Visits to Tourist Attractions in Wales 2017
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Amgueddfa Cymru: Inspiring Wales Contents
Amgueddfa Cymru: Inspiring Wales contents your national museums 3 introduction: bringing our museums to life 5 bringing the past to life 7 understanding our landscape 9 beyond buildings 11 reaching out 13 celebrating learning 15 highlights 19 supporters and donors 23 Published in 2010 by Amgueddfa Cymru – National Museum Wales Cathays Park, Cardiff, CF10 3NP, Wales. © the National Museum of Wales Text: Heledd Fychan Editing and production: Mari Gordon Design: A1 Design, Cardiff Printed by: Zenith Media All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electrical, mechanical or otherwise, without the prior permission in writing of the National Museum of Wales, or the copyright owner(s), or as expressly permitted by law. Enquiries concerning reproduction outside the scope of the above should be sent to the Publications Department, National Museum Cardiff, CARDIFF CF10 3NP. Printed on Challenger White Pulpboard made from ECF pulp from sustainable forests. Inspiring Wales Inspiring Wales 1 National Museum Cardiff Discover art, archaeology, natural history and geology. Explore our past in Origins: In Search of Early Wales, enjoy works from one of the finest art collections in Europe, find out how life evolved in Wales and which your national museums dinosaurs roamed the land. Entry is free to Wales’s seven national museums The National Roman Legion Museum The Museum lies within the ruins of the Roman fortress and offers the only remains of a roman legionary barracks on view anywhere in Europe plus Britain’s most complete amphitheatre. -
Managing Online Communications and Feedback Relating to the Welsh Visitor Attraction Experience: Apathy and Inflexibility in Tourism Marketing Practice?
Managing online communications and feedback relating to the Welsh visitor attraction experience: apathy and inflexibility in tourism marketing practice? David Huw Thomas, BA, PGCE, PGDIP, MPhil Supervised by: Prof Jill Venus, Dr Conny Matera-Rogers and Dr Nicola Palmer Submitted in partial fulfilment for the award of the degree of PhD University of Wales Trinity Saint David. 2018 i ii DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed (candidate) Date 15.02.2018 STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where correction services have been used, the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed (candidate) Date 15.02.2018 STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter- library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date 15.02.2018 STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for deposit in the University’s digital repository. Signed (candidate) Date 15.02.2018 iii iv Abstract Understanding of what constitutes a tourism experience has been the focus of increasing attention in academic literature in recent years. For tourism businesses operating in an ever more competitive marketplace, identifying and responding to the needs and wants of their customers, and understanding how the product or consumer experience is created is arguably essential. -
What Happy Museum Has Achieved Since Its Launch in 2011
Happy Museum (HM) stimulates and supports museum practice that places wellbeing within an environmental and future-facing frame, rethinking museums’ role in creating more resilient people, places and planet. Through academic research, thought leadership, peer networking, advocacy, training and action, HM works directly with over 70 UK museums and impacted many more through events and an online presence which stretches globally. The Community of Practice’s vision for HM is of: A space to experiment with museum practice, through principles of care, inclusion and collaboration, in a critical time of change. What Happy Museum has achieved since its launch in 2011 Since 2011, and with investment from PHF, ACE, CyMAL and the Wales Federation of Museums, HM has: Funded creative interventions in 22 museumsi leading to individual development and organisational change (2011 - 14). Undertaken evaluation using the Story of Change taking learning from creative interventions and research to develop a set of common principles - see below. Created a suite of case studies, evaluation tools and resources for use by the wider sector with a re- launched website (happymuseum.org) to guide practitioners in How to Be a HM. In 2015 brought together 6 museumsii in an in-depth 5-year study into the impact of action research and peer learning on individual, organisational and community resilience. In 2017-8, recruited 17 Affiliateiii organisations to form an expanded Community of Practice, engaging c 200 participants from museum teams, volunteers, partners and communities with the HM principles, developing new practice and sharing learning through facilitated workshops and pairings. Held regular symposia bringing the Community of Practice alongside representatives from think tanks, NGOs and academia in fields such as energy, public health, economics, psychology and neuroscience. -
Experience the Bayscape Lifetsyle
bayscape CARDIFF MARINA SAIL INTO YOUR NEW HOME BAYSCAPE • CARDIFF MARINA BAYSCAPE • CARDIFF MARINA HISTORIC HARBOURSIDE “Cardiff owes much of its history to the During this time, Butetown and the After the Second World War, however, Industrial Revolution of the 1790’s, which surrounding dockland area grew into a demand for coal slumped and stimulated mining in the valleys of South cosmopolitan community with seafarers international markets were lost as other Wales. It also gave rise to the building from all around the world making Cardiff countries developed their own steel of the Glamorganshire Canal in 1794, their home. It is estimated that people industries. Trade was increasingly lost to which brought iron and coal down from from at least 50 nationalities settled in container ports and by the 1960’s coal the valleys. As this industry expanded this area, which became known as ‘Tiger exports had virtually ceased. In 1978 East it became obvious that a more efficient Bay’ This kaleidoscope of settlers helped Moors Steelworks closed with the loss of form of transport was required and in to build the docks, worked aboard 3,200 jobs and this dealt a further blow 1840 the Taff Vale Railway opened. the ships and helped to service this to South Cardiff. industrial and maritime city. This rapidly increasing iron and coal Today, the Cardiff docklands area is trade was also the catalyst for the By the 1880’s, Cardiff had transformed known as Cardiff Bay and it has been construction of a number of docks from one of the smallest towns in Wales transformed by the Cardiff Barrage that during the 1830’s. -
First World War Commemorations in Wales: Planning for 2014- 2018
Updated in July 2013 First World War Commemorations in Wales: Planning for 2014- 2018 Feedback from the 3 events held in January and February 2013 Contents 1. Introduction 2. Initial Stakeholder Planning Discussions 3. Roles of CyMAL: Museums, Archives and Libraries Wales and the Heritage Lottery Fund 4. The First World War Centenary Programme Board 5. The View beyond Wales 6. The Discussion Framework 1 Updated in July 2013 1. Introduction 1.1 The next few years will see a particular public focus on the commemoration of the First World War. This was a period of history that had an impact on every town, village and community across Wales with the loss of so many young men. Organisations throughout the nation are already considering how they can tell the stories of such a turbulent time. 1.2 The Welsh Government has instigated a stakeholder discussion on the planning process for First World War commemorations. The aim will be to reach as many individuals, groups, communities and organisations which have an interest in taking part in their own commemorations or working in partnership to develop joint activities. 1.3 Carwyn Jones AM, First Minister, has appointed Prof Sir Deian Hopkin to advise him and the Government on how Wales should prepare an appropriate and interesting framework of commemorative activities, exhibitions and events which will result in a lasting digital legacy for Wales. 2. Initial Stakeholder Planning Discussions 2.1 Three initial events were held in Cardiff on 22 January 2013, Llandudno Junction on 28 January 2013 and Builth Wells on 15 February 2013. -
The Cefn Cefn Mawr.Pdf
FORWARD All the recommendations made in this document for inclusion in the WCBC LDP2 are for the betterment of our community of The Cefn and Cefn Mawr at the Central section of the Pontcysyllte World Heritage Site. The picture opposite is an impression of what the Plas Kynaston Canal and Marina would look like with Open Park Land on one side and an appropriate housing development on the other. This would turn the former brown field Monsanto site in Cefn Mawr around for everyone in the county of Wrexham. By the PKC Group LDP2 - THE CEFN & CEFN MAWR LDP2 - THE CEFN & CEFN MAWR Contents Introduction ............................................................................................................................................ 5 Public Support ........................................................................................................................................ 5 Communication ...................................................................................................................................... 6 LDP2 Introduction .................................................................................................................................. 7 LDP2 Objectives & PKC Group Responses ............................................................................................. 7 The Cefn & Cefn Mawr and Wrexham County .................................................................................... 10 Key Issues and Drivers for the LDP2 & Responses ............................................................................. -
Amgueddfa Cymru – National Museum Wales Financial Report 2018/19
AMGUEDDFA CYMRU – NATIONAL MUSEUM WALES FINANCIAL REPORT 2018/19 CONTENTS Page number FINANCIAL REPORT OF THE BOARD OF TRUSTEES OF THE NATIONAL MUSEUM OF WALES 1 Performance 1.1 Overview of Performance 2 1.2 Performance Analysis 7 2 Accountability 2.1 Corporate Governance Report 2.1.1 Directors’ Report 20 2.1.2 Statement of the Board of Trustees and Director General’s Responsibilities 22 2.1.3 Annual Governance Statement 23 2.2 Remuneration and Staff Report 34 2.3 Audit Report 41 STATEMENT OF FINANCIAL ACTIVITIES 44 BALANCE SHEET 45 CASHFLOW STATEMENT 46 NOTES TO THE ACCOUNTS 47 Financial Report of the Board of Trustees of the National Museum of Wales SECTION 1: PERFORMANCE Section 1.1 Overview of Performance Achievements in 2018/19 For the second year in a row, our visitor figures hit an all-time record, with 1,887,376 visitors to the seven national museums. This was an increase of 110,804 on 2017/18. 2013/14 2014/15 2015/16 2016/17 2017/18 2018/19 Visits 1,629,196 1,685,954 1,674,807 1,549,603 1,776,572 1,887,376 This once again cements the success of the policy of free entry policy to the national museums in Wales, which was introduced by the Welsh Government in 2001/02. Visitor figures in 2018/19 were 147% higher than they were before this policy. In October, we made history with the completion of the £30m redevelopment of St Fagans National Museum of History, a project that was made possible with significant support from the National Lottery Heritage Fund and the Welsh Government, as well as gifts from trusts, foundations and individuals. -
An Unintended Community in the Welsh Hinterland
AN UNINTENDED COMMUNITY IN THE WELSH HINTERLAND Networks, Lifestyles, Relationships David Frost 2 An Unintended Community in the Welsh Hinterland - Networks, Lifestyles, Relationships Starting in the late 1970s, not long after I joined the urban exodus that saw significant inward migration to rural Wales, I kept a file of notes and observations on the situation and experiences of those around me who had moved to West Wales. Thirty years on, at the turn of the millennium, I made a summary and in this paper I discuss the main social trends that I identified at the time, adding additional and more recent material. Migration and social networks My earliest observation was that the migrants had come from many different, overwhelmingly urban, places and I pondered the reasons why they had moved to Wales; and whether, having assembled themselves in the hinterlands of Machynlleth, Aberystwyth, Tregaron, Aberaeron and Cardigan, they had become a community, albeit a loose-knit and spatially dispersed one. One reason for their migration seemed to be the persistence of the rural idyll, a romantic yearning for an idealised countryside, which I examined in my article for the Organic Grower Magazine, “Mud on the Tracks” (2016). Part of the rural idyll is the notion of community, and many writers have contrasted the community life of rural society with the supposedly atomised life of urban society. My search of the literature on rural communities led me to the conclusion however, that our 1970s migration to West Wales was a variant of what sociologists call intentional communities, which are also known as utopian communities. -
Judith Newton Visit Wales, Marketing Manager – Multi Market
Clare Dwight Visit Wales, Senior Tourism Marketing Manager (B2B) Judith Newton Visit Wales, Marketing Manager – Multi Market Shuna Williams Cadw, Commercial Manager Jenny Walford Amgueddfa Cymru - National Museum Wales, Brand Manager Laura Smart National Trust Wales, Visitor Journey Development Manager Luke Potter National Trust Wales, Assistant Director of Operations North Wales …and the wider industry. • Wales Guidance & Re-opening (latest) • Attractions re-opening: o Cadw o Amgueddfa Cymru - National Museum Wales o National Trust • What’s new in Wales • How Visit Wales can help you • Questions? Caerleon Roman Amphitheatre (gladiators fighting), near Newport, Wales TRAVEL RESTRICTIONS: There are currently no restrictions in place for travel into or out of Wales as long as you are travelling to or from a country within the UK or wider Common Travel Area (Ireland, Isle of Man and the Channel Islands); and there are no travel restrictions there. GUIDANCE FOR TRANSPORT OPERATORS WHICH BUSINESSES ARE ABLE TO OPEN RESTRICTIONS ON GATHERINGS (see organised activities/household rules) ANY HOSPITALITY RESTRICTIONS As well as anything arising in the Welsh Government regulations and guidance. Currently allowed to open (Wales is now at Alert Level 3): Self-contained accommodation Day visits to outdoor All retail – essential & non-essential attractions and retail Outdoor attractions (including funfairs and theme parks) (within guidance and regulations) Outdoor hospitality (rule of 6 outdoors) Children’s indoor activities; organised indoor activities for up to 15 adults Extended households (including in self-contained accommodation) Indicated, from 17 May (Alert Level 2): Multi-day tours and All remaining accommodation (to single/extended households) overnight stays Indoor hospitality & regulated premises (rule of 6 indoors & outdoors) (within guidance and Indoor visitor attractions regulations) Entertainment venues Number limits on organised activities for adults increase to 50 outdoors, 30 indoors. -
Summer Cloch Maelor 3
Cloch Maelor Coedpoeth & Minera Summer Edition 2019 Welcome to our summer edition of Cloch Wales Air Ambulance: Maelor: Congratulations to Rhos Cllr Paul Pemberton, who has just successfully completed a ‘British Banger’ The weather during spring was somewhat mixed, hav- trek from Wales to Benidorm, raising funds for Wales ing had some light snow, storms with very high winds, Air Ambulance. Travelling 2020 miles, his banger of hail and a fair amount of rain, we also had a number of an old Ford Mondeo never missed a beat! Sadly at sunny and quite warm days. All in all spring passed the time of writing, this old trusty vehicle has been with a fizzle more than with a bang! I am sure we are dispatched to the scrapyard. all keeping our fingers crossed for a warm, if not hot, summer — to have two in succession would be a bo- Paul at present has raised over £3000 for the charity nus, if not a rarity. However, we have to accept what and counting, the final figure is still being calculated, comes, we can not change it, but here is hoping for a but whatever the total is, it will be gratefully received good one. by Wales Air Ambulance. There is much occurring in the village and our sur- By all accounts a good time was had by all, and all in rounding communities during the summer months, and the name of a great facility. Well done to Paul and his I would like to take the opportunity of thanking every- team. one who has made me aware of events and locations of the activities, as it makes my task very much easier. -
Country Walks Around Wrexham
Country Walks around Wrexham Coedpoeth – Nant Mill Country Park – Clywedog Trail – Minera Lead Mines Country Park – Minera – Coedpoeth Approx 5 miles, 3 hours Directions to starting point by car From Wrexham town centre take the A525 Ruthin Road, cross over the A483 and follow the road for approx. 2 miles into Coedpoeth. Parking: There is a car park in Coedpoeth, situated just off the A525, opposite the New Inn. The car park can be accessed via the High Street or Park Road. Public Transport: Bus numbers 9 & 10 of G. Edwards & Son and numbers 10 & 11 of Arriva link Wrexham town centre to Coedpoeth. Timetables are available at the Tourist Information Centre, Libraries, online via Wrexham County Borough Council’s website and most Post Offices in Wrexham. Bus information: 01978 266166. It should be noted that this walk may be muddy and slippery in some places so please wear suitable footwear and take extra caution. This route is not suitable for wheelchairs or buggies. Please take the utmost care during this walk as some sections of the walk follow roads without pavements. WALK DIRECTIONS Starting from the car park opposite the New Inn in Coedpoeth, (Grid Ref: SJ 283511) walk out of the car park and turn left onto Park Road. After 200m, take the first left onto Tudor Street (the road in front of the black and white house), after a short distance take the next right opposite The Golden Lion. Approach Rock House and follow the footpath on the left eventually exiting once again on to Tudor Street. -
Cross-Curriculum Learning with Swansea Cultural Venues
1 CROSS-CURRICULUM LEARNING WITH SWANSEA CULTURAL VENUES Led by experienced artist-educators with specialist knowledge April 2018 – March 2019 2 Cross-Curriculum Learning Experience for Schools 4Site is a one stop cultural shop for all schools in Swansea. Check out the exciting range of work and the exhibitions going on at the Dylan Thomas Centre, the Glynn Vivian Art Gallery, Swansea Museum, and West Glamorgan Archives. We recommend reading through this pack prior to your visit and if you have any further questions, please contact the appropriate venue. This document contains all the practical information you will need to organise your schools cultural education sessions and benefit from your 4site membership. Dylan Thomas Centre Glynn Vivian Art Gallery [email protected] [email protected] 01792 463980 01792 516900 Swansea Museum West Glamorgan Archives [email protected] [email protected] 01792 653763 01792 636589 3 CONTENTS 1. Introduction Page 4 2. Venues Page 5 - Map - Information 3. Fees and Charges Page 10 - How to pay 4. How to Book Page 11 - Booking forms - Group Sizes 5. Planning your visit Page 15 - Access - Parking - Resources 6. Session Programmes Page 18 - Foundation - Key Stage 2 - Key Stage 2 + 3 - Key Stage 4 7. Funding Support Page 27 “Excellent information on Glynn “A wonderful educational visit Vivian. Excellent hands on and @swanseamuseum. We have interactive workshop. Every thoroughly enjoyed our topic on opportunity taken to develop Ancient Egypt #Year1&2” pupils’ art skills: Sketching, observing, problem solving, Teacher, St Helen’s Catholic drawing.” Primary School Teacher, YGG Bryniago 4 1.