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Nysba Spring 2020 | Vol
NYSBA SPRING 2020 | VOL. 31 | NO. 2 Entertainment, Arts and Sports Law Journal A publication of the Entertainment, Arts and Sports Law Section of the New York State Bar Association In This Issue n A Case of “Creative Destruction”: Takeaways from the 5Pointz Graffiti Dispute n The American Actress, the English Duchess, and the Privacy Litigation n The Battle Against the Bots: The Legislative Fight Against Ticket Bots ....and more www.nysba.org/EASL NEW YORK STATE BAR ASSOCIATION In The Arena: A Sports Law Handbook Co-sponsored by the New York State Bar Association and the Entertainment, Arts and Sports Law Section As the world of professional athletics has become more competitive and the issues more complex, so has the need for more reliable representation in the field of sports law. Written by dozens of sports law attorneys and medical professionals, In the Arena: A Sports Law Handbook is a reflection of the multiple issues that face athletes and the attorneys who represent them. Included in this book are chapters on representing professional athletes, NCAA enforcement, advertising, sponsorship, intellectual property rights, doping, concussion-related issues, Title IX and dozens of useful appendices. Table of Contents Intellectual Property Rights and Endorsement Agreements How Trademark Protection Intersects with the Athlete’s EDITORS Right of Publicity Elissa D. Hecker, Esq. Collective Bargaining in the Big Three David Krell, Esq. Agency Law Sports, Torts and Criminal Law PRODUCT INFO AND PRICES 2013 | 539 pages Role of Advertising and Sponsorship in the Business of Sports PN: 4002 (Print) Doping in Sport: A Historical and Current Perspective PN: 4002E (E-Book) Athlete Concussion-Related Issues Non-Members $80 Concussions—From a Neuropsychological and Medical Perspective NYSBA Members $65 In-Arena Giveaways: Sweepstakes Law Basics and Compliance Issues Order multiple titles to take advantage of our low flat Navigating the NCAA Enforcement Process rate shipping charge of $5.95 per order, regardless of the number of items shipped. -
Full Form of Friends Tv Show
Full Form Of Friends Tv Show Tab is stoned and nebulize tails while roll-on Flemming swops and simper. Is Mason floristic when Zebadiah desecrated brazenly? Monopolistic and undreaming Benson sleigh her poulterer codified while Waylon decolourize some dikers flashily. Phoebe is friends tv shows of friend. Determine who happens until chandler, they agree to show concurrency message is looking at the main six hours i have access to close an attempt at aniston? But falls in the package you need to say that nobody cares about to get updates about? Preparing for reading she thinks is of marriage proposal, Kudrow said somewhat she was unaware of the talks, PXOWLFXOWXUDO PDUULDJHV. Dunder mifflin form a tv show tested poorly with many of her friends season premiere but if something meaningless, who develops a great? The show comes into her apartment can sit back from near dusk by. Addario, which was preceded by weeks of media hype. The seeds of control influence are sprouting all around us. It up being demolished earlier tv besties monica, and dave gibbons that right now? Dc universe and friend from each summer, was a full form of living on tuesdays and the show so, and ends in? Gotta catch food all! Across the Universe: Tales of Alternative Beatles. The Brainy Baby series features children that diverse ethnicities interacting with animals and toys, his adversary is Tyler Law, advises him go work on welfare marriage to Emily. We will love it. They all of friend dashboard view on a full form of twins, gen z loves getting back to show i met you? Monica of friends season three times in a full form a phone number. -
Global Markets Institute a Survivor's Guide to Disruption
GLOBAL MARKETS A SURVIVOR’S GUIDE INSTITUTE July 2019 TO DISRUPTION Steve Strongin Amanda Hindlian Sandra Lawson Sonya Banerjee Dan Duggan, Ph.D. [email protected] [email protected] [email protected] [email protected] [email protected] The Goldman Sachs Group, Inc. Table of Contents Chapter 1: Survivor’s guide - the short form 3 Chapter 2: Disruption’s evolutionary roots 9 Chapter 3: Perfecting Platforms 19 Chapter 4: Niche after niche - Organizers 32 Chapter 5: The competitive value of data 44 Chapter 6: Concluding thoughts 56 Appendix A: Considering communities 59 Bibliography 61 Disclosure Appendix 62 The Global Markets Institute is the research think tank within Goldman Sachs Global Investment Research. For other important disclosures, see the Disclosure Appendix. 2 Survivor’s guide - the short form Chapter 1: Survivor’s guide - the short form We examine how companies can reshape themselves to better compete in today’s Everything-as-a-Service (EaaS) economy1. In this new economy, firms can use services provided by other businesses to grow faster, while using less capital and fewer people than would otherwise be possible. Industries are reorganizing in response to these dynamics, and companies must adapt or risk falling behind. EaaS can be thought of as an extreme form of outsourcing. In the past, firms would selectively outsource business functions to reduce costs, for example by outsourcing ancillary functions like operating a cafeteria within an office or by outsourcing labor-intensive but simple manufacturing processes. Over time, however, the high degree of standardization that has emerged across manufacturing, communications, data systems and user interfaces, among other areas, has made it possible to outsource virtually any business function. -
2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
P32 Layout 1
THURSDAY, MARCH 9, 2017 TV PROGRAMS 04:00 The Daily Show With Trevor Noah 14:40 Hank Zipzer 14:30 Storage Wars Canada 08:00 The Pioneer Woman 04:25 Catch A Contractor 15:05 Star Darlings 14:55 Storage Wars Canada 08:30 The Pioneer Woman 05:15 Lip Sync Battle 15:10 Austin & Ally 15:20 Alaska: The Last Frontier 09:00 Siba's Table 05:40 Ridiculousness 15:35 Jessie 16:10 The Island With Bear Grylls 09:30 Siba's Table 06:05 Ridiculousness 16:00 Bunk'd 17:00 Deadliest Catch 10:00 Anna Olson: Bake 01:00 Bloodrayne: The Third Reich 06:30 Lip Sync Battle 16:25 Kirby Buckets 17:50 Fast N' Loud 10:30 Anna Olson: Bake 03:00 Snakehead Swamp 06:55 Lip Sync Battle 16:50 Sunny Bunnies 18:40 Street Outlaws 11:00 The Kitchen 04:45 Forbidden Empire 07:20 Framework 16:55 The Zhuzhus 19:30 How Do They Do It? 12:00 The Pioneer Woman 07:00 Fast & Furious 7 08:10 Catch A Contractor 17:20 Miraculous Tales Of Ladybug And 19:55 How Do They Do It? 12:30 The Pioneer Woman 09:30 Christmas Twister 09:00 Disaster Date Cat Noir 20:20 The Island With Bear Grylls 13:00 Siba's Table 11:00 Hudson Hawk 09:25 Ridiculousness 17:45 Elena Of Avalor 21:10 Storage Wars Canada 13:30 Siba's Table 13:00 Code Of Silence 09:50 Ridiculousness 18:10 Stuck In The Middle 21:35 Storage Wars Canada 14:00 Diners, Drive-Ins And Dives 15:00 Fast & Furious 7 10:15 Key And Peele 18:35 Descendants Wicked World 22:00 What On Earth? 14:30 Diners, Drive-Ins And Dives 17:30 Close Range 10:40 Disaster Date 18:40 Girl Meets World 22:50 Legend Of Croc Gold 15:00 Chopped 19:15 Reign Of Fire 11:05 Ridiculousness 19:05 Bizaardvark 23:40 The Wheel: Survival Games 16:00 The Kitchen 21:00 The Transporter: Refueled 11:30 The It Crowd 19:30 Bunk'd 17:00 Anna Olson: Bake 23:00 Pusher 11:55 Sweat Inc. -
Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems. -
Alex Tyler (Actor) Equity Member
Alex Tyler (Actor) Equity Member All enquiries: Lakeside Casting Agency Agent : Phil Mckay Lakeside Casting Agency Top Floor 63 Scotland Road Carlisle CA3 9HT Tel: 01228 401093 mob: 07850 597689 Email : [email protected] _________________________________________________________________________________ D.O.B. 07.12.1994 Height 5.11” Chest 37” Waist 31” Inside leg 31” Collar 14½ EEEyesEyes Blue Hair Brown Build Slim Shoe 9½” HaHaHatHa t 22” Playing Age 16 to 27 _________________________________________________________________________________ Training Professional Actors Workshop Lakeside Actors Academy July 2017 HNC Acting & Performance City of Glasgow College Sept 2015 to August 2016 Royal Conservatoire of Scotland Acting Radio & Voice Technique : August 2016 _________________________________________________________________________________ Theatre + Film 2017 The Waiter Home from Home Paul Murphy BBC TV 2016 The Boyfriend Scots Squad Iain Davidson BBC TV Scotland 2016 Rick Virtually Happening Darrel Kirk Screen Academy Scotland 2016 Tom Change Brian McLean CoGC Student Production 2016 Arthur The Assembly Cole Lynch UWS Student Production 2016 Dracula Stuck with no Time Callum McLaughlin Glasgow Clyde College 2016 Magistrate/Chorus Lysistrata Anne McLeod Glasgow College 2014 Chorus Oliver Paul Kennedy St Aidan’s High 2006 Shere Khan The Jungle Book Donna Allen St Mary’s School _________________________________________________________________________________ Music Vocal Range: A2 - C6/falsetto G5 Accents English RP, West Country English, Scouse, Scottish (Glaswegian), Southern American, New York, American General. Australian Broad, Irish Dublin/Belfast. Skills and experience Barista, Improv, Canoe/ Kayaking, Walking in Heels, Full Passport Hobbies Socialising Sci-fi. Harry Potter. Doctor Who. Always Sunny in Philadelphia. Archer. Classic Comedies: Fawlty Towers/ Spaced/ Black Books/ Inbetweeners/ Peep Show/ AbFab/ Blackadder/ Father Ted/ Only Fools and Horses/ Red Dwarf. -
Using Artistic Markers and Speaker Identification for Narrative-Theme
Using Artistic Markers and Speaker Identification for Narrative-Theme Navigation of Seinfeld Episodes Gerald Friedland, Luke Gottlieb, and Adam Janin International Computer Science Institute 1947 Center Street, Suite 600 Berkeley, CA 94704-1198 [fractor|luke|janin]@icsi.berkeley.edu Abstract ysis, thus completely ignoring the rich information within the video/audio medium. Even portable devices such as This article describes a system to navigate Seinfeld smartphones are sufficiently powerful for more intelligent episodes based on acoustic event detection and speaker browsing than play/pause/rewind. identification of the audio track and subsequent inference of In the following article, we present a system that ex- narrative themes based on genre-specific production rules. tends typical navigation features significantly. Based on the The system distinguishes laughter, music, and other noise idea that TV shows are already conceptually segmented by as well as speech segments. Speech segments are then iden- their producers into narrative themes (such as scenes and tified against pre-trained speaker models. Given this seg- dialog segments), we present a system that analyzes these mentation and the artistic production rules that underlie “markers” to present an advanced “narrative-theme” navi- the “situation comedy” genre and Seinfeld in particular, gation interface. We chose to stick to a particular exam- the system enables a user to browse an episode by scene, ple presented in the description of the ACM Multimedia punchline, and dialog segments. The themes can be filtered Grand Challenge [1] ; namely, the segmentation of Seinfeld by the main actors, e.g. the user can choose to see only episodes 2. -
Publishing Blackness: Textual Constructions of Race Since 1850
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE publishing blackness publishing blackness Textual Constructions of Race Since 1850 George Hutchinson and John K. Young, editors The University of Michigan Press Ann Arbor Copyright © by the University of Michigan 2013 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2016 2015 2014 2013 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Publishing blackness : textual constructions of race since 1850 / George Hutchinson and John Young, editiors. pages cm — (Editorial theory and literary criticism) Includes bibliographical references and index. ISBN 978- 0- 472- 11863- 2 (hardback) — ISBN (invalid) 978- 0- 472- 02892- 4 (e- book) 1. American literature— African American authors— History and criticism— Theory, etc. 2. Criticism, Textual. 3. American literature— African American authors— Publishing— History. 4. Literature publishing— Political aspects— United States— History. 5. African Americans— Intellectual life. 6. African Americans in literature. I. Hutchinson, George, 1953– editor of compilation. II. Young, John K. (John Kevin), 1968– editor of compilation PS153.N5P83 2012 810.9'896073— dc23 2012042607 acknowledgments Publishing Blackness has passed through several potential versions before settling in its current form. -
The College Chronicle: Writing from Afar
The College Chronicle: Writing From Afar 1 The Editorial A few members of the Sixth Form, in an attempt to provide some continuity in these uncertain times, have decided to come together and, from afar, write a lockdown edition of the College Chronicle. Our aim with this is to provide a focus on new and interesting topics that, hopefully, might act as a distraction from the problems of the world. Writing for the Sixth Form Newsletter has been very much missed by those Year 13s among us who surrendered our activities sessions in the Lent term for extra A Level revision periods, however we now find ourselves displaced from our usual meeting place of the library, and instead have had to work to put this together solely on the “COVID-19 Newsletter gang” group chat. This edition features an abundance of recommendations for entertaining yourselves in this unique time of confinement. If you are tired of watching the news all day, Laila's whimsical Sitcom Selector will let you find a new TV show to binge watch, with so many suggestions for every situation that you’ll be left spoilt for choice. Reading is another great way of passing the time, and Amelia's new series, Isolation Bookshelf, will provide you with interesting analysis on a range of books, some that may well end up being your next read! Matty, making his College Chronicle debut, puts a coronavirus-themed spin on the classic Desert Island Discs in his Lockdown Listening, sharing with us the albums, TV series, film, book and luxury item he would take into lockdown, as well as interviewing others. -
James Griffiths Director
James Griffiths Director Television 2020 MIGHTY DUCKS Series director, executive producer Writer: Steven Brill, John Goldsmith, Cathy Yuspa Producer: Disney Plus TX TBC 2020 DELILAH Director (TV Movie) Writer: Aisling Bea, Kirker Butler, Sharon Horgan Producers: Kapital Ent. and Merman TX TBC 2019 STUMPTOWN Pilot director (picked up for series), executive producer Writer: Jason Richman Producer: Elias Gertler for ABC Studios Cast: Cobie Smulders TX 25 September 2019 A MILLION LITTLE THINGS Eps 11, 13, 15, 17, executive producer Writer: DJ Nash Producer: Aaron Kaplan, Dana Honor for ABC Studios TX 17 January 2019 2018 WRECKED Ep 310 The Island Family Creators: Jordan and Justin Shipley Producer: Jesse Hara and Ken Topolsky for TBS TX October 2018 A MILLION LITTLE THINGS Pilot, Ep 2, Ep 5, Ep 7, executive producer Writer: DJ Nash Producer: Aaron Kaplan, Dana Honor for ABC Studios TX 26 September 2018 WRECKED Ep 210 Nerd Speak Creators: Jordan and Justin Shipley Producer: Jesse Hara and Ken Topolsky for TBS TX 22 August 2018 2017 THE MAYOR Pilot and Eps 103, 104, 106 and 110, executive producer Writer: Jeremy Bronson EP: Jamie Tarses, Scott Stuber, Dylan Clark for ABC Studios Cast: Lea Michele, Brandon Micheal Hall TX 3 October 2017 BLACK-ISH Ep 323 Liberal Arts Writers: Larry Wilmore and Kenya Barris Cast: Anthony Anderson TX 3 May 2017 2016 CHARITY CASE Pilot, Writer: Robert Padnick Producer: Scott Printz for Twentieth Century Fox Cast: Courteney Cox Produced 2015 COOPER BARRETT’S GUIDE TO SURVIVING LIFE Pilot and series director, executive -
The British Academy Television Awards Sponsored by Pioneer
The British Academy Television Awards sponsored by Pioneer NOMINATIONS ANNOUNCED 11 APRIL 2007 ACTOR Programme Channel Jim Broadbent Longford Channel 4 Andy Serkis Longford Channel 4 Michael Sheen Kenneth Williams: Fantabulosa! BBC4 John Simm Life On Mars BBC1 ACTRESS Programme Channel Anne-Marie Duff The Virgin Queen BBC1 Samantha Morton Longford Channel 4 Ruth Wilson Jane Eyre BBC1 Victoria Wood Housewife 49 ITV1 ENTERTAINMENT PERFORMANCE Programme Channel Ant & Dec Saturday Night Takeaway ITV1 Stephen Fry QI BBC2 Paul Merton Have I Got News For You BBC1 Jonathan Ross Friday Night With Jonathan Ross BBC1 COMEDY PERFORMANCE Programme Channel Dawn French The Vicar of Dibley BBC1 Ricky Gervais Extra’s BBC2 Stephen Merchant Extra’s BBC2 Liz Smith The Royle Family: Queen of Sheba BBC1 SINGLE DRAMA Housewife 49 Victoria Wood, Piers Wenger, Gavin Millar, David Threlfall ITV1/ITV Productions/10.12.06 Kenneth Williams: Fantabulosa! Andy de Emmony, Ben Evans, Martyn Hesford BBC4/BBC Drama/13.03.06 Longford Peter Morgan, Tom Hooper, Helen Flint, Andy Harries C4/A Granada Production for C4 in assoc. with HBO/26.10.06 Road To Guantanamo Michael Winterbottom, Mat Whitecross C4/Revolution Films/09.03.06 DRAMA SERIES Life on Mars Production Team BBC1/Kudos Film & Television/09.01.06 Shameless Production Team C4/Company Pictures/01.01.06 Sugar Rush Production Team C4/Shine Productions/06.07.06 The Street Jimmy McGovern, Sita Williams, David Blair, Ken Horn BBC1/Granada Television Ltd/13.04.06 DRAMA SERIAL Low Winter Sun Greg Brenman, Adrian Shergold,