Tactical Dramaturgies: Media, the State, and the Performance of Place-Based Activism
Tactical Dramaturgies: Media, the State, and the Performance of Place-Based Activism by Jeffrey Gagnon A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Drama, Theatre, and Performance Studies University of Toronto © Copyright by Jeff Gagnon 2021 Tactical Dramaturgies: Media, The State, And the Performance of Place-Based Activism Jeff Gagnon Doctor of Philosophy Centre for Drama, Theatre, and Performance Studies University of Toronto 2021 Abstract This dissertation seeks to develop a theory of protest as it relates to the tactics and mobilizations of specific groups and the performance of their ethical, aesthetic, and philosophical responses to the contested relationships between state and space. In doing so, I make use of theoretical frameworks provided by performance, the social production of space, and media theories in order to develop a theoretical analysis of resistant practices of Idle No More, Occupy Wall Street, and the Zapatista Army of National Liberation (EZLN). In these sites I explore moments of performative resistance that challenge the supremacy of state power, dominion over language and voice, control of the body, and agency over space. Primarily informed by Marxist spatial theory, supplemented by additional postcolonial and feminist theory and Indigenous knowledges, I examine digitally-enabled networks of solidarity and place-based activism that take up a critical stance towards digital networks, technologies, and cultures. My theoretical fusion of Henri Lefebvre, Brechtian performance traditions, and Glen Coulthard’s challenge to recognition politics, generates for me a form of critique that makes the case for an inclusive and empowering spatial ethics.
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