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Art House Биоскоп Кинотека Дани Мексичког Филма Дани Словеначког Филма 11
Новембар 2015 ISSN 1820-6549 музеја програмпрограм југословенске кинотеке ART HOUSE БИОСКОП КИНОТЕКА ДАНИ МЕКСИЧКОГ ФИЛМА ДАНИ СЛОВЕНАЧКОГ ФИЛМА 11. ФЕСТИВАЛ „СЛОБОДНА ЗОНА“ 21. ФЕСТИВАЛ АУТОРСКОГ ФИЛМА ВЕЛИКАНИ СВЕТСКОГ ФИЛМА: ЕНТОНИ КВИН (Anthony Quinn) ФОКУС: РАЈНЕР ВЕРНЕР ФАСБИНДЕР (Rainer Werner Fassbinder) МАРТИН СКОРСЕЗЕ (други део) (Martin Scorsese) ПЈЕР ПАОЛО ПАЗОЛИНИ – на бис (Pier Paolo Pasolini) ЈАПАНСКО-СРПСКИ ФИЛМСКИ ФЕСТИВАЛ ВЕЧЕ НАЈСТАРИЈИХ РЕКЛАМА 10. ФЕСТИВАЛ СРПСКОГ ФИЛМА ФАНТАСТИКЕ ПРЕДСТАВЉА: ЛАМБЕРТО БАВА (Lamberto Bava) ШОК КОРИДОР ПРЕДСТАВЉА: ВИЛИЈАМ ГИДЛЕР (William Girdler) ISSN 1820-6549 Музеј југословенске кинотеке ПРОГРАМ Новембар 2015. ART HOUSE БИОСКОП КИНОТЕКА ДАНИ МЕКСИЧКОГ ФИЛМА ДАНИ СЛОВЕНАЧКОГ ФИЛМА 11. ФЕСТИВАЛ „СЛОБОДНА ЗОНА“ 21. ФЕСТИВАЛ АУТОРСКОГ ФИЛМА ВЕЛИКАНИ СВЕТСКОГ ФИЛМА: ЕНТОНИ КВИН (Anthony Quinn) ФОКУС: РАЈНЕР ВЕРНЕР ФАСБИНДЕР (Rainer Werner Fassbinder) МАРТИН СКОРСЕЗЕ (други део) (Martin Scorsese) ПЈЕР ПАОЛО ПАЗОЛИНИ – на бис (Pier Paolo Pasolini) ЈАПАНСКО-СРПСКИ ФИЛМСКИ ФЕСТИВАЛ ВЕЧЕ НАЈСТАРИЈИХ РЕКЛАМА 10. ФЕСТИВАЛ СРПСКОГ ФИЛМА ФАНТАСТИКЕ ПРЕДСТАВЉА: ЛАМБЕРТО БАВА (Lamberto Bava) ШОК КОРИДОР ПРЕДСТАВЉА: ВИЛИЈАМ ГИДЛЕР (William Girdler) музеј југословенске кинотеке програм Импресум: За издавача: Радослав Зеленовић Уредници: Марјан Вујовић, Александар Саша Ердељановић Уредник програма Студија за електронске медије „Др Влада Петрић“: Борислав Станојевић Сарадници на програму: Александар Саша Ердељановић, Марјан Вујовић, Ненад Беквалац, Борислав Станојевић, Петар Михајловић, Ђорђе Зеленовић, -
Nightfighter Scenario Book
NIGHTFIGHTER 1 NIGHTFIGHTER Air Warfare in the Night Skies of World War Two SCENARIO BOOK Design by Lee Brimmicombe-Wood © 2011 GMT Games, LLC P.O. Box 1308, Hanford, CA 93232-1308, USA www.GMTGames.com © GMTGMT Games 1109 LLC, 2011 2 NIGHTFIGHTER CONTENTS SCENARIO 1: Cat’S EYE How to use this book 2 Background. September 1940. Early nightfighting relied on single-seat day fighters cruising the skies in the hope that they SCENARIO 1: Cat’S EYE 2 might find the enemy. Pilots needed “cat’s eyes” to pick out Scenario 1 Variant 2 bombers in the dark. In practice the technique resulted in SCENARIO 2: DUNAJA 3 few kills and more defending aircraft were lost due to night- flying accidents than enemy aircraft were shot down. Scenario 2 Variants 3 This scenario depicts a typical “cat’s eye” patrol during the SCENARIO 3: THE KAMMHUBER LINE 4 German Blitz on Britain. A lone Hurricane fighter is flying Scenario 3 Variants 4 over southern England on a moonlit night. SCENARIO 4: HIMMELBETT 5 Difficulty Level. Impossible. Game Length. The game ends when all bombers have exited Scenario 4 Variants 5 the map, or a bomber is shot down. SCENARIO 5: WILDE SAU 7 Sequence of Play. Ignore the Flak Phase, Radar Search Phase, Scenario 5 Variants 7 AI Search Phase and Searchlight Phase. SCENARIO 6: ZAHME SAU 8 Attacker Forces. (German) Scenario 6 Variants 8 Elements of KG 100, Luftwaffe. The attacker has three He111H bombers. SCENARIO 7: Serrate 11 Attacker Entry. One bomber enters on Turn 1, another on Scenario 7 Variants 11 Turn 5 and a final one on Turn 10. -
Recent Military Heritage: a Review of Progress 1994-2004
RECENT MILITARY HERITAGE: A REVIEW OF PROGRESS 1994-2004 A report for Research and Strategy Summary This short report outlines English Heritage’s work on recent military heritage, 1994-2004, focussing on: 1 Commissioned work 2 Internal projects/programmes 3 Advice and influence 4 Management and protection 5 Research agenda 6 European and wider contacts 7 Outreach Much of the commissioned work (s1, below) was undertaken in the period 1994-1999, prior to the creation of English Heritage’s Military and Naval Strategy Group (MNSG) in 1999, and a policy head for military and naval heritage in 2001. Much of what is described in s2-7 (below) was undertaken through the influence and activities of MNSG. A series of annexes provide further details of commissioned work, in-house surveys, publications, conferences and MNSG membership. Review, 1994-2004 1 Commissioned work (Annex 1) Much original research has been commissioned by English Heritage since 1994, largely through its Thematic Listing and Monuments Protection Programmes. This has created a fuller understanding of twentieth century defence heritage than existed previously. For some subjects it contributed to, clarified or expanded upon previous studies (eg. Anti-invasion defences); for others the research was entirely new (eg. Bombing decoys of WWII). Commissioned projects have included: archive-based studies of most major classes of WWII monuments; aerial photographic studies documenting which sites survive; a study of post-medieval fortifications resulting in a set of seven Monument Class Descriptions; studies of aviation and naval heritage, barracks, ordnance yards and a scoping study of drill halls; and characterisation studies of specific key sites (RAF Scampton and the Royal Dockyards at Devonport and Portsmouth). -
The Effectiveness of Allied Airborne Units on D-Day." (2011)
University of New Mexico UNM Digital Repository History ETDs Electronic Theses and Dissertations 8-30-2011 The ffecE tiveness of Allied Airborne Units on D- Day Julian Landavazo Follow this and additional works at: https://digitalrepository.unm.edu/hist_etds Recommended Citation Landavazo, Julian. "The Effectiveness of Allied Airborne Units on D-Day." (2011). https://digitalrepository.unm.edu/hist_etds/43 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Julian Isaac Landavazo Candidate History Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: Dr. Larry Durwood Ball, Chairperson Dr. Paul Hutton Dr. Jason Scott Smith i The Effectiveness of Allied Airborne Units on D-Day by Julian Isaac Landavazo B.A. History/Spanish THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts History The University of New Mexico Albuquerque, New Mexico July, 2011 ii ©2011, Julian Isaac Landavazo iii DEDICATION This thesis is in memory of my grandparents, Marcelo Pena, Petra Pena and Elias Landavazo. It is also dedicated to all those who believe in the richness of learning This thesis is dedicated to my father, David Landavazo, who taught me that the best kind of knowledge to have is that which is learned for its own sake. It is also dedicated to my mother, Marisela Landavazo, who taught me that even the largest task can be accomplished if it is done one step at a time. -
Japanese and Chinese Cultures Facing the Legacy of the Nanjing Massacre
Sternberg, P. & Garcia, A. (2000). Sociodrama: Who’s in your shoes? Westport, CT: Prager. Volkas, A. (1999) ” Healing the Wounds of History: Drama Th erapy in Collective Trauma and Intercultural Confl ict Resolution” in Current Approaches in Drama Th erapy. Johnson, D.R. and Emunah, R. (eds) Charles C. Th omas, Springfi eld, Il. HEALING THE WOUNDS OF HISTORY: Japanese and Chinese Cultures Facing the Legacy of the Nanjing Massacre Armand Volkas, MFA, MA, MFT, RDT/BCT Associate Professor, California Institute of Integral Studies Clinical Director, The Living Arts Counseling Center Director, Living Arts Playback Theatre Ensemble Introduction I stood gazing at the banks of Yangtze River in October 2009 watching an old, wrinkled Chinese man casting a line into the quickly moving muddy water. Clearly a witness to the time of the Nanjing Massacre, I fantasized that the old man might be fi shing for historical memory from the wide span of the majestic waterway, hoping to retrieve another missing piece of the story of Chinese victimization during the Sino-Japanese War. Seventy-two years earlier in 1937, tens of thousands of civilians were reported slaughtered by the invading Japanese army on this very spot. Th ey say the river ran red with blood during those days of carnage. Bound together with rope in large groups by the river for easy disposal, the victims were machine gunned en masse. 130 第Ⅱ部 セミナーを終えて Th e corpses then fl oated through the heart of the city of Nanjing further terrorizing the already traumatized populace. Th ousands of Chinese men, women and children were murdered and up to 20,000 women and girls brutally raped and kept in sexual bondage in an event that has come to be known as “Th e Rape of Nanjing”. -
Downloads of Technical Information
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Nuclear Spaces: Simulations of Nuclear Warfare in Film, by the Numbers, and on the Atomic Battlefield Donald J. Kinney Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES NUCLEAR SPACES: SIMULATIONS OF NUCLEAR WARFARE IN FILM, BY THE NUMBERS, AND ON THE ATOMIC BATTLEFIELD By DONALD J KINNEY A Dissertation submitted to the Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2018 Donald J. Kinney defended this dissertation on October 15, 2018. The members of the supervisory committee were: Ronald E. Doel Professor Directing Dissertation Joseph R. Hellweg University Representative Jonathan A. Grant Committee Member Kristine C. Harper Committee Member Guenter Kurt Piehler Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii For Morgan, Nala, Sebastian, Eliza, John, James, and Annette, who all took their turns on watch as I worked. iii ACKNOWLEDGMENTS I would like to thank the members of my committee, Kris Harper, Jonathan Grant, Kurt Piehler, and Joseph Hellweg. I would especially like to thank Ron Doel, without whom none of this would have been possible. It has been a very long road since that afternoon in Powell's City of Books, but Ron made certain that I did not despair. Thank you. iv TABLE OF CONTENTS Abstract..............................................................................................................................................................vii 1. -
The Atomic Bombs and the Soviet Invasion: What Drove Japan's Decision to Surrender?
Volume 5 | Issue 8 | Article ID 2501 | Aug 01, 2007 The Asia-Pacific Journal | Japan Focus The Atomic Bombs and the Soviet Invasion: What Drove Japan's Decision to Surrender? Tsuyoshi Hasegawa The Atomic Bombs and the SovietFrank, have recently confronted this issue Invasion: What Drove Japan’s Decision to head-on, arguing that the atomic bombing of Surrender? Hiroshima had a more decisive effect on Japan’s decision to surrender than did Soviet Tsuyoshi HASEGAWA entry into the war.[4] This essay challenges that view. It argues that (1) the atomic Almost immediately following the end of World bombing of Nagasaki did not have much effect War II, Americans began to question the use of on Japan’s decision; (2) of the two factors—the the atomic bomb and the circumstances atomic bombing of Hiroshima and Soviet entry surrounding the end of the Pacific War. More into the war—the Soviet invasion had a more than half a century later, books and articles on important effect on Japan’s decision to the atomic bomb still provoke storms of debate surrender; (3) nevertheless, neither the atomic among readers and the use of atomic weapons bombs nor Soviet entry into the war served as remains a sharply contested subject.[1] As the “a knock-out punch” that had a direct, decisive, 1995 controversy over the Enola Gay exhibit at and immediate effect on Japan’s decision to the Smithsonian’s National Air and Space surrender; (4) the most important, immediate Museum revealed, the issues connected with cause behind Japan’s decision to surrender the dropping of the bombs on Hiroshima and were the emperor’s “sacred decision” to do so, Nagasaki continue to touch a sensitive nerve in engineered by a small group of the Japanese Americans. -
Shaef-Sgs-Records.Pdf
363.6 DWIGHT D. EISENHOWER LIBRARY ABILENE, KANSAS SUPREME HEADQUARTERS, ALLIED EXPEDITIONARY FORCE, OFFICE OF SECRETARY, GENERAL STAFF: Records, 1943-45 [microfilm] Accession 71-14 Processed by: DJH Date completed: June 1991 The microfilm of the records of the Secretary of the General Staff, Supreme Headquarters, Allied Expeditionary Force, was sent to the Eisenhower Library by the Modern Military Records Division of the National Archives in September 1969. Linear feet of shelf space occupied: 4 Number of reels of microfilm: 62 Literary rights in the SHAEF records are in the public domain. These records were processed in accordance with the general restrictions on access to government records as set forth by the National Archives. SCOPE AND CONTENT NOTE The Supreme Headquarters, Allied Expeditionary Force (SHAEF) was a joint U.S. - British military organization created in England in February 1944 to carry out the invasion of Western Europe. Dwight D. Eisenhower, an officer of the United States Army, was appointed Supreme Allied Commander. Eisenhower organized his staff along U.S. military lines with separate staff sections devoted to personnel (G-1), intelligence (G-2), operations (G-3), logistics (G-4) and civilian affairs (G-5). The most significant files at SHAEF were kept in the Office of the Secretary of the General Staff (SGS). The SGS office served as a type of central file for SHAEF. The highest-level documents that received the personal attention of the Supreme Allied Commander and the Chief of Staff usually ended up in the SGS files. Many of the staff sections and administrative offices at SHAEF retired material to the SGS files. -
Ordinary Heroes: Depictions of Masculinity in World War II Film a Thesis Submitted to the Miami University Honors Program in Pa
Ordinary Heroes: Depictions of Masculinity in World War II Film A thesis submitted to the Miami University Honors Program in partial fulfillment of the requirements for University Honors with Distinction by Robert M. Dunlap May 2007 Oxford, Ohio Abstract Much work has been done investigating the historical accuracy of World War II film, but no work has been done using these films to explore social values. From a mixed film studies and historical perspective, this essay investigates movie images of American soldiers in the European Theater of Operations to analyze changing perceptions of masculinity. An examination of ten films chronologically shows a distinct change from the post-war period to the present in the depiction of American soldiers. Masculinity undergoes a marked change from the film Battleground (1949) to Band of Brothers (2001). These changes coincide with monumental shifts in American culture. Events such as the loss of the Vietnam War dramatically changed perceptions of the Second World War and the men who fought during that time period. The United States had to deal with a loss of masculinity that came with their defeat in Vietnam and that shift is reflected in these films. The soldiers depicted become more skeptical of their leadership and become more uncertain of themselves while simultaneously appearing more emotional. Over time, realistic images became acceptable and, in fact, celebrated as truthful while no less masculine. In more recent years, there is a return to the heroism of the World War II generation, with an added emotionality and dimensionality. Films reveal not only the popular opinions of the men who fought and reflect on the validity of the war, but also show contemporary views of masculinity and warfare. -
9Th Grade Textbook Packet
To defeat Japanese in the military during the war, including 350,000 women. ITALY AND GERMANY In 1922, and Italian fascism, the United States mobilized all i~periilism and German former journalist Benito Mussolini ,.foe massive government spending required to wage ofits economic resources. and 40,000 of his black-shirted sup nd wrenched the economy out ofthe total war boosted industrial production a porters seized control of Italy, taking Great Depression. advantage of a paralyzed political sys Four years after the attack on Pearl Harbor, the United States and its allies tem incapable of dealing with wide in the cos!!_iest and most destructive war in history. Cit emerged victorious spread unemployment, runaway d, nations dismembered, and societies transformed. More ies were destroye inflation, mass strikes, and fears of million people were killed in the war between 1939 and 1945-per than 50 communism. By 1925, Mussolini was ofthem civilians, including millions ofJews and other ethnic haps 60 percent wielding dictatorial power;:s "Il Duce" eath camps and Soviet concentration camps. minorities in Nazi d (the Leader). He called his version -of and scale of the Second World War ended America's tra The global scope antisociali~ totalitarian nationalism ofisolationism. By 1945, the United States was the world's most power dition Jascisn1, All political parties except the and global responsibilitie~. The war ful nation, with new international interests Fascists were eliminated, and several in Europe and Asia that the Soviet Union and the United left power vacuums political opponents were murdered. fill to protect their military, economic, and political interests. -
THE RISE of the FOURTH REICH Escape the Disgrace of Deposition Or Capitulation—Choose Death.” He Or- Dered That Their Bodies Be Burned Immediately
T H E S EC R ET SO C I ET I E S T H AT TH RE AT EN TO TAK E OV ER AMER I C A JIM MARRS This book is dedicated to my father, my uncles, and all the Allied soldiers who sacrificed so willingly to serve their country in World War II. They deserve better. CONTENTS INTRODUCTION 1 The Escape of Adolf Hitler 2 A Definition of Terms 5 Communism versus National Socialism 8 PART ONE THE HIDDEN HISTORY OF THE THIRD REICH 1. A New Reich Begins 19 2. The Strange Case of Rudolf Hess 36 3. Nazi Wonder Weapons 50 4. A Treasure Trove 92 5. The Writing on the Wall 106 PART TWO THE REICH CONSOLIDATES 6. The Ratlines 125 7. Project Paperclip and the Space Race 149 8. Nazi Mind Control 178 vi CONTENTS 9. Business as Usual 204 10. Kennedy and the Nazis 220 PART THREE THE REICH ASCENDANT 11. Rebuilding the Reich, American-Style 235 12. Guns, Drugs, and Eugenics 262 13. Religion 286 14. Education 296 15. Psychology and Public Control 321 16. Propaganda 343 EPILOGUE 361 SOURCES 377 INDEX 413 Acknowledgments About the Author Other Books by Jim Marrs Credits Cover Copyright About the Publisher INTRODUCTION ADOLF HIT LER’S THI R D REICH EN DED I N BER LI N ON APR I L 30, 1945. Thunder reverberated from a storm of Rus sian artillery that was bom- barding the ruined capital. The day before, along with the incoming shells, came particularly bad news for the fuehrer, who by this late date in World War II was confined to his underground bunker beneath the Reich chan- cellery. -
The German Rocket Jet and the Nuclear Programs of World War II Max Lutze Union College - Schenectady, NY
Union College Union | Digital Works Honors Theses Student Work 6-2016 The German Rocket Jet and the Nuclear Programs of World War II Max Lutze Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the European History Commons, German Language and Literature Commons, History of Science, Technology, and Medicine Commons, Military History Commons, and the Military, War, and Peace Commons Recommended Citation Lutze, Max, "The German Rocket Jet and the Nuclear Programs of World War II" (2016). Honors Theses. 179. https://digitalworks.union.edu/theses/179 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. The German Rocket, Jet, and Nuclear Programs of World War II By Max Lutze * * * * * * * * * Submitted in partial fulfillment of the requirements for Honors in the Department of History UNION COLLEGE March, 2016 2 Abstract German military technology in World War II was among the best of the major warring powers and in many cases it was the groundwork for postwar innovations that permanently changed global warfare. Three of the most important projects undertaken, which were not only German initiatives and therefore perhaps among the most valuable programs for both the major Axis and Allied nations, include the rocket, jet, and nuclear programs. In Germany, each of these technologies was given different levels of attention and met with varying degrees of success in their development and application.