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Abstracts № 40 VAGANOVA BALLET ACADEMY: EXPERIENS

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Abstracts № 40 VAGANOVA BALLET ACADEMY: EXPERIENS Abstracts № 40 VAGANOVA BALLET ACADEMY: EXPERIENS, TRADITION, PRACTICE Nicholay Tsiskaridze: «She was the frivolous and bohemian, but served as a ballet unquestioningly» (the talk about Marina Semenova does L. Abyzova) Memories of Nikolay Tsiskaridze about outstanding ballerina Marina Semenova, a graduate of the Leningrad Choreographic School (now ARB them. Vaganova). The story about Semenova's lesson for soloists of the Bolshoi Theatre and her teaching method. Keywords: Marina Semenova, Galina Ulanova, Nikolay Tsiskaridze, pedagogic of ballet, classical dance lesson, Bolshoy Theatre, ballet dancer. E. N. Baigusina Hilarious sketches by the artist with a tragic fate. A. A. Kolomoytsev’s works from the funds of the Vaganova ballet Academy The article is devoted the unknown works of Soviet theater’s artist Anatoly Alexandrovich Kolomoitsev, N. Akimov’s talented pupil, who died on the Leningrad’s front in 1942, 25 years old. The author introduces into the scientific turn Kolomoitsev’s sketches for the ballet by B. Asafiev «The Night before Christmas» (1938, choreographed by V. Varkovitsky) and choreographic miniatures, that were staged at the Leningrad Choreographic school at the end of 1930-ies («Yurochka», «Norwegian dance», choreographed by L. Yakobson). The author reveals in the study features of Kolomoitsev’s stylistic manner, its working methods with artistic images and stage space, author identifies the artist's penchant for Comedy performances. Presented sketches and fotos are published for the first time. Keywords: A. Kolomeitsev, N. Akimov, B. Asafiev, sketches, scenery, the ballet «The Night before Christmas», the Leningrad Choreographic school, L. Jacobson, V. Varkovitsky, choreographic miniature. O. I. Rozanova. Triple jubilee of Vadim Sirotin The article presents a brief outline of the creative biography of Vadim A. Sirotin - the ex-soloist of the Mariinsky Ballet, choreographer-tutor, lecturer of Vaganova ballet Academy, . Keywords: Vadim Sirotin, characteristic dance, pedagogy of ballet, Mariinsky Theatre, biography M. H. Frangopulo. During the War (p. 3) M. Frangopulo's memoirs, devoted to the Great Patriotic War of 1941-1945. With the Theatre of Opera and Ballet named S. M. Kirov author was evacuated in Molotov (now Perm). In these parts fragments of memoirs were published in the local newspaper. Manuscripts, surviving in the archive of Vaganova ballet academy, for the first time published in full. The final part of the manuscript (first and second parts were printed in №№ 38-39. Keywords: M. Frangopulo, A. Vaganova, the Leningrad Choreographic School, the Perm Ballet School, the Great Patriotic War, the Siege of Leningrad, ballet, biographies, memoirs. THEORY AND HISTORY OF CHOREOGRAPHIC A.V. Yepishin. J. Balanchine and S. Prokofiev: history of frustrated cooperation («Prodigal Son» ballet) Article devoted the social, psychological and aesthetical causes for confrontation between Prokofiev and Balanchine at the time of composing «The Prodigal Son» ballet are investigated. This ballet, initiated by Diaghilev, was created in accordance with the complementarity principle, with ambivalent musical and choreographical components in their contradicting unity. Keywords: Balanchine, Prokofiev, Diaghilev, «Prodigal Son», ballet, choreographer’s role, complementarity principle V. A. Zvyozdochkin. Ballet Master and Music (about Leonid Yakobson's creative method) The article considers the relationship between Music and Dance in contemporary choreographic performances, as illustrated by prominent works of Leonid Jacobson. It is noted that masterpieces of Yakobson’s musical and choreographic theater were born and still live on because all the components of ballet creativity are successfully balanced. Keywords: Leonid Jacobson, creative work, synthetic performance, equality of Ballet Master and Composer, successful balance between Music and Dance. A. V. Maximova. Sergei Diaghilev in creative receptions and musical initiations of Vladimir Dukelsky S.Diaghilev is known for his discoveries of numerous composers for European audiences. Among them was Russian émigré, composer, songwriter, poet, musical writer V. Dukelsky (Vernon Duke), who had made his debut at Ballets Russes with ballet «Zephyr et Flore» in 1925 and later moved to the United States. Author of the article explores historical background of Diaghilev’s and Dukelsky’s collaboration and following reminiscences of it in Dukelsky’s work. The article is focused on cantata «Epitaph» which was the composer’s homage to Diaghilev’s memory and which was composed by Dukelsky to pay last respects not only for impresario but for ending epoch of European culture as well. Keywords: Sergei Diaghilev, Vladimir Dukelsky, ballet Zephyr et Flore, biography, epitaphy V. O. Chushkina Faces of contemporary choreography: Anton Pimonov, Vladimir Varnava, Constantine Keyhel Five new ballets staged by young Russian choreographers were performed during last two seasons in the Yakobson Ballet Theatre. Evening of ballet «The Faces of Contemporary Choreography», that has become the first production created by young ballet masters, has given a name to the development strategy for the theatre, headed by Andrian Fadeyev. Following the Yakobson’s idea to create the place where young choreographers could be searching for «new forms» Andrian Fadeyev has already invited to cooperation Anton Pimonov, Vladimir Varnava, Konstantin Keikhel. Each of them has their own distinctive idea of dance and ballet performance. And this is the reason their ways of working with the same company worth being represented and analyzed. Keywords: ballet, Yakobson Ballet Theatre, Anton Pimonov, Vladimir Varnava, Konstantin Keikhel, Andrian Fadeyev. TOPICAL ISSUES OF MEDICAL-BIOLOGICAL SUPPORT OF CHOREOGRAPHY T. L. Amosova Gymnastics to the retention of «ballet-physical form» during vacations for lower grades of choreographic schools Article is dedicated the maintenance «ballet physical form» during the vacations with help of special gymnastic. Purpose gymnastic is not only to preserve and improve the physical abilities of children, but in reducing injuries. Testing of this gymnastic was carried out on students grades 1-2 Vaganova ballet Academy. Keywords: gymnastics, ballet form, a set of exercises. M. A. Barinova «Air yoga» as a way to recovery ballet dancers The author describes the air gymnastics «Unnata Aerial Yoga» and the possibility of its application in the art of ballet. This gymnastic may not only contribute to the improvement of professional ability of ballet dancers, but also to help during recovery after exercise or injury. Keywords: ballet dancer, Unnata Aerial Yoga, reabilitation E. V. Gromova, I. N. Dimura. Formation of professional competence in the field of choreographic art: forward to the Vaganova Research of a technique of teaching classical dance A.Y. Vaganova and identification of her intrinsic bases is a key to understanding of the mechanism of training in classical dance and formations of professional competence of pupils. Professional competence of pupils includes knowledge and ability to put into practice the logic of development of movement skills put in Vaganova's system. Keywords: Vaganova, professional competence, ballet education, classical dance, training, teaching methods O. S. Ershova Development of endurance in system of FC&S and in choreography In the article presents the results of a research of general endurance of students Vaganova ballet Academy based on the Harvard step test, as well as the results of a research of the reaction of the cardiovascular system to the load during a lesson of classical dance. Keywords: ballet, classical dance lesson, heart rate, Harvard step test. D. S. Zavalishin, M. V. Makarenko New knowledge about human physiology as the basis for innovation in ballet education Currently, classical dance is experiencing an «endurance test» because of the great number of different styles and forms of modern dance. In order to preserve the overall aesthetics of the Russian School of Ballet, the new method would have to be developed, connecting original traditions with the requirements of modern dance - enhanced performance technique and skills of acrobatics. The necessary innovations in ballet education can be based on new discoveries about the human body. Modern medicine possesses everything necessary in its knowledge of anatomy and biomechanics to lay a foundation for a new system of artistic training. It can determine the further development of classical dance and enable graduates of the Academy of Russian Ballet to retain a prior lead position in the ballet world. Keywords: innovation, classical dance, ballet education, systematic approach, physiology, posturology, мyology M. A. Marina Development of «ballet-foot» in the professional and pre-professional choreographic education Very difficult to overestimate the importance of a foot condition for a career of dancer. Formation of the arches of the foot going during the period before enrolling in higher education and professional dance schools. This article presents the results of research the state of the arches of the foot of students of the Vaganova ballet Academy 8-9 and 1st grade. In addition, the results of the author's methods of prevention flatfoot for preschool children. Keywords: ballet, feet, flat feet, prevention flatfoot. P. Y. Maslennikov. To the question of the body weight of the future dancers The view of body of the dancer's (such as weight) is one of the key elements of the esthetics of classical
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