ISAIA 2018 the 12Th International Symposium on Architectural Interchanges in Asia
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Company Brochure
CIVIL PLANNING & DESIGN NIKKEN Group Overview The NIKKEN Group, experts in cutting-edge social environmental design, is a comprehensive group of enterprises that engages in research, planning and consulting covering design, supervision, urban planning and all aspect of their lifecycles. ● A group of 2,500 specialists Our specialists in wide-ranging fields boldly meet challenges in an array of architectural, urban and environmental fields. ● Design & technology and management The Group actively addresses issues in property management, project management and other fields based on its expertise honed in architectural design, structural, facility and other technologies. ● Global vision and activities With global companies as its clients, the Group has built a solid track record in more than 40 countries worldwide, including Asia, derived from project management and technological expertise at the international level. ● More than 100 years of tradition and 25,000 projects completed NIKKEN SEKKEI, the core group company founded in 1900, has gained the trust of clients through more than 25,000 projects successfully completed. ● Neutrality and transparency The NIKKEN Group ensures the independence of management and strictly upholds neutrality and transparency, which are essential for consulting services. Corporate philosophy and management policies NIKKEN GROUP POLICY Contributing to society through valuable work In turn, helping individuals to grow and thrive and companies to continue developing 1 Management Policies and company overview Constantly pursuing self-revitalization and individuality as a member of the NIKKEN Group, aiming for sustainable development through valuable work contributing to communities NIKKEN SEKKEI's civil engineering division traces its roots to 1919, when the Osaka Hokko Wharf Company was established to renovate Osaka North Port and develop the surrounding area in what is called a private finance initiative (PFI) today. -
Introducing Tokyo Page 10 Panorama Views
Introducing Tokyo page 10 Panorama views: Tokyo from above 10 A Wonderful Catastrophe Ulf Meyer 34 The Informational World City Botond Bognar 42 Bunkyo-ku page 50 001 Saint Mary's Cathedral Kenzo Tange 002 Memorial Park for the Tokyo War Dead Takefumi Aida 003 Century Tower Norman Foster 004 Tokyo Dome Nikken Sekkei/Takenaka Corporation 005 Headquarters Building of the University of Tokyo Kenzo Tange 006 Technica House Takenaka Corporation 007 Tokyo Dome Hotel Kenzo Tange Chiyoda-ku page 56 008 DN Tower 21 Kevin Roche/John Dinkebo 009 Grand Prince Hotel Akasaka Kenzo Tange 010 Metro Tour/Edoken Office Building Atsushi Kitagawara 011 Athénée Français Takamasa Yoshizaka 012 National Theatre Hiroyuki Iwamoto 013 Imperial Theatre Yoshiro Taniguchi/Mitsubishi Architectural Office 014 National Showa Memorial Museum/Showa-kan Kiyonori Kikutake 015 Tokyo Marine and Fire Insurance Company Building Kunio Maekawa 016 Wacoal Building Kisho Kurokawa 017 Pacific Century Place Nikken Sekkei 018 National Museum for Modern Art Yoshiro Taniguchi 019 National Diet Library and Annex Kunio Maekawa 020 Mizuho Corporate Bank Building Togo Murano 021 AKS Building Takenaka Corporation 022 Nippon Budokan Mamoru Yamada 023 Nikken Sekkei Tokyo Building Nikken Sekkei 024 Koizumi Building Peter Eisenman/Kojiro Kitayama 025 Supreme Court Shinichi Okada 026 Iidabashi Subway Station Makoto Sei Watanabe 027 Mizuho Bank Head Office Building Yoshinobu Ashihara 028 Tokyo Sankei Building Takenaka Corporation 029 Palace Side Building Nikken Sekkei 030 Nissei Theatre and Administration Building for the Nihon Seimei-Insurance Co. Murano & Mori 031 55 Building, Hosei University Hiroshi Oe 032 Kasumigaseki Building Yamashita Sekkei 033 Mitsui Marine and Fire Insurance Building Nikken Sekkei 034 Tajima Building Michael Graves Bibliografische Informationen digitalisiert durch http://d-nb.info/1010431374 Chuo-ku page 74 035 Louis Vuitton Ginza Namiki Store Jun Aoki 036 Gucci Ginza James Carpenter 037 Daigaku Megane Building Atsushi Kitagawara 038 Yaesu Bookshop Kajima Design 039 The Japan P.E.N. -
(Reference 2) About the National Museum of Western Art, Tokyo 1
(Reference 2) About the National Museum of Western Art, Tokyo 1. Overview The National Museum of Western Art is the only Le Corbusier–designed architecture in Japan. The museum was built to house artworks (paintings, sculptures and etc.) that had been collected by a businessman Kojiro Matsukata and stored in Paris, then had belonged to the French government at the end of World War II. Most of the collection was returned to the Japanese government in 1953 under the condition that a new art museum be constructed for academically conveying the history of Western art to the Japanese people. The Japanese government built the National Museum of Western Art in Tokyo’s Ueno Park to fulfil this condition. Le Corbusier was selected to design the museum, with his former apprentices Kunio Maekawa, Junzo Sakakura and Takamasa Yoshizaka and the Engineering Division, Educational Facilities Construction Department, Ministry of Education, Science and Culture (then) providing design assistance and construction supervision. Construction began in March 1958 and was completed in March 1959. The Main Building of the museum is known for embodying the architect’s idea of a “museum of unlimited growth (Musée à croissance illimitée)” in the flat roof, the shapes of square, the spiraling corridors and the floor plan that allowed expansion of the museum’s holdings by spiraling out. The museum is valuable because it clearly demonstrates Le Corbusier’s design concepts such as pilotis (the first-floor support columns with no walls that connect the space underneath to the surrounding environment), the rooftop garden, ramps, lighting design that uses natural light, the Modulor (Le Corbusier’s system of measurements based on human proportions and the golden ratio), reflecting the overall outstanding universal value of the work of the world-renowned architect, Le Corbusier, who represents architects of the twentieth century. -
Cbdm Final Report
Sustainability in Grass-Roots Initiatives Focus on Community Based Disaster Management April 2003 United Nations Centre for Regional Development Disaster Management Planning Hyogo Office EDITORS: Rajib Shaw Kenji Okazaki DESIGN & LAYOUT: Yuriko Tsunehiro NOTE: Opinions expressed in signed contributions are those of the author(s) and do not necessarily reflect those of the United Nations Secretariat or of the United Nations Centre for Regional Development. Designations employed and presentations of material in this publication do not imply the expression of any opinion whatsoever on the part of the United Nations Secretariat, the United Nations Centre for Regional Development, concerning the legal status of any country or territory, city or area, or of its authorities, or concerning the delimitation of its frontiers or boundaries. Table of Contents ACKNOWLEDGEMENTS○○○○○○○○○○○○○○○○○○○ i ○○○○○○○○○○○○○○○○○○○○ PREFACE○○○○○○○○○ ii ○○○○○○○○ 1. EXECUTIVE SUMMARY○○○○○○○○○○ 1 Rajib Shaw, UNCRD ○○○○○○○ 2. INTRODUCTION○○○○○○○○○○○○○○○ 5 Rajib Shaw, UNCRD 3. ISSUES AND POLICY○○○○○○○○○○○○○○○○○○○○ 11 Sanny R Jegillos, IDRM ○○○○○○○○○○○ 4. METHODOLOGY○○○○○○○○○○○ 19 Sanny R Jegillos, IDRM 5. LESSONS LEARNED○○○○○○○○○○○○○○○○○○○ 29 5.1 Bangladesh Experience ○○○○○○○○○○○○○○ 30 Sajedul Hasan, CARE Bangladesh 5.2 Cambodia Experience ○○○○○○○○○○○○○○ 38 Uy Sam Ath, Cambodian Red Cross ○○○○○○○○○○○○ 5.3 India Experience ○○○○○○○ 44 Manu Gupta, SEEDS 5.4 Indonesia Experience ○○○○○○○○○○○○○○○○ 50 Harkunti Rahayu, ITB 5.5 Nepal Experience ○○○○○○○○○○○○○○○○○○○ 58 Amod Dixit, -
L E C Orbusier, N a Tional Museum of W Es Tern Art, Tok Yo , Japan , 1959
Le Corbusier, National Museum of Western Art, Tokyo, Japan, 1959. © NMWA, 2007. ESSAYS National Museum of Western Art as Important Cultural Property of Japan: its Evolution and Historical Value BY YOSHIYUKI YAMANA AND KYO FUKUDA Starting with the conception of the World Museum as part of the 1929 Mundaneum project, Le Corbusier continued to develop and refine that concept. The main building of the National Museum of Western Art completed in 1959, was also designed as a Museum of Unlimited Expansion prototype. NMWA has un- dergone conservation work and seismic base isolation work a number of times, and is therefore in generally good condition. The principal conservation works to the main building since its completion is summarized in this essay, along with other construction, extension and maintenance work carried out on the grounds. The National Museum of Western Art (NMWa), in Tokyo, because of this, the museum site were officially listed as a was constructed in April 1959 in order to house and Registered Monument/Place of Scenic Beauty on July 23, display the Matsukata Collection, after its repatriation to 2009. 53 – 2015/2 Japan as a gift of the French government. The main building of the NMWa is a realization of such The Matsukata Collection originated as a collection elements of Le Corbusier’s Five Points of a New Architecture as of works of European painting and sculpture, assembled the use of pilotis, a roof garden, and a free plan. Employing and purchased between 1916 and 1923 by MaTSUKaTa Le Corbusier’s signature Modulor approach to proportions docomomo Kojiro, first president of the Kawasaki Dockyard Compa- throughout its design, the building is also one of only three ny, using his private fortune. -
English English
TheThe Nineteenth Nineteenth Century Century Hall Hall TheThe Second Second Floor Floor Exhibition Exhibition Room Room Le Corbusier himself named this hall located at the center of the building and intended to be the This exhibition room is arranged around the Le Corbusier himself named this hall located at the center of the building and intended to be the This exhibition room is arranged around the heart of the museum. Its open space rising freely up into places on the mezzanine and second floor Nineteenth Century Hall, and the high and low heart of the museum. Its open space rising freely up into places on the mezzanine and second floor Nineteenth Century Hall, and the high and low allows visitors to appreciate the complex spatial composition. ceilings and walls with openings allow visitors allows visitors to appreciate the complex spatial composition. ceilings and walls with openings allow visitors to appreciate the transition between open and to appreciate the transition between open and compressed spaces. TriangularTriangular Skylight Skylight compressed spaces. On a clear day, sunlight fills the hall with natural light On a clear day, sunlight fills the hall with natural light from the north-facing triangular window. from the north-facing triangular window. BalconiesBalconies The two balconies overlooking the Nineteenth The two balconies overlooking the Nineteenth Supporting Columns and Beams Century Hall allow visitors to appreciate the complex Supporting Columns and Beams Century Hall allow visitors to appreciate the complex Concrete columns and beams are poured in filled spatial composition of the building by providing a Concrete columns and beams are poured in filled spatial composition of the building by providing a Japanese pine frames so the texture of the wood view down onto the hall below and into the exhibition Japanese pine frames so the texture of the wood view down onto the hall below and into the exhibition grain is beautifully visible. -
THE JAPANESE HOUSE Architecture & Life After 1945
THE JAPANESE HOUSE Architecture & Life after 1945 Tradition and innovation the interpretation of the house by over 50 Japanese architects capable of recounting an entire culture 9 November 2016 – 26 February 2017 www.fondazionemaxxi.it Rome 8 November 2016 . In the Japan devastated by the Second World War and economically incapable of planning large-scale public settlements, the cities slowly transformed into vital, apparently disordered and continually expanding entities in which small single-family dwellings were built, demolished and reconstructed without pause. From 9 November 2016 to 26 February 2017 with the exhibition The Japanese House. Architecture & Life after 1945 co-produced with the Japan Foundation, the Barbican Centre and the Tokyo Museum of Modern Art, MAXXI will be presenting the centrality of the theme of domestic architecture in Japanese society through the work of archistars such as Kenzo Tange, Toyo Ito, Kazuyo Sejima and Shigeru Ban , that of a number of their masters, hitherto less well known in the West, such as Seike Shirai, Kazuo Shinohara and Kazunari Sakamoto as well as a group of extraordinarily promising young designers. The exhibition was born out of an idea by Kenjiro Hosaka and Yoshiharu Tsukamoto and is curated by Pippo Ciorra , Senior Curator at MAXXI Archittetura directed by Margherita Guccione, in collaboration with Kenjiro Hosaka (National Museum of Modern Art, Tokyo) and Florence Ostende (Barbican Centre, London) with consultancy from Yoshiharu Tsukamoto (Atelier Bow-Wow / Tokyo Institute of Technology). This is the first exhibition in Italy dedicated to a theme that has produced some of the most influential and extraordinary examples of modern and contemporary architecture. -
Download Book of Abstracts
SPONSORED BY: International Colour Association The Color Science Association of Japan IN COOPERATION WITH: Ministry of Foreign Affairs Ministry of Education, Science, Sports and Culture Ministry of Construction Agency of Industrial Science and Technology, MITI Kyoto Prefectural Government Kyoto Municipal Government SUPPORTED BY: Architectural Institute of Japan The Illuminating Institute of Japan The Institute of Electrical Engineers of Japan The Institute of Electronics and Communication Engineers of Japan The Institute of Imaging Electronics Engineers of Japan The Institute of Television Engineers of Japan Japan Ergonomics Research Society Japanese Institute of Landscape Architecture Japanese Ophthalmological Society The Japanese Psychological Association The Japanese Psychonomic Society Japanese Society for the Science of Design The Japanese Society of Printing Science and Technology Japan Society for Interior Studies The Japan Society of Image Arts and Sciences The Japan Society of Home Economics Optical Society of Japan The Society of Fiber Science and Technology, Japan The Society of Photographic Science and Technology of Japan Japan National Tourist Organization This International Scientific Congress, which is held with participants from both home and abroad is jointly supported by The Ministry of Education, Science, Sports and Culture who provided a Grant-in-Aid for Publication of Scientific Research Results and a Grant-in-Aid for Scientific Research for the fiscal year 1996. TABLE OF CONTENTS-------.... CONGRESS INFORMATION · -
Mechanics Down Under (Frontmatter Pages)
Mechanics Down Under James P. Denier · Matthew D. Finn Editors Mechanics Down Under Proceedings of the 22nd International Congress of Theoretical and Applied Mechanics, held in Adelaide, Australia, 24–29 August 2008 ABC Editors Prof. James P. Denier Dr. Matthew D. Finn Department of Engineering Science School of Mathematical Sciences The University of Auckland The University of Adelaide Auckland South Australia New Zealand Australia Additional material to this book can be downloaded from http://extras.springer.com ISBN 978-94-007-5967-1 e-ISBN 978-94-007-5968-8 DOI 10.1007/978-94-007-5968-8 Springer Dordrecht Heidelberg New York London Library of Congress Control Number: 2012953386 c Springer Science+Business Media Dordrecht 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center. -
Japan and the League of Nations
Japanese history Burkman Of related interest (Continued from front flap) THE THOUGHT WAR ment concepts and plans, and the settlement Japanese Imperial Propaganda apan joined the League of Nations in 1920 JAPAN JAPAN J of border disputes in Europe. This study is Barak Kushner as a charter member and one of four perma- enlivened by the personalities and initiatives nent members of the League Council. Until of Makino Nobuaki, Ishii Kikujiro¯, Nitobe 2006, 254 pages, illus. conflict arose between Japan and the organiza- Inazo¯, Matsuoka Yo¯suke, and others in their Paper ISBN: 978-0-8248-3208-7 tion over the 1931 Manchurian Incident, the Geneva roles. The League project ushered League was a centerpiece of Japan’s policy to “Completely individual and very interesting. Kushner’s book is, I think, those it affected to world citizenship and in- maintain accommodation with the Western the first to treat propaganda as a profession in wartime Japan. He follows it spired them to build bridges across boundaries powers. The picture of Japan as a positive and cultures. The author sheds new light on through its various stages and is particularly interested in its popular accep- and the contributor to international comity, however, the meaning and content of internationalism tance—wartime comedy, variety shows, how entertainers sought to bolster is not the conventional view of the country in in an era typically seen as a showcase for dip- their careers by adopting the prewar message, which then filtered down into the early and mid-twentieth century. Rather, lomatic autonomy and isolation. Well into the society and took hold. -
Encyclopedia of Japanese History
An Encyclopedia of Japanese History compiled by Chris Spackman Copyright Notice Copyright © 2002-2004 Chris Spackman and contributors Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.1 or any later version published by the Free Software Foundation; with no Invariant Sections, with no Front-Cover Texts, and with no Back-Cover Texts. A copy of the license is included in the section entitled “GNU Free Documentation License.” Table of Contents Frontmatter........................................................... ......................................5 Abe Family (Mikawa) – Azukizaka, Battle of (1564)..................................11 Baba Family – Buzen Province............................................... ..................37 Chang Tso-lin – Currency............................................... ..........................45 Daido Masashige – Dutch Learning..........................................................75 Echigo Province – Etō Shinpei................................................................ ..78 Feminism – Fuwa Mitsuharu................................................... ..................83 Gamō Hideyuki – Gyoki................................................. ...........................88 Habu Yoshiharu – Hyūga Province............................................... ............99 Ibaraki Castle – Izu Province..................................................................118 Japan Communist Party – Jurakutei Castle............................................135 -
The Japanese Navy in 1941
THE PACIFIC WAR PAPERS .......................... 10771$ $$FM 02-08-05 09:29:45 PS PAGE i ALSO BY THE AUTHORS By Donald M. Goldstein and Katherine V. Dillon: The Williwaw War (1992) The Pearl Harbor Papers: Inside the Japanese Plans (1993) Amelia: The Centennial Biography of an Aviation Pioneer (1997) By Donald M. Goldstein and Katherine V. Dillon, with J. Michael Wenger: The Way It Was: Pearl Harbor: The Original Photographs (1991) D-Day Normandy: The Story and Photographs (1993) ‘‘Nuts!’’ The Battle of the Bulge: The Story and Photographs (1994) Rain of Ruin: The Hiroshima and Nagasaki Atomic Bombs (1995) The Vietnam War: The Story and Photographs (1997) The Spanish-American War: The Story and Photographs (1998) By Donald M. Goldstein and Katherine V. Dillon, with Gordon W. Prange: At Dawn We Slept: The Untold Story of Pearl Harbor (1981) Miracle at Midway (1982) Target Tokyo: The Story of the Sorge Spy Ring (1984) Pearl Harbor: The Verdict of History (1987) December 7, 1941: The Day the Japanese Attacked Pearl Harbor (1988) God’s Samurai: Lead Pilot at Pearl Harbor (1990) By Donald M. Goldstein and Katherine V. Dillon, with Masataka Chihaya: Fading Victory: The Diary of Admiral Matome Ugaki (1991) By Donald M. Goldstein and Harry J. Maihafer: The Korean War: The Story and Photographs (2000) America in World War I: The Story and Photographs (2003) By Donald M. Goldstein, Phil Williams, and J. M. Shafritz: Classic Readings of International Relations (1998) By Donald M. Goldstein, Phil Williams, and Hank Andrews: Security in Korea: War, Stalemate and Negation (1994) .........................