DOCSLIB.ORG

Bibliography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bibliography BIbLIOGRapHY ARCHIVE aND PRIMaRY SOURCEs Abbey Theatre Digital Archive, James Hardiman Library, NUI Galway (JHL). Dublin Diocesan Archive. Fr. Desmond Forristal Archive, NUI Maynooth. G.A. Hayes-McCoy papers, JHL. Gate Theatre Digital Archive, JHL. Joint Stock Archive, University of California, Davis. J.P. Donleavy Papers (Donleavy Estate/National Library of Ireland [NLI]). Thomas Kilroy Papers, JHL. Genevieve Lyons Archive, JHL. Lyric Theatre/O’Malley Archive, JHL. Brian Friel Papers, NLI. Ria Mooney Papers, NLI. Hugh Leonard Papers, NLI. D.E.S. Maxwell Papers, NLI. Pike Theatre Papers, Trinity College Dublin. Sean O’Casey Papers, NLI. Arthur Shields Papers, JHL. Alan Simpson Papers, JHL. Carolyn Swift papers, JHL. © The Author(s), under exclusive license to Springer Nature 255 Switzerland AG 2021 B. Houlihan, Theatre and Archival Memory, https://doi.org/10.1007/978-3-030-74548-6 256 BIBLIOGRAPHY NEWspapERs aND PERIODICaLs Cork Examiner. Evening Herald. Irish Independent. Magill Magazine. Irish Times. Irish Press. The Stage. Daily Mail. BOOKs aND ARTICLEs Arden, John, and D’Arcy, Margaretta. Awkward Corners: Essays, Papers, Fragments Selected With Commentaries, by the Authors. London: Methuen, 1988. Bertha, Csilla. “Brian Friel as Post-colonial Playwright”, in The Cambridge Companion to Brian Friel, edited by Anthony Roche. Cambridge: Cambridge University Press, 2012. Bidnell, Amanda. West Indian Interventions at the Heart of the Cultural Establishment: Edric Connor, Pearl Connor, and the BBC, Twentieth Century British History, Vol. 24, No. 1, 2013, pp. 58–83. Boltwood, Scott. “’An emperor or something’: Brian Friel’s Columba, Migrancy and Postcolonial Theory”, Irish Studies Review Vol. 10, Iss. 1, 2002. https:// doi.org/10.1080/09670880120117497. Bowen, Zack. R. Musical Allusions in the Works of James Joyce: Early Poetry through Ulysses. New York: State University of New York Press, 1974. Boydell, Brian. “Culture and Chauvinism”, Envoy: A Review of Irish Literature and Art, Vol. 2, No. 2, May 1950. Brown, Terence. Ireland: A Social and Cultural History 1922–2002. London: Harper Perennial, 2004. Buckley, Sarah-Anne. The Cruelty Man: Child Welfare, the NSPCC and the State in Ireland 1889–1956. Manchester: Manchester University Press, 2013. Case, Sue-Ellen, and Reinelt, Janelle. The Performance of Power. Iowa: University of Iowa Press, 1991. Cassin, Barry. I Never Had a Proper Job. Dublin: Liberties Press, 2012. Chambers, Anne. T.K. Whitaker: Portrait of a Patriot. London: Doubleday Ireland Press, 2014. Cleary, Joe. Outrageous Fortune: Capital and Culture in Modern Ireland. Dublin: Field Day Publications, 2007. Cochrane, Clare, and Robinson, Jo, eds. Theatre History and Historiography: Ethics, Evidence and Truth. Basingstoke: Palgrave Macmillan, 2016. BIBLIOGRAPHY 257 Coen, Lisa, “Urban and Rural Theatre Cultures: M.J. Molloy, John. B. Keane and Hugh Leonard”, in The Oxford Handbook of Modern Irish Theatre, edited by Nicholas Grene and Chris Morash. Oxford: Oxford University Press, 2016. Colletta, Lisa, and O’Connor, Maureen. eds., Wild Colonial Girl, Essays on Edna O’Brien. Wisconsin: The University of Wisconsin Press, 2006. Connolly, Linda. Ed. Women and the Irish Revolution: Feminism, Activism, Violence. (Dublin: Irish Academic Press, 2020). Cousin, Geraldine. Women in Dramatic Place and Time: Contemporary Female Characters on Stage. London: Routledge, 1996. Coveney, Michael. “The National Theatre and Civic Responsibility in the British Isles”, in National Theatres in Changing Europe, edited by S.E. Wilmer. Basingstoke: Palgrave Macmillan, 2008. Cox, Catherine, and Riordan, Susannah, eds. Adolescence in Modern Irish History. Basingstoke: Palgrave Macmillan, 2015. Daly, Mary E. Sixties Ireland: Reshaping the Economy, State and Society, 1957–1973. Cambridge: Cambridge University Press, 2016. Daly, Mary E. “The Emergence of an Irish Adolescence: 1920s–1970s”, in Adolescence in Modern Irish History, edited by Catherine Cox and Susannah Riordan. Basingstoke: Palgrave Macmillan, 2015. Daly, Mary E. O’Donnell Lecture, The Irish State and the Diaspora. Dublin: National University of Ireland, 2008. Dean, Joan Fitzpatrick. All Dressed Up: Modern Irish Historical Pageantry. New York: Syracuse University Press, 2014. Dean, Joan Fitzpatrick. Riot and Great Anger: Stage Censorship in Twentieth-­ Century Ireland. Madison: University of Wisconsin Press, 2004. Dolan, Jill. The Feminist Spectator as Critic. Michigan: University of Michigan Press, 1988. Donleavy, J.P. The History of the Ginger Man. London: Viking, 1994. Donleavy, J.P. What They Did in Dublin: The Ginger Man, a Play. London: MacGibbon and Kee, 1961. Donleavy, J.P. The Plays. Middlesex: Penguin Books, 1974. Ferriter, Diarmaid. Ambiguous Republic: Ireland in the 1970s. London: Profle Books. 2012. FitzGibbon, Emilie. “Theatre with Its Sleeves Rolled Up”, in Irish Writers and Politics. Edited by Okifumi Komesu. Gerrard’s Cross: Colin Smythe, 1990. Forristal, Desmond, Black Man’s Country. Delaware: Proscenium Press, 1975. Frazier, Adrian. Hollywood Irish: John Ford, Abbey Actor and the Irish Revival in Hollywood. Dublin: Lilliput Press, 2012. Friel, Brian. Volunteers. Meath: Gallery Press, 2002. Friel, Brian. Philadelphia, Here I Come! London: Faber and Faber, 2000. Furay, Julia, and O’Hanlon, Redmond. Critical Moments: Fintan O’Toole on Modern Irish Theatre. Dublin: Carysfort Press, 2003. 258 BIBLIOGRAPHY Gibney, John, Kennedy, Michael, O’Malley, Kate, eds. Ireland: A Voice Among the Nations. Dublin: Royal Irish Academy, 2019. Grene, Nicholas. The Theatre of Tom Murphy: Playwright Adventurer. London: Bloomsbury, 2017. Grene, Nicholas. At Home on The Stage: Domestic Spaces in Modern Drama. Cambridge: Cambridge University Press, 2014. Grene, Nicholas. The Politics of Irish Drama: Plays in Context from Boucicault from Friel. Cambridge: Cambridge University Press, 1999. Greer, Stephen. Contemporary British Queer Performance. Basingstoke: Palgrave Macmillan, 2012. Handley, Sasha, McWilliam, Rohan, and Noakes, Lucy. New Directions in Social and cultural History. London: Bloomsbury Academic, 2018. Hanna, Erika. Modern Dublin: Urban Change and the Irish Past, 1957–1973. Oxford: Oxford University Press, 2013. Harmon, Maurice. “The Era of Inhibitions, 1920–1960”, in Irish Writers and Society at Large, edited by Masaru Sekine. Gerrard’s Cross: Colin Smythe, 1985. Haughton, Miriam. Staging Trauma: Bodies in Shadow. Basingstoke: Palgrave Macmillan, 2018. Hawkins, Maureen S.G. “Schizophrenia and the Politics of Experience in Three Plays by Brian Friel”, Modern Drama, Volume 39, Number 3, Fall, 1996. Healey, Robin. Twentieth-Century Italian Literature in English Translation: An Annotated Bibliography 1929–1997. Toronto: University of Toronto Press, 1998. Hickey, Des, and Smith, Gus. A Paler Shade of Green. London: Frewin, 1972. Hogan, Robert. ‘Since O’Casey’ and Other Essays on Irish Drama. Gerrards Cross: Colin Smythe, 1983 Hogan, Robert. “The Year in Review: 1967—Theatre”. Irish University Review, Vol. 5, No. 2, 1968. Holohan, Carole. “Catholic Youth Clubs in the Sixties”, in Adolescence in Modern Irish History, edited by Catherine Cox and Susannah Riordan. Basingstoke: Palgrave Macmillan, 2015. Hörschelmann, Kaithrin, and Van Hoven, Bettina, eds., Spaces of Masculinities. London: Routledge, 2005. Hunt, Hugh. The Abbey: Ireland’s National Theatre, 1904–1978. Dublin: Gill and Macmillan, 1979. Huyssen, Andreas. Twilight Memories: Marking Time in a Culture of Amnesia. London: Routledge, 1995. Jaquarello, Roland. Memoirs of Development: My Time in Irish Theatre and Broadcasting. Liffey Press: Dublin, 2016. Jarry, Alfred, Selected Works of Alfred Jarry, edited and translated by Roger Shattuck and Simon Watson-Taylor. London: Methuen and Co, 1965. BIBLIOGRAPHY 259 Judt, Tony, with Snyder, Timothy, Thinking the Twentieth Century. New York: The Penguin Press, 2012. Judt, Tony. Ill Fares the Land. New York: Penguin Books, 2011. Johnston, Rory, ed., Orders and Desecrations: The Life of the Playwright Denis Johnston. Dublin: The Lilliput Press, 1992. Keane, John B. Many Young Men of Twenty, Moll, The Chastitute. Cork: Mercier Press, (No year given). Kearney, Richard. Navigations: Collected Irish Essays 1976–2006. Dublin: Lilliput Press, 2006. Kenny, Kenny. “Diaspora and Comparison: The Global Irish as a Case Study”. The Journal of American History, Vol. 90, No. 1 (June, 2003). Keogh, Dermot, with Andrew McCarthy, revised edition. Ireland in the Twentieth Century: Revolution and State Building. Dublin: Gill and Macmillan, 2005. Kershaw, Baz. The Politics of Performance: Radical Theatre as Cultural Intervention. London: Routledge, 1992. Kershaw, Baz, Nicholson, Helen, eds., Research Methods in Theatre and Performance. Edinburgh: Edinburgh University Press, 2011. Kilroy, Thomas. “Groundwork for Irish Theatre”, Studies: An Irish Quarterly Review, Vol. XLVIII, pp. 192–198, Summer, 1959. Kilroy, Thomas. “The Irish Writer: Self and Society, 1950–1980”, in Literature and the Changing Ireland, edited by Peter Connolly. Gerrard’s Cross: Colin Smythe 1980. Kilroy, Thomas. The Death and Resurrection of Mr. Roche. Meath: Gallery Press, 2002. Kilroy, Thomas. The O’Neill. Meath: Gallery Press, 1995. Kilroy, Thomas. Tea and Sex, and Shakespeare. Meath: Gallery Press, 1998. Kilroy, Thomas. Talbot’s Box. Meath: Gallery Press, 1997. Knowles, Ric. How Theatre Means. Basingstoke: Palgrave Macmillan, 2014. Knowlson, James. Damned to Fame: The Life of Samuel Beckett. New York: Simon and Schuster, 1996. Lahr, John, ed.,
Load more

Recommended publications
  • Issue 18 Midlands Arts 4:Layout 1
    VISUAL ARTS MUSIC & DANCE ISSUE & FILM THEATRE FREE THE WRITTEN WORD A REVIEW OF THE ARTS IN LAOIS, LONGFORD, OFFALY AND WESTMEATH WINTER 2012 18 COVER PIC Laois teens explore life Kilbeggan through a lens gallery set page 8 in stone page 17 Offaly composer Longford girl celebrated for pursues international ballet dream success page 31 page 4 Toy Soldiers, wins at Galway Film Fleadh Midland Arts and Culture Magazine | WINTER 2010 Over two decades of Arts and Culture Celebrated with Presidential Visit ....................................................................Page 3 A Word Laois native to trend the boards of the Gaiety Theatre Midlands Offaly composer celebrated for international success .....Page 4 from the American publisher snaps up Longford writer’s novel andCulture Leaves Literary Festival 2012 celebrates the literary arts in Laois on November 9, 10............................Page 5 Editor Arts Magazine Backstage project sees new Artist in Residence There has been so Irish Iranian collaboration results in documentary much going on around production .....................................................................Page 6 the counties of Laois, Something for every child Mullingar Arts Centre! Westmeath, Offaly Fear Sean Chruacháin................................................Page 7 and Longford that County Longford writers honored again we have had to Laois teens explore life through the lens...............Page 8 up the pages from 32 to 36 just to fit Introducing Pete Kennedy everything in. Making ‘Friends’ The Doctor
    [Show full text]
  • Irish Renaissance (Chapter Seven of Other Renaissances: a New Approach to World Literature) Kathleen A
    Digital Commons @ George Fox University Faculty Publications - Department of English Department of English 2006 Irish Renaissance (Chapter Seven of Other Renaissances: A New Approach to World Literature) Kathleen A. Heininge George Fox University, [email protected] Follow this and additional works at: https://digitalcommons.georgefox.edu/eng_fac Part of the European History Commons Recommended Citation Heininge, Kathleen A., "Irish Renaissance (Chapter Seven of Other Renaissances: A New Approach to World Literature)" (2006). Faculty Publications - Department of English. 70. https://digitalcommons.georgefox.edu/eng_fac/70 This Article is brought to you for free and open access by the Department of English at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of English by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. CHAPTER 7 Irish Renaissance Kathleen Heininge ritics have several names for the movement that took place in Ireland at the turn of the twentieth century. Each name seems to Csuggest a different interpretation of the events at that time, and each interpretation, in turn, reflects a different idea of Ireland’s relation- ship with the rest of the world. The Irish Revival, a term most often used to discuss the literary movement, implies that the greatness of a people can be resuscitated after it has been nearly lost, and is thus a term in keeping with a nationalist agenda. The Celtic Twilight, a term coined by W. B. Yeats, is a more sentimental and mystical rendering that suggests the illu- mination and reinterpretation of a previously underappreciated culture, and is a term in keeping with the transition from a romanticized concept of tradition to a modernist consciousness.
    [Show full text]
  • Papers of Gemma Hussey P179 Ucd Archives
    PAPERS OF GEMMA HUSSEY P179 UCD ARCHIVES [email protected] www.ucd.ie/archives T + 353 1 716 7555 © 2016 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical History iv Archival History vi CONTENT AND STRUCTURE Scope and Content vii System of Arrangement ix CONDITIONS OF ACCESS AND USE Access xi Language xi Finding Aid xi DESCRIPTION CONTROL Archivist’s Note xi ALLIED MATERIALS Allied Collections in UCD Archives xi Published Material xi iii CONTEXT Biographical History Gemma Hussey nee Moran was born on 11 November 1938. She grew up in Bray, Co. Wicklow and was educated at the local Loreto school and by the Sacred Heart nuns in Mount Anville, Goatstown, Co. Dublin. She obtained an arts degree from University College Dublin and went on to run a successful language school along with her business partner Maureen Concannon from 1963 to 1974. She is married to Dermot (Derry) Hussey and has one son and two daughters. Gemma Hussey has a strong interest in arts and culture and in 1974 she was appointed to the board of the Abbey Theatre serving as a director until 1978. As a director Gemma Hussey was involved in the development of policy for the theatre as well as attending performances and reviewing scripts submitted by playwrights. In 1977 she became one of the directors of TEAM, (the Irish Theatre in Education Group) an initiative that emerged from the Young Abbey in September 1975 and founded by Joe Dowling. It was aimed at bringing theatre and theatre performance into the lives of children and young adults.
    [Show full text]
  • All We Say Is 'Life Is Crazy': – Central and Eastern Europe and the Irish
    Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title All we say is 'Life is crazy': - Central and Eastern Europe and the Irish Stage Author(s) Lonergan, Patrick Publication Date 2009 Lonergan, P. (2009) ' All we say is 'Life is Crazy': - Central and Publication Eastern Europe and the Irish Stage' In: Maria Kurdi, Literary Information and Cultural Relations Between Ireland and Hungary and Central and Eastern Europe' (Eds.) Dublin: Carysfort Press. Publisher Dublin: Carysfort Press Link to publisher's http://www.carysfortpress.com/ version Item record http://hdl.handle.net/10379/5361 Downloaded 2021-09-28T21:11:04Z Some rights reserved. For more information, please see the item record link above. All We Say is ‘Life is Crazy’: – Central and Eastern Europe and the Irish Stage Patrick Lonergan If you had visited the Abbey Theatre during 2007, you might have seen a card displayed prominently in its foyer. ‘Join Us,’ it says, its purpose being to convince visitors to become Members of the Abbey – to donate money to the theatre and, in return, to get free tickets for productions, to have their names listed in show programmes, and to gain access to special events. The choice of image to attract potential donors is easy to understand (Figure 1). The woman, we see, has reached into a chandelier to retrieve a letter, and we can tell from her expression that the discovery she’s made has both surprised and delighted her. Why is she so happy? What does the letter say? And who is that strange man, barely visible, holding her up at such an unusual angle? As well as being eye-catching, the image is also an interesting analogue for the experience of watching great drama.
    [Show full text]
  • 2017 Katie Roche, Research Pack
    ABBEY THEATRE RESEARCH PACK KATIE ROCHE TERESA DEEVY Researched and compiled by Marie Kelly (School of Music and Theatre, University College Cork) CONTRIBUTORS Fiona Becket, University of Leeds Caroline Byrne, theatre director Amanda Coogan, performance artist Úna Kealy, Waterford Institute of Technology Marie Kelly, University College Cork Cathy Leeney, University College Dublin Chris Morash, Trinity College Dublin Kate McCarthy, Waterford Institute of Technology Barbara McCormack, Hugh Murphy, Valerie Payne, Róisín Berry, Maynooth University Morna Regan, dramaturg/writer Eibhear Walshe, University College Cork With special thanks to the Abbey Theatre Archive and the Teresa Deevy Archive, Special Collections & Archives, Maynooth University, Co. Kildare. For more information see https://www.abbeytheatre. ie/about/archive/ and www.deevy.nuim.ie Cover Image: Caoilfhionn Dunne as Katie Roche © Ros Kavanagh KATIE ROCHE, RESEARCH PACK 2 WELCOME PHIL KINGSTON From 26 August to 23 September 2017, the dramaturgy and Caroline Byrne’s expressionistic Abbey Theatre presented a major revival of staging turned this Katie Roche into far more Teresa Deevy’s ground-breaking play Katie than a reverential museum piece. The audiences Community and Roche. It was over 80 years since this daring saw a specific, thrilling and thought provoking Education Manager meditation on freedom, duty and pride in take on Deevy’s classic story. Coincidentally at the life of a young woman made its world the same time another artist, Amanda Coogan, premiere on the Abbey stage. presented a performance art based response to Deevy’s work in collaboration with Dublin In its initial press release the Abbey explicitly Theatre of the Deaf in Talk Real Fine, Just Like A recognised that the political climate had Lady.
    [Show full text]
  • Challenging the People, the State and the Patriarchy in 1980S Irish Theatre
    Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Provoking performance: challenging the people, the state and the patriarchy in 1980s Irish Theatre Author(s) O'Beirne, Patricia Publication Date 2018-08-28 Publisher NUI Galway Item record http://hdl.handle.net/10379/14942 Downloaded 2021-09-27T14:54:59Z Some rights reserved. For more information, please see the item record link above. Provoking Performance: Challenging the People, the State and the Patriarchy in 1980s Irish Theatre Candidate: Patricia O’Beirne Supervisor: Dr. Ian Walsh School: School of Humanities Discipline: Drama and Theatre Studies Institution: National University of Ireland, Galway Submission Date: August 2018 Summary of Contents: Provoking Performance: Challenging the People, the State and the Patriarchy in 1980s Irish Theatre This thesis offers new perspectives and knowledge to the discipline of Irish theatre studies and historiography and addresses an overlooked period of Irish theatre. It aims to investigate playwriting and theatre-making in the Republic of Ireland during the 1980s. Theatre’s response to failures of the Irish state, to the civil war in Northern Ireland, and to feminist and working-class concerns are explored in this thesis; it is as much an exploration of the 1980s as it is of plays and playwrights during the decade. As identified by a literature review, scholarly and critical attention during the 1980s was drawn towards Northern Ireland where playwrights were engaging directly with the conflict in Northern Ireland. This means that proportionally the work of many playwrights in the Republic remains unexamined and unpublished.
    [Show full text]
  • Irish Studies Round the World – 2019
    Estudios Irlandeses, Issue 15, March 2020-Feb. 2021, pp. 242-276 __________________________________________________________________________________________ AEDEI IRISH STUDIES ROUND THE WORLD – 2019 Christina Hunt Mahony (ed.) Copyright (c) 2020 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Introduction Christina Hunt Mahony ……….………………………………………………………..….. 243 A History of Irish Modernism. Gregory Castle and Patrick Bixby, eds. Feargal Whelan ……..……………..………………….………………………………….…245 Constellations: Reflections from Life. Sinéad Gleeson Melania Terrazas …...………………………………….………………………….………...248 Dublin Palms. Hugo Hamilton Denis Sampson…………..………………………….…..…………………………………...250 Making Integral: Critical Essays on Richard Murphy. Benjamin Keatinge, ed. Elsa Meihuizen……..………………………………..…………………………………........252 The Collected Letters of W. B. Yeats, Volume V: 1908-10. John Kelly and Ronald Schuchard, eds. Nicholas Grene………………………………….…………………………………………...255 Over the Backyard Wall: A Memory Book. Thomas Kilroy George O’Brien ………...…………………………..……………………………………….258 A New History of the Irish in Australia. Elizabeth Malcolm and Dianne Hall Pauric Travers ……………………..……………..…………………………………………264 Notes to Self. Emilie Pine Éilís ni Dhuibne………….………………………..………………………………………...266 ISSN 1699-311X 243 Oscar Wilde and Contemporary Irish Drama: Learning to be Oscar’s Contemporary. Graham Price Pierpaolo Martino………...………………………..………………………………………..269
    [Show full text]
  • Annual Conference Attendance List Key: F = Full Member, I = Individual Member; a = Affiliate Member; NM = Non Member
    Annual Conference Attendance list Key: F = Full member, I = Individual member; A = Affiliate member; NM = Non Member # Name Surname Title Organisation Mem 1 Aideen Howard Literary Director Abbey Theatre F 2 Declan Cantwell Director of Finance & Administration Abbey Theatre F 3 Fiach Mac Conghail Director Abbey Theatre F 4 Catherine Carey Director of Public Affairs Abbey Theatre F 5 Barry McKinney General Manager An Tain F 6 Laura Condon Administrator Andrew's Lane Theatre F 7 Mary McVey Andrew's Lane Theatre F 8 Graham Main Festival Manager Anna Livia Dublin Opera Festival F 9 Margaux Nissen Gray Liaison Manager Anna Livia Dublin Opera Festival F 10 Pádraig Naughton Director Arts & Disability Ireland F 11 John McArdle Artistic Director Artswell F 12 Colm Croffy Operations Director Association of Irish Festival Events F 13 Mark O'Brien Local Arts Development Officer axis arts centre Ballymun F 14 Lali Morris Programme Director Baboró Arts Festival for Children F 15 Mona Considine General Manager Backstage Theatre F 16 Anne Maher Managing Director Ballet Ireland F 17 Jenny Walsh Bassett Artistic Director Banner Theatre Company NM 18 Tríona NíDhuibhir General Manager Barabbas F 19 Vincent Dempsey General Manager Barnstorm Theatre Company F 20 Philip Hardy Artistic Director Barnstorm Theatre Company F 21 Frances O'Connor Company Administrator Barnstorm Theatre Company F 22 Peter McNamara Chief Executive Belltable Arts Centre F 23 Karl Wallace Artistic Director Belltable Arts Centre F 24 Alistair Armit Sales Engineer Blackbaud Europe NM 25
    [Show full text]
  • Wall Street Trying Tor New Rally
    Wall Street trying tor new rally NEW YORK (UPI) - Stock 'pointed the Federal R eserve has not prices headed higher today with cut the discount rate as the invest­ Wall Street trying to revitalize its ment community has been an­ historic rally despite profittaking ticipating for the past three weeks. sparked by the Federal R eserve’s And many traders were disturbed failure to cut its discount rate. by an unexpected $2.7 billion surge The Dow Jones industrial in the money supply in the latest average, which fell 14.34 points to 1,- reporting week. The supply has been 037.44 Monday, was ahead 1.93 to 1,- distorted by an influx of cash from 039.37 at 10:30 a.m. EST. It had maturing All-Savers certificates. fallen 28.05 pointsd since hitting an Newton Zinder, E.F. Hutton vice all-time high of 1,065,49 last president, believes the failure of the Wednesday.. Fed to act “ could lead to a sharp but Advances led declining issues by brief setback.” And if and when the about a 3-2 margin. Volume in the board does move, the response Herald photo by Tarquinlo first 30 minutes amounted to about probably wilL be minimal because the cut has been anticipated. EIGHTH DISTRICT FIRERGHTERS HOSE DOWN SHED BLAZE 14.07 million shares. 'Monday’s New York Stock Several economists believe in­ The Mg menthol taste . suspicious fire detroyed equl0ment owned by town park department Exchange volume of 75.24 million terest rates will continue to fall “shares was down from the 96.55 regardless of whether the Fed million traded Friday and down becomes more accommodating.
    [Show full text]
  • A Midsummer Nights Dream 11 'T} S , O(;;)-2 by Wilham Shakespeare
    A Midsummer NightS Dream 11 't} s , o(;;)-2 by WilHam Shakespeare ~ BAm~ Tiieater BRooKLYN AcADEMY oF Music Compa11y ~~~~~~~~~ \.. ~ , •' II I II Q ,\.~ I II 1 \ } ( "' '" \ . • • !I II'" r )DO I \ ., : \ I ~\ } .. \ ;; .; 'I' ... .. _:..,... 1t ; rJ ,.I •\ y v \ YOUR MONEY GROWS LIKE MAGIC AT THE THE DIME SAVINGS BANK DF NEW YORK -..1-..ett•O•C MANHATTAN • DOWNTOWN BROOKLYN • BENSONHURST • FLATBUSH CONEY ISLAND • KINGS PLAZA • VALLEY STREAM • MASSAPEQUA HUNTINGTON STATION TABLE OF Old CONTENTS Hungary "An authentic ~ ounpany~~~~~~~ Hungarian restaurant right here in Brooklyn" Beef Goulash, Ch1cken Papnka, St uffed Cabbage, Palacsinta and other traditional dishes " Live Piano Music Nightly" The Actors 5-8 PRE-T HEATRE AND AFTER THEATRE DINNER 142 Montague St., Bklyn . Hghts. Notes on the Play 9-14 625· 1649 Production Team 15 § The Staff 16 'R(!tauranb The Actors 17-19 tel: 855-4830 Contributors 20-21 UL8-2000 Board of Directors 22 open daily for lunch and dinner till 9 P. M. Italian and A m erican Cuisine special orders upon request Flowers, plants and fruit baskets for all occasions (212) 768-6770 25th Street & 768-0800 5th Avenue Deluxe coach service following DIRECTORY BAM Theater Company Directory of Facilities a nd Services Box Office: Monday 10 00 to &.00 Tue.day throu~h ~tur performances day 10 00 to Y 00 Sunday Performance limes only Lost ond ~o und : Telephone &36-4 150 Restroom: Operu We pick you up and take you back llouse Women .ond Men. Mezzanme level. HandKapp<.·d Or c h c~t r a level Ployh ou,e: Women Orchestra l~vcl ,\.1cn .'Ae1 (to Manhattan) 1.anme lt•vel llandocapped Orchestra level Lepercq Spucc: The BAMBus Express will pick-up BAM Theater Company Wom en ,,nd Men Tht•c.H e r level Public T ele phon es.
    [Show full text]
  • Republic of Ireland. Wikipedia. Last Modified
    Republic of Ireland - Wikipedia, the free encyclopedia What links here Related changes Upload file Special pages Republic of Ireland Permanent link From Wikipedia, the free encyclopedia Page information Data item This article is about the modern state. For the revolutionary republic of 1919–1922, see Irish Cite this page Republic. For other uses, see Ireland (disambiguation). Print/export Ireland (/ˈaɪərlənd/ or /ˈɑrlənd/; Irish: Éire, Ireland[a] pronounced [ˈeː.ɾʲə] ( listen)), also known as the Republic Create a book Éire of Ireland (Irish: Poblacht na hÉireann), is a sovereign Download as PDF state in Europe occupying about five-sixths of the island Printable version of Ireland. The capital is Dublin, located in the eastern part of the island. The state shares its only land border Languages with Northern Ireland, one of the constituent countries of Acèh the United Kingdom. It is otherwise surrounded by the Адыгэбзэ Atlantic Ocean, with the Celtic Sea to the south, Saint Flag Coat of arms George's Channel to the south east, and the Irish Sea to Afrikaans [10] Anthem: "Amhrán na bhFiann" Alemannisch the east. It is a unitary, parliamentary republic with an elected president serving as head of state. The head "The Soldiers' Song" Sorry, your browser either has JavaScript of government, the Taoiseach, is nominated by the lower Ænglisc disabled or does not have any supported house of parliament, Dáil Éireann. player. You can download the clip or download a Aragonés The modern Irish state gained effective independence player to play the clip in your browser. from the United Kingdom—as the Irish Free State—in Armãneashce 1922 following the Irish War of Independence, which Arpetan resulted in the Anglo-Irish Treaty.
    [Show full text]
  • A Thesis Presented'to Thef~Culty of the Department of English Indiana
    The Renaissance movement in the Irish theatre, 1899-1949 Item Type Thesis Authors Diehl, Margaret Flaherty Download date 06/10/2021 20:08:21 Link to Item http://hdl.handle.net/10484/4764 THE :RENAISSANCE HOVEMENT IN THE IRISH THEATRE 1899... 1949 A Thesis Presented'to TheF~culty of the Department of English Indiana. state Teachers College >" , .. .I 'j' , ;I'" " J' r, " <>.. ~ ,.I :;I~ ~ .~" ",," , '. ' J ' ~ " ") •.;.> / ~ oj.. ., ". j ,. ".,. " l •" J, , ., " .,." , ') I In Partial Fulfillment of the ReqUi:tements for th.eDegree Mast~rofArts in Education by Margaret Flaherty' Diehl June- 1949 i . I .' , is hereby approved as counting toward the completion of the Maste:r's degree in the amount of _L hOUI's' credit. , ~-IU~~~....{.t.}.~~~f...4:~:ti::~~~'~(.{I"''-_' Chairman. Re:prese~ative of Eng /{Sh Depa~ent: b~~~ , ~... PI ACKf.iIUvJLJIDG.fI1:EThTTS The author of this thesis wishes to express her sincere thanks to the members of her committee: (Mrs.) Haze~ T. Pfennig, Ph.D., chairman; (Mrs.) Sara K. Harve,y, Ph.D.; George E. Smock, Ph.D., for their advice and assistance. She appreciates the opportunities fOr research "itlhich have been extended to her, through bo'th Indiana State Teachers College Librar,y and Fairbanks Memoria~ Librar,y. The writer also desires to thank Lennox Robinson and Sean a'Casey fOr their friendly letters" She is espeCially indebted for valuable information afforded her through correspondence with Denis Johnston. Margaret Flaherty Diehl TABLE OF CONTENTS CHAPTER PAGE I.. BEGINNING OF THE DRAMA IN IRELAND ••••• .. ". 1 Need for this study of the Irish Renaissance .. 1 The English theatre in Ireland • • e' • • " ." 1 Foupding of the Gaiety Theatre .
    [Show full text]