questioned the validity of digital media. Could there be painting without paint? Oropallo answered with a resounding yes. Pioneering new techniques, she created a hybrid form whose look owed little or nothing to photographers and graphic designers, the technology's early adopters. For the record: Oropallo has never gone all the way digital. Heroine, her latest series, includes plenty of actual brush strokes. She applies them to soft-porn photos culled from the Internet, which she electronically transforms into fantastical, dangerous protagonists. Like those in prior series, which featured costumed, bandaged women modeling gas masks and scantily clad rodeo queens gyrating like transparent sex ghosts, the source images for this body of work are repurposed to accommodate Oropallo’s interest in placing female superheroes in post-feminist stances – flaunting their sex appeal and their power. What's diferent this time around is that some of them become victims of the sort that fairy tales warn little girls against. As in all such stories, the real subject is power, and in this series, where the subjects are female fencers, it cuts in several directions. While some of Oropallo's characters stand defiantly and strike contemplative or come-hither poses, others lay sprawled on the ground as if mortally wounded. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity.