WIND BAND CLASSICS IN THE WORLD OF SPIRITS Christmas Classics for Wind Band Smith • Reed • Holst • Sparke Broughton • Higdon • Anderson Emory Symphonic Winds • Scott A. Stewart In the World of Spirits theme, with muted colors describing fields and forest music,” music that stimulates by its musical associations deep in snow. Once again the full band takes up the various visual and dramatic images for the listener, i.e., Christmas Classics for Wind Band theme until distant sleigh bells herald the arrival of a ballet without the dancers or a movie without the screen. Claude T. Smith: Gustav Holst: Christmas Day: Fantasy on horse-drawn “troika.” This soon passes and a quiet In the World of Spirits was commissioned by and is Symphonic Prelude on ‘Adeste Fideles’ Old Carols (arranged by Larry Daehn) moment reintroduces the main theme, which leads to a dedicated to Scott A. Stewart and the Emory Wind repeat of the introduction to close the work. Ensemble. This setting of the traditional Christmas favorite Adeste Gustav Holst composed Christmas Day in 1910 for his Fideles opens majestically with a statement of the melody students at Morley College. Its première by the college’s Philip Sparke Bruce Broughton by the trumpets and then develops into a full brass chorus and orchestra was so successful that it had to be harmonization, complete with horn fanfare. The mood and performed again a few weeks later. Christmas Day is a One of the most versatile composers working today, key switch with the entrance of the woodwinds, and a set of variations on In dulci jubilo (better known in the Bruce Broughton: In the World of Spirits Bruce Broughton writes in every medium, from theatrical dominant prolongation returns this short fanfare to a English-speaking world as Good Christian Men, Rejoice) releases and TV feature films to the concert stage and glorious conclusion. with interwoven portions of God Rest Ye Merry, In the World of Spirits was inspired by a paragraph found computer games. His first major film score, for the Gentlemen and The First Nowell. in Empire of the Summer Moon, a book by S. C. Gwynne Lawrence Kasdan Western Silverado, brought him an Claude T. Smith It seems that, around this time, one of Holst’s favored about the rise and fall of the Comanches. In it, the author Oscar nomination. His very next project, a classically contrapuntal devices was to present two familiar tunes describes the life of the Plains Indian as “a world . . . of styled score for Barry Levinson’s Young Sherlock simultaneously. A few years earlier he had combined pure magic, of beaver ceremonies and eagle dances, of Holmes, earned a GRAMMY® nomination for the Alfred Reed: Greensleeves Sheap Shearing Song and High Germany in his Somerset spirits that inhabited springs, trees, rock, turtles, and soundtrack album. With more than twenty Emmy Rhapsody. A year later he would juxtapose the Dargason crows; a place where people danced all night and sang nominations, Broughton has received a record ten. It is generally agreed that the melody known as and Greensleeves in his Second Suite in F for Military bear medicine songs, where wolf medicine made a Among his wind band/ensemble compositions are Greensleeves is probably the second oldest piece of Band. In Christmas Day, he superimposes Come Ye, person invulnerable to bullets, dream visions dictated American Hero, Concerto for Piccolo and Wind secular music in our Western culture, its origins having Lofty, Come Ye Lowly, (based on an old Breton melody) tribal policy, and ghosts were alive in the wind . . . in the Ensemble, Concerto for Tuba and Winds, New Era, been traced back to about 1360. While we are not certain with The First Noel to great musical effect. mystical cycles of the seasons, living in that random, Oliver’s Birthday, A Frontier Overture, California Legend, that this was the original title, it is known that in the late terrifying, bloody, and intensely alive place where nature Excursions for Trumpet and Band, and Harlequin fourteenth century, English ladies wore gowns with great Larry Daehn and divinity became one.” (commissioned by Emory). Broughton is a board member billowing sleeves, and the lyrics that have come down to In the World of Spirits is not a depiction of a specific of ASCAP, a governor of the Academy of Motion Picture us speak of a lover’s lament over his lady’s cruel spirit world, but instead a representation to some degree Arts and Sciences, a former governor of the Academy of treatment of him by a lady clad in a dress with green Philip Sparke: A Winter’s Tale of the energy in the world of the spirit. It is the world of Television Arts and Sciences, and past president of the sleeves. By the time of William Shakespeare, this song motion, of action, of feeling, of terror, of excitement. In Society of Composers and Lyricists. He has taught film had already become a classic and he made use of it in A Winter’s Tale was commissioned by the Western Plains short, it is the engine that drives the physical world and in composition in the Advanced Film Music Studies program two of his plays, most notably in The Merry Wives of Wind Consortium, Daniel Baldwin, Founder and Director. which all things move and live. at the University of Southern California and is a frequent Windsor. Over 300 years later, the English composer The first performance took place on December 1, 2009 at Musically, the piece relies upon two main themes. lecturer at the University of California, Los Angeles. His Ralph Vaughan Williams used this melody as an the OPSU Centennial Theater in Goodwell, Oklahoma, by The first one, which features a short burst of repeated website is located at www.brucebroughton.com. intermezzo between two acts of his opera Sir John in the Oklahoma Panhandle State University Concert Band, notes followed by many leaping phrases, is initially hinted Love, which was based on the same play. Since then the under the Direction of Dr. Matthew C. Saunders. The at in the flutes after a short introduction, and then tune has been adapted as the basis for the Christmas commission requested a “winter” piece without presented in its entirety soon afterwards with the flutes Gustav Holst: In the Bleak Midwinter carol What Child is This? This arrangement is a connotations of Christmas or other seasonal religious and oboes. The second theme is much more declamatory (arranged by Robert W. Smith) symphonic development of this 600-year old classic festivals and the composer has sought to describe a and pompous, stated often with brass, chimes, and trilling melody adapted for the full resources of the modern wind winter scene deep in the countryside. The work opens woodwinds. These two themes interact to create the basic The traditional hymn In the Bleak Midwinter was orchestra or concert band. with sustained woodwind chords colored by bells, under fast–slow–fast rhapsodic structure of the piece. composed by Gustav Holst in 1908. It is both the second which a solo alto saxophone sings a solitary dawn song. A Although there is no story or program to the piece, In movement of my Holst Mid-Winter Suite and the work that Alfred Reed brief climax for full band introduces the work’s main the World of Spirits is an attempt at a sort of “visual inspired this three movement tribute to Holst. Alta Sue Hawkins, a retired Virginia band director, suggested the and pianist Yuja Wang. Her works are recorded on over Christmas, it has become an integral holiday song, one The music of Leroy Anderson is firmly entrenched in title to Robert W. Smith as a possible symphonic band four dozen discs. In her early years, she was a resident of that, according to ASCAP, is the “only holiday song American popular culture and is enjoyed by millions setting. Unfortunately, Ms. Hawkins passed away before Atlanta, and attended kindergarten at Emory University. originally written as an instrumental piece…” throughout the world. He was Director of the Harvard the work was complete. She holds the Rock Chair in Composition at The Curtis University Band and was later hired as organist and staff In remembrance of Ms. Hawkins, Robert Smith has Institute of Music in Philadelphia. For more information Stephen Hamilton and leroyanderson.com composer/arranger for the Boston Pops under Arthur Fiedler. rescored the work for publication. Following an opening see www.jenniferhigdon.com fanfare statement, the melody is first stated by a solo clarinet. The clarinet solo represents Ms. Hawkins, a clarinet player and teacher for more than three decades. Alfred Reed: Russian Christmas Music Emory University Department of Music The clarinet is joined by a French horn, euphonium, and a second French horn representing Ms. Hakwins and each Originally written in November 1944, Russian Christmas Photo: Eric Richards of Richards Studio of Photography The Department of Music at Emory University is a of her three children on their chosen instruments. A Music was first performed in December of that year at a dynamically active liberal arts music program. Home to woodwind choir followed by the full ensemble states the special concert in Denver, Colorado, by a select group of approximately 160 music majors, many of whom double hauntingly beautiful melody for the final time. The musicians from five of the leading service bands stationed major in an additional field in the arts and sciences or in composer uses the traditional American folk melody in that area. Two years later the music was revised and business or nursing, this thriving division of Emory Shenandoah as the contrapuntal line representing Ms. somewhat enlarged, and in that form was on of the three College of Arts and Sciences is an integral part of Emory Hawkins’s birth and rest in the beautiful valley of Virginia. prize-winning works in the 1947 Columbia University University’s world-class curriculum. In addition to the In December of 1992, Robert Smith married into the contest for new serious music for symphonic band. First music majors, more than six hundred Emory students are Hawkins family. His setting of In the Bleak Midwinter is performances of this version subsequently took place in educated during the course of the school year through dedicated to Ben, Chuck, and his wife Susan, in loving 1948: the first by the Juilliard Band under Donald I. participation in courses, ensembles, lessons, master memory of their mother, Alta Sue. Moore, and the second by the Syracuse University classes, workshops, symposia, and other productions Symphonic Band under Harwood Simmons, to whom the and special projects. During the academic year alone, Robert W. Smith work is dedicated. more than one hundred music performances take place An ancient Russian Christmas carol (“Carol of the on campus. Eighteen full-time faculty members, twenty- Little Russian Children”), together with a good deal of one staff members, and nearly sixty artist-affiliate faculty Jennifer Higdon: Mysterium original material and some motivic elements derived from work together throughout the year in highly rigorous academic and performance capacities. With the addition to the the liturgical music of the Eastern Orthodox Church, forms campus of the state-of-the-art Schwartz Center for Performing Arts and major support from Emory University, Emory Mysterium is a tribute to the wonderful mystery of how the basis for this musical impression of Old Russia during College of Arts and Sciences, and the Friends of Music, the Department of Music is a model program in the liberal arts music moves us. Perhaps it is the unexplainable that the jubilant Christmas season. All of the resources of the setting and a leader in the broader education of students in performance preparation and intellectual inquiry. creates such magic, for both the performer and the modern, integrated symphonic band are drawn upon in an listener, but there is no denying the incredible power of a almost overwhelming sound picture of tone color, power, shared musical experience. and sonority. Instrumental Music at Emory

Jennifer Higdon Alfred Reed The Department of Music is home to the Wind Ensemble, Symphony Orchestra, Jazz Ensemble, and an active chamber music program, plus the Atlanta Youth Wind Symphony and Emory Youth Symphony Orchestra. These Jennifer Higdon (b. 1962), a Pulitzer and GRAMMY® ensembles provide a positive, high quality, educational experience with the intent of cultivating a lifelong relationship winner, is one of the most performed living American Leroy Anderson: Sleigh Ride with music in post-college life. The Emory Wind Ensemble and Atlanta Youth Wind Symphony have developed a composers working today. Commissions have come from national reputation as leaders in the commissioning of new music, having collaborated with Jennifer Higdon, Bruce a wide range of performers: from the Philadelphia The Christmas classic Sleigh Ride was composed during Broughton, Libby Larsen, Stephen Paulus, Steven Bryant, Roger Cichy, Eric Ewazen, John Mackey, Jonathan Orchestra to “The President’s Own” United States Marine a July heat wave while Anderson lived in Woodbury, Newman, Todd Stalter, Carolyn Bremer, William Pitts, and Jonathan Hoffmann, among others. The Emory Symphonic Band; from the Tokyo String Quartet to Santa Fe Opera, Connecticut. Words were added by Mitchell Parish in Winds represent a cross-section of the Emory Wind Ensemble and Atlanta Youth Wind Symphony, as well as alumni as well as individual artists such as violinist Hilary Hahn 1950. While the words do not specifically reference from both groups and a number of musicians from Atlanta – a true community ensemble. Emory Symphonic Winds Scott A. Stewart

Flute Jonathan Hoffmann Trumpet Euphonium Scott A. Stewart is the director of wind studies at Emory Amy Caputo Matthew Hungerford A.J. Bancroft Max Ashton University where he serves as music director and conductor of Eduardo Cordero Michelle Hwang Clayton Chastain Jason Casanova the Emory Wind Ensemble and the Atlanta Youth Wind Chenlin Ding Jordan Lewis Evan Delaney Gary Garvin Symphony. He teaches courses in wind band literature, MaryAlice Hall Kevin Ma Cameron Edwards Fred Hall conducting, and film music. A native of Cicero, Indiana, Stewart Felicia Long Antonia Rovira Michael Halista Vignesh Narayanaswamy received a bachelor of music education and a doctor of music in Sudarshan Muralidhar Brooke Rutledge Matthew Hilgendorf Michael Simon conducting from the Jacobs School of Music at Indiana Erin O’Shea Nirali Shah David Kilgore Blake Unger University and a master of music education from the Butler Jasmine Ruffin Kevin Shin Brian LaBrec School of Music at the University of Texas at Austin. His Emily Turner Carly Weikle Brendan Larkin Tuba Wei Wang Monica Yang Derrick Montgomery J. Michael Cobb instructors include Ray Cramer, Stephen Pratt, David Woodley, Geoff Welch Laura Zitelli Chris Naber Jim Hendricks Eugene Rousseau, Robert Duke, and Jerry Junkin. Under his Melanie Zhang Cole Simpson Brian Massey leadership, the Emory Wind Ensemble has toured internationally Bass Clarinet Daniel Williams Scott Schorr to Germany (Rothenberg, Munich), Austria (Innsbruck, Salzburg, Oboe Jessica Coons Vienna, Graz), the Czech Republic (Prague), Switzerland Sarah Coleman Grant Dull Horn Percussion (Lucerne), and Greece (Athens, Volos, Skiathos). The Atlanta Rachel Corbitt Claire Harville Jason Alexander Tauseef Anam Youth Wind Symphony has performed at Carnegie Hall, Alice Zachary Kelly David Hwang Hanna Belden Julian Bridges Tully Hall at Lincoln Center, the Midwest Clinic, the Music Kimberly Lorch Jessica Lambert Peter Boudreau Michael Cebulski Educators National Conference, the Georgia Music Educators Molly Narrod William McDonald Tanner Forbes Corey Eiges State In-Conference, and on Public Radio International’s radio Joan Oh Whitney Pennington Jordan Krenz David Fink program From the Top. Stewart is a frequent guest teacher, Nathan O’Meara Zainab Nizam David Lamm Jay Ganser Mary Vess Alex Lutz Emily Grove clinician, conductor, author, performer, speaker, and radio Alto Saxophone Annelise McCurley Lara Hueter personality. He is the on-air host of Summer Winds, a radio Bassoon Chris Cassino David McCurley Olivia Kieffer program devoted to wind band music on Atlanta’s National Sarah Abraham Maxwell Farina Kyle O’Brien Michael Jarrett Public Radio affiliate, 90.1 FM WABE. He is a founding member Eric Chang Blake Kavanaugh Michele Paine Hannah Kim of the Atlanta Saxophone Quartet and has appeared on Kevin Harrell Lydia Hanie Jarrod Rifkind Spencer Mundree American Public Media’s Pipedreams hosted by Michael Barone Jason Lee Katherine Lee David Sidlow Ryan Packard with organist David Lamb. In 2011, Stewart received the Winship Photo: Eric Richards of Richards Studio of Photography Hayley McCausland Drew Naber Ariel Reynolds Award for Senior Lecturers at Emory University. Krystal Saenz Alex Pappas Trombone Michael Standard Haley Strauss Jack Walker Matthew Clarke Michael Stubbart Leo O’Toole Michael DiBlasi Paula Williams William Lawson Tenor Saxophone David Hedaya David Johnson Alexandra Lopez String Bass Clarinet Rashon Murrill Emma Meyer Samantha Green Lauren Albers Shiyuan Wang Arthur Moore Kevin Ray Vijay Balakrishnan Martin Ploeckinger Tyler Cooke Baritone Saxophone Robb Smith Piano Tim Fitzgerald Christopher Allen Kevin Soderman Gregory Matteson Sarah Garcia Matthew Crisman Dickson Grimes Gary Paulo Harp Gail Grimes Andria Whitley Ben Hoffmann Photos: Eric Richards and Tom Brodnax IN THE WORLD OF SPIRITS 1 Claude T. Smith (1932-87): Symphonic Prelude on ‘Adeste Fideles’ (1983) 3:29 2 Alfred Reed (1921-2005): The Emory Symphonic Winds, Greensleeves (1962, rev. 1986) 5:22 comprised of members of the 3 Gustav Holst (1874-1934): Christmas Day: Fantasy on Old Carols (arr. Larry Daehn) Emory Wind Ensemble and the (1910) 5:51 Atlanta Youth Wind Symphony, 4 Philip Sparke (b. 1951): A Winter’s Tale (2009) 6:41 are American leaders in the 5 Bruce Broughton (b. 1945): commissioning of new music. In the World of Spirits (2011) 9:37 Bruce Broughton’s In the World of 6 Holst: In the Bleak Midwinter (arr. Robert W. Smith) (1908) 4:06 Spirits was dedicated to the 7 Jennifer Higdon (b. 1962): ensemble and is a work of action, Mysterium (2011) 5:41 dynamism and electric physicality. 8 Reed: Russian Christmas Music (1944) 12:57 9 Leroy Anderson (1908-75): Christmas carols and hymns are Sleigh Ride (1948) 2:56 explored by Gustav Holst while Emory Symphonic Winds Jennifer Higdon charts the Scott A. Stewart intangible beauty of music itself. Alfred Reed’s Russian Christmas Recorded at Schwartz Center for Performing Arts, Emory University, Atlanta, Georgia, on April 24 and 25, 2011 Music is a classic of symphonic band (tracks 5 and 7), from May 29 to 31, 2011 (tracks 2, 4 and 8), and from July 7 to 9, 2011 (tracks 1, 3, 6 and 9) writing: rich, colorful and sonorous. Producers: Scott Stewart, Kay Fairchild, David Fairchild, Jan Baker • Engineer and editor: Fred Horton Publishers: Jenson Publications (track 1); Birch Island Press www.naxos.com (track 2); Daehn Publications (track 3); Ango Music (track 4); Brubel Music, Inc. (track 5); Belwin (track 6); Lawdon Press (track 7); Sam Fox Publishing, renewed WB Music Corporation (track 8); Mills Music (track 9) Cover photo by Richie Lomba (Dreamstime.com)