The Overlook P Ress Pet E R M a Y E R P U B L I S H E R S , I N C
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The Author's Doppelgänger
THE AUTHOR’S DOPPELGÄNGER: CELEBRITY, CANONICITY, AND THE ANXIETY OF THE LITERARY MARKETPLACE IN THE CONTEMPORARY NOVEL A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Jaclyn Partyka July 2016 Examining Committee Members: Sue-Im Lee, Advisory Chair, English Suzanne Gauch, English James F. English, University of Pennsylvania, English Fabienne Darling-Wolf, External Member, Journalism © Copyright 2016 by Jaclyn Partyka All Rights Reserved ii ABSTRACT This dissertation investigates how and why contemporary canonical authors such as Vladimir Nabokov, Philip Roth, J.M. Coetzee, and Salman Rushdie incorporate their celebrity and canonical status as authors into the fictional worlds of their novels. The contemporary celebrity author in general is at the mercy of a more globalized publication industry that depends on a circuit of international circulation, translation, and the diverse reactions of a transnational readership. More specifically, each of the authors I focus on in this dissertation have become notorious, both for their professional literary achievements as well as various political or sexual scandals running alongside their publication history. The decentralization of the author’s power to control his own image as it becomes stratified across a multiplicity of competing discourses, audiences, and marketplaces is spurred on by a literary marketplace that favors world literature, international circulation, and the whims of readership response. Thus, the need to revise or challenge the public perception of their authorship is constantly at stake for these figures – so much so that they introduce doppelgänger versions of themselves into their fiction to negotiate this relationship. -
Walker Percy, Looking for the Right Happened in the Trevon Martin Hate Crime
2013 Presented By The Pirate’s Alley Faulkner Society Photograph by Joséphine Sacabo Faith & The Search for Meaning As Inspiration for The Arts Published December 1, 2013, New Orleans, LA Guarantors Bertie Deming Smith & The Deming Foundation, Cathy Pierson & Charles Heiner Theodosia Nolan, Tia & James Roddy & Peter Tattersall Judith “Jude” Swenson In Memory of James Swenson Randy Fertel and the Ruth U. Fertel Foundation Joseph DeSalvo, Jr., Rosemary James & Faulkner House, Inc. Frank G. DeSalvo, Attorney The J.J. and Dr. Donald Dooley Fund: Samuel L. Steel, III, Administrator Pam Friedler Joséphine Sacabo & Dalt Wonk Louisiana Division of the Arts, Department of Culture, Recreation & Tourism The State Library of Louisiana & The Louisiana Festival of the Book The Louisiana State Museum Hotel Monteleone & The Monteleone Family: Anne Burr, Greer & David Monteleone, Denise Monteleone, Ruthie Monteleone Anne & Ron Pincus Diane Manning, Floyd McLamb, Courtenay McDowell & Richard Gregory Hartwig & Nancy Moss In Memory of Betty Moss, New Orleans Hispanic Heritage Foundation David Speights in Memory of Marti Speights Mary Freeman Wisdom Foundation, Joyce & Steve Wood Zemurray Foundation Good Friends Jennifer E. Adams; Barbara Arras; Barbara & Edwin Beckman; Deena Bedigian; John & Marcia Biguenet; C.J. Blanda; Roy Blount, Jr. & Joan Griswold; Angie Bowlin; Birchey Butler; Charles Butt; Hortensia Calvo; Batou & Patricia Chandler Cherie Chooljian; Jackie Clarkson; Ned Condini; Mary Len Costa; Moira Crone & Rodger Kamenetz; Jerri Cullinan & Juli Miller Hart; W. Brent Day; Susan de la Houssaye; Stephanie, Robin, & Joan Durant; Louis Edwards; James Farwell & Gay Lebreton;Madeline Fischer; Christopher Franzen, Patty Friedmann; Jon Geggenheimer; David & Sandra Groome; Douglas & Elaine Grundmeyer; Christine Guillory; Janet & Steve Haedicke; Michael Harold & Quinn Peeper; Ken Harper & David Evard; W. -
Peter Mayer on How Penguin Faced Down the Threats
XML Template (2008) [21.11.2008–2:47pm] [121–126] {TANDF_REV}RIOC/RIOC_I_37_04/RIOC_A_350877.3d (RIOC) [Revised Proof] THE RIGHT TO PUBLISH As publisher of The Satanic Verses, Peter Mayer was on the front line. He writes here for the first time about an unprecedented crisis Penguin had published Salman Rushdie’s The Satanic Verses six months before Ayatollah Khomeini issued his fatwa. When we decided to continue publishing the novel in the aftermath, extraordinary pressures were focused on our company, based on fears for the author’s life and for the lives of everyone at Penguin around the world. This extended from Penguin’s management to editorial, warehouse, transport, administrative staff, the personnel in our bookshops and many others. The long-term political implications of that early signal regarding free speech in culturally diverse societies were not yet apparent to many when the Ayatollah, speaking not only for Iran but, seemingly, for all of Islam, issued his religious proclamation. Had Penguin withdrawn the book, given the death threats and the ensuing, enraged mass protests around the world, what would the consequences have been? Would other publishers in other countries, who had previously been committed to the book, have pressed forward with its publication? We cannot know, but very possibly not. At the time of the fatwa, the book had only been published in English – not a language the Ayatollah could read. Informed analysts suggested quite reasonably that the 121 XML Template (2008) [21.11.2008–2:47pm] [121–126] {TANDF_REV}RIOC/RIOC_I_37_04/RIOC_A_350877.3d (RIOC) [Revised Proof] THE SATANIC VERSES AT 20 unresolved Iran-Iraq war, and the background in Tehran of shifting political alignments, had as much to do with the fatwa as did religious considera- tions. -
Fatwas Against Terrorism and Terrorist Organizations
FATWAS AGAINST TERRORISM AND TERRORIST ORGANIZATIONS: AN EXAMINATION OF A POTENTIAL COUNTER-TERRORISM TOOL by NIMA KARIMI A Thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in Political Science Waterloo, Ontario, Canada, 2017 © NIMA KARIMI 2017 AUTHOR’S DECLARATION I hereby declare that I am the sole author of this Thesis. This is a true copy of the Thesis, including any required final revisions, as accepted by my examiners. I understand that my Thesis may be made electronically available to the public. ii Abstract From a historical perspective, one of the primary reasons for issuing Islamic religious edicts, commonly known as fatwas, was to incite terrorism, and many have been successful in achieving their aims. In response, fatwas that challenge terrorism and counter terrorist organization actions have also been issued, however, they have been rarely followed. The literature and discourse on the subject are sparse and problematic, and have provided unconvincing explanations; devoid of a systematic approach to the question, they do not provide the context necessary to understand why counter-terror fatwas have been ineffective against Islamist terrorism, and none investigated whether the fatwas interacted directly with the Islamist core narrative. In this thesis, I argue that counter-terror fatwas have been ineffective because they have not discussed or challenged the Qur’anic verses that endorse violence and justify Islamist terrorism, and they received no digital news coverage. Using a systematic approach, I employ a four-way typology to measure these two variables—content sophistication and online news coverage—to provide an answer to the thesis question, and I use supplementary interviews to support and explain these findings. -
Introduction 1 Theories and Realities of Global Wealth and Power
Notes Introduction 1. The literature on globalization can be split among relatively balanced stud- ies and those that are either decidedly optimistic or pessimistic about its nature and consequences. For broad overviews, see J. Martin Rochester, Between Two Epochs: What Is Ahead for America, the World, and Global Politics in the 21st Century (Upper Saddle River, N.J.: Prentice Hall, 2002); David Held and Anthony McGrew, eds., The Global Transformations Reader (Cambridge, U.K.: Polity Press/Blackwell, 2003); K.J. Holsti, Taming the Sovereigns: International Change in International Politics (New York: Cambridge University Press, 2004); Peter Singer, One World: The Ethics of Globalization (New Haven, Conn.: Yale University Press, 2004); Edward Cornish, Futuring: The Exploration of the Future (Bethesda, Md.: World Future Society, 2004); Marvin J. Cetron and Owen Davies, 53 Trends Now Shaping the Future (Bethesda, Md.: World Future Society, 2005); Charles W. Kegley and Gregory A. Raymond, The Global Future (Belmont, Calif.: Wadsworth/ Thomson Learning, 2006). For pessimists, see Yale H. Ferguson and Richard W. Mansbach, Remapping Global Politics: History’s Revenge and Future Shock (New York: Columbia University Press, 2004); Jared Diamond, Collapse: How Societies Choose to Fail or Succeed (New York: Viking, 2005); Louise Amoore, ed., The Global Resistance Reader: Concepts and Issues (New York: Routledge, 2005); Jan Aart Scholte, Globalization: A Critical Introduction (London: Palgrave, 2005); Worldwatch Institute, State of the World 2007 (New York: W.W. Norton, 2007). For optimists, see Jadish Bhagwati, In Defense of Globalization (New York: Oxford University Press, 2004); Thomas Friedman, The Earth Is Flat: A Brief History of the Twenty-First Century (New York: Farrar, Straus, and Giroux, 2005); John F. -
Literature and Self-Censorship
Literature and Self-Censorship In a Post-Rushdie World Erik Alexander Nordby A Thesis Presented to the Department of Literature, Area Studies, and European Languages Faculty of Humanities University of Oslo In partial fulfillment of the requirements for the Masters of Arts Degree May 2015 I II III Literature and Self-Censorship In a Post-Rushdie World Erik Alexander Nordby IV © Erik Alexander Nordby 2015 Literature and Self-Censorship – In a Post-Rushdie World Erik Alexander Nordby http://www.duo.uio.no Printed by: Print House, Oslo V VI Abstract In this thesis I examine the current limitations for literature with respect to freedom of speech and self-censorship. I draw a line from the obscenity trials of James Joyce’s Ulysses and D. H. Lawrence’s Lady Chatterley’s Lover, through the controversies of religion and cultural belonging around Salman Rushdie’s The Satanic Verses and Monica Ali’s Brick Lane, and up to the more recent court cases of Åsne Seierstad’s The Bookseller of Kabul. I demonstrate that there are now essentially two ways in which literature challenges the limits for freedom of expression in the West. The first is literature that is offensive to religion, particularly Islam. I examine how the politics of outrage has led to an increased likelihood that writers will self-censor and avoid religious themes. I then look at the legal limits between freedom of speech and rights of privacy by examining the lawsuit against Seierstad, filed by one of the individuals she portrayed in The Bookseller of Kabul. Although the book is a work of non- fiction, it is written in literary form, and I examine how this begins to erase the border between fiction and non-fiction.