1•:@•:•11 JAZZ SCHULE LU ZERN ~ 0 IV) Samstag 3

Total Page:16

File Type:pdf, Size:1020Kb

1•:@•:•11 JAZZ SCHULE LU ZERN ~ 0 IV) Samstag 3 4. Jahrgang Nr. 7 erscheint 6x jahrlich Juli1988 JAZZ FESTIVAL WILLISAU 88 Donnerstag 1. Sept. 20.00 Uhr: Preise KONZERT 1 Karten fur aile Konzerte IPassl Fr 140 - Karten fur Konzert 1 Fr 30 - AFRICAN ROOTS Karten fur Konzert 2 Fr 30 - MAHAMA KONATE & FARAFINA Karten fur Konzert 3 Fr 30 - RAN DY WESTON QUINTET Karten fur Konzert 4 Fr 30 - CHRIS McGREGOR'S Karten fur Konzert 5 Fr 30 - BROTHERHOOD OF BREATH Karten fur Konzert 6 Fr 30 - Fur Vorbestellung! Zustellung Fr 2- Freitag 2. Sept. 20.0C.._..,. Ir: KONZERT 2 Kartenbestellung NEW FUNK AND ORNETTE INTERGALACTIC MAIDEN BALLET Karten werden gegen Vorauszahlung auf das Postcheck-Konto 60-7758-3. Jazz 1n ORNETIE COLEMAN & PRIME TIME W1lllsau. 6130 W1ll1sau . m1t be111egendem E1nzahlungssche1n umgehend zugestellt Samstag 3. Sept. 14.30 Uhr: Furs Ausland nur gegen Vorauszahlung per Check oder 1r.t Zahlungsanwe1sung an KONZERT 3 Jazz 1n Wllllsau, Postfach 167, 6130 Wllllsau THE ART OF THE DUO IRENE SCHWEIZER­ ANDREW CYRILLE Zufahrtswege JIMMY GIUFFRE-ANDRE JAUME DAVID MURRAY-JACK DeJOHNETIE Von Bern. Basel und Zunch auf der Auto· bahn N2 b1s Ausfahrt Dagmersellen. dann Samstag 3. Sept. 20.00 Uhr: Neb1kon-Schotz-W1IIIsau M1t der Bahn v1a Luzern-Wolhusen-WIIIisau oder v1a Lan­ KONZERT 4 Das JAZZ FESTIVAL WILLISAU prasentiert ei ­ genthai-Huttwii-WIIIIsau ne breite Pallette von zeitgen6ssischem EUROPAMERICA Jazz und seiner musikalischen Randgebiete PETER SCHARLI SPECIAL CHOICE und f indet dieses Jahr zum vierzehnten Mal D1e Konzerte f1nden aile 1n der hblzernen. BUTCH MORRIS & start. renov1erten · X.COMMUNIC~ - .} N Das JAZZ FESTIVAL WILLISAU wird von der LOOSE TL.ruCS Stiftung Pro Helvetia und den ersichtlichen Festhalle Sponsoren unterstutzt. statt Unm1ttelbar daneben bef1ndet s1ch Sonntag 4. Sept. 14.30 Uhr: der KONZERT 5 NEW YORK NOW Campingplatz HANK ROBERTS ENSEMBLE POWER TOOLS : D1eser steht den Fest1valbesuchern grat1s FRISELL -GIBBS-JACKSON zur Verfugung Als Unterkunft steht auch Sel das Sonntag 4. Sept. 20.00 Uhr: KONZERT 6 Matratzenlager . DEDICATIONS Shades of Bud Powell: THE HERB \!J/ 1m Sportzentrum gegen eme Unkostenge­ buhr von Fr 3 - pro Nacht zur Verfugung ROBERTSON BRASS ENSEMBLE ARCHIE SHEPP QUINTETI WITH ~t©~~~~l)alllt ANNETIE LOWMAN Restaurant -Zeit KONZERTE IM ZELT \llillisall H1er w1rd e1n v1elfalt1ges Angebot an Spel­ sen und Cetranken se1111ert Das Sort1ment Donnerstag 1. Sept. 18.00 llhr: und d1e Pre1se werden gegenuber dem INTERKANTONALE BLASABr R VorJahr stark verbessertl H1er f1nden Je­ weiiS auch d1e Zeit -Konzerte statt Freitag 2. Sept. 18.00 Uhr: Verlangerung b1s 02.00 Uhr KEN Me INTYRE & WORKSHOP 1•:@•:•11 JAZZ SCHULE LU ZERN ~ 0 IV) Samstag 3. Sept. 12.00 Uhr: Information LAMBA PERCUSSION ENSEMBLE ~ Jazz 1n W1lhsau . Postfach. CH-6130 Wllllsau. N Sonntag 4. Sept. 12.00 Uhr: <t: Tel 045-8127 31 FEDERICO SCHNEIDER BAND Donnerstag 1. Sept 20.00 Uhr: Freitag 2. Sept 20.00 Uhr: Samstag 3. Sept 14.30 Uhr: NZERT 1 ,KONZERT 2 KONZERT 3 AFRICAN ROOTS NEW FUNK AND ORNETTE THE ART OF THE DUO MAHAMA KONATE & FARAFI NA . THE INTERGALACTIC MAIDEN BALLET IRENE SCHWEIZER- ANDREW CYRILLE RANDY WESTON QUINTET ORNETTE COLEMAN & PRIME TIME JIMMY GIUFFRE-ANDRE JAUME CHRIS Me GREGOR'S BROTHERHOOD DAVID MURRAY- JACK De JOHNETIE OF BREATH Mit einer farbigen und vielseitigen Afrikanacht Mit New Funk. dem dominierenden Sound der Duos hatten im Jazz schon immer eine beson­ wird das 14. Jazz Festival Willisau eroffnet. achtziger Jahre, geht es in die zweite Willisauer dere Bedeutung. Willisau bringt an diesem Sam­ Die Musik- und Tanzgruppe FARAFINA kommt Jazznacht. Dass dabei weit mehr geboten wird stagnachmittag drei besondere musikalische aus der Stadt Burkina-Faso in Obervolta und als Allerweltsfunk im Discosound scheintjedem Leckerbissen. spielt eine authentische westafrikanische Musik klar. der die genialen Qualitaten eines ORNETIE mit Originalinstrumenten wie Balafon. Baras. COLEMAN und die Schweizer Funkgruppe Nr.1. Nachdem IRENE SCHWEIZER. die passionierte Djembe und Flaten. Die Gruppe steht unter der THE INTERGALACTIC MAIDEN BALLET. kennt. und konsequent arbeitende Personlichkeit der Leitung von Mahama Konate, dem wahl virtuo­ Und trotzdem: In erster Linie werden Body and europaischen Free Music Scene sich schon oft sesten Balafonisten Westaf rikas. Die Auftritte Soul angesprochen! in Duos betatigte. wird sie diesmal auf den ame­ von FARAFINA bestechen durch ungemeine Le­ rikanischen Superschlagzeuger ANDREW CYRIL­ bendigkeit und Oberschaumende Spielfreude. Der Name INTERGALACTIC MAIDEN BALLET LE treffen. Ein gemeinsamer Nenner scheint konnte irrefuhren, denn im Quintett spielt we­ gegeben: die musikalische Entwicklung der bel­ Der grosse Pianist RANDY WESTON hat seine der ein Madchen noch eine Frau. Ein Ballett ist den ist am ehesten von Cecil Taylor beeinflusst musikalischen Beeinflussungen schon fruh in es insofem. als die vereinnehmende. schlicht den nordafrikanischen Musikkulturen gesucht. gewaltige lntensitat dieses Free-funk-Rock­ Mit dem amerikanischen Multireedspieler JIM­ r~ <: uchte er doch schon 1963 erstmals mit sei- Jazz-Ensembles tatsachllch zu bewegten Figu­ MY GIUFFRE kommt einer der wichtigsten Musi­ Band Afrika. Seither lebt und arbeitet dieser ren und Luftsprungen einladt. Die Musiker des ker der Jazzgeschichte nach Wiliisau. Seine mu­ e 1flussreiche Pianist hauptsachlich in Nord­ MAIDEN BALLET gehoren der neuen Musikerge­ sikalischen Konzepte haben die Entwicklung afrika. Seine hervorragende Band ist teils mit neration an, die hor- und spurbar alles fur ihren des Jazz weit mehr beeinflusst als sein heutiger afrikanischen. teils mit amerikanischen Topsoli­ musikalischen Ausdruck hergeben. welcher wie Status vermuten lasst. Sein Zusammentreffen sten besetzt. ein beeindruckender Spiegel der heutigen. tag­ mit dem inspirierten franzosischen Reedman taglich erlebten Umwelt wirkt. ANDRE JAUME durfte zu einem spannenden Der sudafrikanische Pianist und Bandleader Ereignis werden. CHRIS Me GREGOR verliess 1964 mit seiner Band Der aus Texas stammende ORNETIE COLEMAN •Blue Notes• sein vom Rassismus beherrschtes hat schon einmal - Ende der fUnfziger Jahre­ •Great Black Music» zu zweit wird mit dem Duo Land, um in Europa die musikalische Laufbahn die Jazzentwicklung entscheidend beeinflusst der belden Koriphaen DAVID MURRAY (Saxopho­ fortzusetzten. 1970 grundete Me GREGOR seine War es damals der sogenannte Freejazz. so leg­ ne und Klarinettenl und JACK DeJOHNETIE erste •Brotherband of Breath•. eine Grossfor­ te er in den siebziger Jahren den kreativen (diesmal nur mit Schlagzeug) zeiebriert werden. mation. die afrikanische und englische Musiker Grundstein zum New Funk von heute. Stilbil­ Die belden haben zusammen schon oft fur vereint und einen vorwiegend von sudafrikani­ dende Musiker wie James Blood Ulmer. Ronald grosse Momente gesorgt - beide haben auch schen Rhvthmen getragenen dynamischen Shannon Jackson oder Jamaladeen Tacuma ka­ in Willisau schon unvergessliche Highlights ge­ Jazz spielt. Seine neueste •BROTHERHOOD OF men aus seiner Prime Time-Kuche. ORNETIE boten. BREATH• setzt sich in gleicherWeise aus hervor­ COLEMANS Musik basiert seitjeher ebenso auf ragenden Topsolisten zusammen. die ein bro­ dem schwarzen Rhythm' and Blues wie auf dem Irene Schweizer p, Andrew CVrille dr. delndes musikalisches Feuerwerk auf die BOh­ lntellekt. Sein neuer Funk ist eine Grossstadt­ ne bringen. musik mit eindringlichem Puis und heissen elek­ Jimmy Giuffre cl, bel, ts, Andrll Jaume cl. bel. trischen Mustern. Der Elektrofunk der PRIME TI­ ts. Mahama Konate balafon. voc. Adam Ye Paco ME BAND ist der ideale Teppich fur Coiemans Q.iembe, dance, soungalo coullbary fl. mara­ grossartige Soli. David Murray ts. bel. fl. Jack DeJohnette dr. cas, Tlawara Kelta tama. soucon, Leopold Sa ­ ORNETIE COLEMAN wird ja am 28. Aug. an den perc. nou bara. Lassana sanon balafon. dance. B~h Winterthurer Musikwochen zusammen mit Palm bara. dance. dem dortigen Stadtorchester die •Skies of America•-Suite auffuhren, ehe er mit der PRIME tdY weston p, Tallb Klbwe as. fl. Benny Po­ TIME BAND in Willisau seine funkig-rockige Seite well tb, Tom Me Kenzie b, Eric Asante perc. prasentieren wird. Chris Me Gregor p, Annie Whitehead tb. Harald Haerter g, Roland Philipp saxes. Tho­ Fayyar VlrJI tb, Dave De Fries tp, flh. Harry mas Jordl b, Jojo Mayer dr, Biboul Daroulche Beckett tp, flh. Claude Deppa tp, flh. Julian perc. ArgUelles fl. saxes. Robert Jurltz as, bassoon. Steve Williamson as. ts. Chris Biscoe as. ts, cl. ornette Coleman as. tp, viol. Charles Ellerbe Jeff Gordon ts, fl. cl. Ernest Mathie b, Gilbert g, Bern Nix g, Chris Walker b. AI Mac Dowell b. Matthews dr. Mlnu Clnelu perc. Tony Mako­ Denardo Coleman dr. keyboards. perc. Calvin nlc perc. weston dr. Samstag 3. Sept. 20.00 Uhr: Sonntag 4. Sept. 14.30 Uhr: Sonntag 4. Sept. 20.00 Uhr: KONZERT 4 KONZERT 5 KONZERT 6 EUROPAMERICA NEW YORK NOW DEDICATIONS PETER SCHARLI SPECIAL CHOICE HANK ROB ERTS ENSEMBLE Shades of Bud Powell: THE HE RB BUTCH MORRIS & X-<::OMMUNICATION POWER TOOLS: ROBERTSON BRASS ENSEMBLE LOOSE TUBES FRISELL -GIBBS-JACKSON ARCH IE SH EPP QUINTET WITH ANNETTE LOWMAN Ein breitgefachertes Programm bietet die New York ist immer noch der wichtige musikali­ Unter dem Motto DEDICATIONS findet das 14. Samstagnacht. wobei ein aktuelles Musikschaf­ sche Schmelztiegel des internationalen Jazz. Willisauer Jazz Festival seinen gehaltvollen und fen aus den USA und Europa prasentiert wird. Zwei der kreativsten New Yorker Bands bestrei­ wurdigen Abschluss. ten diesen •heissen• Sonntagnachmittag. Den Auftakt macht PETER SCHARLI mit seiner
Recommended publications
  • Die Chick Corea Acoustic Band/ Hist. Re-Union Im Jazz 22:04-24:00 Uhr
    WDR 3 Jazz & World, 12. Oktober 2018 Die Chick Corea Acoustic Band/ Hist. Re-Union im Jazz 22:04-24:00 Uhr Stand: 08.10.2018 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Karsten Mützelfeldt Redaktion: Bernd Hoffmann 22:04-24:00 Laufplan 1. Hackensack K: Thelonious Monk 2:20 CHICK COREA AKOUSTIC GRP 9627-2; LC: 06713 BAND CD: Alive 2. Humpty Dumpty K: Chick Corea 8:50 CHICK COREA AKOUSTIC wie Titel 1 BAND 3. Japanese Waltz K: Chick Corea 7:30 CHCIK COREA AKOUSTIC Stretch SR-AKB03; LC: 14711 BAND CD: Live 4. That Old Feeling K: Sammy Fain 7:10 CHICK COREA AKOUSTIC wie Titel 3 BAND 5. Space Circus Part II K: Chick Corea 4:05 RETURN TO FOREVER Polydor 825 3336-2; LC: 00309 CD: Hymn of the Seventh Galaxy 6. Romantic Warrior K: Chick Corea 7:15 RETURN TO FOREVER Eagle Records 394; LC: 12303 CD: RTF Returns 7. La Dance du Bonheur K: John McLaughlin 4:45 SHAKTI Sony 7015 CD: A Handful of Beauty 8. Lotus Feel K: John McLaughlin 5:30 SHAKTI Verve 7394; LC: 00383 CD: Remembering Shakti 9. Nights at the Circus K: Django Bates 3:45 LOOSE TUBES Lost Marble 008 CD: Arriving 10. Bright Smoke, Cols Fire K: Eddie Parker 8:00 LOOSE TUBES wie Titel 9 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 12. Oktober 2018 Die Chick Corea Acoustic Band/ Hist.
    [Show full text]
  • Django Bates - Britische Wundertüte Dienstag, 13
    Jazz Collection: Django Bates - britische Wundertüte Dienstag, 13. Oktober 2020, 21.00 – 22.00 Uhr, SRF 2 Kultur Samstag, 17. Oktober 2020, 17.06 – 18.30 Uhr, SRF 2 Kultur (mit Bonustracks) Der britische Pianist, Multiinstrumentalist, Arrangeur und Komponist Django Bates ist ein extrem vielseitiger Musiker - das zeigt schon der lange Atem, den man haben muss, um ihn mit all diesen Attributen anzusagen. Und langer Atem ist ein gutes Stichwort: Was immer Django Bates macht, sei es hochkomplexe Big-Band-Musik für die «Loose Tubes», sei es ein Piano-Solo-Album oder ein Beatles-Tribute: Immer lebt und atmet die Musik. Wie stark der sprichwörtliche britische Humor eine Rolle spielt in Django Bates Musik und wie er es schafft als Pianist ebenso wie als Blechbläser und Big-Band-Komponist auf einem so schwindelerregenden Level mitzuspielen im Business, das diskutiert der Pianist und Big-Band-Leiter Rainer Tempel in der Jazz Collection mit Jodok Hess. Gast: Rainer Tempel Redaktion und Moderation: Jodok Hess Interpret*in Titel Komponist*in Album / Label Django Bates When I’m Sixty-Four Paul McCartney / Saluting Sgt. Pepper / Edition Records (2017) Rec: October 2016, Frankfurt John Lennon Django Bates (keyboards,vcl) Stuart Hall (g,vln) Jonas Westergaard (b,vcl) Peter Bruun (d,vcl) Martin Ullits Dahl (vcl) with Frankfurt Radio Big Band : Frank Wellert, Thomas Vogel, Martin Auer, Axel Schlosser (tp) Gunter Bollmann, Peter Feil, Christian Jaksjo (tb) Jan Schreiner (b-tb) Heinz-Dieter Sauerborn (sop,fl,cl) Oliver Leicht (as,fl,cl) Tony Lakatos (ts,fl) Steffen Weber (ts,alto-fl,b-cl) Rainer Heute (bar,bassax,b-cl) Martin Scales (g) Bill Bruford’s Up North Bill Bruford / Stamping Ground.
    [Show full text]
  • Artist Residency Programme 2018 Supported by the Francis W Reckitt Arts Trust
    HAWKWOOD Artist Residency Programme 2018 Supported by The Francis W Reckitt Arts Trust “Engaging for the heart and soul – loved it. Phenomenal harmonies, touching stories beautifully conveyed, and a powerful message for today.” Audience member on the show Truth, created at Hawkwood Artists Residencies 2018 Impact Report 1 The 2018 residency programme at Hawkwood, supported by The Francis W Reckitt Arts Trust has had an incredible impact on the artists we have supported and has enhanced Hawkwood’s reputation as a place to come and create work. This report gives an overview of the artists and projects which have been developed in 2018, supported by The Francis W Reckitt Arts Trust and Hawkwood. In the last year, we have worked with individual artists as well as groups of artists who have come together. We have welcomed a broad range of creative people from diverse backgrounds working on extraordinary projects and have partnered with regional and national organisations. 109 artists supported 41 musicians 49 devised theatre practitioners 4 dancers 6 writers 2 costume designers 3 puppeteers 2 visual artists 1 rapper 1 cross disciplinary artist 14 new works created 4 national tours In addition to the artists mentioned in this report, we also welcomed five former Mount Pleasant artists. We delivered the programme by working with excellent organisations known for supporting new work including Strike A Light, Bristol Old Vic, The Royal Court Theatre and The London Theatre Consortium. Approximately 14 new works were created with many groups coming together for the first time. Some works were at a more advanced stage and four of these went on to be performed nationally including performances at The Cheltenham Music festival, Strike A Light and performances in London via English Touring Opera amongst many others.
    [Show full text]
  • The Sussex JAZZ MAG Monday 17Th - Sunday 30Th March 2014 CONTENTS Click Or Touch the Blue Links to Go to That Page Improv Features the Jazz Education Section
    The Sussex AZZ MAG JFortnightly Issue 15 Monday 17th - Sunday 30th March 2014 Ivo Neame Quintet In this issue we interview members of the Ivo Neame Quintet: pianist Ivo Neame, saxophonist/flautist Tori Freestone and vibraphonist Jim Hart. We also interview Italian drummer Mattia Bourgis, now based in Brighton, who performs later this month with Italian pianist Karim Blal. In his monthly column, Wayne McConnel l examines the life and work of the forgotten pianist Phineas Newborn Jr. The Sussex JAZZ MAG Monday 17th - Sunday 30th March 2014 CONTENTS click or touch the blue links to go to that page Improv Features The Jazz Education Section Guest Column: Improv Column: Julian Nicholas Wayne McConnell on Phineas Newborn Jr. Interviews with members of the Ivo Neame Quintet A Guide to Learning Jazz in Sussex Mattia Bourgis BJS Educators Conference Previews Listings Sam Miles Pete Hurt Highlights Mark Bassey Jazz Listings Paul Richards Mon 3rd - Sun 16th March Radio Programmes Podcasts On The Horizon You Tube Channels Venue Guide """"" Credits"" " Contact Us Features www.ivoneame.com Photo courtesy of Ivo Neame: Neame: of Ivo courtesy Photo Pianist Ivo Neame, together with quintet members Jim Hart and Tori Freestone answer questions ahead of their appearance at The Verdict in Brighton on Friday 28th March. Guest Column: Julian Nicholas Country Diary of a Nobody " With blue skies and frenetic think it brought feathered activity around the barn where I our scene some live on Hawthbush Farm, comes a sense of well- n e e d e d urgency and freshness following the attention and praise, and demonstrated sustained grey onslaught of wetness over that we could play beautiful and accessible the winter.
    [Show full text]
  • Jazzlondonlive Jan 2018
    JAZZLONDONLIVE JAN 2018 02/01/2018 ARCHDUKE, WATERLOO 19:30 FREE 04/01/2018 CLOCKTOWER CAFE, CROYDON 12:00 FREE BARRY GREEN 03/01/2018 PIZZAEXPRESS JAZZ CLUB, SOHO 19:00 DAVE LEWIS TRIO £20 02/01/2018 RONNIE SCOTT'S 19:30 £15 - £35 04/01/2018 LE QUECUMBAR, BATTERSEA 19:00 FREE 01/01/2018 BOATERS INN, KINGSTON 14:00 FREE SCOTT HAMILTON QUARTET BEATS & PIECES BIG BAND RESIDENCY - WITH BEFORE 8PM, £6 THEREAFTER MATT WATES QUARTET XMAS JAZZ SPECIAL Matt Wates - sax, Leon Greening, piano, Julian SPECIAL GUESTS! MAIN SHOW 03/01/2018 ARCHDUKE, WATERLOO 19:30 FREE ORIANA AND THE CHARMERS - FRENCH CHANSON Director: Ben Cottrell, Saxophones: Anthony Bury - double bass, Matt Fishwick - drums MARTIN BLACKWELL AND SWING Brown, Oliver Dover, Tom Ward, Trumpets: Owen Bryce, Aaron Diaz, Nick Walters,Trombones: Ed 01/01/2018 ROYAL FESTIVAL HALL, SOUTHBANK Horsey, Richard Foote, Rich McVeigh, Guitar: 03/01/2018 RONNIE SCOTT'S 19:30 £15 - £35 04/01/2018 PIZZAEXPRESS JAZZ CLUB, SOHO 19:00 CENTRE 15:00 FREE Anton Hunter, Keys: Richard Jones, Bass: Mick BEATS & PIECES BIG BAND RESIDENCY - WITH £20 Bardon, Drums: Finlay Panter, Sound engineer: NEW YEAR'S DAY CEILIDH CLORE BALLROOM Alex Fiennes SPECIAL GUESTS! MAIN SHOW SCOTT HAMILTON QUARTET Get ready to dance as the Ceilidh Liberation Director: Ben Cottrell, Saxophones: Anthony Front combines music, dance and a generous 02/01/2018 BULL'S HEAD, BARNES 20:00 £11 IN Brown, Oliver Dover, Tom Ward, Trumpets: Owen 04/01/2018 ARCHDUKE, WATERLOO 19:30 FREE sprinkling of theatrics to bring you Ceilidh music Bryce,
    [Show full text]
  • Konzerte Von Jazz in Willisau
    Alle Konzerte von Jazz in Willisau 1966 16. Dezember 1968 4. Oktober 1970 CHESTER GILL THE TRIO 16. Juli 1966 Chester Gill, g, voc John Surman, bs, ss, bcl THE SWINGHOUSE SIX Barre Phillips, b Ernst Gerber, ts Stu Martin, dr Willi Lang, tp 1969 Emil Frey, tb 1. November 1970 Peter Frei, b 3. März 1969 DAVE PIKE SET Hans Keller, p CHAMPION JACKDUPREE Dave Pike, vib Carlo Capello, dr Champion Jack Dupree, p, voc Volker Kriegel, g Hans Rettenbacher, b 11. November 1966 2. Mai 1969 Peter Baumeister, dr ILONA CAY & EDDIE BOYD, p, voc THE OLD TIME JAZZ BAND llona Cay, voc 28. Mai 1969 1971 Martin Grossenbacher, tp JAZZ IM FILM Rolf Rickenbacher, tb Joe Viera zeigt Jazzfilme 26. Januar 1971 Rolf Angst, cl THE TRIO Urs Walter, bj 14. Juni 1969 John Surman, bs, ss, bcl Fritz Tschumi, b EVAN PARKER & Barre Phillips, b Oski Furrer, dr PIERRE FAVRE TRIO Stu Martin, dr Evan Parker, ts ss Pierre Favre, dr 6. Februar 1971 1967 Peter KowaId, b THE NAKED HAMLET Irène Schweizer, p MUSIC ENSEMBLE 15. Juli 1967 John Tchicai, as, ss THE DIXIE FLYERS 14. Dezember 1969 Olé Thilo, p Henry Egli, cor DAVE PIKE SET Peter Warren, b Rolf Christen, tb Dave Pike, vib Pierre Favre, dr Carlo Induni, cl Volker Kriegel, g Peter Thomann, as Hans A. Rettenbacher, b 20. März 1971 George Scheibel, bj Alex Bally, dr MAKAYA meets Jost Egolf, p IRENE SCHWEIZER Franz Zürcher, b Makaya Ntshoko, dm Hugo Würsch, dr 1970 Irène Schweizer, p Jürg Grau, tp, g 15.
    [Show full text]
  • JAZZ in London S E P T E M B E R 2015
    JAZZ in London www.jazzinlondon.net S E P T E M B E R 2015 RONNIE SCOTT’S PizzaExpress Jazz Club 47 Frith St. Soho, London W1D 4HT 10 Dean St. London W1 reservations: 020 7439 0747 Reservations: 08456 027 017 www.ronniescotts.co.uk www.PizzaExpresslive.com S E P T E M B E R Tues 1 September EARL OKIN 1 - 2 MONTY ALEXANDER TRIO Wed 2 GWYNETH HERBERT QUARTET 3 - 5 DEODATO 6 THE HUMAN REVOLUTION Thur 3 ZEETIAH MASSIAH BAND featuring Rick Laughlin, Rob Hughes, Henry Collins ORCHESTRA featuring Robin Eubanks 7 - 12 STACEY KENT Fri 4 Jazz Souled Out - BEGGAR & CO 13 SOWETO KINCH BAND Sat 5 Jazz Souled Out - MYLES SANKO 14-15 ANTONIO FORCIONE Sun 6 (lunch) DEBORAH CAREW with presents Sketches of Africa John Crawford, Neville Malcolm & Chris Draper 16-17 COURTNEY PINE - House of Legends Sun 6 (eve) DEREK NASH ACOUSTIC QT featuring Mario Canonge with Dave Newton, Geoff Gascoyne, Sebastiaan de Krom 18-19 IAN SHAW & his Trio Mon 7 - Sat 12 JOHN ETHERIDGE with: plus special guest Miguel Gorodi 7 - 9 JOHN WILLIAMS 20 R onnie Scott’s BLUES EXPLOSION Thu10 VIMALA ROWE 21-22 GILAD ATZMON with Strings Fri 11 ZAPPATISTA’S with Annie Whitehead, - the music of Charlie Parker Steve Lodder, Simon Bates, Shanti Jayasinha 23-26 LOOSE TUBES Sat 12 SWEET CHORUS featuring Christian Garrick, Dave Kelbie, Andy Crowdy 27 NATALIE WILLIAMS - Soul Family 28-30 BEBEL GILBERTO Sat 12 (lunch) BEN WATERS BAND Sun 13 (lunch) THE BEVIN BOYS Sun 13 BETH ROWLEY London Latin Jazz Festival Mon 14 To be confirmed - see website Tue 15 - Thur 24 2 Sept-3 October.
    [Show full text]
  • Loose Tubes Open Letter Mp3, Flac, Wma
    Loose Tubes Open Letter mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Open Letter Country: Greece Released: 1988 Style: Contemporary Jazz MP3 version RAR size: 1246 mb FLAC version RAR size: 1911 mb WMA version RAR size: 1321 mb Rating: 4.2 Votes: 331 Other Formats: AU MOD MPC AAC ASF DTS AHX Tracklist Hide Credits Sweet Williams A1 8:54 Composed By – Django BatesPerformer [Solo] – Django Bates, Iain Ballamy, Steve Buckley Children's Game A2 5:27 Composed By – Eddie ParkerPerformer [Solo] – Tim Whitehead Sticklebacks A3 4:24 Composed By – Chris BatchelorPerformer [Solo] – Ashley Slater, Steve Buckley Blue A4 5:52 Composed By – Steve BerryPerformer [Solo] – Julian Argüelles The Last Word B1 6:39 Composed By – Eddie ParkerPerformer [Solo] – John Harborne, Mark Lockheart A B2 5:14 Composed By – John HarbornePerformer [Solo] – Chris Batchelor Accepting Suites From Strangers B3 7:39 Composed By – Django BatesPerformer [Solo] – Ashley Slater, Eddie Parker, Iain Ballamy Open Letter To Dudu Pukwana B4 8:05 Composed By – Dave DeFries*Performer [Solo] – Dave DeFries*, John Parricelli Credits Alto Saxophone, Soprano Saxophone, Flute – Iain Ballamy Alto Saxophone, Soprano Saxophone, Tin Whistle [Penny Whistle] – Steve Buckley Artwork By [Design] – Giant Baritone Saxophone, Soprano Saxophone – Julian Argüelles Clarinet, Bass Clarinet – Dai Pritchard Double Bass – Steve Berry Drums, Percussion – Steve Argüelles Engineer – Mike Walter Executive-Producer – Colin Lazzerini Flute, Bass Flute – Eddie Parker Guitar – John Parricelli Keyboards,
    [Show full text]
  • Jazzlondonlive Sept 2019
    02/09/2019 JAZZ CAFE, CAMDEN 19:00 £10 £15 £20 02/09/2019 THE OXFORD TAVERN, KENTISH TOWN 20:30 £8/£5 MUSICIANS JAZZLONDONLIVE SEPT 2019 01/09/2019 TOULOUSE LAUTREC, KENNINGTON 19:30 SAMBROSO ALL STARS PRESENT THE BUENA FREE FOR DINERS VISTA GIACOMO SMITH TRIO Giacomo Smith (saxophone), Dave Archer NOEMI NUTI FEAT. ANDREW MCCORMACK PIANO (guitar), Tom Farmer (double bass) 01/09/2019 OVAL TAVERN, CROYDON 13:00 BAR & RESTAURANT 02/09/2019 ARCHDUKE, WATERLOO 19:30 FREE Always keeping things fresh, the Noemi Nuti & JULIAN COSTELLO QUARTET JAZZ IN THE Andrew McCormack Duo include the very best JOE BICKERSTAFF SOLO PIANO 02/09/2019 TROUBADOUR, EARL’S COURT 20:30 FREE AFTERNOON songs from the American Songbook, light pop JO CALEB DUO JAZZ NIGHTS AT THE TROUBADOUR and soul music from the 60s onwards in a jazzy Jo Caleb (Guitar) + TBC style. 02/09/2019 RONNIE SCOTT'S, SOHO 19:30 £45 - £65 01/09/2019 RONNIE SCOTT'S, SOHO 13:00 £15-£20 GEORGIE FAME & THE BLUE FLAMES MAIN SHOW SUNDAY JAZZ LUNCH: JIVE ACES LUNCHTIME Georgie Fame vocals/organ/piano, Guy Barker - 02/09/2019 VORTEX JAZZ CLUB, DALSTON 20:30 £10.00 01/09/2019 BOATERS, KINGSTON 20:00 FREE SHOW trumpet, Alan Skidmore - tenor sax, Antony Kerr - Ian Clarkson - Lead Vocals & Trumpet, 'Big' John vibes, Tristan Powell - guitar, Alec Dankworth - CALUM GOURLAY BIG BAND NIGEL PRICE Calum Gourlay (bs) , tbc Fordham - Tenor Sax, Baritone Sax, Clarinet, Alex Nigel Price - guitar, Simon Carter - piano, Simon bass, James Powell - drums Douglas - Trombone, Vince 'Professor' Hurley - Thorpe - bass, Ed
    [Show full text]
  • MUSIC from out THERE, in HERE: 25 YEARS of the LONDON JAZZ FESTIVAL Emma Webster and George Mckay
    MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay Published in Great Britain in 2017 by University of East Anglia, Norwich NR4 7TJ, UK as part of the Impact of Festivals project, funded by the Arts and Humanities Research Council, under the Connected Communities programme. impactoffestivals.wordpress.com Acknowledgements This book is an output of the Arts and Humanities Research Council collaborative project The Impact of Festivals (2015-16), funded under the Connected Communities Programme. The authors are grateful for the research council’s support. At the University of East Anglia, thanks to project administrators Rachel Daniel and Jess Knights, for organising events, picture research, travel and liaison, and really just making it all happen smoothly. Thanks to Rhythm Changes and CHIME European jazz research project teams for, once again, keeping it real. Some of the ideas were discussed at jazz and improvised music festivals and conferences in London, Birmingham, Cheltenham, Edinburgh, San Sebastian, Europe Jazz Network Wroclaw and Ljubljana, and Amsterdam. Some of the ideas and interview material have been published in the proceedings of the first Continental Drifts conference, Edinburgh, July 2016, in a paper called ‘The role of the festival producer in the development of jazz in Europe’ by Emma Webster. George McKay has drawn on this research for a chapter called ‘Festivals’ in Francesco Martinelli (ed.) The History of European Jazz: The Music, Musicians and Audience in Context (Equinox, 2018). At Serious and the EFG London Jazz Festival, thanks to John Cumming, David Jones, Claire Whitaker; Ope Igbinyemi, Martel Ollerenshaw and Amy Pearce; and other Serious staff members past and present, particularly Louise Dennison and Piers Mason, for all their help in facilitating the research.
    [Show full text]
  • Jazzlondonlive Mar 2018
    Chris Biscoe (baritone), Alison Neale (alto) , 02/03/2018 VORTEX JAZZ CLUB, DALSTON 20:15 £40 Jeremy Brown (bass), Matt Fishwick (drums) 01/03/2018 RONNIE SCOTT'S, SOHO 23:30 £10 JAZZLONDONLIVE MAR 2018 A DUET WITH DAVE HOLLAND AND EVAN PARKER 01/03/2018 THE OTHER PALACE, VICTORIA 20:00 £25 RESOLUTION 88 LATE LATE SHOW Tom O'Grady - keys, Ric Elsworth - drums, FUNDRAISER FOR THE VORTEX A CENTURY OF 100 SONGS WITH TINA MAY Alex Hitchcock - tenor sax, Tiago Coimbra - Dave Holland (bs) , Evan Parker (sax) 01/03/2018 CLOCKTOWER CAFE, CROYDON 12:00 FREE electric bass & Felix Higginbottom - percussion PRESENTED BY JBGB EVENTS IAN BALLANTINE TRIO LUNCHTIME GIG The second in a series of five Thursday concerts 02/03/2018 BULL'S HEAD, BARNES 20:30 £11 ADV £13 showcasing 100 of the greatest songs of the 20th ON THE DOOR 01/03/2018 KINGS PLACE, N1 19:00 £12.50 century, performed by and featuring five of the UK’s greatest singers of jazz and popular music. 02/03/2018 ROYAL ALBERT HALL, KENSINGTON 12:00 GROOVE WARRIORS THE SEA OPENS: BEJAN MATUR AND STEFANO FREE Mikie Blak, vocals, Volker Janssen, keyboards, Kenji ‘Jammer’ Suzuku, guitar, top alto and tenor BATTAGLIA POET IN THE CITY 01/03/2018 606 CLUB, CHELSEA 20:30 £17 LAYALE CHAKER VERDI - ITALIAN KITCHEN saxophonist Mark Buckingham, bassist Tom Bejan Matur (poet) & Stefano Battaglia (pianist) "ALL FIRED UP" - TRIBUTE TO MAURICE WHITE Gilchrist, drummer Theo Buckingham & 02/03/2018 JAZZ CAFE, CAMDEN 19:00 £17 / £12 percussionist Chris Fletcher play classic soul & 01/03/2018 LE QUECUMBAR, BATTERSEA 19:00 FREE AND EARTH WIND & FIRE **606 CLUB SPECIAL** funk of the 70’s & 80’s.
    [Show full text]
  • Valuing British Music - Jazz Futures Transcript
    Valuing British music - Jazz futures Transcript Date: Tuesday, 24 April 2007 - 12:00AM VALUING BRITISH MUSIC - JAZZ FUTURES Professor Norton York Around 10 years ago I found myself in the old Vortex club in Stoke Newington, in the north of London. I was there at a sound check to meet a guitarist about some teaching work, and there playing in his band was one of my most talented former students, saxophonist Denys Baptiste. This was before his Mercury prize nominated album and after leaving the Guildhall jazz course. My teaching involvement with Denys had involved organising for Tim Whitehead to tutor him on sax, and getting him some gigs at the Brentford Watermans Arts Centre. In any case, it was great to see him and I asked him how his career was going. He updated me and then said 'but hey wouldn't it have been great if you had told us all how poor we'd be when we started work as jazz musicians?' Denys had been on a new course which I ran at what is now part of Brunel University, really designed as a foundation course for rock and pop musicians. My reply was that actually I had taught a course - aimed at the pop and rock market - all about how musicians made money, But two things had probably got in the way of Denys using that information at the time. One was that Denys - like many young musicians - chose back then not to engage with much enthusiasm with the business side of music. That will never change completely, but I believe that young musicians are now increasingly realising the essential need to understand how their career chances may be best achieved by managing their business affairs properly and actively.
    [Show full text]