BIbLIOGRapHY ARCHIVE aND PRIMaRY SOURCEs Abbey Theatre Digital Archive, James Hardiman Library, NUI Galway (JHL). Dublin Diocesan Archive. Fr. Desmond Forristal Archive, NUI Maynooth. G.A. Hayes-McCoy papers, JHL. Gate Theatre Digital Archive, JHL. Joint Stock Archive, University of California, Davis. J.P. Donleavy Papers (Donleavy Estate/National Library of Ireland [NLI]). Thomas Kilroy Papers, JHL. Genevieve Lyons Archive, JHL. Lyric Theatre/O’Malley Archive, JHL. Brian Friel Papers, NLI. Ria Mooney Papers, NLI. Hugh Leonard Papers, NLI. D.E.S. Maxwell Papers, NLI. Pike Theatre Papers, Trinity College Dublin. Sean O’Casey Papers, NLI. Arthur Shields Papers, JHL. Alan Simpson Papers, JHL. Carolyn Swift papers, JHL. © The Author(s), under exclusive license to Springer Nature 255 Switzerland AG 2021 B. Houlihan, Theatre and Archival Memory, https://doi.org/10.1007/978-3-030-74548-6 256 BIBLIOGRAPHY NEWspapERs aND PERIODICaLs Cork Examiner. Evening Herald. Irish Independent. 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FitzGibbon, Emilie. “Theatre with Its Sleeves Rolled Up”, in Irish Writers and Politics. Edited by Okifumi Komesu. Gerrard’s Cross: Colin Smythe, 1990. Forristal, Desmond, Black Man’s Country. Delaware: Proscenium Press, 1975. Frazier, Adrian. Hollywood Irish: John Ford, Abbey Actor and the Irish Revival in Hollywood. Dublin: Lilliput Press, 2012. Friel, Brian. Volunteers. Meath: Gallery Press, 2002. Friel, Brian. Philadelphia, Here I Come! London: Faber and Faber, 2000. Furay, Julia, and O’Hanlon, Redmond. Critical Moments: Fintan O’Toole on Modern Irish Theatre. Dublin: Carysfort Press, 2003. 258 BIBLIOGRAPHY Gibney, John, Kennedy, Michael, O’Malley, Kate, eds. Ireland: A Voice Among the Nations. Dublin: Royal Irish Academy, 2019. Grene, Nicholas. The Theatre of Tom Murphy: Playwright Adventurer. London: Bloomsbury, 2017. Grene, Nicholas. At Home on The Stage: Domestic Spaces in Modern Drama. Cambridge: Cambridge University Press, 2014. Grene, Nicholas. The Politics of Irish Drama: Plays in Context from Boucicault from Friel. Cambridge: Cambridge University Press, 1999. Greer, Stephen. Contemporary British Queer Performance. Basingstoke: Palgrave Macmillan, 2012. Handley, Sasha, McWilliam, Rohan, and Noakes, Lucy. New Directions in Social and cultural History. London: Bloomsbury Academic, 2018. Hanna, Erika. Modern Dublin: Urban Change and the Irish Past, 1957–1973. Oxford: Oxford University Press, 2013. Harmon, Maurice. “The Era of Inhibitions, 1920–1960”, in Irish Writers and Society at Large, edited by Masaru Sekine. Gerrard’s Cross: Colin Smythe, 1985. Haughton, Miriam. Staging Trauma: Bodies in Shadow. Basingstoke: Palgrave Macmillan, 2018. Hawkins, Maureen S.G. “Schizophrenia and the Politics of Experience in Three Plays by Brian Friel”, Modern Drama, Volume 39, Number 3, Fall, 1996. Healey, Robin. Twentieth-Century Italian Literature in English Translation: An Annotated Bibliography 1929–1997. 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Jarry, Alfred, Selected Works of Alfred Jarry, edited and translated by Roger Shattuck and Simon Watson-Taylor. London: Methuen and Co, 1965. BIBLIOGRAPHY 259 Judt, Tony, with Snyder, Timothy, Thinking the Twentieth Century. New York: The Penguin Press, 2012. Judt, Tony. Ill Fares the Land. New York: Penguin Books, 2011. Johnston, Rory, ed., Orders and Desecrations: The Life of the Playwright Denis Johnston. Dublin: The Lilliput Press, 1992. Keane, John B. Many Young Men of Twenty, Moll, The Chastitute. Cork: Mercier Press, (No year given). Kearney, Richard. Navigations: Collected Irish Essays 1976–2006. Dublin: Lilliput Press, 2006. Kenny, Kenny. “Diaspora and Comparison: The Global Irish as a Case Study”. The Journal of American History, Vol. 90, No. 1 (June, 2003). Keogh, Dermot, with Andrew McCarthy, revised edition. Ireland in the Twentieth Century: Revolution and State Building. Dublin: Gill and Macmillan, 2005. Kershaw, Baz. The Politics of Performance: Radical Theatre as Cultural Intervention. London: Routledge, 1992. Kershaw, Baz, Nicholson, Helen, eds., Research Methods in Theatre and Performance. Edinburgh: Edinburgh University Press, 2011. Kilroy, Thomas. “Groundwork for Irish Theatre”, Studies: An Irish Quarterly Review, Vol. XLVIII, pp. 192–198, Summer, 1959. Kilroy, Thomas. “The Irish Writer: Self and Society, 1950–1980”, in Literature and the Changing Ireland, edited by Peter Connolly. Gerrard’s Cross: Colin Smythe 1980. Kilroy, Thomas. The Death and Resurrection of Mr. Roche. Meath: Gallery Press, 2002. Kilroy, Thomas. The O’Neill. Meath: Gallery Press, 1995. Kilroy, Thomas. Tea and Sex, and Shakespeare. Meath: Gallery Press, 1998. Kilroy, Thomas. Talbot’s Box. Meath: Gallery Press, 1997. Knowles, Ric. How Theatre Means. Basingstoke: Palgrave Macmillan, 2014. Knowlson, James. Damned to Fame: The Life of Samuel Beckett. New York: Simon and Schuster, 1996. Lahr, John, ed.,