ROINN COSANTA.

OF BUREAU MILITARY HISTORY. 1913-21.

STATEMENT BY WITNESS

505 DOCUMENT NO. W.S.

Witness Sean Moylan, T.D., 132 St. Laurence Road, Clontarf, Dublin. Identity

0/C. North Cork Brigade 1920-1921; 0/C. Third Southern Division 1921-1922; Member of I.R.A. Executive, and Army Council.

Subject

The Painting "An I.R.A. Column, 1921" By Sean Keating, R.H.A.

Conditions, if any, stipulated by Witness

Nil

File No. S.1035 FormB.S.M.2 "An I.R.A. 1921", by The Painting, Column,

Seán Keating, 1921.

STATEMENT BY MR. SEÁN MOYLAN, T.D., 132 St. Lawrence Road, Clontarf, Dublin.

in a visit of Albert The genesis of this picture is was E. Wood to Cork in 1921. At that time, Albert Wood one of the leaders of the Irish bar and had been briefed by

to defend a Barry Sullivan, a solicitor in Mallow, number of men who were being courtmartialled in Cork for their of Mallow participation in the attack and capture Military

Barracks in 1920.

While Wood was in Cork, I was captured by the

British and brought to the Military Prison in Cork city.

While I was there, Sullivan, who knew me, brought Wood to see me. Their intention was to persuade me to make and defend a case before the courtmartial. I was not anxious to do this, as all the charges to be brought against m at the courtmartial were quite true, and I felt that any defence might be regarded as an apology for my actions or attitude, and would be detrimental to the general morale of the I.R.A. As a result of the arguments and persuasion of

Sullivan and Wood, I agreed to put up a defence, given certain conditions, and it fell out so. Wood, with his background, was entirely unfamiliar with the characters of the men, in whose regard he had come to Cork, and he was exceptionally impressed by their entire sincerity and their complete disregard for consequences.

I was amazed then, and it still seems strange to me to-day, when Wood told me the fighting was almost over. I suggested to him that, in the period he specified, it would -2-

the be impossible for us to beat the British, and, knowing

minds of my comrades, I felt that this was to be a fight to

a finish. His prophecy was corrct. Six Weeks Later We

had the Truce.

I came to Dublin to a meeting of Dáil Éireann On the

16th August, 1921. That night, I was invited to dinner at

the Gresham by Hugh Harold, a Mallow man engaged in busines

in Dublin and brother to one of those who were courtmartilled

for taking part in the attack on Mallow Barracks. One of

those who came to the table and had dinner with us was John

McLoughlin of Donegal, afterwards a Senator and whom I had

known in Inishowen during the 1918 election. We sat for

some time at the table, and then Albert Wood came along and

the discussion continued. After some time, the name of

Tim Healy came up, and McLoughlin, who was a friend of

Healy, suggested that I should come with him to Chapelizod

to see Tim Healy. I consented to do so and, as we left, wood said to me, "Don't go to see Tim Healy! You have certain for ideals, which you fought, and Healy is the

centre of an intrigue which, if successful, will dash the

hopes held by you and by your comrades". I did not go to see Tim Healy.

A few days later, Wood took me to see the National

He Gallery. was a great lover of pictures and sculpture, and who bad never I, been in the National Gallery before,

spent, under his guidance, a most pleasurable and educative

afternoon. On the following day, he said to me, "I would like to have a picture of you and would be glad if you would permit yourself to be painted by Seán Keating in the

clothes you wore in the dock in Cork". I agreed, and tackled Keating the job in the following week.

Wood was a constant visitor to the studio while the we work was in progress. Among the various discussions that it would be of had, Wood put forward the idea some1hing historic value to make a picture of a group. of men who bad been concerned in the fighting. I arranged the matter and

brought a dozen men to Dublin.

Keating has described in his note something the of difficulties encountered in getting the thing under way. He

made a number of preliminary sketches, and these were later

developed into pictures. They were exhibited in the Academy

in 1921 and sold to various people. The picture now in Árus

Uachtarain was really only a preliminary sketch. The

picture finally produced was bought by the Cork Corporation

and is now in the Cork Gallery.

The picture in Árus an Uachtarain was, for many years,

in an outhouse at Keating's premises at Rathfarnham. He

Offered it to me on several but I felt too occasions, it was

valuable a gift to accept. When, eventually, some years

ago, Mr. McDunphy discussed with me the project of the

col1ection of certain historical matter, in Árus an Uachtarain, I remembered this picture and suggested that it might be

examined and, if considered suitable for the should purpose, be acquired. This was done.

As I remember Keating's letter, it seems to me that he thinks that the men, who formed the subject of the picture, were badly treated or forgotten. It is true that they are men whose lives have consisted since of hard effort and that some of them had to leave the country to make a living, but I don't think that any of them would be grateful to for Keating his sympathy. Revolutionaries, by their very mentality, are precluded from living comfortable lives. Soft living would make them uncomfortable, and it is my opinion that, from the day of the inception of the Volunteer movement until now, -4-

lives there have been no happier lives in Ireland than the

of those men. They can look back to a great adventure brains successfully pursued, their characters and developed of and have under pressure adverse circumstances, they had, in life over those who in my opinion, a tremendous advantage on behalf of accepted comfort and security as against effort

their nation.

Keating makes one mistake in his letter. He talks

members of a West-Cork Column. were of these men as They

North Cork men. Practically all of them were men.

Duha1low I have an idea that Keating, with his sensitive, artistic mind, was slightly afraid of them. He took a

particular fancy to one man among them, Roger Kiely, a

schoolteacher. Strangely enough, this man, while a

Volunteer, was not a fighting man in the sense that the

others were End perhaps he was different from the on others, whom the stress of combat and suffering had laid rather

harsh hands. We say, here in Ireland, that breeding goes a

long way, and that is true of these men. They came of all families in which there was a tradition of resistance to

British rule in Ireland.

Denis Mullane's father was a Fenian. An uncle of

his was a Fenian organiser. History and tradition have

queer interminglings and unexpected effects. In Mullane's farm at Freemount, Co. Cork, there are four graves the of four of graves O'Sullivan Bere's soldiers, killed at, a fort near there during his march to Leitrim. Who Knows what an effect the of story O'Sullivan Bere's march might have had on a young mind?

Michael O'Sullivan was one of the most outstanding fighters in all Cork. Nervous, gentle and imaginative, any -5- fears he might have had at the beginning, he had completely crushed until he had developed into the most fearless fighter I knew. His father was a Captain of Moonlighters.

Among the Moonlighters, there were many men whose characters were not very estimable. It is a recurrent phenomenon in all such movements that evil men take advantage of disturbance. O'sullivan's father was a gentle, unselfish type, entirely sincere, in his own time and by the only methods then possible, in his efforts to secure a reducing of British strength in Ireland.

James Riordan was a big, hefty man, and was concerned in all the fighting in North Cork. The Riordan's came originally from the North as Gallowglasses, and Riordan displayed all the fighting capacities of his forbears. Yet, he was a gentle, disciplined man, fierce only when the fighting was to be done.

Dan Brown was a good soldier. Always he seems to me

to have the grimmest face of all those in the picture.

Perhaps this is due to the fact that he was a clerical student, destined to be a parish priest and trained to develop the characteristics of a parish priest in his early days.

James Cashman was very young, only a boy, a very fine athlete and a most enthusiastic Volunteer. He is a first-cousin

of my wife. I am glad to say that all the aggressiveness has been confined to the male members of the family.

John Jones was then seventeen and had had his first at fight sixteen. He went to Oregon, U.S.A., after the

Civil War, and is now farming in Cork

The in picture Árus an Uachtarain was, as I have said, -6-

only a preliminary sketch. One reason why I was not

included in the final picture was because it was believed

at the time that the Truce was transient, that the fighting

would be resumed and that, under such circumstances, it was

unwise that the pictures and photographs of leaders should

be available to the British. It seems a poor reason now,

but that was the only reason.

SIGNED: Seán Moylan

DATE: 10- 4- 57

WITNESS: Seán Brennan Comdt

BUREAUOF MILITARY HISTORY1913-21 BUROSTAIREMILEATA1913-21 No. W.S. 505 UACHTARAN NA HEIREANN (PRESIDENT OF IRELAND)

BAlLE ATHA CLIATH (DUBLIN)

P.4599 24 Aibreán. 1951.

Secretary, Bureau of Military History.

1. In September, 1944, the then President Of Ireland, Dr. Douglas

Hyde, acquired for the national. collection established by him in

ÁrasUachtaráin,an a large by Seán Keating, R.H.A., of

a group of eight members of the I.R.A., which now hangs in the

Áras, under the title "An I.R.A. Flying Column, 1920".

2. The picture was painted from life in the autumn of 1921

during the Anglo-Irish Treaty, the models being actual members

of the I.R.A. One of them was Seán then leader of a

flying column in Co. Cork, the others being members his unit,

so that the picture, which embodies their portraits, is in

essence a historical document.

3. I enclose, the following documents which are

(a) Copy of my letter to Mr Keatingdated 28th Dec. 1950,

(b) Mr Keating's Reply dated 3rd January, 1951,

(c) Copy Of My letter to Mr Keating dated 8th Jan 1951,

(d) Mr Keating's reply dated: 15th January, 1951,

(e) Copy Of My letter to Mr Keating dated 17th Jan. 1951,

(f) Mr Keating's reply dated 22nd January, 1951,

(g) copy of myletter to Mr Seán Moylan dated 23rd Feb.' 51

(h) Mr Moylan's reply dated 28th February, 1951.

of 4. The story the painting of the picture is contained in

Mr Keating's two letters of 3rd and 22nd January, 1951 as

corrected by Mr letter of the 28th February, the

originals of which are, as indicated above, enclosed.

5. In addition to this correspondence I also send you herewith

(i) A photograph of the Painting.

/(ii) 2.

(ii) Asketch diagram of the Picture showing the placinge and identities of the men represented in it prepared under the guidance of and approved and certified by Mr seán Moylan, who himself is portrayed in the picture, and

(iii) A copy of the catalogue of the National Collection in the Áras referred to in paragraph 1, which was prepared by me for the inauguration of the collection in 1944. an the catalogue The number of the preime is 138.

6. It seems to me that the enclosed correspondence, in

conjunction with the picture itself which hangs in the Áras,

constitutes a documentation of the period which might

appropriately find a place in the archives of the and Buueau, I am authorised by the President to send it to you for that

purpose. The consent of Mr Keating in respect of own hi letters is embodied in his letter of the 15th January, 1951.

7. I understand that the Bureau have been in direct contact

with Mr Moylan on this matter.

M. McDunphy

(M. McDunphy)

Rúnaí. CÓIP 28 Nollaigm 1950.

Dear Mr Keating,

Your Painting, of "The Flying Column in which

Mr Seán Moylan appears, is a subject of perennial

interest to visitors, to the Áras.

I would like very much to be able to tell

them the story attached to it, but am not too sure

of the facts.

I would be grateful if you will set them down

briefly for me, not only as a matter of present

interest but of historical record.

Yours sincerely,

M. McDunphy)

Seán Keating Esq., R.H.A., Áit an Chuain, Rathfarnham. TELEPHONES: IS ELY ACADEMYHOUSE SECRETARYS1472S1472. PLACE,DUBLIN. S4214

3rd, Januray, 1951. Ref No: P.2409.

M. McDumphy, Esq, Secretary Arus an Uachtarain Phoenix Park, Dublin.

Dear Mr McDunphy, You ask me to reconstruct something that happened nearly 29 years ago the painting of the West Cork Flying Column. When Sean Moylan was on trial for his life, the late Albert Wood, K.C. who defended him, was impressed by him and asked me to paint a portrait of him as he appeared in the dock. While I was painting, Sean sometimes talked and I learned something of the background of himself and his Boys in West Cork, and the idea came to me that such men and their doings were the raw material of the History, Art and Literature that we wou1d be so proud of in retrospect. When I had finished Moylan's portrait I told him that I would like to paint the Column and before leaving me he promised to fix it. One day, months later, I was working in my room in the School of Art (avery British Institution) when the porter rushed in breathless and pop-eyed to say "The hall is full of men with guns and they're looking for you." Never before or since have I so impressed a porter as when I "ALL them answered NONCHALANTLY right, bring up". They Trooped in, dressed and armed very much as they must have been on many an ambush, Jim Riordan, Johnnie Brown Roger Kiely and the rest (if you send me a print of the picture I'll give you a key to them, though Sean Moylan could do it better) Roger Kiely was about the best and finest man I ever knew a few I went for years ago to look him in county Cork, I found him ma poor school-teacher in a poor little school near Kanturk. I asked him about the others and found that death, poverty and America had claimed them the Unknown Soldiers. That is all the information I can give you, though I will permit myself some comments. Revolutionaries should remember that they are making history, and that history belongs to posterity and should be documented in paint as well as print. TELEPHONES: IS ELY DUBLIN. ACADEMYHOUSE SECRETARY61472. PLACE, 64214.

2

If the British in their successive wars always commissioned their best artists, at high salaries, to immortalize the men and events which they considered important, it is a pity that we who despise them culturally should have failed to record the birth of a nation. I tried very hard to be allowed to do it gratis, in spite of the indifference of our own people and the hostility of the British After the treaty made an official application to be seconded temporarily from teaching in the School of Art in order to paint a full-time series of pictures of the people and events of those years the work to be the property of the Department of Education which employed me. My application was turned down, and in the office of the Department I was told that'the sooner all those things are forgotten the better". My pay at the time was £2 a week and I could not afford to give it up as I had to eat or so I thought. Post treaty political bitterness may have been the reason whey my appeal was refused but politics always ephemeral and often contemptible should not be allowed to rob posterity.

Yours sincerely,

John Katine CÓIP 8th January, 1951.

Dear Seán,

I am very grateful to you for your very interesting letter of the 3rd instant regarding the history of the painting of the West Cork Flying Column. I am placing it on record.

Thanks very much for your offer to make a key. As a matter of fact we have one already. It was made by Mr Moylan shortly after the painting arrived here and adds greatly to its historic value.

I wonder if you would have any objection to my sending your letter to the Bureau of Military History, Westland Row, of which I am Director, for inclusion in the archives. It would be a noteworthy addition to the historic material there.

I am sending a copy to the Secretary to the Government in connection with your comments in the last two paragraphs.

Yours sincerely,

M. McDunphy.

Seán Keating, Esq., R.H.A. Read to thePrendet Telephone61472

COLAISTENAISIUNTA EALAION 16-1-51 SRAID CHILL DARA, BAILEATHA CLIATH (NATIONALCOLLEGEOFART KILDARE STREET,DUBLIN).

Tanning 15.51

Dear McDunphy

Many thank for on bitter of and Kind Appreciation is mark

I Consider it a good mark That cuter my should into for

Jane archives.

I note that yore are Forwarding the dart paragraph to the

Proper Quarter.

Now that the time for Doing then to any perpetual

the arpent the physical of

heroics is almost past.

have no I doult that the

proposals contained in my

of application 1922 well uceive the mort favourable

Consideration

With regards

Yours huly

John

Keating Copy 17 Eanair, 1951.

P.2409

Dear Seán, Thanks for your letter of the 15th instant regarding your picture. I am having your letter of 3rd instant placed in the archives of the Bureau of Military History.

There is one point, however, on which my information is very vague. You have given a clear story of the painting of the picture. But there is more. For some reason it was left unfinished and another one from which seán Moylan Was

omitted painted by you Instead; the original being put aside it your studio until it was so to speak brought to light again by seán Moylan himself in 1944, when it was purchased by the President, Dr. Douglas Hyde.

I would like to have that chapter of the story told by yourself, so that the history of the Picture, to be included in the archives of the Bureau may be complete.

I am sorry to give you all this trouble, but the story of the picture is part of the history of the time and I would like to have it in all its fullness.

Yours sincerely,

M. McDunphy.

Seán Keating, Esq., R.H.A. AN ROINN OIDEACHAIS (Departmentof Education) TELEPHONE COLAISTE NAISIUNTA EALAION (NationalCollegeof Art), SRAID CHILL DARA (KildareStreet),

BAILE ATHA CLIATH (Dublin). 22 Jan. 51.

Dem McDunphy to Inuply Your u 2nd Further enquiry union the Patine. of when the thick the of invasion of the Sch art had of wan & the off Dept Educatin had of dried it frank, I ant, was ordered had to obey Since I Was a (Opuatine not ingredient in of Official. this situation Bythat time I had $2.P.W) Jun a good was who the job I got & pemmican work in the mansion & House thither I & my canvas and apparatus & the column unaired airwaves. Then I the Found & other lighting circumstances complicity ajter a little different mare I time was Gated To I again. decided to return other

sch & of bet go & work unstha I way. arranged to have the in other come one by one & 10 AN ROINN OIDEACHAIS (Departmentof Education) TELEPHONE COLAISTE NAISIUNTA EALAION (NationalCollegeof Are). SRAID CHILL DARA (KildareStreet),

BAILE ATHA CLIATH (Dublin). the Smuggle arms - 1 & rifle equipment it. In. & et There hidden. I Keep descenned - as 9 weight have forerun - that the Milan would not he coherent - un king on this & in patching way different lighting conditions. I decided to in another to by picture & introduce certain changes in the imposition to I improve it. current recall whether the decision Lean of maylan not to be included occurred at this time, on he why decided Thus hut he to it decided is parable that the

change in composition from this arose incumstance. During all this time the political tension grew an home to J house & it mean more & more difficult to the have members of the column to & free crone to, Homeren I

the Completed 2nd Version & put the 1st aside. The picture which you purchased from me 44 the 1st in is version & has a quality of AN ROINN OIDEACHAIS (Departmentof Education) TELEPHONE COLAISTE NAISIONTA EALAION (NationalCollegeof Art)

SRAID CHILL DARA (KildareStreet),

BAILE ATHA CLIATH (Dublin).

& Nerve Dash that Would Probably have been 9 been list had Permitted & any it perisher in a calmer atmosphere, to that, perhaps, from the a pewit of view of historical document it has

qualitus mare & description the time cumstances of thap lunching done ant a mood of of reflection & deliberation of has been said That cut originates from "emotion recollected in Tranquility" in painting this pectun I had many imtending enaction. no need to recollect & no Tranquility. This is not a perhops may food account but one too what is too to easily forgets painful November

M Churchill loan that corwement of artillery

mare than the & times the damaged of Fom Couch.

Jones Trully

Tom Keating P.4599 23 Feabhra, 1931.

Dear Mr Moylan,

The Unfinished painting of the Flying Column by seán Keating in the Áras in which you are portrayod, is a subject of perennial interest, and it scene to me that this picture, in conjunction with the story of its painting, is a part of the history of the time.

The artist, Mr Keating, has act down the story for me as he remembers it, and with him permission I propoce to place it in the archives of Bureau of Military History, together with a diagram showing the identities of the persons portayed. He is not too clear, however, as to how it come about that this picture was left unfinished, and the second one, which is now in a gallery in Cork, from which you were emitted, painted by him in its stead. I Wonder if you man remember the circumstances. I enclose a copy of Mr Keating's letters of the 3rd3 and 22nd January last which may help to refresh your memory.

I would be glad it you would also check the attached diagram of the picture and if it is correct, certify it by your A photograph of the picture is enclosed for reference.

If you could add something to the offset that the man were all members of your Column, and fought with you if that is the case mentioning the unit or area the period, that would immensely to the value of the certificate as an historical record.

Yours sincerely,

(M. McDunphy)

Seán Moylan Esq., Lawrence DAIL EIREANN

BAILE ATHA CLIATH (Dublin)

28-2-57 Mr Dear McDunphy Dalton Aragon

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1921

An I.R.A. COLUMN

by

1921 Sean Keating

KEY

1. James Cashman 5. Jack Jones

2. Denis Mullan 6. Rory O'Kiely

3. Jim Riordan 7. Mr Seán Moylan

4. Michael Sullivan 8. Dan Brown.

is Correct This dragoon

Seán Mylan

28- 2- 1937

Tá an clár so á thabhairt amachroimh ré mar ájs do na haoithe. Ni bheidhaonchóipeannaar fáil chuna dtabhartha amach lá an teasbántais.

For the convenienceof gueststhis catalogueis issuedin advance. No copieswill be available for distributionon the day of the exhibition. ÁRUS AN UACHTARÁIN

Cnuascrcht de

Stairiúla Phiciúirí, Etc.,

Arna bunúag AN DR. DUBHGLAS De hIDE UACHTARÁNNA hÉIREANN 1944

COLLECTION OF

HISTORICAL PICTURES ETC.

Establishedby DR. DOUGLAS HYDE PRESIDENT OF IRELAND 1944 FOREWORD BROLACH

Do chinn an tUachtarán,an Dr. DubhghlasDe hÍde, i Mí Eanair, In January 1944, the President,Dr. Douglas Hyde, decidedto 1944 cnuasachtbheagdothiomsúin Árusan Uachtaráinde dhreacha assembleat the officialPresidentialresidencea small collectionof agusdephictiúiribhaineasle cúrsaistairiúlaagusaléireodhansaothar portraitsand picturesof historicalevents,illustrative of the struggle its nationhoodand a rinne muintir na hÉireann ar feadh na gcéatablian ag seasamh of Ireland throughoutthe centuriesto assert the lena náisiúntachtaguslena gcultúr féin. right of its peopleto developtheir ownculture. Bhí roinnt bheagpictiúirí agusoibreachasnoíodóireachtafaighte to that datea smallnumberof and of roimhesin ó Prior pictures objects sculpture dhaoineuaisleflaithiúla áirithe, agusbhítheasag cur had been the of individuals. These leis an sanó i leith i bhfuil200 acquired through generosity gcnuasachtbheag shoin gcaoigo éigin servedasa nucleus,andfromthat smallbeginningthe collectiongrew inti inniu, an lú Abrán, 1945. pictiúirí agus until at the presentdate, 1stApril, 1945,it consistsof some Ná cnuasachtealaíontaí ámh. Is é is steadily tuigteargur príomh-aidhm 200 objects. agusaon-aidhmdi ná I bheith ina chuntasphictiúrtha ar stair na hÉireann,agus,cégodtugtaran t-ionadis dualinte donealaíontacht It is in no sensean art collection. Its primary andindeedits sole. a mhéid is féidir, is don phríomh-chuspóira bheirtearan tosach. objectis to serveas a pictorial recordof Irish history, and purely have been honouredwherever Ar an gcnuasachttá pintdireachta,rionnta,cnaoi-rionnta,liagrafanna, artistic considerations,while they fiodh-ghearrtha, fótó-rionnta, grianghrafanna,fótóstait, priontaí possible,havebeensubordinatedto that centralpurpose. It includes daite aguspriontaíi ndubhagusbán. Tá cuid acu ana-bheagagus paintings,engravings,etchings,lithographs,woodcuts,photogravures, cuid acu mór go maith, agusar thaobhna snoíodóireachtadhe, tá photographs,photostatsandprints in colourandin black andwhite, fíora agusbráideannad'umha agusde mharmar agusde phlástar. rangingin sizefroma fewinchesto manyfeetin length,whilesculpture Saotharbunaidhis ea cuid acu, cóipeannais ea tuilleadh acu. Tá is representedby figuresand bustsin bronze,marble and plaster. copies; cuid luachmhariontu féin; tá roinnt eile arb é an ní a léríd an Someare originals,someare someareintrinsicallyvaluable, t-aon tábhachtamháin,atá ag baint leo. Is amhlaidha bronnadh someare important only for what they represent. Somehave been cuid acuar an Uachtaránagusfuarthastuilleadh ar iasachtó fhorais presentedto the President,someareonloanfromStateandMunicipal. Stàit agusCathraíodh tUachtaránféin a sholáthraigha Institutions, but the greater number have been provided by the n-urmhór. Ina theaunta san, soláthraíodhfrámaí nó frámai nua President himself. In addition, framing or re-framing has been ag an Uachtaránin aonchásinar ghá é. carriedout wherevernecessary. Tá an clár leagthaamachin ord uimhreachgan flird a thabhairt The is set out in numericalorder,without referenceto ar an tréimhseáirithe ná ar an abhar áirithe atá i gceist,ach níor catalogue or but no shouldbe experiencedin locating chóirgombeadhaondeacrachtann maidir le teachtat aonphictiúirí period subject, difficulty etc. áirithe mar tá urmhór na cnuasachtaar sa individualpictures,etc., as the bulk of the collectionis on display taspáint nGaileirí The con-sisting iad i ndiaidha chéiledoréirstaire. Tá an in the gallery, arrangedin historicsequence. remainder, agus eagraithegogenerálta of the and someof the of chuid eile den chnuasacht,an chuid di ina bhfuil na larger paintings objects sculpture, píntéireachta are in the vestibuleor in oneof the two State Rooms to the is mó agusroinnt de na hoibreachasnoíodóireachta,san eardhamh leading nó i gceanndendá Stát-sheomraa sheolasisteachgo dtí an Gaileirí. Gallery. certainhistorical Tá roinnt bheagcásannainarbh fhéidir an t-abhara bhaineasleis In a few casesthe materialavailablein respectof an aonchúrsaáirithe do sufficientto justify amháinstairiúil thabhairtle chéile aon phasesor events,thoughby nomeanscomplete,is teidealamháin,cénáfuil ant-abharsanin aonghaor dobheithiomlán its classificationunderspecificheadings,e.g., i gcásar bith, e.g. The Williamite Wars 1689 Na cogaidhSeacoibíteacha 1689 The Irish Volunteers 177 Ógláighna hÉireann 177 Grattan'sParliament 1782-1800 Páirliméid Ghrattan 1782-1800 The United Irishmen 1791-1803 1841-1848 Na hÉireannaighAontaithe 1791-1803 Young Ireland Éire Óg 1841-1848 The Fenians 1858 Na Fíníní 1858 The Rising of Easter Week 1916 Eirí AmachSheachtainna Cásca 1916 additionto a indexto the collectionasa whole,thereare I dteanntanatreorath denchnuasachtar fad,tá treoracha In general generálta indexesto the containedin thesegroups. ar leithligh ann, in ord dáta, do na nithe atá tugthale chéilefá na separate objects teidil sin. I wish to acknowledgethe valuable assistancegiven in the Is mianHornmo bhuíochasa churin iúl doMissRosalindM. Elmes compilationof the catalogueby MissRosalindM. Elmes. i ngeallar an gcúnamhmóra thug leis an gclársodochurle chéile,

M. McDUNPHY, M. McDUNPHY, Rúnaí d'on Uachtará. 1st 1945. to the President, 1adhBealtaine, 1945. May, Secretary PERIOD INDEXES

(1)TheWilliamiteWars,1689 Emmet,Robert,portrait,56. PORTRAITS: ThomasAddis.47. Fitzgerald,LordEdward,4, 31. Browne,Col. John, 173. Holmes,Robert,55. Col. Valentine,174. Holt, Joseph,78. Grace,Col.Richard.137, Hope,James,142. Sarsfield,Patrick,22, 124. Rowley,Henry,102. Talbot,Richard,Earlof Tyrconnel, Hudson,Edward,148. 147. Jackson,Henry,141. Scenes: Rev,William,182. Battle McCracken,HenryJoy,139. Boyne or,1690,106-108. McNeven,Dr. WilliamJames,103. Landingof WilliamIII. at Carrick-fegus, Rev. 97. June,1690,184. Murphy, John, Sarsfield Neilson,Samuel,172. interceptingKingWilliam's 37, 110, siegetrain, at Ballyneety,1690. O'Connor,Arthur, 94. Redmond,DenisLambert,214. of 1689,216. Rourke,Felix,62, Siege Derry, Rowan,ArchibaldHamilton,48,176. Russell,Thomas,45. (2) TheIrishVolunteers,177-1785 Sampson,William,118. and Sheares,Henry,28, Grattan'sParliament,1782-1800 John,140. Tandy,JamesNapper,35. PORTRAITS: Teeling,Bartholomew,30, 46. Charlemont,1stEarlof, 36. Tone,TheobaldWolfe,49. Curran,JohnPhilpot,33, Flood,Henry,34. SCENES: Grattan,Henry,bust,7. Arklow,Battleof, 1798.93. statuette,42. Ballinahinch,Battleof,1798.41. portraits,24, 32,67. Castlebar,Battleof, 1798.186. O'Connor,Arthur,37, 110. Pikeman,1798.39. Tandy,JamesNapper,35. Priestand Pikeman,1798.40. SCENES: RobertEmmetin hisarmoury,13. executionof, 168. Irish Houseof Commons,1780. Surrenderof Humbertat Ballina-muck, 60, Key,61, 1798.171. Irish Houseof Commons,1782. 1798.59. 190. Swilly,Lough,Battleof, 189. Key, VinegarHill, Battleof, 1798.96. The GreatParliamentof Ireland, Wexford,Battleof, 1798.211. 1790.87. Key,88. Lisburnhonouringthe Dungannon Convention,1782,104. VolunteerConvention,Dublin,4th Nov., 1779.68. Key, 69, (4) YoungIreland,1841-1848. Volunteersof 1782drillingon the Lawnof LeinsterHouse,218. PORTRAITS: Volunteersencampedontheplains Davis,ThomasOsborne,bust,86. at Belfast,1782,219, portraits,19,98. Dillon,JohnBlake,43. Doheny,Col. Michael,169. (3)UnitedIrishmen,1791-1803. Duffy,CharlesGavan,20, 79. Kenyon,Fr, John,228. PORTRAITS: Lalor,JamesFintan,175. Byrne,Myles,66. Luby,ThomasClarke,204. WilliamMichael,17. McManus,TerenceBellw, 178,210. (Billy Byrneof Ballymanus). Martin,John,52,228. Cloncurry,Lord,209. Meagher,ThomasFrancis,25, 58, Colclough,JohnHenry,215. 143. Corbet,William,29. Mitchel,John,12, 18,77, 228. Dwyer,Michael,170. O'Brien.WilliamSmith,26,57, 143. 5 6

O'Donohoe,Patrick,51. (6) Risingof EasterWeek,1916 O'Gorman,Richard,Jun., 65. Smyth,PatrickJames,112. PORTRAITS: Casement.Roger,11,197, Ceannt,Eamon,193. Clarke,Thomas,15. (5) TheFenians,1858 Colbert,Cornelius,201. PORTRAITS: Connolly,James,16. "Cuba" Five The,205. Daly, Edward,198, 229. DeValera,Eamon,122. Daly, John, Heuston,Seán,199. Davitt, Michael,220. Maior Devoy,John,205,232. McBride, John,196, Doheny,Col.Michael,169. MacDermott,Seán,191. Holland. 146. MacDonagh,Thomas,192. JohnPhilip, Mallon,Michael,200. kickham,CharlesJoseph,119. 202. Luby,ThomasClarke,204. Mellowes,Liam, McClure, 205. O'Hanrahan,Michael,195. John, Pearse,PatrickHenry,14. Mulleda,Harry,205. William 194. O'Connell,CharlesUnderwood,205. J., O'Leary,John,bust,5. Plunkett,JosephMary, 179-180. portrait,64. SCENES: O'Mahony,Col.John;82. Dublin, after bombardment,114, Rossa,JeremiahO'Donovan,205, 153-167. 217. scenein the G.P.O.beforethe Savage,John,120. evacuatiOn,89. Stephens,James,224. Trial of RogerCasement,81. 8 9 No. in theMassyfamilytill 1780. In 1809it becametheproperty 5. John O'Leary, 1830-1907. WalterCox,editorof the Irish Coxpermitted of Magazine. author Fenian. twocopiestobemadeofit, oneforMr.JamesHardiman, of theHistoryof Galway,andit is fromthat copythat this PLASTERBUST. engravingwasmade. Life size. PresentedbyMr. Henry Franklin, September,1943. Sculptor; Oliver Sheppard,R.H.A., 1903. ThisbustwaspresentedtotheStatebytheartist'sdaughter, No. 10. Arthur Griffith, 1872-1922. MissCathleenSheppard,8th December,1941. The castin Founder Sinn Fein. Writer. bronzeis in theMunicipalGalleryof ModernArt, Dublin. Statesman. of Loanedby the National Museumto the Árus, December. PHOTOGRAVURE. 1942. Photogravure: 17.5"x14.3". Frame; 28.5"x24.5". Half length. No. 6. JamesClarenceMangan, 1803-1849. Painted by Sir John Lavery, R.H.A., R.A., 1921. Poet. Irelander. Young Reproducedand publ. by Wilson,Hartnell and Co.,Dublin. PLASTERBUST. Autographedby artistandby subject. More than life size. No. 11. Roger Casement,1864-1916. Sculptor: Oliver Sheppard,R.H.A., 1909. LITHOGRAPH. ThisbustwaspresentedtotheStatebytheartist'sdaughter, MissCathleenSheppard,8th December,1941. The cast in Lithograph: Frame: bronzeisin St. Green,Dublin. Stephen's Headonly. Loanedby the National Museumto the Árus, December, Drawnonstonefromlife by ProfessorL. Fanto,Art Director, 1942. StateTheatre, Saxony,Germany,1916. Printed the Three CandlesPress,Dublin. No. 7. Henry Grattan, 1746-1820. by TheportraitwasdrawnbyProf.Fantoin BerlinwhileCasement Statesman. wastherepriorto hisreturnto Irelandin connection MARBLEBUST. withtheRisingofEasterWeek,1916. Theoriginalstonewas Irelandabout1930 Dr. butwas Life size. broughtto by Moloney, des-troyed byfirein theThreeCandlesPress,FleetStreet,Dublin,. Artist unknown. in 1937. Casementwasexecutedonthe3rdMay.1916. Presentedto the National Gallery by Lord Monteaglein Roger 1935, and loaned the National to the Árus, by Gallery 1815-1875. February, 1943. No. 12. John Mitchel, YoungIrelander. No. 8. Dr. DouglasHyde, 1860 PENCILSKETCH. Presidentof Ireland. Drawing; 16"x13". Frame: 31.3"x24". PASTEL, Halflength. Vignette: Frame: Drawn by AndrewDevereux,c. 1936,from a lithographby C. Baugniet,printed in 1848. SeeNo. 18. J.Mitchelwasconvictedoftreasonfelonyon27thMay,1848, and sentencedto fourteenyears'transportation.Defended by RobertHolmes(No.55),brother-in-lawof RobertEmmet No. 9. TurloughO'Carolan,1670-1738. RescuedfromTasmaniain 1853by PatrickJamesSmyth (No.112). Blind harper. ENGRAVING. No. 13. RobertEmmet in his Armoury. Engraving: 8"x6.3". Frame; OIL PAINTINGONMAHOGANYPANEL. Half length,seated,playingharp. Panel: 19.5"x16.2". Frame: 27"x24". Paínted by Johann Van Der Hagen (11. 1720-1745). Emmetin hisarmourydistributingarmsandadministering the oath. TheinformerJamesO'Brienis shownin the fore Engravedby John Martyn, 1822. groundwithrighthanduplifted. Theplaceis by candles. dimlylighted Publ. Nov. 12th, 1822, by J. Martyn, 24 Lower Ormond Quay, Dublin. Painted by JamesPetrie (d. 1819). Theoriginalportrait,oncopper8"x6", waspaintedin 1720 Presentedby Mr.A. P. Reynolds,November, 1943. for the Rev.CharlesMassy,Deanof Limerick.It remained 10 11

Nos. 14-16. Leadersin the Rising of EasterWeek, 1916. No. 18. John Mitchel, 1815-1875 Young Irelander. Author of the Jail Journal. LIGHOGRAPHS. LITHOGRAPH. andshoulders;vignettes. Head Lithograph: 10.8"x8.9". Frame: 18"x14". Drawn Seán 1936. by O'Sullivan, R.H.A., Lithographed HalfLength. the Three CandlesPress,Dublin. by Autographedby by C. froma danguerreo-type, the artist, 1944. Painted andlithographed Baugniet by ProfessorGluckman,Dublin. ThesePortraitsformpart ofa seriesof 1916leaderscommis-sioned by MissMadgeO'Dalyof Limerick.SeealsoNos. Publ. Gluckman,Dublin, May 10th [1848]. 191-202. This Picturewasformerlyin thepossessionof the Mitchel. Martinfamily. Biographicalnote,seeNo.12. Presentedby Mr. Diarmuid Coffey, February, 1944. 14. PatrickHenry Pearse,1879-1916. (PádraigPearse). Signatoryof the Proclamation. No. 19. ThomasOsborneDavis, 1814-1845. Vignette: Frame: YoungIvelander. In hismanifestoof28thApril,1916,fromtheG.P.O.,Dublin, PearsesignedhimselfCommandantGeneral,Commandingin OIL PAINTING. and the Chiefthe armyof the Irish Republic Presidentof ProvisionalGovernment.He wasexecutedon3rdMay.1916. Canvas: 7.5"x6". Frame: 13.6"x11.7". Halflength. Painted by Henry McManus,R.H.A. (c. 1810-1878). 15. ThomasClarke, 1857-1916. ThisPictureis referredto by CharlesGavanDuffyin his bookYoungIreland,1896,Vol.II., Footnoteto p.213. First Signatoryof the Proclamation, "The OnlyPortraitof Davisin existencewasa cabinet picturepaintedfor me by HenryMcManus,R.H.A., Vignette: 14"x11". Frame: 28.5"x22.3". Sketchyandrude,but a vividlikeness." It isoneof twosimilarportraitspaintedbythe artist.The T. Clarkewassentencedto penalservitudeforlife on 14th other,ofJohnBlakeDillon,isin theNationalGallery. June,1883. and releasedin 1898 afterserving15 years. Hewasexecutedon3rdMay,1916. PresentedbyMr. JusticeGeorgeGavan Duffy, March, 1944.

16. JamesConnolly,1870-1916. No. 20. CharlesGavan Duffy, 1816-1903 Irelander. Signatoryof theProclamation. Young PLAQUE,MOUNTEDON MAHOGANYBASE. Vignette: Frame: 28.5"x22.3". Plaque: 20"x15". Frame: 28.5"x21.8". J. ConnollywasCommandantof theCitizenArmy. During theRisinghewasCommandantGeneraloftheDublinDivision Head. LifeSize. oftheIrishforces.Hewasexecutedonthe12thMay,1916. Sculptor: M. de Carnowsky,1891. Thedeted Signatureofthe artistandthe signatureof the subjectare on theplaque. No. 17. William MichaelByrne, 1773-1799. Presentedby his son, Mr. Justice George Gavan Duffy, "Billy Byrne of Ballymanus." United Irishman. OIL PAINTING. Canvas: 30.8"x24.8". Frame: 40.5"x35.5". No. 21. Daniel O'Connell,1775-1847. Nearlyhalf length. "The Liberator." Artist PLASTERBUST. Wm.M. Byrnefoughtat VinegarHill, 21stJune,1798,and washangedin Sept.,1799,at GallowsHill, nearWicklow. More than life size. PresentedbyMissMoira KennedyO'Byrne,February,1944. Sculptor: JohnHogan (1800-1858). 12 13

No. 22. Patrick Sarsifeld,Earl of Lucan, 1650-1693. No. 26. William Smith O'Brien, M.p., 1803-1864 PHOTOGRAVUREOFENGRAVING. YoungIrelander. Plate: lO.5"x8.3" Frame: 15.7"xl3" LITHOGRAPH. Headandshoulders. Lithograph: 10.5"x8.5". Frame: 17.8"x14.1". Painted Countessof Lucan by Margaret,Lady Bingham, Lithographedby Henry O'Neill from a daguerreotypeby (d. 1814). Engravedby AngelicaBregeon,wife of J. B. Tilliard. Prof. Glukman. Publ. Glukman, Dublin. Facsimileof autograph"WilliamS. O'Brien, Kilmainham Publ. and copyrightby D. S. Hughes,Dublin, 1910. Gaol, Aug.31, 1848.' Alsoinscriptionin O'Brien'sown Theoriginalminiaturewasin thepossessionof theEarlof handwritingwrittenunderpicture, "Mrs. Marquessfrom Lucanin 1928. WilliamO'Brien,RichmondBridewell,Dec. 11, 1848,withbest thanksforherkindattentions."Theseare nowcovered. Presentedby Mrs. Wm. Teeling, Lucan House,Lucan,Co. Dublin, 1944. February, Presentd by CaptainThomasKelly, March, 1944. No. 23. Ven. CharlesO'Conorof Belanagare,1710-1790. 27. Kevin O'Higgins,1892-1927. Co-founderwith Dr. Curry and Mr. Wyse of the Catholic No. Association,1759. Statesman. BUST. MINIATUREPAINTING(on gold mount). PLASTER Painting: Gold mount: Life size. Headandshoulders;oval. Sculptor; Oliver Sheppard,R.H.A., 1932. 8th Painted William Bond, 1800. ThisbustwaspresentedtotheStateon December,1941, by theartist's MissCathleenSheppard. Signature'Bond1800' nearright shoulder.Inscription by daughter, engravedongoldback'Chas.O'ConnorsicofBelanagare,Esq., M.R.I.A. Aetatis79.' Loanedby the National Museum,April, 1944. Presentedby his descendant,Mrs. Molly Teeling,Sarsfield Co. 1944. House,Lucan, Dublin, (néeO'Conor),February, No. 28. Henry Sheares,1753-1798. Not exhibited. UnitedIrishman. No. 24. Henry Grattan, 1746-1820. MEZZOTINT. Statesman. Mezzotint: 4.4"x3.2". Frame: 12.9"x9.3". MEZZOTINI. by T. W. Huffam from an original miniature Mezzotint: 13.1"x10.7". 18.8"x16.2". Engraved Frame: in the possessionof Mrs. Sheares. Half length,in uniformof the Irish Volunteers. Plate to Madden'sUnitedIrishmen,2ndSer., Vol. I., 1843. Painted by Francis Wheatley, R.A. (1747-1801). HenryShearesandhis brotherJohn(seeNo. 140) were Engravedby V. Green,Mezzotintoengraverto His Majesty executedinfrontofNewgatePrisonon14thJuly,1798. and to the Elector Palatine. Presentedby the National Library, April, 1944. Publ. Sept.10th, 1782,by V. Green, Newman St.,Oxford St., London. No. 29. GeneralWilliam Corbet,1779-1842. No. 25. ThomasFrancis Meagher,1823-1867. UnitedIrishman. YoungIrelander. ENGRAVING MEZZOTINT. Plate: 14.5"xll". Frame: Mezzotint: 4.5"x3.3". Frame: 12.9"x9.3". Half in length;vignette. Engravedby T. W. Huffam from an original portrait Engraved by Read & Co., Johnson'sCourt, Fleet St., the possessionof Gen. Corbet'ssister,Mrs. Lyons. London, 1849. Plate to Madden'sUnitedIrishmen,3rd Ser., Vol. I., 1846. Thefollowinginscriptionin Meagher'shandwritingoriginally was from Lord underthe is nowcovered. WilliamCorbet expelled TrinityCollegeby picture Clarein February,1798,onaccountof hisrevolutionarysym-pathies "ToMrs.MarquessfromThomasFrancisMeagher.withthe WenttoFrance.enteredthearmy,andjoinedNapper assuranceof his sincereesteemand friendship.Richmond inhis to Irelandin thesame Laterhe Prison, 22,1849." Tandy expedition year. May escapedbackto France.In 1837he wascreatedGeneralof Presentedby CaptainThomasKelly, March, 1944. DivisionoftheFrenchArmyforhisdistinguishedservices. 14 15 M.P., No. 30. BartholomewTeeling,1774-1798. No. 34. Henry Flood, 1732-1791. United Statesman. Irishman. ENGRAVING. LITHOGRAPH. Plate: 9.9"x8.5". Frame: 15"x11.5". Lithograph: 4.1x3.2". Frame: 12.8"x9.4". Comer-ford Halflength. Engravedby JamesHeath froma drawingby John in possessionof Sir JonahBarrington. Drawnon stone by JamesHenry Lynch fromanoriginal miniaturein thepossessionof Teeling'sfather. Publ.1843. Publ. March, 1811. Plateto Madden'sUnited Irishmen,3rd Ser.,Vol. I., 1846. Plate to Sir J. Barrington'sHistoricMemoirs,1835. BartholomewTeelingservedunderGeneralHumbertin his expeditiontoIrelandin 1798. AftertheBattleof Ballinamuck, Co. Longford,hewassentto Dublin,triedandexecutedon 24th No. 35. JamesNapperTandy, 1740-1803. at Sept.,1798, Arbour UnitedIrishman. ENGRAVING No. Lord Plate: 9.7"x8,5". Frame: 31. EdwardFitzgerald, 1763-1798. UnitedIrisham. Nearlyhalflength. Heath froma Petrie ENGRAVING. Engravedby James drawingby James in the possessionof Sir JonahBarrington. Engraving: 6"x5.3". Frame: 15.1"x11.6". Publ. March 1815. Headtoleft. 1st, Plate to Sir J. HistoricMemoirs,1835. Engraved by James Heath from an originalpainting by Barrington's HughDouglas Hamilton JamesNapperTandywasthe firstSecretaryof the first (1739-1808). DublinSocietyof UnitedIrishmenformedon9thNov.,1791. Publ. Sept. 1st, 1809. He wentto Francein 1798andjoinedtheFrencharmy,sailed Plate Jonah HistoricMemoirs,1835. to IrelandontheAnacreoninSept.,1798,andlandedonRathlin to Sir Barrington's island,offcoastof Co.Donegal,but departedafterthefailure Theoriginalpaintingby H. D.Hamiltonwasin 1835in the of Humbert'sexpedition.Wasarrestedat Hamburg,sentto possessionof theDuke ofLeinster. Dublin,triedandsentencedto death. Waskeptin gaoltill May,1801,andthensetatliberty. HediedatBordeauxin1803. Presentedby the NationalLibrary, April, 1944.

No. 36. Lord Charlemont(JamesCaulfeild,1stEarl of Charlemont), No. 32. Henry Grattan, 1746-1820. 1728-1799. Commander-in-Chiefof theIrish Volunteers. Statesman. ENGRAVING. ENGRAVING. Plate: 9.9"x8.4". Frame: Plate: 10"x8.4". Frame: 15.1"x11.6". Heath from an Engraved Engravedby James original painting by by James Heath from an original drawing by Hugh DouglasHamilton (1739-1808). Comerfordin of Sir John possession Jonah Barrington. Publ. June.1, 1810. Publ. March1, 1811. Plate to Sir J. Barrington'sHistoricMemoirs,1835. Plate to Sir J. Barrington'sHistoric Memoirs,1835. No. 37. Arthur O'Connor,M.P., 1763-1852. No. 33. John Philpot Curran, M.P., 1750-1817. UnitedIrishman. Master of theRollsin Ireland. ENGRAVING. ENGRAVING. Plate: 9.9"x8.5". Frame: Plate: 10.1"x8.4". Frame: 15"x11.6". Engravedby J. Heath from a drawingby J. Petrie. Publ. 1826. Engraved by James Heath,froman originalpainting by Feb., in 1835. John Comerford possessionof Sir Jonah Barrington. Plate to Sir J. Barrington'sHistoricMemoirs, Publ. Sept., 1809. Joinedthe UnitedIrishmenin Nov., 1796,accompanied LordEdwardFitzgeraldtoFrance,wasarrested,andimprisoned Plate to Sir J. Barrington'sHistoricMemoirs.1835. for sixmonthsin DublinCastle.Afterliberationhe started Curranmadehisreputationasanoratorat the Bar,manyof thePress.In prisonagain1799-1803.Appointeda General hisgreatestspeechesbeingindefenceof UnitedIrishmen. of Divisionin theFrenchArmy,1804. 16 17 No. 38. Daniel O'Connell,M.P., 1775-1847. No. 43. John Blake Dillon, 1814-1866. "TheLiberator." Irelander. MEZZOTINT Young LITHOGRAPH. Mezzotint: 5.3"x4.4". Frame: 12.9"x9,4", Half length. Lithograph: 10.7"x8.8". Frame: 17.8"x14". Engravedby G. J. Stodart. Half length. Lithoraphed by Henry O'Neill from a daguerreotypeby No. 39. Pikeman,1798. Prof. Glukman. Publ. by Prof. Glukman,Dublin, 1848. PLASTERSTATUETTE. Statuette: 30.5" to top of pike. Oliver R.H.A., 1902. Sculptor: Sheppard, 1779-1852. Thisistheartist'sownmodelofthe1798memorialinWexford, No. 44. Thomas Moore, whichis in bronze.It waspresentedto the Stateby the sculptor'sdaughter,MissC.Sheppard,in Dec.,1941. MEZZOTINT. Loanedby the National Museum,April, 1944. Mezzotint: 12.1"x9.5". length. No. 40. Priestand Pikeman,1798. Three-quarter Painted by George Mulvany, R.H.A. (1809-1869). PLASTERSTATUETTEGROUP. Francis Engravedby GeorgeRaphael Ward(1798-1879), Statuette: 40.5" to top of pike. Publ. by G. Mulvany, Dublin, 1st Dec., 1836. Sculptor: Oliver Sheppard,R.H.A., 1903. Thisistheartist'sownmodelofthe1798memorialinEnnis-corthy Co.Wexford,whichisin bronze.It waspresentedto theStatebythe sculptor'sdaughter,MissC.Sheppardin Dec., 1941. No. 45. Thomas Russell,1767-1803. Loanedby the National Museum,April, 1944. UnitedIrishman. MEZZOTINT. Ballinahinch, No. 41. Battle of Co. Down, 13th June, 1798. Mezzotint: 4.4'x3.3'. Frame: 12.9"x9.4". OIL PAINTING. Froma sketchin the HibernianMagazineof 1803,corrected Canvas:4'7"x7'1". Frame: 5'4"x7'10". by a friend of Russell's. Painted by ThomasRobinson,1798. Engravedby T. W. Huffam. ThispictureshowstheBritishOfficer,Capt.Evatt,mortally to Madden'sUnitedIrishmen,3rd Vol. II., 1846. the held Plate Ser., woundedand Irishleader,HenryMunro,being prisoner. at in 1803after ActuallyMunrowasnotcapturedtill twodaysafterthebattle. ThomasRussellwashanged Downpatrick Thepainterwasa pupilof Romney.Thepicturewaspainted the EmmetRising. afewmonthsafterthebattle. Signatureofartist'T. Robinson, Windermere,1798'ispaintedonguncarriage. Presentedby the National Library, June, 1944. Presentedby Mr. John Maher, April, 1944

No. 42. Henry Grattan, 1746-1820. No. 46. BartholomewTeeling. Statesman. PLASTERSTATUETTE. UnitedIrishman. Statuette: 29.9" high. OIL PAINTING. Wholelength,standing,rightarmacrosschest. Canvas: Frame: Sculptor: JohnHenryFoley,R.A., andR.H.A. (1818-1874). Half length. This statuetteis believedto be an earlymodelmadeby MissEva Hamilton, basedon monumentin Dublin The Copypaintedby Chapelizod, Foleyfor the CollegeGreen, a in the of father. See suggestionwassubsequentlymadeandadoptedthatGrattan's miniature possession Teeling's rightarmshouldberaised. No. 30. Presented to the National Museum,May, 1941,by Lady Presentedby his great-grand nephew,Mr. Wm. Teeling, Esmonde,and loanedto the Árus, May, 1944. Lucan House,Lucan, Co. Dublin, February, 1945. 18 19 No. 47. ThomasAddisEmmet, 1764-1827. No. 52. John Martin, 1812-1875. UnitedIrishman. YoungIrelander. MEZZOTINT. LITHOGRAPH. Mezzotint: 4.4"x3.4". Frame 12.9"x9.4" Lithograph: l0.5"x8.6". Frame: 17.9"x14". Engraved by T. W. Huffam from an original miniature Headandshoulders. in Paris, 1803. paintedby Aubry Lithographedby Henry O'Neill froma daguerreotypeby Plate to Madden'sUnitedIrishmen,2nd Ser.,Vol. IL, 1843. Prof. Glukman. Publ. Glukman,Dublin. [c. 1848.] and a No. ArchibaldHamilton 1751-1884. JohnMartinwasbrother-in-lawof JohnMitchel, 48. Rowan, co-workerwith him in the YoungIrelandmovement.In UnitedIrishman. 1848hewassentencedto10yearstransportation,beingsentthe followingyearwithKevinI. O'Doherty(No.181.)toTasmania. LITHOGRAPH. He waspardonedin 1856andreturnedto Ireland. Lithograph: 6.2"x5.6". Frame: 13"x9.4". Thislithographis badlystained. Nearlyhalflength. Aged71. Drawn fromnatureon stone Comerford,Dublin,.1822. by J. No. 53. Eamon de Valera,1882 Presentedby the National Library, May, 1944. Taoiseach.Chancellorof theNationalUniversityof Ireland. LITHOGRAPH. Wolfe No. 49. Theobald Tone,1763-1798. Lithograph: 9"x7". Frame: 18.8"x13.8". UnitedIrishman. Drawn by SeánO'Sullivan,R.H.A., 1937. LITHOGRAPH. Lithographedby Three CandlesPress,Dublin, 1937. Lithograph: 4.5"x3.5". Frame: 12.9"x9.4". EamondeValerawassentencedto deathonthe 11thMay. the Drawn on stone C. Hullmandel from a 1916,forhispartin theRisingof EasterWeek; sentence by portrait by beingcommutedtopenalservitudeforlife. Hewasreleasedon CatherineSampsonTone. Publishedby Henry Colburn, 17thJune,1917. London,March 20th, 1827. Presented the National 1944. by Library, May, No. 54. Most Rev. Dr. John McHale,1791-1881. Archbishopof Tuam. No. 50. Timothy MichaelHealy, K.C., 1855-1931. ENGRAVING. 1stGovernor-Generalof the Irish Free State. Engraving: 5"x4.2". Frame: 12.9"x9.5". ORIGINALDRAWING. Half length. Drawing: Frame: 25.2"x18.2". Painted by J. F. O'Kelly. Drawn by The Mac Egan, 1924. Engravedby J. Cochran. Artist'ssignatureat bottomright. Publ. by J. Duffy, AngleseaSt., Dublin. Presentedby the National Library, May, 1944.. No. 51. Patrick O'Donohoe,18 1854. YoungIrelander. No. 55. RobertHolmes,1765-1859. LITHOGRAPH. UnitedIrishman. Lithograph: l0.5"x8.4". Frame: 17.9"x14". ENGRAVING. Halflength. Engraving: 3.5"x3.5". Frame: 12.9"x9.4". Lithographedby JamesHenry Lynchfroma daguerreotype Engravedby H. Griffiths. Prof. by Glukman. Plate to the Dublin UniversityMagazine,1848. Publ. Glukman, Dublin [c. 1848.] RobertHolmeswasbrother-in-lawofRobertEmmet.Arrested Facsimileofautograph'atrick O'Donohoe,DockofClonmel after Emmet'srisingin 1803,spentmorethan a yearin Courthouse,23rdOctober,1848,'nowcovered. prison.He wascounselfor JohnMitchelat histrialin 1848 Presentedby the National Library, May, 1944. Presentedby the National Library, May, 1944. 20 21 No. 56. RobertEmmet, 1778-1803. of Commons,1780. UnitedIrishman. No. 60. The Irish House ENGRAVING. PHOTOGRAVURE. Frame: Engraving: 3"x3" vignette. Frame: 12.9"x9.4. Plate: 19.5"x23". 29"x32". in HenryGrattanurgingtheclaimof Irishrights. Engraved 1810by JamesHeath froman original Petrie in painting Painted Francis R.A. by James possessionof Sir JonahBarrington. by Wheatley, (1747-1801). Plate to Sir J. Historic Publ. by Wilson, Hartnell & Co., Dublin, 1906. Barrington's Memoirs, 1835. ThisportraitisbasedonanIndianink Theoriginalpaintingwhichis 76"x88.5"is dated'June8, Robert drawingmadeduring 1780.' to Strickland thisis the Emmet'strialin 1803whileLordNorburywas According (Vol.II., p. 522) thejury. charging onlycontemporarypictureoftheinterioroftheIrishHouseof Commonsandtheonlyaccurateexistingviewof it. Presented by the National Library, May, 1944. Presentedby Mr. J. J. Kelly, Curator, MunicipalGallery, Dublin, May, 1944.

No. 57. William Smith O'Brien,M.P., 1803-1864. No.No.61.61.KeyKey toto No.60.60. YoungIrelander. PHOTOGRAPHOF LINELINE ENGRAVING.ENGRAVING. LITHOGRAPH Frame: 15.6"x19.7". Thisisa duplicateofNo.26. It isnotexhibited. Engraving:Engraving: 14.8"x18.3". Engraved and publ.publ. byby W.W. Skelton,Skelton, Pimlico,Pimlico, London,London, 26th26th Feb.,Feb.,1801.1801.

No. 58. ThomasFrancisMeagher,1823-1867 No. 62. Felix Rourke, 1765-1803. YoungIrelander. UnitedIrishman. ENGRAVING. LITHOGRAPH. Engraving: 3.6"x3.2". Frame: 13"x9.4". Lithograph: Frame: 10.7"x8.8". 17.8"x14.1". by and engraved P. 1803. Nearlyhalflength. Drawn James Petrie by Maguire, Lithographed by Henry O'Neill, from a daguerreotypeby Prof. Ginkman. FelixRourkewasarrestedaftertheEmmetRisingof 1803 by Prof. andwashangedat Rathcooleon10thSeptemberofthatyear. Publ. Glukman,Dublin. Thisportraitwasmadeby Petrieduringthetrial. Facsimileof Presented the National 1944. autograph,'ThomasFrancisMeagher,Richmond by Library, May, Prison,April27th,1849,'originallyonlithograph,nowcovered. No. 63. Father TheobaldMathew, 1790-1856. Apostleof Temperance. No. 59. Battle of LoughSwilly, 12th October,1798. PHOTOSTATOFMEZZOTINT. Plate: 24.7"x19.2". ENGRAVING. Painted by SamuelWest (c. 1810-after 1867). Plate: Frame: 17.3"x22". 25.2"x28.7". W. 0. Geller. Drawn Engravedby by CaptainMark Oatesof the Marines. the Engravedby James Marine Presentedby National Library, May, 1944. Fittler, Engineerto His Majesty. Published 1st October,1799, for Oates Mark by J. & J. Boydell, London. No. 64. John O'Leary, 1830-1907. Thisisthebattlein whichTheobaldWolfeTonewascaptured Fenian. on boardthe Hoche,12thOctober,1798. Thenamesof the shipstakingpartaregivenbelowthepicture, PHOTOGRAPH. Theengravingis badlystained. Photograph: 6"x4". Frame: 12.1"x9.4". Headand shoulders. 22 Richard No. 65. O'Gorman, Junior, 1820-1895 No. 69. Key to No.No.68.68. Young Irelander. PHOTOSTATOF LINE ENGRAVING. 11"x13.5". Frame: 12.6"x17". LITHOGRAPH. Engraving: Frame: Lithograph: 10.5"x8.6". 17.8"x14'. Presentedby the National Library, September,1944. Halflength. Henry a Lithograpl1edby O'Neill from daguerreotypeby Nos. 70-75. Historical Scenes,1534-1607. Prof. Glukman. ENGRAVINGS. Publ. Glukman,Dublin. [c. 1848]. Engravings: 4.5"x6.5". Frames: Drawn by Henry Warren (1794-1879). Engravedby J. Rogers. 1854, No, 66. Myles 1780-1862. Ireland, Byrne, Plates to Thos. Wright's History of UnitedIrishman. Thomas renouncinghis 70. Silken Thomas Fitzgerald) PHOTOGRAPH. (Lord 1534,at St. Mary's Abbey, allegianceto King HenryVIII., Photograph: Frame Dublin. NearlyWhole from Ireland, 1540. Photographtaken in Parisin 1859. 71. Flight of GeraldFitzgerald MylesByrnefoughtasa boyof 18inthe Risingof 1798in Wicklowandco-operatedactively 2nd June, 1567, Cushendun,Co. 1803.withAfterRobertitsfailurehein the 72. Murder of ShaneO'Neill, preparationsfor the Risingof to went, at Emmet'srequest,ona mission Paris,wheremorethanfifty Antrim. yearslaterhe met JohnMitchelin 1859. Vale of Glenagenty, 73. Death of the Earl ofDesmond,1583, Tralee. No. 67. Henry Grattan,1746-1820. the Earl of Essex, 1599, at Statesman. 74. Meetingof Hugh O'Neill and the Ford of Ballyclinch,Co. Louth. ENGRAVING. Engraving: Sept., 1607. 15"x10.6". Frame: 23.4"x16.5". 75. Flight of the Earl of Tyrone, Wholelength,standingbya table. Painted by Alexander Pope (1763-1835). No. 76. GeneralMichaelCollins,1890-1922. Engraved Soldier by EdwardScriven. Publ.by A. Pope,Piccadilly, and Statesman. London,Dec. 14, 1814. PHOTOGRAVURE. 17.3"x13.3". Frame: 30.6"x23.4". Photogravure: Half length. 1922. Volunteer Lavery, R.H.A., R.A., Convention,Dublin, 4th November,1779. Painted by Sir John Dublin. by Hartnell &Co., Reproducedand publ. Wilson, ENGRAVING(colouredby hand). theartist andthesubjectin pencilat foot. Signaturesof Plate: 19.2"x26.8". Frame: 29"x36". Meeting Dublin,of in CollegeGreen, CityandCountyofDublin 1815-1875. Volunteersonthe4thof Nov.,1779,undercommandofWilliam No. 77. John Mitchel, RobertFitzgerald,2ndDukeof a inhonour of Leinster,firing salute YoungIrelander. thebirthdayof KingWilliamIII. LITHOGRAPH. Painted by Francis Wheatley, R.A. (1747-1801). Frame: 14.8"x12.6". Lithograph: 6.5"x5.5". Engravedby JosephCollyer. Publ. by R. Lane, London, Half length. Ageabout60. 10th May, 1784. The original is Artist unknown. painting in the NationalGallery,Dublin. of at footisnowcoveredbymount. Theengravingisbased,noton thefinishedpicture,butona A facsimile hisautograph water-colourdrawingmadebytheartistasa preliminarystudy, Forbiographicalnote,seeNo. 12. whichdiffersin somedetailsfromthe painting.

length, seated.

Emmet 24 25 No. 78. GeneralJosephHolt, 1756-1826. No. 83. Arthur Griffith, 1872-1922. UnitedIrishman and Leaderin Fein. Writer. Wexford,1798. Statesman. Founderof Sinn LITHOGRAPH. OILPAINTING. Lithograph: 5"x4.5". Frame: 12.6"x9.3". Canvas: 30.5"x25". Frame: 40"x35". Sir R.A., 1921. Lithographed by Robert J. Hamerton (fl. 1830-1891) Painted by John Lavery, Plate to the Memoirs of JosephHolt, 1838. Loanedby the MunicipalArt Gallery, Dublin, July, 1944, Thisportraitis basedon an originalpainting,executedin 1798byanunknownartist,andinthepossessionofSirWilliam Betham. No. 84. GeneralMichaelCollins,1890-1922. Soldierand Statesman. No. 79. CharlesGavan Duffy, 1816-1903. OIL PAINTING. Frame: YoungIrelander. Canvas: 26"x18". 34"x26". Painted Sir R.A., 1922. LITHOGRAPH. by John Lavery, the Art Dublin, July, 1944. Lithograph: Frame: 14.8"x12.6". Loanedby Municipal Gallery, Nearlyhalflength;vignette. Issuedwith the WeeklyFreeman and Irish Agriculturist, No. 85. Lying-in-Stateof MichaelCollinsat Pro-Cathedral,Dublin, 1874. Morison & Dublin. Aug. 8th, Co., 28th 1922. With facsimileof August, autograph. OIL PAINTING. the Frame: 63"x53". Presentedby National Library, June, 1944. Canvas: 50"x40". Painted by Sir John Lavery, R.A., 1922. Loaned the MunicipalArt Gallery, Dublin, July, 1944. No. 80. CharlesStewartParnell, M.P., 1846-1891 by PLASTERBUST. ThomasOsborneDavis, 1814-1845. Life size. No. 86. Poetand Writer. Blake Grant. YoungIrelander, Sculptor: Mary PLASTERBUST Thecastin bronzewasexecutedin 1892to theorderofthe (bronzed). Irish ParliamentaryParty,and waspresentedby Mr. John Life size. Redmond,M.P.,to theMunicipalGallery,Dublin,in 1913. Sculptor: SéamusMurphy, Cork, 1942. Thisbustis a replicaof onein bronzeunveiledby the Taoiseachat Mallow,Co.Cork,onthe15thOctober,1942,on No. 81. The Trial of Roger Casement,1916. theoccasionof thecentenaryof thefoundingof TheNation, OIL PAINTING. Presentedby the Davis Centenary Committee, Mallow, Canvas: 25.5"x32.2". Frame: 36"x42". July, 1944. Painted by Sir John Lavery, R.H.A., 1916. Loanedby the MunicipalArt Gallery, Dublin, July, 1944. No. 87. The GreatParliamentof Ireland, 1790. AUT0TYPE. MONOCHROME. No. 82. ColonelJohn O'Mahony,1816-1877. Plate: 34"x34". Frame: 45"x44". Charlemont Head Fenian Brotherhood. Curranaddressingthe House.Grattan,Flood, Centre, andothersin the foreground,visitorsin the Gallery. OIL PAINTING. Painted by Henry Barraudand J. Hayter, R.A., in 1872. Canvas: Frame:40"x34". Reproducedand publ. by R. Turner, Newcastle-on-Tyne, Halflength. 1873. Artist unknown. Thispicturepurportsto representtheHouseof Commons, Thispicturewaspaintedin NewYorkin 1868. withitsmembersanda numberof distinguishedvisitors; the detailsbutof Loanedby the Municipal Art accordingto Strickland.Vol. 1913,p. 522, Gallery, Dublin, July,1944. thearchitectureandotherfeaturesII., oftheChamberareinaccurate. 26 27

No. 88. Key to No. 87. No. 93. Battle of Arklow,9th June,1798. PHOTOGRAPHOFLINE ENGRAVING. ETCHING(colouredby hand). Engraving: 11.8x19.4". Frame: 12.8"x20.2" Etching: 10.8"x17.5". Frame: 20.3"x25.5". Engravedandpubl. by R. Turner,Newcastle-on-Tyne,1873. From an original drawing by Captain Holmes,L.D.F PublishedbyWilliam Allen, 32 Dame Street,Dublin. ThisPicturewaspublishedbetween1798and1823;Probably earlyin thecentury.AnInscriptiononit reads:'The memor-able No. 89. Scene at the General Post Office, Dublin, beforethe BattleofArklow.Foughtonthe9thofJune,1798,between the King'stroopscommandedbytheHonourableMajorGeneral evacuation,EasterWeek, 1916. Needham,consistingof300 Horseand1500Foot,andthe Rebel Armyconsistingof30,000Men,whichendedin thedefeatof HALF TONE. the latterwitha lossof 1200men'. Theartist'snameisgivenin manuscriptatthefoot. Print: 11.4"x19". Frame: 19.7"x26.2". the Connollywoundedon stretcher,attendedby a nurseand Presentedby National Library, June, 1944. surroundedby Pearse,Plunkettandothers.Ceilingon fire, Volunteersfiringoutof windows. in black and white Drawing by Wal Paget, 1916. No. 94. GeneralSarsfieldinter.ceptinganddestroyingKing William's Copyrightby Thomas Kiersey, Dublin. siegetrain, at Ballyneety,Co. Limerick, 1690. The isin theNational originalpicture Museum. ETCHING. Etching: 6.7"x8.3". Frame: 14.1"x15". Designedand etchedby William Brocas,(c. 1794-1868). No. 90. Dr. DouglasHyde, 1860 Presentedby the National Library, June, 1944. Presidentof Ireland. Founderof theGaelic League,1893 LITHOGRAPH. Lithograph: 8.5"x7". Frame: 18"x13.8". No. 95. BlessedOliver Plunket,1629-1681. Drawn by SeánO'Sullivan, R.H.A., 1938. Archbishopof Armagh. Lithgoraphedby Irish Press,Ltd., Dublin. TRI-CHROMATICPRINT. Autographedby subjectandartist. Print: 17"x14.4". Frame: 22.6"x20.0". Half length. Paintedby Leo Whelan,R.H.A., 1937. No. 91. After the Victory of Fontenoy,1745. Printedby M.H. Gill & Son,Dublin, 1940. ENGRAVING OliverPlunketwasconsecratedArchbishopofArmaghin 1669; he wasarrestedin Dublinin 1678asaresultoftheTitusOates and Engraving: 7.9"x15.1". Frame: 16"x22.3". Plot executedat Tyburn,London,on 1stJuly, 1681. LouisXV. For thepurposeof this paintingtheartist madedetailed ShowingKing receivingfromthe IrishBrigade studiesof the in standardscapturedby themfromtheEnglish. theactualheadof subjectwhichis theChurch St. Peter's,Drogheda. Painted by Emile Jean HoraceVernet (1789-1863). Engravedby Bardet. Theoriginalofthispictureis in thePalaceof Versailles. No. 96. Battle of VinegarHill, June 21st, 1798. ETCHING(colouredby hand). Etching: Frame: 18"x24'. No. 92. Cromwelltaking Droghedaby storm, 1649. Drawn by LieutenantCarey,17th Light Drago Etched ENGRAVING. by Henry Brocas,sen.(1762-1837). Engraving: 5.3"x7.7". Frame: 12.8"x14.5". Publishedby W. Allen, 32 Dame Street,Dublin. Publishedbetween1798and inthe Engravedby J. Barlow(c. 1790?) 1823;probablyearly century. Presentedbythe NationalLibrary, June, 1944. Presentedby the NationalLibrary, September,1944. 28 29

No. 97. Rev. John Murphy, P.P., of Monageerand Boulavogua, No. 101. JonathanSwift,1667-1745. 1753-1798. Dean of St. Patrick's Cathedral,Dublin. Leaderin the Rebellionof 1798 in Wexford. ENGRAVING. Engraving: 4.1"x3.2". Frame: 11"x8.4". LITHOGRAPH. Halflength. Lithograph: Frame: 18"x14.5." 12"x9.6". Painted by Charles Jervas(1675-1739). Drawn by J. Drawn on stoneby JamesDergan. Thurston. FatherMurphywaskilledat theBattleof Hill on Engravedby A. Warren. 21st 1798, Vinegar June, Publ. by V. Walker, Gray'sInn Sq.,London,March,1821. Plate to Portraitsof theBritish Poets Earl The originalpicturewasin the possessionof the of No. 98. ThomasOsborneDavis, 1814-1845. Bessboroughwhenit wasengravedbyWarren. It wassoldby theEarl at Christie'sin 1850. YoungIrelander. Poetand Writer. Presentedby the National Library, September,1944. ENGRAVING. 1755-1803. 4"x3.5". Frame: No. 102. Henry Howley, Engraving: 12.8"x9.3". Irishman. Headand United shoulders. ENGRAVING. Engravedby H. Griffiths. Engraving: 3.6"x3.2". Frame: ll"x8.4". Plate to the Dublin University 1847. Magazine, Drawn by JamesPetrie and engravedby P. Maguireprior Publ. by JamesMcGlashan,Dublin, 1847. to 1819. HenryHowleytookanactivepartin theMarshalscaRebellionof 1798. Presentedby the National Library, September,1944. HewastheproprietorofEmmet'sstorein Lane,off ThomasStreet,andwasexecutedafterthefailureof Emmet's Risingin 1803. Presentedby the National Library, September,1944. No. 99. Isaac Butt, 1813-1879. Founderof the Home Rule Association. No. 103. Dr. William JamesMcNevenor McNevin, 1763-1841. ETCHING. UnitedIrishman. MEZZOTINT. Etching: Frame: 9"x5.5". 15"x10". Mezzotint: 4.5"x3,3". Frame: 12.8"x9.2". Wholelength. Drawn by JamesDowlingHerbert(1762,3-1837). Etched by John Kirkwood (d. 1853). Engravedby T. W. Huffam. Publ. by Wm. Curry, Dublin. Plate to Madden'sUnitedIrishmen,Ser. 2, Vol. II., 1843. Plate to the Dublin UniversityMagazine,1840. Dr. WilliamJ. McNevinwaseducatedat Prague,andtook hisM.D.at Vienna.Practisedin Dublin.Representativetothe Presentedby the National Library, September,1944. CatholicConventionin 1792. Becamea UnitedIrishmanin 1797. Wentto Hamburgto solicitFrenchassistance,andwas arrestedon 12thMarch,1798. Imprisonedin Fort George, Scotland.In 1805hewentto theUnitedStatesandlaterhe 100. medical in New York. No. Father TheobaldMathew, 1790-1856. occupiedseveralimportant positions Hewroteamongotherworks"PiecesofIrishHistory." Apostleof Temperance. Presentedby the National Library, September,1944. ETCHING. No. 104. Lisburn Honouringthe DungannonConvention,1782. Etching: 9"x5.8". Frame: 12.9"x9.3'. COLOUREDPRINT. Threequarterlength. Print: 1l"x14.5". Frame: 19.3"x21.8". Drawn by J. D. Harding, Cork. a Publ. TheLisburnandLambegVolunteersfiring feudejoiein by Jas. McGlashan,Dublin, 1849. theMarketSquareat Lisburnin honourof theConventionof Plate to the Dublin UniversityMagazine,1849. 1782. Painted by John Carey. seeNo. 105. Presentedby the National Library, September,1944. For Key, 31 30 No. 105. Key to No. 104. No. 109. DenisHempson(or O Hampsy),1695-1807. PHOTOSTAT. TheHarper of Magilligan." Photostat 11.5"x15". Frame: 12.5"x16". ENGRAVING. With full descriptiveletterpress. Engraving: 6.1"x4.9". Frame: 14.6"x11.6". Nearlywholelength,seated,playingtheharp. Engravedfrom anoriginal drawingby E. Scriven. No. 106. The Battle of the Boyne,1st July, 1690. Publ. by E. Bunting,London,Nov., 1809. MEZZOTINT. Plate II. to Bunting'sAncientMusic of Ireland, 1809. 18"x27.7". Frame 27.5"x36". DenisO'Hampsyor Hempsonlosthissightwhenthreeyears Mezzotint: of age. Hewastheonlyharperat theBelfastHarpFestival KingWilliamIII. on horsebackis in the centrefrontof in 1792whoplayedtheharpwithlongcrookednailsasdescribed picture,accompaniedbyPrinceGeorgeofDenmark,theDukeof bytheoldwriters.He diedat theageof 112. Ormond,theDukeofGrafton;beyondontherightaretheDuke ofSchombergandtheRev.G.Walker. Painted by Jan Wijck (1640-1702). (Wyck or Wyke). No. 110. Arthur O'Connor,1763-1852. Engravedin 1746by John Brooks(fl. 1730-1756). United Irishman and Memberof the IrishParliament. Printed for T. Kitchin, engraver,at No. 59 Holborn Hill, London. MEZZOTINT. 24.9"x19.5". Thepictureis'fromtheoriginalintheCollectionoftheEarlof Plate: 15"x11". Frame: Leicester.' Painted by JamesDowling (known as JamesDowling ThenamesandpositionsofGeneralsandplacesareinscribed Herbert,1762-1837). at thebottomof theplate. Engravedby William Ward. Publ.by J. Dowling,London, 18th 1798. Presentedby the National Library, September,1944. April,

No. 111. The Taking of the Earl of Ormond,April 10, 1600. No. 107. The of the July, 1690. Battle Boyne,1st ENGRAVING. ENGRAVING. Engraving: 1l'x8.5". Frame: 19.3"x15.1'. (coloured hand). by ThecaptureofThomasButler,10thEarlofOrmond,bysome of theLeinstermenunderOwneyMacRory0 More. Engraving: 17"x23.5". Frame: KingWilliam ona whitehorseprecededbytrumpeters Engravedby JamesFord(fl. 1778-1812). of andtheDukeof andfollowedby PrinceGeorge Denmark Publ. by John Jones,90 Bride Street,Dublin. OrmondcrossingtheBoynewithtroops.In theforegroundto therightisthebodyoftheDukeofSchombergbeingcarriedin Plate xxv. to E. Ledwich'sAntiquitiesof Ireland, 1804. alyingpositionacrosstheriverfromthebattlefield..At backis theRev.G.Walker deadoverhishorse. lying Presentedby the National Library, June, 1944. Painted by Benjamin West (1738-1820). Hall. Engravedby John No. 112. Patrick JamesSmyth, 1826-1885. Publ. B. West, J. Hall and W. Woollett, London,18th by YoungIrelander. Oct., 1781. OIL PAINTING. Presentedby Dr. MichaelQuane,September,1944. Canvas: 14"x12". Frame: 18.7"x16.7". Three-quarterlength,seated. Painted by James Butler Brenan, R.H.A. (1825-1889). No. 108. Key to No. 107. Signatureof artist at bottomright. PHOTOSTATOF On the instructionsof the Irish Directoryin New York, ENGRAVING. P. J. SmythplannedandcarriedouttherescueofJohnMitchel Engraving: 5.4"x7". 5.7"x7.3". fromTasmaniain June.1853. Hewasknownas"Nicaragua" Outlinesketchof heads.Akey tobattleof La Hogueis also Smyth. included. Presentedby his granddaughter,Miss Agnes P. Dunn, Presentedbythe NationalLibrary, June,1944. November,1944. 32 33 No. 113. Burning of the CustomHouse,Dublin, 25th May, 1821, No. 117. Brother Edmund Ignatius Rice, 1762-1844. by Irish RepublicanArmy. Founderof the Irish Christian Brothers,1802. COLOUREDPRINT. ENGRAVING. Print: 9.5"x13.9". Frame: 17.3"x20.3'. Engraving: 4.5"x3.l". Frame: 12.9"x9.4'. From a painting by Archibald McGoogan,Dublin, 1921. Half length. Printed by Eason & Son, Ltd., Dublin. Painted by R. Kennedy. Theoriginalpictureisin thepossessionof theNewIreland Engravedby W. McDowall. AssuranceCo.,Dublin. Plate to the CatholicDirectory,1845. Presentedby Messrs.Eason,August, 1944. PresentedbySuperiorGeneral,ChristianBrothers,November, 1944.

No. 114. Easter Week, 1916-After the Bombardment. No. 118. William Sampson(or Samson),1764-1836. UnitedIrishman. COLOUREDPRINT Print: 12"x18". Frame: 20.5"x25.5". MEZZOTINT, Mezzotint: 4.2"x4.1". Frame: 12.9"x9.4". ShowingO'ConnellStreetandpartofEdenQuayinruinsand on fire; twoarmouredcarson O'ConnellBridgeexchanging From a drawingby Mrs. CatherineS. Tone. shotswith snipers, WilliamSampsonwasarrestedin 1798for hispartin the From a painting by Archibald McGoogan,1916. rebellionof thatyearandbanishedfromIreland. Publ. by Wilson, Hartnell & Co., Dublin. No. 119. CharlesJosephKickham, 1828-1882. Presentedby Mr. Seán Moran, 1944. September, Fenian, Novelist,Poet. ENGRAVING. Engraving: 3.5"x2.7". Frame: 12.9"x9.4". No. 115. TheClareElection,1828. Almostwholelength,seated; oval. LITHOGRAPH. Artist unknown. C. J. Kickhamjoinedtherevolutionarymovementin 1848. Lithograph: 11.5"x13.4". Frame: 18.7"x19.7". Asa FenianhebecamePresidentof the SupremeCouncilof Daniel with theFenianBrotherhoodandwasarrestedon11thNov.,1865, O'Connellstanding, J.P. O'GormanMahon,his andsentencedto 14yearspenalservitude, proposer,seatedto theright,andThomasSteele,his seconder, seatedto theleft. Drawn byJoseph Patrick Haverty, R.H.A. (1794-1864). No. 120. John Savage, 1828-1888. Presentedby the National Fenian Library, November, 1944. PHOTOGRAPHOF Photograph: 6"x4". Frame: 12.9"x9.4". Headandshoulders. No. 116. TheCatholic 1823-25. Oneof thefoundersof theIrishTribune.Afterthefailure Association, oftheFenianRisingof1867hewenttotheUnitedStates,where hewasfora timeheadofthe LITHOGRAPH. Fenianmovement. Lithograph: 12.4"x13.5". Frame: 17.7"x18.7". No. 121. Hugh O'Neill, 2nd Earl of Tyrone, c. 1546-1616. Groupof membersconsistingofStephen Coppinger,Thomas Victor of the Battle of the Yellow Ford, 1598. Wyse,RichardShiel,V. Furlong,Rev.F. J. Lestrange,John LawlessandMichaelStaunton. HALF TONE. Paintedfrom life and drawnon stone by JosephPatrick Print: 5.6"x5.3". Frame: 12.6"xlO". Haverty, R.H.A. (1794-1864). Head and shoulders.Head thrownback facingto left. Facismile Autographs. Artist unknown. This the first of O'Connell'sCatholicAssociations,was suppressedbylawin 1825,but wasimmediatelyreplacedby a Thisisa photoreproductionofphotographofanoilpainting newAssociation. in theVictoriaandAlbertMuseum. 34

No. 122. Eamonde Valera,1882 No. 126. Dail Eireann-1st Meeting, 21stJan., 1919. In the ManisonHouse,Dublin. Taoiseach. Commandantin the Risingof EasterWeek,1916. PHOTOGRAVURE. PHOTOGRAPH. Plate: 18.2"x21.3". Frame: 25"x28.5". Photograph: 9"x5.7". Frame: 14"x10.2". Themainpictureissurroundedbyportraitsof themembers withtheirnamesin Irish. Three-quarterlength. Photographby KeoghBros., Dublin. Photographby Seán Hurley, 31 Grafton St., Dublin. S. S. 0. Autograph'EamondeValera,Aibrean3 adh1922.'at left Designby Raghallaigh. bottom. Reproducedby Wilson, Hartnell & Co., Dublin. For biographicalnote,seeNo. 53. The picturebearsthe inscription'Pictiuir Oifigeamhail at foot. Presentedby Miss MoiraKennedyO'Byrne, March, 1944. PresentedbyWilson,Hartnell & Co.,Ltd., Dublin. January, 1945.

MostRev. Dr. William 1841-1921. No. 123. His Grace Walsh, Nos.127-134. Luke Waddingandhis Associates. Archbishopof Dublin and Primate of Ireland. PHOTOGRAPHSOFFRESCOES. whole seated. OIL PAINTING. Showing lengthfigures, Painted, 1672, by Fra Emanuele di Como (1596-1672). Canvas: 24"x20". Frame: 30.8"x26.5". The originalfrescoesarein theAulaMaxima,St. Isidore's, Headandshoulders. Rome.Mostof thesephotographsarereproducedasplatesto Fr. GregoryCleary'sFatherLukeWadding,1925. Artist unknown. Painted probablyabout 1890.. Presentedby ColonelJosephV. Lawless,September,1944. 127. Luke Wadding and his principal associate3,editing the Lyonsedition of Duns Scotus'works, 1639. Photograph (black and white): 8"x8.6". Frame: 13.8"x12.8".

128. FlorenceConroy,1560-1629. Archbishopof Tuam. Photograph(sepia): 8"x4.8". Frame: 13.5"x9.5".

129. Luke Wadding,O.F.M., 1588-1657. Photograph(sepia): 7.9"x4.8". Frame: 13.5"x9.5"

130. John Colgan,O.F.M., 1658. Photograph(sepia): 8.2"x5". Frame: 13.5"x9.5"

No. 125. Edward Bunting,1773-4843. 131. AnthonyHickey, O.F.M., 1586-1641. (sepia): 8.5"x5.2".Frame: 13.5"x9.5". Musicianand Composer. Photograph ETCHING. 132. ThomasFleming,O.F.M., 1593-1651. Plate: 7"x4.5". Frame: 14.9"x10.2". Archbishopof Dublin. Wholelength,seated. Photograph(sepia): 7.9"x3.9". Frame: 13.3"x8.4". Etchedby H. Griffiths. Publ. by JamesMcGlashan,Dublin. 133. John Ponce,O.F.M., 1603-1672/3. Frame: 13.5"x9.5". Plate to the Dublin UniversityMagazine,1847. Photograph (sepia): 8"x4.8". 36 37 McCracken.1767-1798. 134. Hugh Mac Caughwell,O.F.M. 1572-1626. No. 139. Henry Joy Irishman. Archbishopof Armagh. United LITHOGRAPH. Photograph(sepia): 7.8"x4.6". Frame: 13.5"x9.5". 4.5"x3.4". Frame: 12.9"x9.4". Presentedby Fr. Sylvester O.F.M., Assisi Lithograph: O'Brien, Office, Drawn on stone from an original Dublin, September,1944. by JamesHenry Lynch, miniaturein the possessionof his sister. Plate to Madden'sUnitedIrishmen,Ser. 2, Vol. II., 1843. No. 135. Luke Wadding,O.F.M., 1588-1657. HenryJoyMcCrackenwasarrestedin1796andimprisonedfor Founderof St. Isidore'sCollege,Rome,1625. thirteenmonths.HewasCommanderin Chiefat thebattleof 1798. PHOTOGRAPHOF PAINTING. Antrimin 1798. Hewashangedin Belfaston17thJuly, Presented Mrs. LucanHouse,Lucan,Co.Dublin, Photograph: 8"x6". Frame: 14.4"x10.4". by Teeling, October,1944. Three-quarterlength,seate. Painted by Carlo Maratta, c. 1657 No. John 1766-1798. Reproducedasfrontispieceto Fr.GregoryCleary'sFatherLuke 140. Sheares, Wadding,1925.Theoriginalpictureis in the AulaMaxima, United Irishman. St.Isidore's,Rome. MEZZOTINT. Presentedby Fr. SylvesterO'Brien, O.F.M. Sept., 1944. Mezzotint: 4.4"x3.4". Frame: 12.9"x9.4". Froma miniatureby Adam Buck(1759-1833). No.136. Dr. Maurice Portu(O'Fehilly), O.F.M., c. 1450-1513. Plate to Madden'sUnited Irishmen,Ser. 2, Vol. I., 1843. Archbishopof Tuam. JohnSheares,ayoungerbrotherof HenrySheares(No.28), on deposited OF wasexecuted 14thJuly,1798. His remainswere PHOTOGRAPH FRESCO.(See UnderNos. 127-134). withhisbrother'sin thevaultsof St.Michan'sChurch. Photograph(sepia): 8.1"x4.9". Frame: 13.5"x9.5". Presentedby Mrs. Teeling,Lucan House,Lucan,Co. Dublin, Presentedby Fr. SylvesterO'Brien,O.F.M Sept.,1944. October, 1944.

No. 137. ColonelRichardGrace,1620-1691. Defender of Athlone,1690. LITHOGRAPH-reproductionof engraving 1652. Lithograph: 6.8"x5.2". Frame: 12.9"x9.4". Half length. Publ. by T. & H. Rodd, 17 Little Newport St., Leicester Square,London. Plate to Grace'sMemoirsof thefamily ofGrace,1823. Col.R. GracefoughtontheIrishsidein theConfederateWars, 1642,andwaskilledinthe 2ndsiegeof Athlone,on 20thJune, 1691. Theinscription,obviouslypartof theoriginalprint,reads: 'The pourtraitureof Collonell Gracenow Coll: Richard utterly 1764-1846. routedby the coragious Sanckey.Are to be souldby No. 142. JamesHope, I. Smithin layne,1652.' Back United Irishman. ENGRAVING. Engraving: 4.4x3.3". Frame: 12.9"x9.4". No. 138. "1921". An I.R.A. Column. Halflength. OIL PAINTING. Engravedby T. W. Huffam from an original portrait in Canvas: 60"x74". Frame: 75"x89". Hope'spossession. Painted by SeánKeating, R.H.A. 1921. Plate to Madden'sUnitedIrishmen,Ser.2. Vol. I., 1843. Thispictureof a NorthCorkColumnwaspaintedinSeptember, wasactivein themovementsof 1798and1803. truce. JamesHope 1921,duringtheAnglo-Irish TheleaderMr.SeánMoylan, Co-operatedwithSamuelNeilson,ThomasRussell,HenryJoy nowMinisterforLands,appearsstandingontherightholding McCracken,MichaelDwyerandRobertEmmet. He supplied fieldglasses.Thisisthe earlierof twosimilarpicturespainted Maddenwith materialsfor a portionof his workuponthe by theartist. ThesecondwhichdoesnotincludeMr. Moylan, Risingof 1798. is intheMunicipalGallery,Cork. 38 39

No. 143. William Smith O'Brien and Thomas Francis Meagher No. 147. Richard Talbot, Earl, and titular Duke of Tyrconnel, in Clonmeljail, 1848. 1630-1691. leader the Williamite Wars. YoungIrelanders. Irish in PHOTOGRAVURE. DRAWING. WATERCLOOUR Photogravure: 5.1"x4". Frame: 12.9"x9.4". Drawing: 8.6"x6.5". Frame: 12"x9.6". Three-quarterlength. WilliamSmithO'Brienseated;ThomasF. Meagher Paintedby HyacintheRigaud(1659-1743). with soldier standing armrestingonchair,warderand withriflestanding Plate to DemetriusC. Battle the at back. Boulger's of Boyne,1911, p. 66. Painted Hayes. by Joseph The originalportraitis in the NationalPortraitGallery. Signatureof artist'J. Hayes.' London. R. Talbot,Earl of Tyrconnel,Viceroyof Ireland underJamesII., wasbrotherof PeterTalbot,S.J., Catholic ArchbishopofIreland,andwasoneofthetwelveIrishsurvivors ofthesackofDroghedabyCromwell,beingleftfordead. He diedsuddenlyon24thAugust,1691. No. 144. Eamon de Valera, 1882 Presentedby ColonelDan Bryan, October,1944. Taoiseach,Chancellorof theNational University. No. 148. EdwardHudson,17-1821. PHOTOGRAPHOF PAINTING. OIL UnitedIrishman. Photograph: 10.4"x7.6". Frame: 17.5"x12.8". ENGRAVING. wholelength.seated. Nearly Engraving: 4.5"x3.3". Frame: 12.9"x9.4". Painted by SeánO'Sullivan, R.H.A., 1944. Halflength. Autographof artist on mount. Engraved by T. S. Engleheart from a portrait painted Forbiographical seeNo. 53. note, in 1797,by William Cuming,R.H.A, (1769-1852). EdwardHudsonwasexpelledfromTrinityCollegeby Lord Clare,togetherwith otherstudents,for politicalactivities HewasarrestedandsenttoFortGeorge,Scotland,inApril,1799. No. 145. JamesClarenceMangan,1803-1849. Presentedby the National Library, September,1944. Poet. WATERCOLOUR. No. 149. RichardLalor Shiel, 1791-1851. Catholic Drawing: 9"x6.3". Frame: 17"x12.7". Leader in the EmancipationMovement. Fulllength.Wearinga cloakandhat,umbrellainlefthand. ENGRAVING. ChristChurchandhousesin thebackground. Painted Engraving: 3.4"x3". Frame: 12.9"x9.4". by JosephHayes. Head andshoulders. Monogramof artistat bottomright. Drawn by S. Catterson Smith, P.R.H.A. (1806-1872). Engravedby R. Cooper. Publ. by J. Robins,London,April, 1825. No. 146. John Philip Holland,1841-1914. Plate to the Dublinand LondonMagazine,1825. by Fenian. Inventorof thesubmarine. Presented the NationalLibrary, June,1944.

PHOTOSTAT. No. 150. Edward Byrne Photostat: 6.3"x4". Frame: 14"xlO". Presidentof the CathoicCommittee,1791. Headand shoulders. ENGRAVING. Anna Frances Reproducedby Levins, U.S.A. Engraving: 3.6"x2.9". Frame: 12.9"x9.4". Plate to Journal of the AmericanIrish HistoricalSociety Headandshoulders. Vol. XIV, 1915, 333. p. Plate to Walker's HibernianMagazine,Nov., 1792. Presentedby the National Library, December,l944 Presentedby the National Library, June,1944. 41

No. 168. Executionof RobertEmmet, 20thSeptember,1803. No. 151. Most Rev. ThomasWilliam Croke,D.D., 1824-1902. LITHOGRAPH(coloured). Archbishopof Cashel. Lithograph: 12.8"x18.4". Frame: 21"x26". PHOTOGRAVURE. Published AdolpheLesage,Dublin, August, 1877. Photogravure:9.5"x7". Frame: 14.3"x10.3". by Emmetwasexecutedby hanging,his headbeingseveredby Halflength. theexecutioner,immediatelyafterwards Plate to CapuchinAnnual, 1940. No. 169. ColonelMichael Doheny,1805-62. No. 152. TerenceMcSwiney,1879-1920. YoungIrelander, Fenian. PHOTOGRAVURE. LITHOGRAPH. Plate: Frame: Photogravure: 9.5"x7". Frame: 14.3"x10.3". 9.7"x7.9". 16.3"x12.8". Headandshoulders. Halflength. Issuedasa to the Irish Oct. 1885. Plate to CapuchinAnnual, 1940. supplement Fireside, 14, MichaelDohenyescapedto Americaafter the Risingof 1848. He foundedtheFenianorganisationthere. Authorof The Felon'sTrack,1849. Nos. 153-167. Dublinafter the Rising of Easter Week, 1916. PHOTOREPRODUCTIONS(Sepia). Photographs:3.6"x5.6". Frames: 9.5"x10.5". No. 170. MichaelDwyer, 1771-1816. Printed by Eason & Son,Ltd., Dublin. United Irishman. ENGRAVING. 4.6"x3.3". Frame: 12.9"x9.4". in ruins. Statue Engraving: 153. ThecornerofO'ConnellStreetandEdenQuay engraved ofO'Connellintact. Drawn by JamesPetrie(d. 1819). Plate to Madden'sUnited Irishmen,Ser. 3, Vol. III., 1846. 154. RuinsofLowerO'ConnellStreet,withO'ConnellBridgeinforeground. This portraitwasdrawnandengravedfromlife by James PetriewhileDwyerwasin Kilmainhamgaolafterhis surrender 155. Ruinsof LowerO'ConnellStreetfromO'ConnellBridge,O'Connell to the Britishon 14thDecember,1803. Statueontheleft. theleft. 156. LowerO'ConnellStreetin ruins,withNelsonPillaron No. 171. Surrenderof theFrenchGeneralHumbertto GeneralLake at Ballinamuck,Co. Longford,Sept.8th, 1798. 157. Ruinsof theGeneralPostOffice,withportionof thewallof the HotelMetropoleontheleft. ENGRAVING. Engraving: 6.7"x4.5". Frame: 12.5"x9.1". 158. RuinsoftheHotelMetropole.O'ConnellStreet. Contemporary. 159. LibertyHallafterthebombardment,HeadQuartersofCitizenArmy, Presentedby the National Library, 1944. Dublin. June, to theNorth 160. Theremainsof MiddleAbbeyStreet,looking East, No. 172. Samuel Neilson,1761-1803. theGeneralPostOffice,andtopofNelsonPillarinthebackgronnd to the left. United Irishman. MEZZOTINT. 161. TheruinsofMiddleAbbeyStreet,fromLowerO'ConnellStreet. Mezzotint: 4.5x3.3". Frame: 12.9"x9.4". 162. Theruinsof MiddleAbbeyStreet,debrisbeingremovedbycarters. From a miniatureby CharlesByrne (1757-1810?) Engravedby T. W. Huffam. 163. TheruinsofLowerAbbeyStreet. Plate to Madden'sUnitedIrishmen,Ser. 2, Vol. I., 1843. 164. Theremainsof NorthEarlStreet,fromNelsonPillar. SamuelNeilsonactingin conjunctionwith Tonewasthe originatoroftheSocietyofUnitedIrishmenin Belfast.Hewas to 165. Ruinsof Eastendof HenryStreet. arrestedandcommittedto Newgatein 1796andlater Kil-mainham. In February,1798,hewasliberated;but secretly hewas theNorthside. workedwithLordEdwardFitzgerald.On 23rdMay 166. RuinsofHenryStreet,showing againarrestedandindictedfor hightreason.Sentto Fort George,Scotland,hewasdetainedtherefrom9th April,1799, 167. TheRoyalCollegeofSurgeons,St.Stephen'sGreen,afterthesurrender to30thJune.1802, In June,1802.hewasdeportedtoHolland, of theCountessMarkievicz. 42 43 of No, 173. ColonelJohn Browne Kinturk andWestport,1650-1712. No. 177. Cathal Brugha, 1874-1922. Irish Leaderin the Williamite Wars. PHOTOGRAVURE. PHOTOGRAVURE. Photogravure: 9.5"x7". Frame: 14.3"x10.3". 4.2"x3.5". Frame: Photogravure: 12.9"x9.4". Half length. Headandshoulders;oval. Plate toCapuchin Annual, 1940. Plateto DemetriusBoulger'sBattleoftheBoyne,1911,p. 264. Presentedby ColonelDan Bryan, October,1944. No. 178. TerenceBellowMcManus,c. 1823-1861. YoungIrelander. No. 174. Col.ValentineBrowne,ViscountKenmare, 1638-1694. LITH0GRAHI. Irish Leaderin theWilliamite Wars. Lithograph: 10.3"x8.4". Frame: 18"x14". PHOTOGRAVURE. Headandshoulders. Photogravure: 5"x4". Frame: 12.9"x9.4". Lithographedby Henry O'Neil from a daguerreotypeby Prof. Gluckman. Publ. 1848. Three-quarterlength. Gluckman, Dublin, Facsimileofautographandwords'Clonmelldock,Oct.11/48.' Plate to DemetriusC. Boulger'sBattleof theBoyne,1911, 241. T. B.McManuswasoneofthosein chargeofthebriefRising p. of 29thJuly,1848,at Ballingarry,Co.Tipperary,whicharose TheoriginaloilpaintingisthepropertyoftheEarlofKenmare. outofanattemptto arrestWm.SmithO'Brien(No.26), In Col.V. BrownewascapturedbytheBritishat theBattleof Octoberofthatyearhewassentencedat Clonmelto hehanged, Aughrim,1691. drawnandquartered;thesentencebeingcommutedtotrans-portation Presented Dan forlife to VanDiemensLand. He escapedon5th by Colonel Bryan, October,1944. June,1851; diedin Americaandwasburiedin Dublin,his funeralbeingoneofthemostimposingeverseenin thecapital.

No. 175. James FintanLalor, 1807-1849. YoungIrelander. Writer. Nos. 179-180 JosephMary Plunkett, 1887-1916. Signatorytothe Proclamationof EasterWeek,1916. WATERCOLOURDRAWING. Drawing: 6"x5.5". Frame: 11.3"x8.8". 179. PENCILSKETCH. Headandshoulders. Sketch: 7.7"x5.4". Frame: 13.7"x11.2". Painted by JosephHayes. Wholelength,seated. Monogramof artist "J. H." on shoulder. Drawn by his widow, Mrs. Grace Plunkett, June, 1916. J.F. Lalorwasacontributorto TheNationandThe Felon in 1847-8. In 1849he joinedBrenan,Savageand othersin 180. PEN ANDINK DRAWING. an to rekindletheinsurrectionof 1847. attempt Drawing: 10"x8.5". Frame: 20.3"x15.5". Headandshoulders. by hiswindow,Mrs. Grace 1938. No. 176. Archibald Hamilton Rowan,1751-1834. Drawn Plunkett, Autographedbyartistineachcase. UnitedIrishman. J.M. Plunkettwasexecutedonthe4thMay,1916. Hewas PLASTERBUST. marriedtoMissGraceGiffordin gaolontheeveofhisexecution. high. Life size. Presentedby theartist,Mrs. GracePlunkett, November,1944. Artist unknown. This bust donoratan auctionat St. waspurchasedby the Kevin Mary'sAbbey,Trim,Co.Meath,in 1943,undertheimpression No. 181. Izod O'Doherty, 1823-1895. thatit wasa bustof SirWilliamRowanHamilton,theIrish Young mathematician,that beingits descriptionin the catalogue. Irelander, The identityof thesubjectwasdiscoveredlater. A picture PHOTOGRAPH. at to 1944, of thebustappears page82 of TheDesire Please, Photograph: Frame: 12.9"x9.4". by HaroldNicholson,M.P., Great-grandsonof Archibald 4.7"x3.7". Hamilton-Rowan. Half length;oval. PresentedbyRev. J.RiversdaleColthurst, Roseville,Grey-stone, Froma photographby Albert Lomer,Brisbane, Australia. July, 1944. O'Dohertywassentencedin 1848totransportationfortenyears. 44 45

No. 182. Rev. William Jackson,1737-1795. No. 186. The Battle of Castlebar,27th August,1798. UnitedIrishman. HALF-TONEPRINT. ENGRAVING. Print: 2.3"x6.5". Frame: 7.5"xll." Drawn by F. Dodd. Engraving: 4.8"x3.6". Frame: 12.9"x9.4". Reproducedby Wilson, Hartnell & Co. Dublin. Engravedby SamuelClose(fl. 1770-1807). Illustration to The the Plate to Walker's 1795. Lady of House,Xmas, 1914. HibernianMagazine,May, TheEnglishforceswereroutedatthisbattlewhichtookplace The inscriptionon the print is 'The late Revd.William shortlyafterthelandingoftheFrenchunderGeneralHumbert Jackson.Convictedof HighTreason.In theCourtof King's. at KilcumminBay,nearKillala,on22ndAugust,1798. Bench,Dublin,23April,1795.' PresentedbyWilson,Hartnell & Co.,Ltd., Dublin, January, 1945.

No. 183. The Landing of the French at Carrickfergus, No. 187. Fr. EugeneO'Growney,1863-1899. "Thourot's Invasion." 'An t-Athair EoghanO'Gramhna.' Irish Scholar. HALF-TONEPRINT. BLACKANDWHITEDRAWING. Drawing: 12.5"x9.5". Frame: 26.4"x20.6". Print: 4.6"x6.8". Frame: 10.6"x11.6". Headandshoulders. Printed by Wilson, Hartnell & Co., Dublin, Drawn by SeánO'Sullivan,R.H.A., 10th Jan., 1945. The Illustration to The Lady of theHouse,Dublin,Xmas, 1914. signatureoftheartistisonleft shoulder.Thisportrait whichwasspeciallycommissionedbythePresident,isbasedon ThisinvasionbytheFrenchunderThourotledtotheformation a photographselectedby Fr. O'Growney'srelatives. of thefirstVolunteercorpsin Ireland. Thourotwasan Irish Jacobitesettledin France.Hisrealnameissaidto havebeen O'Farrell. No. 188. ThomasDevin Reilly, 1823-1854. YoungIrelander. Presented byWilson,Hartnell & Co.,Ltd., Dublin, January, WATER-COLOURDRAWING. 1945. Drawing: 5"x4". Frame: 13"x10". Halflength. No. 184. The Landingof William III. at Carrickfergus,June, 1690. Drawn by JosephHayes, 1848. ThomasD. Reillywasa memberof thestaffof The'Nation. HALF-TONEPRINT. HesupportedJohnMitchelonthedivisionin theConfederation in 1848,andlaterhe wona foremostpositionin the United Print: 4.3"x6.4". Frame: 10"x11.3". Statesasa politicalwriter Printed by Wilson, Hartnell & Co., Dublin. No. 189. The Irish Houseof Commons,16th April, 1782. Illustrationto TheLady of theHouse,Dublin, Xmas, 1914. The Declarationof Irish Rightsby Henry Grattan. PresentedbyWilson,Hartnell & Co.,Ltd., Dublin, January, COLOUREDREPRODUCTIONOF OIL PAINTING. 1945. Print: 11.8"x16". Frame: l9'x22.5". Painted by NicholasKenny(fl. 1839-1856). No. 185. Defeat of the FrenchFleet, 28th February,1760,after the Publ. by Wilson,Hartnell & Co.,Dublin, 1906. landingat Carrickfergus. Supplementto TheLady of theHouse,Xmas, 1906. Theoriginalpicture,7'x9' waspaintedforHenryGrattan, HALF-TONEPRINT. Jun.,andcompletedin 1844. It wasexhibitedbyhimwiththe followingnoteappendedto thecatalogue:"This picturehas Print: Frame: 8.5"xll". occupiedthe spaceof fouryearsto collectand arrange.I Painted Richard 1762. dedicateit totheIrishpeopleinthehopethatit willbeengraved by Wright, anda copyplacedinthehouseofeverymanwhovaluesliberty Reproducedby Wilson, Hartnell & Co., Dublin. andhiscountry."It contains149portraitsof membersand othersonthefloorof the House,and98 portraitsof persons, Illustration to The Lady of theHouse,Xmas, 1914. includingmanyladies,in the Gallery.The portraitswere A BritishsquadronunderCaptainElliotmettheFrenchships taken,somefromoriginalpictures,othersfromengravings. offtheIsleofManon28thFebruary,1760,anddefeatedthem. Thispictureresemblesthatpaintedby FrancisWheatleyin 1780(No.60),butdiffersfromit in detailbothin thefigures ThisisasequeltoNo.183. andthearchitecture. Presented Hartnell & PresentedbyWilson,Hartnell & Co.,Ltd., Dublin, January, byWilson, Co.,Ltd., Dublin, January, 1945. 1945. 46 47

No. 190. Key to No. 189. 198. Edward Daly, 1891-1916. HALF-TONEPRINT. Executed,4th May,1916.

Print: 5.5"x8.3". Frame: 10.7"x12.6". 199. Seán Heuston,1891-1916. Plate:toOldIrelandin Pictures; publ. by Wilson,Hartnell Executed,8th May, 1916. & Co.,Dublin, 1922. 200. Michael Mallon, 1876-1916. PresentedbyWilson,Hartnell & Co., Ltd., Dublin, March, Executed,8th May,1916. 1945. 201. CorneliusColbert,1883-1916. Executed,8thMay,1916. Nos.191-202. Leadersin the Rising of Easter Week, 1916.. 202. Liam Mellowes, (SeealsoNos. 14-16). 189-1922. Presentedby MadgeO'Daly, Limerick, PHOTOGRAPHSOFDRAWINGS. Miss February,1945.

Photographs: 6.3"x4.5". Frames: 12"x.9". 203. ThomasKent, Drawn by Seán O'Sullivan,R.H.A. No. 1882-1916. 1916. Co. Photographsautographedby the artist Leader,Rising of EasterWeek, Cork. PHOTOGRAPH. Photograph: 6.25"x4.5". Frame: 12"x9". 191. SeánMac Dermott,1884-1916. PresentedbyMiss Limerick, Signatoryof theProclamation. MadgeO'Daly, February,1945. Executed12thMay,1916.

No. 204. ThomasClarke Luby,1822-1901. 192. ThomasMac Donagh, 1878-1916.. Young Irelanderand Signatoryof theProclamation. Fenian. Executed,3rdMay,1916; PHOTOGRAPH. Plate: 2.7"x2.3". Frame: 14.3"x10.2". 193. Eamon Ceannt,1881-1916. T.C. Lubywrotefor TheNation. He supportedWm.Smith Signatoryof theProclamation.. O'BrienandwasarrestedatCashelin 1849. He formulatedthe for Feniansin was and sentenced Executed,8thMay,1916. oath the 1858; arrestedin1865 to 20years'penalservitude,butwasreleasedin1871. Madge O'Daly, 194. William J. Pearse,1881-1916. Presentedby Miss Limerick, March, 1945. Executed,4th May,1916. No. 205.The "Cuba Five." 195. MichaelO'Hanrahan,1876-1916. PHOTOGRAPH. Executed,4th May,1916. Plate: Frame: 14.7"x11.7". 196. Major John McBride, 1865-1916. Groupof fiveFenians.JohnDevoyis standingat backleft. JeremiahO'DonovanRossa,is seatedin frontatright. Next Executed,5thMay,1916. to him seatedis CharlesUnderwoodO'Connell.Theothertwo not separatelyidentifiedareHarryMulledaandJohnMcClure. Theywerecalledthe"CubaFive" becausetheywereplacedon 197. Roger Casement,1864-1916. boardthe Steamship"Cuba"ontheirreleasefromprison in January,1871. The originalof thisphotographis the Executed,3rdAugust,1918. propertyof MissMadgeO'Daly.Limerick. 48 Hon. No. 206. The Irish Houseof Commons,1704. No. 209. Rt. Lord Cloncurry(Valentine Browne-Lawless,2nd Baron), 1773-1853. PHOTOGRAPHOF WOODCUT. UnitedIrishman. Plate: 5.5"x7". Frame: 10.8"xll.5". ENGRAVING. Housein sessionwithmembersseatedaroundtheChamber Engraving: 4.2"x5.2". Frame: 12.9"x9.4". andonseatsin thecentrebackto back. Speakerstandingat hischair Half length. Artist unknown. Artist Unknown-probably contemporary Lord the Publ. Hartnell & in The Cloncurryjoined UnitedIrishmenin £795. Hewas by Wilson, Co., Dublin, Lady of arrestedin 1798andimprisonedforsixweeks.Arrestedagain theHouse,Xmas, 1911. on 14thApril,1799,hewascommittedto theTower,London. Thispicture,whichisa companionto No.207,isanenlarge-ment Hewasreleasedin May.1801. ofa woodcut3.3"x4"entitled"ChambredesCommunes d'Irlande"printedatAmsterdamin 1704. It istheonlypicture Presentedby the National Library, March, 1945. ofChichesterHouse,wheretheIrishParliamentwasheldprior to the buildingof the ParliamentHousein CollegeGreen. In February,1704,SirTheobaldButler,RichardMaloneand No. 210. TerenceBellewMcManus,1823-1861. SirStephenRice,eminentbarristers,appealedto thisAssembly withoutsuccess,againsttheviolationoftheTreatyofLimerick Young Irelander, Of1691,bytheenactmentofthePenalCode. WOODCUT. PresentedbyWilson,Hartnell & Co.,Ltd., Dublin, January, Woodcut: Frame: 16,4"x12.l". 1945. Three-quarterlength. SeealsoNo.178, Thereislittleresemblancebetweenthetwo portraits. No. 207. The Irish Houseof Lords,1704. No. 211. Battle of Wexford,20th June, 1798. PHOTOSTATOFWOODCUT. HALF-TONEPRINTOFWOODCUT. Plate: 6.7"x9.3". Frame: 12.4"x13.9". Print: 4"x6.8". Frame 11.2"x12.6". TheViceroy,the2ndDukeofOrmond,onthethroneincentre. BritishtroopsunderGen.JohnMoorefightingagainstthe TheSpeakeroftheHouseofCommons,AlanBroderick,seated UnitedIrishmen,The pictureshowsthe UnionJackas it at his left. Peersseatedaroundthe wallsand on benches waspriortotheinclusionofSt.Patrick'sCrosson1st 1801. backto back. Jan., Woodcut G. 13 Lane, W. Artist publ. by Thompson, Long Smith-field, Unknown-probablycontemporary. London,28th Aug., 1798. Publ, Hartnell & in The by Wilson, Co., Dublin, Lady of Print is to Old Ireland in Wilson, the 1906. plate Pictures; publ. by House,Xmas, Hartnell & Co., Dublin, 1922. Seenoteto No.206,to whichthisis a companionpicture. Thewoodcut,whichis nowveryrare,waspublishedwithin twomonthsof thebattle. Presentedby the National Library, November,1944. Presentedby Wilson, Hartnell & Co., Ltd., Dublin, March, 1945.

No. 208. Right Rev. JamesWarrenDoyle,D.D., 1786-1834. 212. Death of Roderic Chieftainof 1454. Bishopof Kildare and Leighlin,"J.K.L." No. O'Donnell, Tyrconnel, ENGRAVING. ENGRAVING. Engraving: 5.9"x4.2". Frame: 12.1"x9.2". Frame: Engraving: 3.7"x2.4". Drawn H. Warren Headandshoulders. by (1794-1879). Engravedby J. B. Allen. Drawn by Carbonnier from a bust Peter Turnerelli by Plate to History 1845. (1774-1839). Wright's of Ireland, DonnellO'Donnell,Chieftainof Tyrconnel,wascaptured Engravedby W. Holl. bythefollowersof RodericO'Donnellandimprisonedin Inch Castle an Publ. and 1834. on islandin LoughSwilly. In asubsequentstruggle Keating Brown,London, Dec., theCastlewassetonfireandRoderickwaskilledby a stone hurledfromthe battlementsby Donnell. Presentedbythe National Library, June,1944. 50 51 No. 213. BrotherMichael O'Cleirigh,c. 1575-1643. No. 217. JeremiahO'DonovanRossa,1831-1915. Chiefof theFour Masters. Fenian. OIL PAINTING. COLOUREDPRINT. Canvas: 15"x15". Frame: 21"x21". Print: 13.2"x8.8". Frame: 17.6"x12.6" Headand shoulders. Headandshoulders. madein 1945 MissDawn Steeleof a mural Copy by painting: Supplementto UnitedIreland, June 16th, 1894. by the late BrotherJuniperArens,O.F.M. J. O'DonovanRossawasdescribedbyJohnMitchelas"the Presentedby Fr. SylvesterO'Brien, O.F.M., AssisiOffice, noblestof the Fenians."He joinedthe Fenianson their Dublin, March, 1945. inceptionin 1858. Wassentencedto penalservitudeforlife in Sept.,1865,releasedin 1871. Hediedin America.butwas buriedinDublin,theorationat hisgravesidein Glasnevinbeing PatrickPearse No. 214. DennisLambertRedmond,c. 1778-1803. spokenby (No.14). United Irisham. PHOTOSTATOFENGRAVING. No. 218. TheVolunteersof 1782,drillingin theLawnofLeinsterHouse. Engraving: 3.5"x3.2". Frame: 12.9"x9.4". HALF-TONEPRINT. Headandshoulders;vignettein oval. Drawn by JamesPetrie, 1803, and engravedby Patrick Print: 4.8"x7". Frame: 11.2"x12.6". Maguire.Maguire. Plate to OldIrelandin Pictures; publ. by Wilson,Hartnell Publ. at 82 DameStreet,Dublin. & Co., Dublin, 1922. DennisLambertRedmond,a Dublincoalmerchant,wasa colleagueof RobertEmmet,whousedhisstoreat CoalQuay, Presentedby Wilson, Hartnell & Co., Ltd., Dublin, March, Dublin,asa depotaftertheexplosionin PatrickStreet,onthe 1945.1945. 16thof July,1803. He wasexecutedaftertheEmmetrising of 1803. Presented the National 1945. by Library, March, No, 219. The Irish Volunteersencampedon the plains at Belfast, 1782. No. 215. John Henry Colclough,1769-1798. HALF-TONEPRINT. UnitedIrishman. Print: 5.1"x8". Frame: 11.1"x13.1". PHOTOSTATOFENGRAVING. Paintedby JohnNixon (fl. end 18th cent.). Engraving: 3.5"x2.8". Frame: 12.9"x9.4." Plate to OldIrelandin Pictures; publ. by Wilson,Hartnell 1922. Head andshoulders. & Co., Dublin, Engravedfor the Irish Magazine,1807. Presentedby Wilson, Hartnell & Co., Ltd., Dublin, March JohnColcloughwasoneoftheleadersoftherebellionof 1798 1945. in Wexford.He foughtat NewRoss.He andhiswife,with BagenalHarvey,anotherWexfordleader,werearrestedin one of the SalteeIslandswheretheyhadfledafterthe Battleof Wexford.He wasexecutedon 25th 1798. June, No. 220. MichaelDavitt, M.P., 1846-1905. Presentedby the National Library, March, 1945. Founder of the Land League. No. 216. Siegeof Deny, 1689. PASTEL. HALF-TONEPRINTOFTAPESTRY. Canvas: 30.3"x25". Frame: 40.7"x35.5". Print: 5"x7". Frame: l1.2"x12.6" Headandshoulders. Thistapestry,whichwasmadein Dublin,hangsonthewalls Painted by P. F. Duffee, 1887. of the Lord'sChamberin ParliamentHouse,Dublin,nowthe MichaelDavittin 1868becameOrganisingSecretaryof the Bank of Ireland. FenianbodyforEnglandandScotland,andwasimmediately underthe SupremeCouncilof theI.R.B. He wassentenced Plate to Old Irelandin Pictures; publ.by Wilson,Hartnell 19th 1922. in 1870to 15years'penalservitude,but released Dec., & Co.,Ltd., Dublin, 1877, HefoundedtheLandLeaguein 1879. Presentedby Wilson,Hartnell & Co., Ltd., Dublin, March, 1945. Loanedbyhis son,Dr. RobertDavitt, March, 1945. 52 53 No. 221. SecondDáil Éireann. No. 225. The Councilof State,1940. Enactmentof Irish Constitution,1922. OIL PAINTING. HALF-TONEPRINT. Canvas: 5'8"x7'8". Frame: 6'9"x8'9". Print: 6"x8". Frame: 11.1"x12.4". Councilof State,its first meetingon 8thJanuary,1940. presidedoverby thePresident,Dr. DouglasHyde. This was DáilÉireanninsessionin LeinsterHouse,Dublin. the meetingoftheCouncilfollowingwhichthePresidentreferred State Publ. by Wilson, Hartnell & Co., Dublin, in The theOffencesagainstthe Bill, 1940.to theSupremeCourt, Lady of fora decisionasto whetherit wasin anyrespectrepugnant theHouse,Xmas, 1922. to the Constitution. ThePresidentof the ProvisionalGovernment,Mr. W. T. Cosgrave,isaddressingtheHouse.Ministersseatedbesidehim Painted by SimonColeman,R.H.A. 1945. are: KevinO'Higgins,ErnestBlythe,DesmondFitzgerald, A keyisappendedto thepicture. PatrickHogan,JosephMcGrath,EamonDuggan,FionanLynch GeneralR. Mulcahyin uniform.CeannComhairleMichael Hayesisin theChair. Seatedin theofficialGalleryto theleft No. 226. Duns Scotus(Joannes),c. 1265-1303(?8). are HughKennedy,Law Adviser,afterwardsChiefJustice, Theologian. "Doctor Subtilis." andMr. McDunphy,ActingSecretaryto theGovernment. PresentedbyWilson,Hartnell & Co.,Ltd., Dublin, January, PHOTOSTATOF ENGRAVING. 1945 Photostat: 14.5"x9.5". Frame: 21"x15.5". Headandshoulders. Painted No. 222. Hugh O'Neill, Earl ofTyrone, c. 1546-1616. by Raphael. Victorof theBattleof theYellouFord, 1598. Engravedby P. Fidanza. It is generallyacceptedthatDunsScotus,whowasa member HALF-TONEPRINT. of the FranciscanOrder,wasIrish,but recentresearchesby this Hisearlier Print: 4.3" (circle). Frame: 10.4"x8.4". theFranciscanstendtocastdoubtson theory. namesakeDunsScotusErigenawhowasbornabout815-25 Headandshoulders. wasundoubtedlyIrish. to Dalton's Plate Historyof Ireland,Vol. III., 1911,p. 213. Presentedby the National Library, June, 1944.

No. 227. BonaventuraBaron,O.F.M., 1610-1696. Nephewand Discipleof Luke Wadding. Poet,Philosopher, Theologian. PHOTOGRAPHOFPAINTING. Plate: 7.7"x5.7". Frame: l3.7"x10.2". Half length. Artist unknown. Probablycontemporary. Thisoldpaintingwasdiscoveredin Dublinsomeyearsago. It hangsin the FranciscanFriary,MerchantsQuay. It bears No. 224. JamesStephens,1825-1901 thefollowinginscriptionat foot: F. Bonra.BaroAuctorXXII. Tomum.Carmen,ProsaAayoPhisisHistoriaDiva Haec Dictnt.SingulaSenaBaro. Presentedby Fr. SylvesterO'Brien, O.F.M., AssisiOffice, 1945. Plate: 11.5"x9.4". Frame: Dublin, March, Halflength. No. 228. John John and Fr. John Kenyonin Paris, Dublin. Martin, Mitchel Photographby Lafayette, Sept.,1866. J. Stephenstookpart in the brief Risingat Ballingarry, July29th,1818,undertheleadershipofTerenceBellewMcManus PHOTOGRAPH. (No.178),whicharosefromanattemptto arrestWm.Smith Plate: Frame: 18.7"x15.5". O'Brien(No.26) andwasbadlywounded.He foundedthe 10.7"x9". FenianSocietyonSt. Patrick'sDay, 1858,andbecameHead Seatedat a table. JohnMartinontheleft, JohnMitchel Centre. in thecentre,andFr. Kenyonontheright. This photographwastakenaboutthe year 1899afterthe Photographby E. Yatel, Galerie de Valois, 173, Palais releasefromprisonofThomasClarke(No.15),whowaspresent 1866. whenit wasbeingtaken. Stephensis shownwearingan Royal, Paris, Sept., improvisedcloak. Theoriginalphotographisin thepossession Thisphotographwasformerlyin the possessionof Patrick of Mrs.TomClarke,Dublin. JamesSmyth(No.112)whorescuedJohnMitchelfromTasmania in June.1853. 54 55 No. 229. John Daly, 1845-1916. No. 233. William Rooney. Fenian. Irish LanguagePioneer. BLACK-AND-WHITEDRAWING. PHOTOGRAPH. Drawing(vignette): 10.5"x13.5". Frame: 29"x22". Headandshoulders. Plate: Frame: Drawn by SeánKeating, R.H.A. Headandshoulders. JohnDaly arrestedin 1866,spentsix monthsin prison. The ofthis is Took in theFenian 1867. Sentencedforlifeunder original photographthepropertyofhisbrother, part Rising, LukeRooney,bywhosecourtesythiscopywasmade. theTreasonFelonyAct,1884. ElectedM.P. forCo.Limerick, 1895,whilestillinjail. Released1896. Mayorof Limerick, 1899-1901.Uncleof EdwardDaly(No.198),anduncle-in-law ofThomasJ.Clarke(No.15)whowereexecutedaftertherising of EasterWeek,1916. Loanedby Miss MadgeO'Daly, Limerick, March, 1945,

No. 230. Ven.Charles O'Conorof Belangare,1710-1790. Co-founderwith Dr. Curry and Mr. Wyseof the Catholic Association,1759.

Painting (oval): 8"x6". Frame: 10"x8". Halflength,turnedto theright. Artist unknown. Thisportraitwasgivento PresidentHydeby MissAoife O'Conor,descendantof the subject. Loanedby the President. No. 231. GeneralMichaelCollins,1890-1922. Soldierand Statesman. LITHOGRAPH. Lithograph: 7.5"x5.7". Frame: 14.5"x11". Half lengthin uniform. Painted by Leo Whelan, R.H.A., 1944. The originalpaintingis in LeinsterHouse,Dublin. It is oneofthree,theothertwobeingthoseof ArthurGriffithand KevinO'Higgins,paintedbyLeoWhelan,R.H.A.,andunveiled in LeinsterHouse,byHisLordshipMostRev.MichaelFogarty, D.D.,BishopofKillaloe,on21stJanuary,1944. Presentedby Three CandlesPress,Dublin, March, 1944. No. 232. John Devoy, 1842-1928. Fenian. PHOTOGRAPH. Plate: 6"x4". Frame: Headandshoulder& JohnDevoyjoinedthe FrenchForeignLegion,1861,for militarytraining. He waschieforganiseroftheI.R.B. in the BritishArmyin Ireland,1865. Sentencedto fifteenyears' penalservitude,Feb.,1867. Released1871onconditionthat hedidnotreturnto Ireland. VisitedIreland1871andagain in 1924. The originalof this photographwaspresentedby John Devoyto TomClarke(No.15)onSt.Patrick'sDay,1909,and isautographedto thateffect. It is thepropertyof Mrs.Tom Clarke,bywhosecourtesythiscopywasmade. INDEX A. D. ANNE,Queen,Parliamentof, see DÁILÉIREANN,1st,126. Parliament. 2nd,221. ARKLOW,Battleof,1798.93. DALY,Edward,198. John,229. DAVIS,ThomasOsborne,19,86, 98. B. DAVITT,Michael,220. DERRY,Siegeof, 1689.216, BALLINAHINCH,Battleof, 1798.41. DESMOND,Earlof,death,1583.73. BALLYNEETV,DestructionofWilliamite DEVALERA,Eamon,53,122,144,225. Siege-trainby Sarsfield,1690.94. DEVOY,John,205,232. BARON,Bonaventura,227. DILLON,JohnBlake,43. BLYTISE,Ernest,221. DOHENY,Col. Michael,169. B0YNE,Battleof 1690.106,107,108. DOYLE,RI, Rev.JamesWarren208, l3aowNE,Col.John,173. DROGHEDA,Siegeof, 1649.92, Valentine,ViscountKenmare.DUBLINafterRising,1916. 114,153 174, 167. BRUGHA,Cathal,177, DUFFY,CharlesGavan,20,79. BUNTING,Edward,125. DUGGAN,Eamon,221, BUTT,Isaac,99. DUNGANNON,Convention,1782.104, BYRNE,Edward,150. 105. Myles,66. DUNSScotus,226. WilliamMichael(BillyByrneof DWYER,Michael,170. Ballymanus),17. E. C. EARLS.Flightof, 1607.75. EASTERWEEK,1916,portraits of CAROLAN,Turlough,9. leaders,14-16,191-203. CARRICKFERGUS,Landingof French, after bombardment,114. 1760.183. ruinsof Dublin,153-167. Defeatof French,1760.185. sceneat G.P.O.beforethe Landingof WilliamIII., 1690, evacuation,89. 184. EMMET.Robert,portrait,56. CASEMENT,Roger,portrait,II, 197. in his armoury,13. trial of,81. executionof, 168, CASTLEBAR.Battleof, 1798.186. ThomasAddis,47. CATHOLICAssociation,116. CEANNT,Eamon,193. CHARLEMONT.1st Earlof, 36. F. CLAREElection,1828.115. CLARKE,Thomas,15. FITZGERALD,Desmond,221. CLONCURRY,Lord,209. LordEdward,4,31. COLBERT,Cornelius,201. Gerald,Flightof, 1540.71. 215. LordThomas(SilkenThomas), COLCLOUGH,JohnHenry, 70. COLGAN,John,130. The 205, COLLINS,Michael,portraits,76, 84, FIVE, 'Cuba,' 231. FLEMING,Thomas,132. 85. FLOOD.Henry,34. Lying-in-State, FRENCH at Carrick-fegus, C0NN0LLV,James,16. FLEET,landing CONROY,Florence,128. 1760.183. COPPINGER, 116. defeat,1760.185, Stephen, F0NTENOY,Victoryof, 1745.91. CORBET,William,29. 116. COSGRAVE,W. T., 221. FURLONG,V., COUNCILOFSTATE,The,1940,225. CR0KE,MostRev.ThomasW., 151. G. CUBA'Five,The,205, CURRAN,JohnPhilpot,33. G.P.O.,EasterWeek,1916.89. CUSTOMHOUSE,Burningof,1921.113. GRACE,Col. Richard,137. 57 58 GRATTAN,Henrybust,7. MELL0WES,Liam,202. statuette,42,. MITCHEL,John,12, 18, 77, 228 portraits,24, 32, 67. MOORE,Thomas,bust,1. Parliament,see under portrait,44, Parliament. MULCAHY,Gen.Richard,22L GRIFFITH,Arthur,10,83, MULLEDA,Harry,205. MUNR0,Henry,41. H, MURPHY,Rev.John.97..

HAYES,Michael221. MAC HEALY,TimothyMichael,50. HEMPS0Nor 109. HAMPSY,Denis, MCBRIDE,John,196.. HEUSTON,Seán,199, 134. HICKEY,Anthony,131. MACCAUGHWELL,Hugh, HOGAN, 221. MCCLURE,John,205. Patrick, MCCRACKEN,HenryJoy,139. HOLLAND,JohnPhilip,146. MACDERM0TT,Seán,191. HOLMES,Robert,55. MACDONAGH, 192, HOLT,Joseph.78. Thomas, 142. MCGRATH,Joseph.221, HOPE,James, MCHALE,Most.Rev.John,54. HOUSEOFCOMMONS, Terence LORDS,seeunderParliament.MCMANU5. Bellew,178,210 MCNEVEN,MCNEVEN,WilliamJ., 103. ROWLEY,Henry,102. 152. Hudson,Edward,148. MCSWINEY,Terence, HUMSERT,Surrender,1798.171. HYDE,Dr. Douglas,bust,2. N. portraits,8, 90. NEILS0N,Samuel,172. I. 0 I. R. A. Column,1921.138. IRISHHouseof Commons, O'BRIEN,WilliamSmith,26,57, 143 Lords,1704, seeunder O'CAROLAN,Turlough,9. Parliament. O'CLERIGH,Michael,213. O'CONNELL,CharlesUnderwood,205, J. O'CONNELL,Daniel,21,38, 115. O'CONNOR,Arthur,37, 110,230. JACKSON,Henry,141. O'CONOR,Ven.Charles,23, 230. Rev.William,182. O'DOHERTY,KevinIsod,181. J. K. L., 208. O'DONNELL,Roderick,212. O'DONOHOE,Patrick,51. K. O'FEHILLY,Mauricea Portu,136. O'GORMAN,Richard,junior,65. O'GORMAN 115. KEANE,SirJohn.225. MAHON,J.P., 221, O'GROWNEY,Eugene,187. KENNEDY,Hugh, O'HAMPSY,Denis,109. KENT,Thomas,203. 195. KENTON,Fr. John,228. O'HANEAHAN,Michael, Charles 119. O'HIGGINS,Kevin,27,221 KICKHAM, Joseph. O'LEARY,John,5, 64. O'MAHONY,Col.John,82. L. O'NEILL,Hugh,Earl of Tyrone,121. 222. LALOR,JamesFintan,175. meetingwithEssex,1599. LAWLESS,John,116. 74. LESTRANGE,Rev.F. J., 116. flight,1607.75. LISBURNhonouringDungannonCon-vention,OwenRoe,223. 1782.104,105. Shane,murderof. 1567.72. LUBY,ThomasClarke,204. ORMOND,Earl of, captureof, 1600. LYNCH,Fionan,221. 111.

M. P. MAH0N,JamesPatrickO'Gorman,115. PARLIASFENT,DáilÉireann,seeDáil MALLON,Michael,200. Éireann. MANGAN,JamesClarence,6, 145. Grattan's,60-61,87-88,189-190., MARTIN,John,52,228. QueenAnne's,206, 207. MATHEW,FatherTheobald,63, 100. PARNELL,CharlesStewart,8O. MEAGHER,ThomasFrancis,25,58,143. PEARSE,PatrickHenry,14. WOODPRINTINGWORKS.LTD., WOLFETONESTREET.DUBLIN.