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Archive and Primary Sources Abbey Theatre Digital Archive, James Hardiman Library, NUI Galway (JHL). Dublin Diocesan Archive. Fr. Desmond Forristal Archive, NUI Maynooth. G.A. Hayes-McCoy papers, JHL. Gate Theatre Digital Archive, JHL. Joint Stock Archive, University of California, Davis. J.P. Donleavy Papers (Donleavy Estate/National Library of Ireland [NLI]). Thomas Kilroy Papers, JHL. Genevieve Lyons Archive, JHL. Lyric Theatre/O’Malley Archive, JHL. Brian Friel Papers, NLI. Ria Mooney Papers, NLI. Hugh Leonard Papers, NLI. D.E.S. Maxwell Papers, NLI. Pike Theatre Papers, Trinity College Dublin. Sean O’Casey Papers, NLI. Arthur Shields Papers, JHL. Alan Simpson Papers, JHL. Carolyn Swift papers, JHL.

Newspapers and Periodicals Cork Examiner. Evening Herald. Irish Independent. Magill Magazine. Irish Times. Irish Press. The Stage. Daily Mail.

Books and Articles Arden, John, and D’Arcy, Margaretta. Awkward Corners: Essays, Papers, Fragments Selected With Commentaries, by the Authors. London: Methuen, 1988. Bertha, Csilla. “Brian Friel as Post-colonial Playwright”, in The Cambridge Companion to Brian Friel, edited by Anthony Roche. Cambridge: Cambridge University Press, 2012. Bidnell, Amanda. West Indian Interventions at the Heart of the Cultural Establishment: Edric Connor, Pearl Connor, and the BBC, Twentieth Century British History, Vol. 24, No. 1, 2013, pp. 58–83. Boltwood, Scott. “’An emperor or something’: Brian Friel’s Columba, Migrancy and Postcolonial Theory”, Irish Studies Review Vol. 10, Iss. 1, 2002. https:// doi.org/10.1080/09670880120117497. Bowen, Zack. R. Musical Allusions in the Works of James Joyce: Early Poetry through Ulysses. New York: State University of New York Press, 1974. Boydell, Brian. “Culture and Chauvinism”, Envoy: A Review of Irish Literature and Art, Vol. 2, No. 2, May 1950. Brown, Terence. Ireland: A Social and Cultural History 1922–2002. London: Harper Perennial, 2004. Buckley, Sarah-Anne. The Cruelty Man: Child Welfare, the NSPCC and the State in Ireland 1889–1956. Manchester: Manchester University Press, 2013. Case, Sue-Ellen, and Reinelt, Janelle. The Performance of Power. Iowa: University of Iowa Press, 1991. Cassin, Barry. I Never Had a Proper Job. Dublin: Liberties Press, 2012. Chambers, Anne. T.K. Whitaker: Portrait of a Patriot. London: Doubleday Ireland Press, 2014. Cleary, Joe. Outrageous Fortune: Capital and Culture in Modern Ireland. Dublin: Field Day Publications, 2007. Cochrane, Clare, and Robinson, Jo, eds. Theatre History and Historiography: Ethics, Evidence and Truth. Basingstoke: Palgrave Macmillan, 2016. BIBLIOGRAPHY 257

Coen, Lisa, “Urban and Rural Theatre Cultures: M.J. Molloy, John. B. Keane and Hugh Leonard”, in The Oxford Handbook of Modern Irish Theatre, edited by Nicholas Grene and Chris Morash. Oxford: Oxford University Press, 2016. Colletta, Lisa, and O’Connor, Maureen. eds., Wild Colonial Girl, Essays on Edna O’Brien. Wisconsin: The University of Wisconsin Press, 2006. Connolly, Linda. Ed. Women and the Irish Revolution: Feminism, Activism, Violence. (Dublin: Irish Academic Press, 2020). Cousin, Geraldine. Women in Dramatic Place and Time: Contemporary Female Characters on Stage. London: Routledge, 1996. Coveney, Michael. “The National Theatre and Civic Responsibility in the British Isles”, in National Theatres in Changing Europe, edited by S.E. Wilmer. Basingstoke: Palgrave Macmillan, 2008. Cox, Catherine, and Riordan, Susannah, eds. Adolescence in Modern Irish History. Basingstoke: Palgrave Macmillan, 2015. Daly, Mary E. Sixties Ireland: Reshaping the Economy, State and Society, 1957–1973. Cambridge: Cambridge University Press, 2016. Daly, Mary E. “The Emergence of an Irish Adolescence: 1920s–1970s”, in Adolescence in Modern Irish History, edited by Catherine Cox and Susannah Riordan. Basingstoke: Palgrave Macmillan, 2015. Daly, Mary E. O’Donnell Lecture, The Irish State and the Diaspora. Dublin: National University of Ireland, 2008. Dean, Joan Fitzpatrick. All Dressed Up: Modern Irish Historical Pageantry. New York: Syracuse University Press, 2014. Dean, Joan Fitzpatrick. Riot and Great Anger: Stage Censorship in Twentieth- Century Ireland. Madison: University of Wisconsin Press, 2004. Dolan, Jill. The Feminist Spectator as Critic. Michigan: University of Michigan Press, 1988. Donleavy, J.P. The History of the Ginger Man. London: Viking, 1994. Donleavy, J.P. What They Did in Dublin: The Ginger Man, a Play. London: MacGibbon and Kee, 1961. Donleavy, J.P. The Plays. Middlesex: Penguin Books, 1974. Ferriter, Diarmaid. Ambiguous Republic: Ireland in the 1970s. London: Profle Books. 2012. FitzGibbon, Emilie. “Theatre with Its Sleeves Rolled Up”, in Irish Writers and Politics. Edited by Okifumi Komesu. Gerrard’s Cross: Colin Smythe, 1990. Forristal, Desmond, Black Man’s Country. Delaware: Proscenium Press, 1975. Frazier, Adrian. Hollywood Irish: John Ford, Abbey Actor and the Irish Revival in Hollywood. Dublin: Lilliput Press, 2012. Friel, Brian. Volunteers. Meath: Gallery Press, 2002. Friel, Brian. Philadelphia, Here I Come! London: Faber and Faber, 2000. Furay, Julia, and O’Hanlon, Redmond. Critical Moments: Fintan O’Toole on Modern Irish Theatre. Dublin: Carysfort Press, 2003. 258 BIBLIOGRAPHY

Gibney, John, Kennedy, Michael, O’Malley, Kate, eds. Ireland: A Voice Among the Nations. Dublin: Royal Irish Academy, 2019. Grene, Nicholas. The Theatre of Tom Murphy: Playwright Adventurer. London: Bloomsbury, 2017. Grene, Nicholas. At Home on The Stage: Domestic Spaces in Modern Drama. Cambridge: Cambridge University Press, 2014. Grene, Nicholas. The Politics of Irish Drama: Plays in Context from Boucicault from Friel. Cambridge: Cambridge University Press, 1999. Greer, Stephen. Contemporary British Queer Performance. Basingstoke: Palgrave Macmillan, 2012. Handley, Sasha, McWilliam, Rohan, and Noakes, Lucy. New Directions in Social and cultural History. London: Bloomsbury Academic, 2018. Hanna, Erika. Modern Dublin: Urban Change and the Irish Past, 1957–1973. Oxford: Oxford University Press, 2013. Harmon, Maurice. “The Era of Inhibitions, 1920–1960”, in Irish Writers and Society at Large, edited by Masaru Sekine. Gerrard’s Cross: Colin Smythe, 1985. Haughton, Miriam. Staging Trauma: Bodies in Shadow. Basingstoke: Palgrave Macmillan, 2018. Hawkins, Maureen S.G. “Schizophrenia and the Politics of Experience in Three Plays by Brian Friel”, Modern Drama, Volume 39, Number 3, Fall, 1996. Healey, Robin. Twentieth-Century Italian Literature in English Translation: An Annotated Bibliography 1929–1997. Toronto: University of Toronto Press, 1998. Hickey, Des, and Smith, Gus. A Paler Shade of Green. London: Frewin, 1972. Hogan, Robert. ‘Since O’Casey’ and Other Essays on Irish Drama. Gerrards Cross: Colin Smythe, 1983 Hogan, Robert. “The Year in Review: 1967—Theatre”. Irish University Review, Vol. 5, No. 2, 1968. Holohan, Carole. “Catholic Youth Clubs in the Sixties”, in Adolescence in Modern Irish History, edited by Catherine Cox and Susannah Riordan. Basingstoke: Palgrave Macmillan, 2015. Hörschelmann, Kaithrin, and Van Hoven, Bettina, eds., Spaces of Masculinities. London: Routledge, 2005. Hunt, Hugh. The Abbey: Ireland’s National Theatre, 1904–1978. Dublin: Gill and Macmillan, 1979. Huyssen, Andreas. Twilight Memories: Marking Time in a Culture of Amnesia. London: Routledge, 1995. Jaquarello, Roland. Memoirs of Development: My Time in Irish Theatre and Broadcasting. Liffey Press: Dublin, 2016. Jarry, Alfred, Selected Works of Alfred Jarry, edited and translated by Roger Shattuck and Simon Watson-Taylor. London: Methuen and Co, 1965. BIBLIOGRAPHY 259

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A Archive, 26 Abbey Board, 23, 200 Arnold, Bruce, 137 Abbey Experimental Theatre, 80 Arthur, Othmar Remy, 106, 114, Abbey Theatre, 1, 4, 9, 20, 22, 23, 115, 118 32–34, 53, 54, 58, 60, 64, 74, 76, Arts Bill 1973, 201 81, 92, 117, 130, 144, 169, 190, Arts Council, 201 192, 195, 196, 199, 205, 213, Audiences, 16, 36 220, 222, 226, 230, 234, 239, 247 Aukin, David, 223 Abbey Theatre Digital Archive, 71, 92 Authentic, 19, 20 Abbey Theatre fre, 75 Avant-garde, 104, 122 ABC productions, 205 Avant-garde theatre, 103 Adoption Act, 49 Adoption of children, 31 Africa, 212, 214, 217 B Aiken, Frank, 213 Babb, Ena, 106, 119 All the King’s Horses, 22 Bailegangaire, 28, 74 The American GI Bill, 127, 146 Ballymun, 178 Apollo Theatre, London, 239 Barba, Eugenio, 7 Archival activism, 251 Barrault, Jean Louis, 197 Archival memory, 14, 30, 31, 69, 118, BBC, 116, 140 122, 128, 247, 251 Beckett, Samuel, 7, 19, 37, 41, 131, Archival repertoire, 248 133, 139, 146, 153, 192, 198

1 Note: Page numbers followed by ‘n’ refer to notes.

Behan, Brendan, 119, 128, 129, C 131, 142 Cabaret, 81 Behan, Dominic, 42 Café La Mama, 223 Bennett, Paul, 229 Candle Press, 5 Bentley, Eric, 80 Canon, 247 Berliner Ensemble, 80 Canonical form, 251 Biafra, 213, 217 Canonicity, 17 Biafran, 217 The Caretaker, 204 Biafran confict, 218 Caribbean, 116, 117 Biddeau, Jeffrey, 106, 116 Carr, Marina, 25 The Big Birthday, 169, 174 Casey, Eamon (Bishop of Bird’s Nest Orphanage, 44 Galway), 214 The Bishop’s Bonfre, 40, 134, 161 Cassin, Barry, 22, 30n6, 104, 156 Black Man’s Country, 211–213, 216 Casson, Bronwen, 197 Blaney, Neil, 178 Cathleen Ní Houlihan, 28 Blasphemy, 144 Catholic, 69, 117, 216 Bloody Sunday, 36 Catholic Church, 29, 40, 68, 123, Bloody Sunday in Derry, 228, 230 126, 131, 133, 136, 137, 160, Blythe, Ernest, 32, 43, 86, 87, 233 161, 218, 242 Boland, Geared, 45 Censorship, 125–161, 209–211 Bond, Edward, 7 Censorship of Publications Board, 126 Bórd Fáilte, 195 Censorship Reform Committee, 137 Boucicault, Dion, 130 The Chalk Garden, 72 Bourgeoisie, 128 Charabanc Theatre Company, 195 Bourke, Fergus, 60 Childhood adoption, 49–53 Brecht, Bertolt, 80, 198 Child mortality, 49 Brechtian, 26 Citizen’s Theatre, Glasgow, 109 Brendan Smith Academy, 79 City Theatre, 21, 22 Brennan, Dennis, 78 Civil rights, 36 Brian Friel Archive, 95 Clark, Brian, 242 British Council, 222 The Clash, 186 British Empire, 109, 212 Class, 8, 88, 127, 168, 235 British government policy of Class inequality, 10 ‘Internment without trial,’ 239 Cogley, Fergus, 138 British Pathé, 76 Cogley, Madame, 23 British Prime Minister, 110 Colgan, Michael, 248 British theatre, 19 Colin Smythe Press, 5 Broadway, 81 Collective theatre-making, 223 Browne, Noel, 109 Colonial, 62 Bulfn, Michael, 204 Colum, Padraic, 143 Byrne, Gabriel, 229 Comhairle Ealaíon, 201 INDEX 267

Commemoration, 228–232 Demona Players, 1 Commission to Enquire into Child Dench, Judy, 81 Abuse in Ireland (‘The Ryan Dermody, Frank, 1, 201 Report’), 251 Derry, 36 Commonwealth, 117 Dev, 229 Connemara, 87 De Valera, Eamon, 84, 94, 125, 229 Connolly, Billy, 233 Devine, George, 205 Connolly, Sybil, 86 Devlin, Anne, 25 Connor, Edric, 116 Digital preservation, 11 Constitution of the Irish Republic, 93 Dillon, James, 109 Constitution of the Republic of Diplomacy, 215–219 Ireland, 151 Documentary, 223, 228–232, Contraception, 10, 18 244, 249 Co-Op Books, 5 Documentary drama, 196 Cosgrave, Liam, 213 Documentary theatre, 222–229 Cosmopolitan, 120, 171 Dolmen Press, 5 The Country Boy, 76, 83, 85, 87, 91, Domestic, 27, 29, 30 93, 94, 178 Donleavy, J.P., 131, 137, 140, The Country Girls, 54, 60 142, 249 Courtrooms, 34, 36–38 Doolan, Lelia, 9, 23, 25, 69, 97, 110, Craig, May, 33 195–197, 200–202, 224, Crowe, Eileen, 33 235, 239 Cumann na mBan, 208 Douglas, James, 182 Currency, 223 Dowling, Joe, 195 Cusack, Cyril, 9, 40, 44 The Dream of Gerontius, 125 Druid Theatre Company, 74, 195, 214 The Drums of Father Ned/The Rose D Tattoo, 157, 161 Da, 164, 166, 169, 180, 187, 188, Dublin City, 27, 178 190, 192 Dublin City Council, 206, 210 Daffodils, 64 Dublin City Council Cultural Dalkey, 173, 183 Committee (DCCC), 210 D’Alton, Louis, 174 Dublin Diocesan Archives, 127, 155 An Damer Hall, 35, 119 Dublin Horse Show, 115 An Damer Theatre, 30n6, 233 Dublin Horse Show Week, 80 D’Arcy, Margaretta, 22, 23 Dublin Housing Action Committee The Death and Resurrection of Mr. (DHAC), 208 Roche, 107n10, 154 Dublin International Theatre Festival, Dead End Kids, 204 85, 134, 137 De Burca/P.J. Burke Books, 5 Dublin’s Gate Theatre, 219 Deevy, Teresa, 25, 28, 30, 64 Dublin Strike and Lock Out, 228 268 INDEX

The Dublin Theatre Festival, 100, F 187, 192, 195, 215, 216, Fabbri, Diego, 121 222, 248 Fahy, Martin, 203 Dún Laoghaire, 44 Fáil, Fianna, 53 Dunne, Eithne, 80 Fáilte, Bórd, 85, 112 Du Pont, Chloe, 106, 119 Fairy Tale of New York, 127, 155 Faith Healer, 168–169 A Family, 27 E Family, 29 Easter Rising of 1916, 208 Famine, 4, 181, 211–215, 221 The Eblana Theatre, 35, 130, 131, Fanshen, 223 160, 177, 248 The Far Off Hills, 1 Economic Community (EC), 212 Feminist, 20–26, 30 Economic modernisation, 29 Ferriter, Diarmaid, 245 Eden, Sir Anthony, 110 Fianna Fáil, 178, 191 Edwards, Hilton, 32, 95, 98, 195, The Field, 21 203, 215, 216, 219 Fin de Partie, 146 Elliman, Louis, 42, 155–159 Finnan, Paschal, 205 The Emergency, 125 Finnegan’s Wake, 42 Emigration, 18 Finucane, Marion, 182 Emmett, Robert, 65 FitzGerald, Barry, 32 Empire Theatre, 81 FitzGerald, Eithne, 209 Employment, 20 FitzGerald, Jim, 80, 137, 176 En Attendant Godot, 19 Flynn, Mannix, 229 The Enemy Within, 94 The Focus Theatre, 203, 248 Ennis, Seamus, 116 Follies, 4, 20, 108 Entertaining Mr. Sloane, 128, Follies in the Sun, 77, 116, 119, 122 129, 131 Footfalls, 37 Ethiopian, 220 Foreign policy, 118, 212 European Economic Forristal, Desmond, 217, 218, 249 Community, 18, 122 Fortnight magazine, 57 Evidence, 37 Foucault, Michel, 19 Experimental, 89, 131, 224, 230 Fouré, Olwen, 229 Experimental studio, 228 4-in-1 Players, 204 Export Trade, 118 Foxrock, 173 Expressionism, 23, 199 Forristal, Fr. Desmond, 215 Eye-Winker Tom-Tinker, 199 The Freedom of the City, 36, 230 Eyre, Ronald, 57 Frankfurt Theatre, 198 INDEX 269

French Embassy, 197 Great Britain, 116 Friel, Brian, 2–4, 36, 54, 77, 88, 94, The Great Famine, 87, 213 97, 133, 168, 169, 174, 178, The Great Northern Welly Boot 185, 230 Show, 233 Fr. Nolan, Gerard S. J., 142, 156–158 Gregory, Lady Augusta, 5, 25, 28, 172 Greyhound Industrial Bill, 109 A Groundwork for Irish Theatre, 236 G Group Theatre, 85 Gaiety School of Acting, 79 Guinness, 212 Gaiety Theatre, 40, 80, 95, 125, 128, 131, 155, 156, 158, 160 Gallivan, G.P., 229 H Gardaí, 227 Haire, John Wilson, 57 Gas Company Theatre, 79, 81 Halliwell, Kenneth, 128 Gas Works, 75 Hamlet, 72, 73 Gas Works Theatre, 81, 175 Happy Days, 37 Gaskill, William, 222 Hare, David, 223 The Gate Theatre, 5, 32, 79, 108, Harris, Julie, 81 116, 117, 119, 137, 195, 203, Harris, Richard, 157 215, 218 Hatchett, 234 The Gathering, 53, 60 Helen, 140 Gatti, Armand, 244 Herbert Lane, 52 Gemini/Orion Theatre, 108 Heritage, 18 Gemini Productions, 22, 98 Herlihy, Michael, 78 Gemini Theatre Company, 233 Hewes, Henry, 72 Gender, 20–26, 32–35 Hickey, Tom, 204 Genet, Jean, 7 Higgins, Aidan, 177 Geraghty, Clive, 236 Hill, Killiney, 170, 179, 183, 185 An Giall, 119 Historiographies, 20, 24, 25, 31, 35, The Ginger Man, 126, 131, 140–143, 247, 249 145, 148, 151, 155, 156 Hobson, Harold, 103, 142 Girodias, Maurice, 139 Hogan, Des, 205, 206 Globalising, 77 Holder, Boscoe, 116 Globe Theatre, 71, 128 Holy Communion, 64 The Globe Theatre Company, 4, 71, Holy Ghost Fathers, 212 75, 100, 108, 128, 130, 158, Homosexual, 18 175, 248 Horizon Theatre Company, 204 Goodbye to Berlin, 81 The Hostage, 131, 132, 141–143 Good Friday Agreement, 212 The House of Bernarda Alba, 80, 130 The Good Person of Szechwan, 199 Housing, 18, 20 Gorta, 214 Hudson, Christy, 205 Grass, Günter, 205 Hugh Lane Gallery, 27 270 INDEX

Humanitarian, 213 Johnston, Denis, 42, 170, 172 Hume Street, 182 Joint Stock, 223, 225, 230 Hunt, Hugh, 81, 195, 201, Joint Stock Theatre Group, 222 239, 241, 242 Jordan, Neil, 204 Hyde Park, 224, 225, 227 Jordan, Tom, 204 Hynes, Garry, 74, 214 Joyce, James, 62, 131, 137 Juno and the Paycock, 21

I I Am a Camera, 4, 81 K Immersive, 222–228 Katie Roche, 28 Immersive documentary, 226 Kaufman, George S., 77 India, 213 Keane, John B., 21, 143 Intercultural, 20, 113 Kelly, David, 109, 110 Interculturalism, 105 Kelly, George, 138 Internationalisation, 71, 110, 122 Kennedy, Declan Burke, 249 Internationalism, 213 Kennedy, John F., 18 International trade, 118 Kenny, Sean, 57, 58, 63, 66 Ionesco, Eugène, 7, 121 Kill, 164, 169 Irish Censorship Board, 137 Killiney, 173 Irish Citizen Army, 208 Kilroy, Thomas, 2, 107n10, 133, 154, Irish Coffee, 113–115, 119, 122 166, 168, 172, 177, 182, 224, Irish embassy, 212 233, 236, 249 Irish Housewives’ Association King’s Theatre, Glasgow, 233 (IHA), 46 Kitchen cottage, 34 Irish identity, 29 Irish law, 35 Irish Nationality and L Citizenship Act, 94 La Comédie Française, 197 Irish National Theatre Society, 10 Laffan, Pat, 203 Irishness, 29 Lagos, 212 Irish Ropes Ltd., 118 Lally, Mick, 180, 214 Irish tourism board, 112 Larkin, Jim, 228 Irish trade, 112–117 Laverty, Maura, 30, 32 Irish Whiskey, 119 The League of Decency, 209, 210 Irish women playwrights, 29 A Leap in the Dark, 43, 166, 185 Isherwood, Christopher, 81 Le Brocquy, Louis, 27–29 Leeney, Cathy, 26, 30, 69 Le Febvre, Henri, 35 J Legal adoption, 10, 51 James Duffy Press, 5 Legal Adoption Bill, 46 Jaquarello, Roland, 9, 75, 131, 136 Lemass, Seán, 18, 120, 143, 144, Joan, Saint, 71 163, 252 INDEX 271

Leonard, Hugh, 21, 34, 43, 54, 89, Maher, Mary, 205 137, 164, 182, 183, 233 Makurian, Abata (Artistic Director and Lever, Nora, 69, 104 Manager of the National Theatre Lewenstein, Oscar, 98, 100 of Ethiopia), 220 The Liberty Suit (1977), 205 Manahan, Anna, 46, 106, 129 Liddy, David, 203, 227 Manning, Mary, 11, 24, 25, 30, A Life, 164, 166 42, 69, 205 Life magazine, 86 Marriage, 31 Liffey Lane, 32 Mason, Patrick, 30n7, 54, 56, 60, Limerick, 20, 22, 23 197, 235 Limerick Theatre Festival, 60 Maura Cassidy, 38 Linn, Gael, 119 McArdle, Dorothy, 25 London, 207, 224 McCabe, Eugene, 4 London squats, 207 McCabe, Vincent, 208, 209 Long, Eileen, 110 McCann, Donal, 233 Longford, Christine, 5, 69 McCarthy, Sean, 232, 234 Longford, Lord Edward, 5 McDonnell, John, 22 Look Back in Anger, 19, 126, 135, McFeeley, Deirdre, 26 136, 140, 150, 176 McGahern, John, 63, 137 Loot, 128, 129, 131, 136 McKenna, James, 4, 48, 57, 186 Lorca, Gabriel Garcia, 80, 130 McKenna, Siobhán, 71, 73 Lucille Lortel Theatre, 71 McMaster, Anew, 79, 205 Lulu, 205 McQuaid, John Charles (Archbishop), Lunch With Brecht, 204–205 45, 131, 134, 142, 155, 218 Lynch, Jack T.D. (Taoiseach), McSharry, Deirdre, 110 116, 201 Medhin, Tsegaye, 219 Lynch, Noel, 106 Memoir, 63 Lyons, Genevieve, 4, 69, 78–81, 158 Memory, 14, 15, 26, 37, 177, Lyric Theatre Belfast, 243 186–191, 213–215, 228–232, 247–253 Memory spaces, 26 M The Men Behind the Wire, 239 Mac Anna, Tomás, 35, 36, 60, 97, Mercury Theatre, 223 104, 195, 202, 203, 227, Mermaid Theatre, 57, 242 230, 252 Middleclasses, 29, 127, 172, 207 MacIntyre, Tom, 199, 200 Miller, Arthur, 79 Macken, Walter, 201 The Millstone, 25, 30n5, 46–53 MacLiammóir, Micheal, 32, 99, 137, Minister for Education, 116 195, 203 The Minister for External Affairs, 213 Madigan’s Lock, 173, 180, 193 Minister for Justice, 45 Magdalene Laundries, 8, 38, 54, 64 Missionary aid, 211 Magee, Heno, 234 Miss Julie, 79 272 INDEX

Mnouchkine, Ariane, 7 Northern Ireland, 18, 207 Mobile Homes (1976), 205 Norton, Jim, 129 Montserrat, 117 Not I, 37 Mooney, Ria, 23, 33, 79, 80, 201 The Moon in the Yellow River, 170 Morash, Chris, 34, 35, 37 O The Morning after Optimis, 34 O’Briain, Colm, 204 Morris, T.B., 137 O’Brien, Conor Cruise, 249 Morrissey, Eamon, 160 O’Brien, Edna, 11, 24, 25, 30, 39, Morton, Laurie, 106, 107 53–60, 137 Mother and Baby Homes, 8, 38, 54 O’Casey, Sean, 8, 9, 21, 40, 44, 134, Mother and Baby Homes 141, 153, 160, 168, 198, Commission, 59 202, 239 Mountjoy Square, 208 O’Connor, Frank, 137 The Mundy Scheme, 169, 185 Ó Dáilaigh, Cearbhail (President of Murphy, Fidelma, 33 Ireland), 227 Murphy, John, 77, 85, 178 Oda Oak, 220 Murphy, Tom, 4, 28, 34, 74, 133, Oda Oak Oracle, 219–222 168, 174, 181, 192, 213, 249 O’Dea, Jimmy, 80 O’Donovan, Fred, 32 Off-Broadway, 71 N Offce of the Lord Chamberlain, 126 National Library of Ireland, 95, 203 O’Kelly, Colm, 46 National theatre, 20 Olney Theatre, Maryland (USA), 187 Naturalism, 132 Ó Lochlann, Gearóid, 46 Neeson, Liam, 236 Olympia Press, 127, 139 Nelson’s Pillar, 212 Olympia Theatre, 129, 130, 142, Newman, Cardinal John Henry, 125 182, 187 New York, 72 Onkel Onkel, 205 Nigeria, 212, 216, 219 On Trial, 30, 35, 38 Nigerian Embassy, 218 Operation Demetrius, 239 Nigerian-Biafran confict, 216 Orion Productions, 22, 130, 175 Ní Ghráda, Máiread, 22, 25, 30, Orton, Joe, 128, 132, 136 35–39, 51 Osborne, John, 19, 126, 128, 131 Ní Gríofa, Doireann, 6 O’Shea, Milo, 106, 108, 110 Ní Houlihan, Cathleen, 86 O’Toole, Fintan, 164, 166 1952 Adoption Bill, 45 Outlook Unsettled, 205 1974 Arts Act, 204 Nine Years War, 65 No Entry (1976), 205 P Noel Browne’s ‘Mother and Child The Padraig Pearse Motel, 173 Scheme,’ 151 A Pagan Place, 25, 30, 53–69 INDEX 273

Pageant, 117 Quigley, Godfrey, 129, 130, 158, 175 Palitzsch, Peter, 198 Quilligan, Veronica, 60 Pandora Productions, 205 Pan Productions, 205 Parent Concern, 210 R Paris, 19, 197 Racism, 10 The Patrick Pearse Motel, 34, 164, 187 Radharc flm unit, 215, 218 Paul II, John, 18 Radió Éireann, 44 Peacock Theatre, 1, 196, 203, 219, Realism, 133, 234 228, 234, 236, 247 Reamonn, Sean Mac, 116 Phelan, Peggy, 26 Rea, Stephen, 233 Philadelphia, Here I Come!, 3, 25, 77, Red Biddy, 234 89, 94, 96, 97, 133 Refected Glory, 138 The Pike aesthetic, 43–49 Reid, Graham, 232–238 Pike Theatre, 4, 10, 19–21, 40–43, Repertoire, 15 71, 75, 77, 78, 80, 100, 106, Reynolds, Paige, 69 115, 121, 122, 128, 144, 248 Richards, Shaun, 34, 35, 37 Pike Theatre Club, 41, 52, 103 Roberts, Charlie, 106 Pike Theatre Company, 52 Robinson, Lennox, 1, 2, 174 Pilkington, Lionel, 40, 41 Rodway, Norman, 175 Pinter, Harold, 7, 131, 198, 204, 222 Roman Catholic, 18 The Playboy of the Western World, 168 Ronconi, Luca, 7 The Plough and the Stars, 109, 168 The Rose Tattoo, 40, 139, 141, 144 Plunkett, James, 137 Rough Magic Theatre Company, 195 The Poker Session, 21 Royal Court Theatre, London, 19, Post-colonial, 113, 128, 212 30n7, 57, 58, 60, 66, 141, Post-colonialism, 221 205, 223 Post-colonialist, 212 Royal Court Upstairs, 223 Posterity be Damned, 42, 43 Royal Lyceum Theatre, 233 Post-war British theatre, 126 Ryan, John, 57, 160 Pregnancy, 31 Ryan, Phyllis, 20, 22, 25, 69, 98, 130, The Project Arts Centre, 10, 127, 175, 233 197, 203, 205, 223, 229, 248 The Project Centre Archive, 203 Protestant, 234 S Protestant identity, 232–238 Saint Joan, 72, 202, 235 Provisional IRA, 227 The Sanctuary Lamp, 168, 183 Sartre, Jean-Paul, 121 Say It with Follies, 105–112 Q The Scatterin, 4, 48, 57, 176, 186 The Quare Fellow, 43 Scores, 11 Queen’s Theatre, 75, 89, 119 Scott, Michael, 75 274 INDEX

A Season of New Irish Plays, 205 Stephen’s Green, 182 The Second Life of Tatenberg Strike, 229, 230 Camp, 244 Suez campaign, 110 Sectarianism, 235 Summer, 54, 170, 176–186, 188 7:84’s Trembling Giant, 233 Surrealism, 131 7:84 Theatre Company, 233 Surrealist, 129 Sexism, 10 Swift, Carolyn, 20, 24, 25, 30, 39–44, Sex Pistols, 186 50, 57, 69, 77, 78, 87, 103, 115, Sexuality, 31, 55 116, 120, 121, 138 Shakespeare, William, 71 The Swine and the Potwolloper, 205 The Shaughraun, 130 Synge, John Millington, 168 Shaw, George Bernard, 71, 72, 192, 202, 235 Shea, Wendy, 61, 190 T Sheridan, Jim, 205 Taibhdhearc na Gaillimhe, 180, 214 Sheridan, Peter, 205 Talbot Press, 5 Sheridan brothers, 205 Talbot’s Box, 168 Shields, Arthur, 32 Taoiseach, 18 Sihra, Melissa, 6, 25, 26, 69 Tea, and Sex, and Shakespeare, 224 The Silver Tassie, 202, 239 Teddy Boys, 176, 186 Simpson, Alan, 39, 40, 43, 44, 57, 78, Teichmann, Howard, 77 103, 107, 115, 127, 137, 160, Temple Bar, 204 195, 201 That Time, 37 Sive, 29, 143 Théâtre de Babylone, 19 Slemon, John, 200, 202 The Theatre de Lys, 71, 72 SLOT. (the St. Laurence O’Toole Théâtre de Poche, 41, 119 Players), 204 Theatre du Soleil, 197 Smith, Brendan, 195 Theatre historiography, 12, 13 Smyly, Ellen, 44 Theatre Royal, Hawkins Street, 42 Solga, Kim, 26 The 37 Club, 104 The Solid Gold Cadillac, 77 Time magazine, 18 Sound fles, 11 Time Was, 166, 173, 176 Spanish Flamenco, 111 Tolka Row, 32 The Speakers, 222–224, 226 An Tóstal, 85, 134 The Squat, 205–207 An Triail, 22, 35 S.S. Empire Windrush, 118 An Trial, 30n6 The Starry Plough, 208 The True Story of the Horrid Popish St. Patrick’s Day parade, 212 Plot, 215 Stafford-Clark, Max, 222, 223, 233 Town Hall in Dún Laoghaire, 44, 49 Stanford, Alan, 204, 229 Trauma, 15 Stanley, Martina, 61 Traverse Theatre in Edinburgh, 233 Stephen D, 100, 172 Trócaire, 214 INDEX 275

Trotter, Mary, 69 Wedekind, Frank, 205 Troubles, 217, 218 We Dig for the Stars, 137 T.R. Royal, 157 We’re Guilty Cause We’re Tuam Mother and Baby Home, 59 Filthy, 209–211 Tudor conquest of Ireland, 65 Wesker, Arnold, 7, 131 West Indian, 116, 117 West Indies, 119 U Westwater, Rosalie, 154 Ulysses, 62 Whitaker, T.K., 120 UNESCO, 220 Whose Life is it Anyway?, 242, 243 United Kingdom, 87 Widgery Inquiry, 231 United Nations, 212 Widgery Report, 230 United States (US), 18 Wilson, Robert, 7 Unity Theatre, 40 Windrush Generation, 117 Upper-class, 131 Wiseman, Philip, 155 Urban, 34 Witnesses, 36 Witness testimony, 36 The Wolfetone, 239 V Women at Work, 205 Van Drutun, John, 81 Wordsworth, William, 64 Veritas Christi, 210 Working-classes, 13, 172, 191, 233, Verse play, 219 234, 245 View from the Bridge, 79 World War I, 242 Vogue magazine, 87 The Voice of Shem, 42 Y Yeats, Anne, 104 W Yeats, W.B., 9, 28, 192, 221, 239 Waiting for Godot, 19, 41, 42 Yesterday’s News, 223 Waking the Feminists’ Young Abbey, 228 movement, 250 Youth, 95 A Walk on the Water, 166, 175–177, Youth culture, 84 188, 189 Youth movement, 83