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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
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JACK KIRBY COLLECTOR FORTY-TWO $9 95 IN THE US Guardian, Newsboy Legion TM & ©2005 DC Comics. Contents THE NEW OPENING SHOT . .2 (take a trip down Lois Lane) UNDER THE COVERS . .4 (we cover our covers’ creation) JACK F.A.Q. s . .6 (Mark Evanier spills the beans on ISSUE #42, SPRING 2005 Jack’s favorite food and more) Collector INNERVIEW . .12 Jack created a pair of custom pencil drawings of the Guardian and Newsboy Legion for the endpapers (Kirby teaches us to speak the language of the ’70s) of his personal bound volume of Star-Spangled Comics #7-15. We combined the two pieces to create this drawing for our MISSING LINKS . .19 front cover, which Kevin Nowlan inked. Delete the (where’d the Guardian go?) Newsboys’ heads (taken from the second drawing) to RETROSPECTIVE . .20 see what Jack’s original drawing looked like. (with friends like Jimmy Olsen...) Characters TM & ©2005 DC Comics. QUIPS ’N’ Q&A’S . .22 (Radioactive Man goes Bongo in the Fourth World) INCIDENTAL ICONOGRAPHY . .25 (creating the Silver Surfer & Galactus? All in a day’s work) ANALYSIS . .26 (linking Jimmy Olsen, Spirit World, and Neal Adams) VIEW FROM THE WHIZ WAGON . .31 (visit the FF movie set, where Kirby abounds; but will he get credited?) KIRBY AS A GENRE . .34 (Adam McGovern goes Italian) HEADLINERS . .36 (the ultimate look at the Newsboy Legion’s appearances) KIRBY OBSCURA . .48 (’50s and ’60s Kirby uncovered) GALLERY 1 . .50 (we tell tales of the DNA Project in pencil form) PUBLIC DOMAIN THEATRE . .60 (a new regular feature, present - ing complete Kirby stories that won’t get us sued) KIRBY AS A GENRE: EXTRA! . -
Icons of Survival: Metahumanism As Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture
Lioi, Anthony. "Icons of Survival: Metahumanism as Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 169–196. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:32 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Icons of Survival: Metahumanism as Planetary Defense In which I argue that superhero comics, the most maligned of nerd genres, theorize the transformation of ethics and politics necessary to the project of planetary defense. The figure of the “metahuman,” the human with superpowers and purpose, embodies the transfigured nerd whose defects—intellect, swarm-behavior, abnormality, flux, and love of machines—become virtues of survival in the twenty-first century. The conflict among capitalism, fascism, and communism, which drove the Cold War and its immediate aftermath, also drove the Golden and Silver Ages of Comics. In the era of planetary emergency, these forces reconfigure themselves as different versions of world-destruction. The metahuman also signifies going “beyond” these economic and political systems into orders that preserve democracy without destroying the biosphere. Therefore, the styles of metahuman figuration represent an appeal to tradition and a technique of transformation. I call these strategies the iconic style and metamorphic style. The iconic style, more typical of DC Comics, makes the hero an icon of virtue, and metahuman powers manifest as visible signs: the “S” of Superman, the tiara and golden lasso of Wonder Woman. -
Harlequin RIP OEM Manual
0RIPMate for Windows operating systems Harlequin PLUS Server RIP v9.0 June 2011 AG12325 Rev. 13 Copyright and Trademarks Harlequin PLUS Server RIP June 2011 Part number: HK‚9.0‚ÄìOEM‚ÄìWIN Document issue: 106 Copyright ¬© 2011 Global Graphics Software Ltd. All rights reserved. Certificate of Computer Registration of Computer Software. Registration No. 2006SR05517 No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, elec- tronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of Global Graphics Software Ltd. The information in this publication is provided for information only and is subject to change without notice. Global Graphics Software Ltd and its affiliates assume no responsibility or liability for any loss or damage that may arise from the use of any information in this publication. The software described in this book is furnished under license and may only be used or cop- ied in accordance with the terms of that license. Harlequin is a registered trademark of Global Graphics Software Ltd. The Global Graphics Software logo, the Harlequin at Heart Logo, Cortex, Harlequin RIP, Harlequin ColorPro, EasyTrap, FireWorks, FlatOut, Harlequin Color Management System (HCMS), Harlequin Color Production Solutions (HCPS), Harlequin Color Proofing (HCP), Harlequin Error Diffusion Screening Plugin 1-bit (HEDS1), Harlequin Error Diffusion Screening Plugin 2-bit (HEDS2), Harlequin Full Color System (HFCS), Harlequin ICC Profile Processor (HIPP), Harlequin Standard Color System (HSCS), Harlequin Chain Screening (HCS), Harlequin Display List Technology (HDLT), Harlequin Dispersed Screening (HDS), Harlequin Micro Screening (HMS), Harlequin Precision Screening (HPS), HQcrypt, Harlequin Screening Library (HSL), ProofReady, Scalable Open Architecture (SOAR), SetGold, SetGoldPro, TrapMaster, TrapWorks, TrapPro, TrapProLite, Harlequin RIP Eclipse Release and Harlequin RIP Genesis Release are all trademarks of Global Graphics Software Ltd. -
Aliens of Marvel Universe
Index DEM's Foreword: 2 GUNA 42 RIGELLIANS 26 AJM’s Foreword: 2 HERMS 42 R'MALK'I 26 TO THE STARS: 4 HIBERS 16 ROCLITES 26 Building a Starship: 5 HORUSIANS 17 R'ZAHNIANS 27 The Milky Way Galaxy: 8 HUJAH 17 SAGITTARIANS 27 The Races of the Milky Way: 9 INTERDITES 17 SARKS 27 The Andromeda Galaxy: 35 JUDANS 17 Saurids 47 Races of the Skrull Empire: 36 KALLUSIANS 39 sidri 47 Races Opposing the Skrulls: 39 KAMADO 18 SIRIANS 27 Neutral/Noncombatant Races: 41 KAWA 42 SIRIS 28 Races from Other Galaxies 45 KLKLX 18 SIRUSITES 28 Reference points on the net 50 KODABAKS 18 SKRULLS 36 AAKON 9 Korbinites 45 SLIGS 28 A'ASKAVARII 9 KOSMOSIANS 18 S'MGGANI 28 ACHERNONIANS 9 KRONANS 19 SNEEPERS 29 A-CHILTARIANS 9 KRYLORIANS 43 SOLONS 29 ALPHA CENTAURIANS 10 KT'KN 19 SSSTH 29 ARCTURANS 10 KYMELLIANS 19 stenth 29 ASTRANS 10 LANDLAKS 20 STONIANS 30 AUTOCRONS 11 LAXIDAZIANS 20 TAURIANS 30 axi-tun 45 LEM 20 technarchy 30 BA-BANI 11 LEVIANS 20 TEKTONS 38 BADOON 11 LUMINA 21 THUVRIANS 31 BETANS 11 MAKLUANS 21 TRIBBITES 31 CENTAURIANS 12 MANDOS 43 tribunals 48 CENTURII 12 MEGANS 21 TSILN 31 CIEGRIMITES 41 MEKKANS 21 tsyrani 48 CHR’YLITES 45 mephitisoids 46 UL'LULA'NS 32 CLAVIANS 12 m'ndavians 22 VEGANS 32 CONTRAXIANS 12 MOBIANS 43 vorms 49 COURGA 13 MORANI 36 VRELLNEXIANS 32 DAKKAMITES 13 MYNDAI 22 WILAMEANIS 40 DEONISTS 13 nanda 22 WOBBS 44 DIRE WRAITHS 39 NYMENIANS 44 XANDARIANS 40 DRUFFS 41 OVOIDS 23 XANTAREANS 33 ELAN 13 PEGASUSIANS 23 XANTHA 33 ENTEMEN 14 PHANTOMS 23 Xartans 49 ERGONS 14 PHERAGOTS 44 XERONIANS 33 FLB'DBI 14 plodex 46 XIXIX 33 FOMALHAUTI 14 POPPUPIANS 24 YIRBEK 38 FONABI 15 PROCYONITES 24 YRDS 49 FORTESQUIANS 15 QUEEGA 36 ZENN-LAVIANS 34 FROMA 15 QUISTS 24 Z'NOX 38 GEGKU 39 QUONS 25 ZN'RX (Snarks) 34 GLX 16 rajaks 47 ZUNDAMITES 34 GRAMOSIANS 16 REPTOIDS 25 Races Reference Table 51 GRUNDS 16 Rhunians 25 Blank Alien Race Sheet 54 1 The Universe of Marvel: Spacecraft and Aliens for the Marvel Super Heroes Game By David Edward Martin & Andrew James McFayden With help by TY_STATES , Aunt P and the crowd from www.classicmarvel.com . -
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II a Master's Thesis Presented to College of Arts & Sciences Departmen
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II A Master’s Thesis Presented To College of Arts & Sciences Department of Communications and Humanities _______________________________ In Partial Fulfillment of the Requirements for the Master of Science Degree _______________________________ SUNY Polytechnic Institute By David Dellecese May 2018 © 2018 David Dellecese Approval Page SUNY Polytechnic Institute DEPARTMENT OF COMMUNICATIONS AND HUMANITIES INFORMATION DESIGN AND TECHNOLOGY MS PROGRAM Approved and recommended for acceptance as a thesis in partial fulfillment of the requirements for the degree of Master of Science in Information Design + Technology. _________________________ DATE ________________________________________ Kathryn Stam Thesis Advisor ________________________________________ Ryan Lizardi Second Reader ________________________________________ Russell Kahn Instructor 1 ABSTRACT American comic books were a relatively, but quite popular form of media during the years of World War II. Amid a limited media landscape that otherwise consisted of radio, film, newspaper, and magazines, comics served as a useful tool in engaging readers of all ages to get behind the war effort. The aims of this research was to examine a sampling of messages put forth by comic book publishers before and after American involvement in World War II in the form of fictional comic book stories. In this research, it is found that comic book storytelling/messaging reflected a theme of American isolation prior to U.S. involvement in the war, but changed its tone to become a strong proponent for American involvement post-the bombing of Pearl Harbor. This came in numerous forms, from vilification of America’s enemies in the stories of super heroics, the use of scrap, rubber, paper, or bond drives back on the homefront to provide resources on the frontlines, to a general sense of patriotism. -
One-Shot Special Edition Script Gerry Finley-Day Guy Adams Art Dave Gibbons Darren Douglas Lee Carter Letters Simon Bowland Dave Gibbons
ONE-SHOT SPECIAL EDITION SCRIPT GERRY FINLEY-DAY GUY ADAMS ART DAVE GIBBONS DARREN DOUGLAS LEE CARTER LETTERS SIMON BOWLAND DAVE GIBBONS REBELLION Creative Director and CEO Junior Graphic Novels Editor JASON KINGSLEY OLIVER BALL Chief Technical Officer Graphic Design CHRIS KINGSLEY SAM GRETTON, OZ OSBORNE & MAZ SMITH Head of Books & Comics Reprographics BEN SMITH JOSEPH MORGAN 2000 AD Editor in Chief PR & Marketing MATT SMITH MICHAEL MOLCHER Graphic Novels Editor Publishing Assistant KEITH RICHARDSON OWEN JOHNSON Rogue Trooper Published by Rebellion, Riverside House, Osney Mead, Oxford OX2 0ES. All contents © 1981, 2014, 2015, 2018 Rebellion 2000 AD Ltd. All rights reserved. Rogue Trooper is a trademark of Rebellion 2000 AD Ltd. Reproduction, storage in a retrieval system or transmission in any form or by any means in whole or part without prior permission of Rebellion 2000 AD Ltd. is strictly forbidden. No similarity between any of the fictional names, characters, persons and/or institutions herein with those of any living or dead persons or institutions is intended (except for satirical purposes) and any such similarity is purely coincidental. ROGUE TROOPER SCRIPT GERRY FINLEY-DAY ART DAVE GIBBONS LETTERS DAVE GIBBONS ROGUE TROOPER DREGS OF WAR SCRIPT GUY ADAMS ART DARREN DOUGLAS LETTERS SIMON BOWLAND ROGUE TROOPER THE FEAST SCRIPT GUY ADAMS ART LEE CARTER LETTERS SIMON BOWLAND ROGUE TROOPER THE DEATH OF A DEMON SCRIPT GUY ADAMS ART DARREN DOUGLAS LETTERS SIMON BOWLAND THE END ROGUE TROOPER GRAPHIC NOVELS FROM 2000 AD ROGUE TROOPER ROGUE -
Notes on Numbers 202 1 Edition Dr
Notes on Numbers 202 1 Edition Dr. Thomas L. Constable TITLE The title the Jews used in their Hebrew Old Testament for this book comes from the fifth word in the book in the Hebrew text, bemidbar: "in the wilderness." This is, of course, appropriate since the Israelites spent most of the time covered in the narrative of Numbers in the wilderness. The English title "Numbers" is a translation of the Greek title Arithmoi. The Septuagint translators chose this title because of the two censuses of the Israelites that Moses recorded at the beginning (chs. 1—4) and toward the end (ch. 26) of the book. These "numberings" of the people took place at the beginning and end of the wilderness wanderings and frame the contents of Numbers. DATE AND WRITER Moses wrote Numbers (cf. Num. 1:1; 33:2; Matt. 8:4; 19:7; Luke 24:44; John 1:45; et al.). He apparently wrote it late in his life, across the Jordan from the Promised Land, on the Plains of Moab.1 Moses evidently died close to 1406 B.C., since the Exodus happened about 1446 B.C. (1 Kings 6:1), the Israelites were in the wilderness for 40 years (Num. 32:13), and he died shortly before they entered the Promised Land (Deut. 34:5). There are also a few passages that appear to have been added after Moses' time: 12:3; 21:14-15; and 32:34-42. However, it is impossible to say how much later. 1See the commentaries for fuller discussions of these subjects, e.g., Gordon J. -
Final Report
Final Report Transit Development Plan for Augusta Public Transit Augusta-Richmond County Planning Commission Prepared By: 1301 Gervais Street, Suite 1600 Columbia, SC 29201 803-251-2189 December 2009 Table of Contents Section Title Page ES EXECUTIVE SUMMARY ES-1 Introduction ES-1 Understanding the System ES-1 Considering the Alternatives ES-2 Service Restructuring and Headway Improvements ES-3 Year One Service Recommendations ES-4 Financial Planning and Alternatives ES-5 Other Policy Issues ES-6 Conclusion ES-7 1 PROJECT COORDINATION AND OUTREACH 1-1 Project Initiation 1-1 Overview 1-1 Background on Augusta Public Transit 1-1 Public Involvement Activities 1-2 1. Stakeholder Committee Meeting #1 1-2 1.1 Objectives of Meeting 1-2 1.2 Meeting Format 1-2 1.3 Comments Received 1-3 2. Stakeholder Committee Meeting #2 1-3 2.1 Objectives of Meeting 1-3 2.2 Meeting Format 1-4 2.3 Comments Received 1-4 3. Stakeholder Committee Meeting #3 1-4 3.1 Objectives of Meeting 1-4 3.2 Meeting Format 1-4 3.3 Comments Received 1-4 4. Public Meeting #1 1-5 4.1 Objectives of Meeting 1-5 4.2 Public Notices and Informational Materials 1-5 4.3 Public Meeting Format 1-5 4.4 Presentation 1-5 5. Public Meeting #2 1-6 5.1 Objectives of Meeting 1-6 5.2 Public Notices and Informational Materials 1-6 5.3 Public Meeting Format 1-6 5.4 Presentation 1-6 6. Commission Briefings 1-7 6.1 Objectives of Meeting 1-7 i Table of Contents Section Title Page 1 PROJECT COORDINATION AND OUTREACH (continued) 1-1 7. -
The 2000 AD Script Book Free
FREE THE 2000 AD SCRIPT BOOK PDF Pat Mills,John Wagner,Peter Milligan,Al Ewing,Rob Williams,Dan Abnett,Emma Beeby,Gordon Rennie,Ian Edginton,Alan Grant | 192 pages | 03 Nov 2016 | Rebellion | 9781781084670 | English | Oxford, United Kingdom The AD Script Book : Pat Mills : Original scripts by leading comics writers accompanied by the final art, taken from the pages of the world famous AD comic. Featuring original script drafts and the final published artwork for comparison, this is a must have for fans of AD and is an essential purchase for anyone interested in writing comics. Pat Mills is the creator and first editor of AD. He wrote Third World War for Crisis! John Wagner The 2000 AD Script Book been scripting for AD for more years than he cares to remember. The 2000 AD Script Book Ewing is a British novelist and American comic book writer, currently responsible for much of Marvel Comics' Avengers titles. He came to prominence with the 1 UK comic AD and then wrote a sequence of novels for Abaddon, of which the El Sombra books are the most celebrated, before becomiing the regular writer for Doctor Who: The Eleventh Doctor and a leading Marvel writer. He lives in York, England. John Reppion has been writing for thirteen years. He is tired. So tired. Will work for beer. By clicking 'Sign me up' I acknowledge that I have read and agree to the privacy policy and terms of use. Must redeem within 90 days. See full terms and conditions and this month's choices. Tell us what you like and we'll recommend books you'll love. -
A. Affiliations, 3 Distinctions B
Doing Experience – Marvel Heroics Style 0. Consider each data file to have, at least, the following for free: a. Affiliations, 3 Distinctions b. One power set, 2 die at d6, one sfx and one limit(assume extra limits are added, no t changed) c. 2 specialities at d8 d. Milestones 1. Using normal XP expenditure rules, calculate how much EXP it would take to make that character. 2. For a custom character within a group of pre-made files, add up all the EXP spent by each character (either before or after the beginning of play) 3. Divide it by the number of players – this will give you your mean. 4. After applying the rule of 0 to the custom character, give them that much EXP to spend on making their character. Example Armour Ignore Affiliations and Distinctions. Power set o Two powers of d10 – 40 EXP(10 for d8, 10 for d10 x2) o 3 sfx – 30 EXP (2 new Sfx =15 exp) o 2 Limits – 5 EXP (1 new limit=5 exp) Specialities o 3 at Expert – 15exp(2 free, one at expert purchased) Total =90 exp Keep in mind If somebody actually has less than rule 0 for in power sets or specialities a reduction in XP cost is applied. If a sheet says X+Y, X is the first and Y the second power set on the sheet respectively. This isn’t entirely indicative of effectiveness. These are just numbers. Means are rounded to nearest multiple of 5, with the actual number (0dp) in brackets. It’s hard to find groups of four with identical XP costs – a range of +-10 should suffice. -
Read Irredeemable Omnibus | Online
The complete collection of Mark Waid and Peter Krause’s critically acclaimed epic in one volume for the first time ever.THE COMPLETE COLLECTION OF THE ACCLAIMED SUPER HERO EPIC. When the Plutonian, the world's greatest superhero, snaps and turns into the world's greatest villain, only his former teammates have a chance at stopping his rampage. But while on the run from the world's most powerful and angry being, will these former teammates discover his secrets in time? How did he come to this? What became of the hope and promise once inside him? What happens to the world when its savior betrays it? What makes a hero irredeemable? For the first time, the entire Irredeemable saga is available in a single volume. The acclaimed team of writer Mark Waid (Kingdom Come, The Avengers) and artist Peter Krause, along with some of the most acclaimed creators in comics, challenge everything you think you know about super heroes by exploring the good, the bad...and the irredeemable inside all of us. Collects Irredeemable #1-37, Irredeemable Special #1 and Incorruptible #25-26. Irredeemable Omnibus by , Read PDF Irredeemable Omnibus Online, Download PDF Irredeemable Omnibus, Full PDF Irredeemable Omnibus, All Ebook Irredeemable Omnibus, PDF and EPUB Irredeemable Omnibus, PDF ePub Mobi Irredeemable Omnibus, Downloading PDF Irredeemable Omnibus, Book PDF Irredeemable Omnibus, Read online Irredeemable Omnibus, Irredeemable Omnibus pdf, by Irredeemable Omnibus, book pdf Irredeemable Omnibus, by pdf Irredeemable Omnibus, epub Irredeemable Omnibus, pdf Irredeemable