Artisspectrum Vol.35, May 2016

Total Page:16

File Type:pdf, Size:1020Kb

Artisspectrum Vol.35, May 2016 ARTisSpectrum ARTisSpectrum Volume 35 The Chelsea Perspective The Breadth Of A Life pg. 39 Profiles of Contemporary Art and Artists Volume 35 ARTisSpectrum | Volume 35 | artisspectrum.com 1 Image © The National Gallery, London Image © The National Gallery, Located in Trafalgar Square, the National Gallery houses one of the world’s greatest collections of paintings in the Western European tradition, and admission to see them is free. nationalgallery.org.uk Opening hours Daily 10am – 6pm Fridays 10am – 9pm Nearest tube Charing Cross / Leicester Square JUN 9 – AUG 28 VISITSAM.ORG/GRAPHICMASTERS The exhibition is organized by the Seattle Art Museum. Special exhibitions at SAM are made possible Presenting Sponsor by donors to Supporting Sponsor Baird Los Caprichos: El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) (detail), 1799, Francisco Goya, Spanish, 1746–1828. Private Collection. 1 ARTisSpectrum | Volume 35 | artisspectrum.com FREE ADMISSION EVERYDAY CHARLES MCGILL: FRONT LINE, BACK NINE THROUGH JULY 3, 2016 CONNECTING JANE BENSON: FINDING BAGHDAD DIVERSE AUDIENCES TO THE CONTEMPORARY MAY 17 - JULY 3, 2016 URBAN EXPERIENCE 65TH ANNUAL ALL FLORIDA EXHIBITION JULY 16 - SEPTEMBER 25, 2016 WEDNESDAY - SUNDAY 11:00AM – 6:00PM OPEN FRIDAY 11:00AM – 8:00PM IN MIZNER PARK 501 PLAZA REAL 1040 GRAND CONCOURSE BOCA RATON, FL 33433 BRONX, NEW YORK 10456 BOCAMUSEUM.ORG BRONXMUSEUM.ORG PHONE 718.681.6000 ARTisSpectrum | Volume 35 | artisspectrum.com 2 ARTisSpectrum Publisher Agora Gallery Contents Editor-in-Chief 5 About the Cover Angela Di Bello 6 Profile Directory Managing Editor Sabrina Gilbertson 17 Art Matters 19 The Art of Buying Art Senior Editor Nikki Fraser Nikki Fraser Editorial Assistants 39 The Breadth of Life: an Interview with Walter Rossi Arielle Suskin Angela Di Bello Haley Carloni 57 The Humanitarians Layout Roanna Cada 73 New York City: Evoking the Muse Nanami Yamaguchi 81 Vandal, Vanguard, Dissident: Banksy, Street Art’s Golden Son. Staff Writers Craig LeDoux Steven Barnes Natasha Brandstatter 89 Studio Spaces: Mark Hellweg Chloe Eichler 101 ARTbeat Isabella Kapur Craig LeDoux Laura Camp Monroe Frank Nestor Sophia Tarnoff Contributing Writers Cover Photo Eva Otterström Mark James Ford Nanami Yamaguchi Gloria Bhargava Raul Mariaca Dalence Jean Lahoud Mark Hellweg Natia Malazonia Dino Rinaldi Sylvie Michault Kathleen Messmer Jerry Anderson Kirana Haag Lars Rasmussen Simon Raskina ARTisSpectrum provides a forum for artists and art professionals. Articles express the opinion and knowledge of the authors and not necessarily that of the magazine’s management. Artist profiles are written by staff writers or the artists unless otherwise noted. © All copyrights are reserved by the authors. The copyrights of all published artwork are retained by the artists. Reproduction of any published material is prohibited without the written permission of the magazine’s publisher. Suggestions for future articles are welcome. Any topic submitted in writing by an artist, art professional or professionals in the service of the art community will be considered for publication. Printed by The CPC Group.com ARTisSpectrum Magazine 530 West 25th Street New York, NY 10001 www.ARTisSpectrum.com 212.226.4151 [email protected] 3 ARTisSpectrum | Volume 35 | artisspectrum.com 39 81 17 73 57 101 ARTisSpectrum | Volume 35 | artisspectrum.com 4 About the Cover Most artists, if fortunate enough, have a studio connected to or near their house or apartment, or perhaps the studio is just the corner of a room. The goal is that when an artist has the urge to create, all of the material is there within arm’s reach to execute the idea. On the other hand, a studio can be an entire house, as is the case with Walter Rossi, who has virtually turned his entire two story house and basement into a studio and more often than not, his canvas. Rossi’s extraordinary turn of the 20th century Brooklyn house has a basement laden with: machinery, kiln, metal, motors, boxes of figurines, and a larger-than-life size David made of steel (much too heavy to move). There are kinetic sculptures on stands and hanging from ceilings in practically every room, colorful cave like paintings and drawings on walls and ceilings, chandeliers made of little figures, flags made of twisted painted metal, a 20 foot aluminum vertical cross in the garden along with other sculptures, paintings on metal that can withstand the elements hanging on a fence and a seven year old turtle named Lulu, hibernating in a small pond. The entire house is a magical wonderland of ideas come to fruition, in what can best be described as “the breadth of a life”. Angela Di Bello / Editor in Chief 5 ARTisSpectrum | Volume 35 | artisspectrum.com Profiles If you like to keep up-to-date with the art world and enjoy spotting talented emerging and established artists, then artists’ profiles are a great way to do it. These profiles showcase the work, motivations and inspirations of exciting new faces on the international art scene. 68 Andrée Levesque 100 Jacky Cheng 26 Michael Gleizer 93 Anna Des 91 James Chisholm 93 Nadia Lassman 78 Ardian Tragaj 38 Jean Lahoud 99 Nadiejda Charova Tscheltzoff 37 Auriane Margueron 71 Jerry Anderson 56 Naji Zeghdoudi 37 Ayda Mansour 72 Jessie Banaszak 23 Nancy McLean 53 Banjerd Lekkong 55 Joan Criscione 12 Natia Malazonia 33 Barbara Bateman 34 John Diamond, MD. 7 Nonye Ikegwuoha 10 Bekir Smolski 15 John Newcomb 28 Orfeo 80 Betty Neely 27 Judy Blundell 66 Patricia Olguín 80 Bree Castillau 48 Judy Howie Coury 88 RenéeRose 25 Carol Carpenter 50 Kari Rindahl Endresen 32 Riya Sharma 62 Chantal Le Brun 56 Karl Girardet 49 Robert Lenz 16 Cher Bettencourt 63 Kelley Millet 29 Rody 70 Cherril Kolesik 80 Kirana Haag 48 Ron Robidoux 9 Chris Brandell 24 Kirsten Hagen 93 Sarah Lynch 65 Cindy Parsley 35 Kristina Garon 94 Shifra 10 Colin Grant 11 Koki Morimoto 36 Shireen van Nieuwenhuyse 25 Corinne Garese 52 Koya 66 Shivender 47 Daniela Friederike Lüers 30 Kyra Cowan 14 Simon Raskina 31 Darla Rewers 51 Larry Greenberg 69 Sloane Merrick 34 Dominic Fondé 14 Linda Roffel 86 Stacie Hernandez 28 Dominique Cracco 72 Loren Howard 25 Stephen Najda 56 Eli Cantini 71 L.W. Shortridge 79 Steven Anggrek 97 Fahim Somani 50 Lucy O’Donovan 67 Susan Marx 13 Fanny Horowitz 16 Mahnaz Weldy 92 Susana Cecilia Taratuty 51 Farzad Golpayegani 87 Marcia Haufrecht 68 Tao Jiang 38 FONSEK 88 Margaret Vega 86 Tina McDowell 95 George Struikelblok 35 Marian Gaucher 69 Trent Altman 16 Gerd Dagne 30 Marianne Bech 62 Veronika Wifvesson 96 Gloria Bhargava 87 Marianne Fernandez 30 Viktoryia Vinnikava 52 Goodash 23 Marianne Monnier-Koenig 24 Von Coop 28 Henrik Sjöström 85 Mark Hellweg 24 Wallace 98 Hilde Gustava 97 Mark Salevitz 68 Winne 95 Iva Milanova 94 Menno Vos ARTisSpectrum | Volume 35 | artisspectrum.com 6 Nonye Ikegwuoha onye Ikegwuoha says his art is rooted in African culture, carrying forward what he calls “the fundamental issue thatN African art is creatively an ‘exorcism’—to give form to one’s fears, tormentors, demons and terrors.” That basic concept is the basis of a body of work in which a strong emotional charge is tempered with a sensitivity to line and color that gives each image balance and harmony. The fears and demons that the artist speaks of make their presence felt, but they are thoroughly transformed, with their emotional power taking on a dreamlike quality. The resulting images have a timeless feel, but their bold experiments in perspective, composition and color make them look thoroughly contemporary. M-Series Part 2 Oil on Canvas 59” x 39.5” The notion of combining seemingly contradictory elements is at the heart of Ikegwuoha’s work. Simplicity and complexity appear side by side in his paintings. A few lines can be turned into a believable image of a hand or face, while in other places a face can be fractured into an intricate web of reflections that looks like something from a hall of mirrors. Incorporating influences that run from Cezanne and Picasso to Rem Koolhaas, the artist finds the common ground that the modernist masters shared with so-called primitive art, highlighting the bold brushstrokes and earthy, intense colors that give both types of art their vitality. M-Series Part 3 Oil on Canvas 59” x 39.5” 7 ARTisSpectrum | Volume 35 | artisspectrum.com Working in oils, watercolors, pastels and charcoal, Ikegwouha—who was born in Nigeria and now divides his time between Nigeria, London and Shanghai—brings out the strengths of each medium. His oil paintings capitalize on the warm, rich tones those paints provide, while his watercolors and pastels burst with light and spontaneity. Trained as an architect and designer as well as a painter, Ikegwouha has a highly developed sense of structure, but that ability serves as a backdrop to his main emphasis as an artist—conveying emotions and feelings. “The emotional content of art must always take precedence over the aesthetic,” he says. But in his work, both are in evidence, resulting in unique and involving images. www.ikegwuoha-art.net www.Agora-Gallery.com/ArtistPage/Nonye_Ikegwuoha.aspx M-Series Part 5 Oil on Canvas 59” x 39.5” M-Series Part 4 Oil on Canvas 59” x 39.5” ARTisSpectrum | Volume 35 | artisspectrum.com 8 Chris Brandell ince she was a child, abstract artist Chris Brandell has had a fascination with color, believing that she could useS it to communicate with others in a way that she could not with words. She describes that color “vibrates” in her head and that it becomes so “tangible” she hears, feels, and sees it everywhere. Brandell embraces her desire to examine color and it fuels her work. She uses it to interpret the complexity of the human dynamic from Release Acrylic & Oil on Canvas 60” x 48” a personal and a social perspective.
Recommended publications
  • This Is Modern Art 2014/15 Season Lisa Portes Lisa
    SAVERIO TRUGLIA PHOTOGRAPHY BY PHOTOGRAPHY BY 2014/15 SEASON STUDY GUIDE THIS IS MODERN ART (BASED ON TRUE EVENTS) WRITTEN BY IDRIS GOODWIN AND KEVIN COVAL DIRECTED BY LISA PORTES FEBRUARY 25 – MARCH 14, 2015 INDEX: 2 WELCOME LETTER 4 PLAY SYNOPSIS 6 COVERAGE OF INCIDENT AT ART INSTITUTE: MODERN ART. MADE YOU LOOK. 7 CHARACTER DESCRIPTIONS 8 PROFILE OF A GRAFFITI WRITER: MIGUEL ‘KANE ONE’ AGUILAR 12 WRITING ON THE WALL: GRAFFITI GIVES A VOICE TO THE VOICELESS with classroom activity 16 BRINGING CHICAGO’S URBAN LANDSCAPE TO THE STEPPENWOLF STAGE: A CONVERSATION WITH PLAYWRIGHT DEAR TEACHERS: IDRIS GOODWIN 18 THE EVOLUTION OF GRAFFITI IN THE UNITED STATES THANK YOU FOR JOINING STEPPENWOLF FOR YOUNG ADULTS FOR OUR SECOND 20 COMMON CORE STATE STANDARDS SHOW OF 2014/15 SEASON: CREATE A MOVEMENT: THE ART OF A REVOLUTION. 21 ADDITIONAL RESOURCES 22 NEXT UP: PROJECT COMPASS In This Is Modern Art, we witness a crew of graffiti writers, Please see page 20 for a detailed outline of the standards Made U Look (MUL), wrestling with the best way to make met in this guide. If you need further information about 23 ACKNOWLEDGEMENTS people take notice of the art they are creating. They choose the way our work aligns with the standards, please let to bomb the outside of the Art Institute to show theirs is us know. a legitimate, worthy and complex art form born from a rich legacy, that their graffiti is modern art. As the character of As always, we look forward to continuing the conversations Seven tells us, ‘This is a chance to show people that there fostered on stage in your classrooms, through this guide are real artists in this city.
    [Show full text]
  • 2019 July PERFORMANCE RESUME Copy 8.20.04 Pm Copy 2
    MAUREEN J. ANDREW STATISTICS: Height: 167cm - 5’6” Dress: 10 Hair: (currently) Blonde Eyes: Green Weight: 63kg Bust - 38” - 96cm. Waist 29”- 74 cm Hips – 38” - 97 cm. Shoes - 8/39 Vocal Range. Belt C2-D4. Soprano to E5 Diploma Theatre Arts. Swinburne 2011. Fitness Leaders. Fitness Institute Frankston (Hons). R.A.D. (Intermediate. Hons.) C.S.Th.D. (Teachers diploma.) Honours all grades. Equity/ MEAA Platinum Member. Media Super: 9213456 Email: [email protected] . IMBD. Linkedin. http://www.imdb.com/name/nm0028528/mediaindex au.linkedin.com/pub/dir/ Maureen/Andrew MOBILE 0414511612 2016 www.artsparty.org Political Candidate. The Arts Party. 2018 Ballarat National Theatre Company. Board member. CABARET…WRITER /PRODUCER /PERFORMER 2019 CLUB VOLTAIRE. South Melbourne Liza Minnelli 2017 CHILLOUT. Daylesford ‘I’M WITH DOROTHY’ Judy Garland/Liza Minnelli ‘SMARVELLOUS’ NOEL AND GERTIE. With Peter Hurley Gertrude Lawrence 2016 CHILLOUT. Daylesford. The Grande Hotel Cabaret room Rhinestone Cowgirl 2016 LOL. Comedy music. Lunchtime Cabaret Touring country towns Entertainer 2015 CHILLOUT. Daylesford RHINESTONE COWGIRL Dolly Parton RHINESTONE COWGIRL. Dimboola, Katamatite, Tasmania. Hepburn Springs. Daylesford. BLISS BOMBS. JAZZ BABES. Liza Minnelli Madam MCee BLENDED FRUITS WEEKEND The Grande Hotel Cabaret Tina, Bette, Liza, Barbra ++ SWISS ITALIAN Festival. with Maestro Peter Hurley Classic opera, Noel Coward, and more NEW YORK NEW YORK! The Grande Hotel Cabaret Room Liza Minnelli BLISS BOMBS BURLESQUE - The Grande Hotel Cabaret Room Madam MCee 2014 CHILLOUT. Daylesford MY NAME IS BARBRA - The Grande Hotel Cabaret Barbra Streisand 2014/15 MARLENE - The Life, the Loves, the Legend. The Grande Hotel, Hepburn Marlene Dietrich 1982 WOMEN OF CHARACTER ( Season 2) Real Theatre Productions.
    [Show full text]
  • Mar 2021 Mixology Program
    Sunday, March 21, 2021: Online! a new series from COMMUNITY & ARTIST ENGAGEMENT At Undiscovered Works, we believe that stories impact change, that we better our world by coming together to learn about our shared and unique experiences. Our programming is dedicated to supporting artists as they times,develop all plays, the while music, entertaining monologues, and comedy, inspiring and dialogue. film. Our ensemble-based Off and Off-Off Broadway productions bring to light the social issues of our ABOUT MIXOLOGY Mixology is a new series from Undiscovered Works that explores the creative possibilities of presenting theatrical, cinematic, and performance pieces in virtual space. This month’s event features five new Shorts of All Sorts!“We started off doing some exploring with Zoom as part of the Undiscovered Works monthly storytelling event. After discussions with other creators we know we decided to do some further experimentation with a spin-off on Sunday afternoon. In an attempt to push the boundaries of the online world we wanted to incorporate filmed content and live elements. Of course in experiments sometimes things explode… but there are a few sure fire elements that will keep things on track!” - Jennifer Dean and Eric Rice OUR PROGRAM FAMILY (Live) a selection from the play written & directed by Marcia Haufrecht read by Eddie Kassar, Meissa Hampton, Karen Giordano, Robert Haufrecht, Tom Ashton and Julie Hays I MISS THOSE DAYS LIVING FOR THE NIGHT (Live) an original song performed by Cullen Gallagher IT’S A GIRL! PROJECT: CAROLINE VOAGEN NELSON & CHRISTINA LAFONTAINE one of a series of short documentaries by Kanchalee Wijakpaisarn AQUACADE a dreamlike, experimental short film by Caroline Voagen Nelson KURTIS ON ZOOM: EPISODE 1 - “CLOSURE” written & directed by Julie Hays produced & edited by Jennifer Dean original music & theme by Tom Ashton starring Mike* Q&A Roche, with Vivienne presenting Leheny, artists Eric follows Rice, Marcia our presentation.
    [Show full text]
  • Paper Abstracts
    PAPER ABSTRACTS 43rd Annual Conference Thursday, April 7th –– Saturday, April 9th, 2016 DePaul University, Chicago rd The 43 Annual Conference of the Midwest Art History Society is sponsored by: DePaul University The Art Institute of Chicago Columbia College Loyola University Institutional Members of the Midwest Art History Society The Cleveland Museum of Art The Figge Art Museum The Frederik Meijer Gardens & Sculpture Park Illinois State University School of Art The Krasl Art Center Michigan State University Art, Art History & Design The Nelson-Atkins Museum of Art Northern Arizona University Art Museum The Snite Museum of Art, University of Notre Dame University of Illinois at Chicago School of Art & Art History University of Iowa Museum of Art University of Iowa School of Art and Art History The University of Kansas The Kress Foundation Department of Art History Wright State University Art Galleries 2 CONTENTS Conference at a Glance 5 Conference Schedule and Abstracts 7 Undergraduate Session (I) 7 El Arte in the Midwest 8 Asian Art 10 Chicago Design: Histories and Narratives 11 The Social Role of the Portrait 13 Latin American and Pre-Columbian Art 14 History of Photography 16 Black Arts Movement 18 The Personal is Political: Feminist Social Practice 18 International Art Collections of Chicago 20 The Chicago World’s Fair: A Reevaluation 21 Native American Images in Modern and Contemporary Art 22 Art for All Seasons: Art and Sculpture in Parks and Gardens 23 Open Session (I) 25 Architecture 26 Twentieth-Century Art (I) 28 Recent Acquisitions
    [Show full text]
  • Thinking the Flâneur in Late-Modern Societies Francisco Martínez
    Beautiful Transgressions: Thinking the Flâneur in Late-modern Societies Francisco Martínez Introduction The present text1 has the objective of accounting for recent reincar- nations of the flâneur. The exercise is, therefore, to track this figure in late-modern societies. Also to re-think the notion of transgres- sion, changing in a world obsessed with changes, whereby limits appear increasingly loss and ‘think out of the box’ is stressed as a mean to innovation. Methodologically, I draw on multiple examples that help to reflect on contemporary transgressions as well as on classic authors that were inspired by the flâneur. Zygmunt Bauman (1994) enhances the rehearsing character of the original flâneur, its contingency of meaning, its playfulness, bringing about its own social order. And nonetheless, Bauman argues that the transforma- tion of this figure into a costumer is practically unavoidable: “at the end of the day, the dividing line has blurred. It is no more clear what (who) is the object of consumption, who (what) is the consumer” 1 Thanks to Marcos, Marika, Max, Patrick, Pille, Simon and Siobhan for their comments and encouragement while writing this text. 403 Hopeless Youth! Remediated Youth? (ibid.: 146). With certain drops of pessimism, Bauman claims that the contemporary flâneur has been reduced to a costumer in a mall or to a travelling player. He then concludes that today anyone with passionate eyes a heroic constitution would refuse being a flâneur (ibid.: 156). I will contest this opinion by giving contemporary exam- ples of flâneur-like acts that engage with the public space in a play- ful, transversal and affective interaction.
    [Show full text]
  • STELLA PULO Gina Stoj Management-USA Cell: 209 433 8918
    S STELLA PULO Gina Stoj Management-USA Cell: 209 433 8918 Email: [email protected] Cell: (917) 821-6373 Email: [email protected] www.stellapulo.com Age Range: 50’s Eyes: Green Hair: Red Height: 5’ 1” Weight: 135 lbs Voice: Mezzo AEA, SAG/AFTRA Actors’ Equity (UK) MEAA (Actors Equity) Australia FILM & TELEVISION Flight Of The Conchords Principal HBO TV, New York The Maltese Connexion Principal BBC TV & Scotland Tonight, UK Wadda Ya Doin’ Here Anyway? Principal SBS (Australia) & Circle TV, Malta Sarah Principal NSW Film Corporation, Australia Australia’s Most Wanted Principal Grundy TV, Australia Crossroads Principal Dir: Sal Petrosino, SVA Films, New York The Sullivans Guest Crawford Productions, Australia Truckies Guest ABC, Australia INTERNATIONAL THEATRE Every Night Something Awful! Theatre Workshop Edinburgh Festival The Stronger Theatre Marie Stuart Paris, Dir. Guilhem Pellegrin Rashomon Jels Theatre Tokyo, Dir. Zen Hirano Crazed! Nissan Theatre Tokyo, Dir. Akemi Hirata Marat Sade Open Stage Theatre Melbourne, Dir. Lindy Davies Richard lll Universal Theatre Sydney, Dir. Ian Ellis NEW YORK THEATRE The Stronger The Actors Studio Dir. Frank Corsaro Bronxosaurus Tribeca Film Studios w/Sam Waterston Every Night Something Awful! The Actors Studio Dir. George Rondo The Maids Common Basis Dir. Marcia Haufrecht Walking On Stix Lincoln Center Lab Dir. Sarah Cathcart Peer Gynt Miller Theatre w/Kristin Linklater Group Theatre Festival (Artistic Director: Estelle Parsons) Success Story The Actors Studio Dir: Stephen Lang w/Quentin Tarantino, Marisa Tomei Night Over Taos The Actors Studio Dir: Miriam Colon w/Earle Hyman Big Night The Actors Studio Dir: Michael Sexton w/Angelica Paige COMMERCIALS, INDUSTRIALS, PRINT WORK, VOICE OVER, RADIO & TV INTERVIEWS Latest: Principal, Greater Building Society w/ Jerry Seinfeld (Also, Lists, Tapes and MP3s available upon request) TRAINING: Acting: Uta Hagen, Sandra Seacat, Frank Corsaro, Shelley Winters, Marcia Haufrecht, Allan Miller, Elizabeth Kemp, Actors’ Centre (London), B.Ed., Creative Arts (Melbourne University).
    [Show full text]
  • Why Is America So Punitive?
    Why is America So Punitive? A Report on the Deliberations of The Interdisciplinary Roundtable on Punitiveness in America Held at John Jay College of Criminal Justice April 2-3, 2015 Authors: Bettina Muenster and Jennifer Trone March 2016 Supported By: Acknowledgements We would like to express our gratitude to the John D. and Catherine T. MacArthur Foundation which has a long history supporting research that leads to social change. In this instance, the Foundation hoped that a cross-pollination of perspectives could unpack the phenomenon of punitiveness in the operations of the American criminal justice system and, more importantly, illuminate the path forward to a more humane and effective response to crime. The Roundtable thus joins a larger portfolio of research and programmatic initiatives at MacArthur that are designed to find ways to reduce America’s reliance on incarceration while promoting public safety and justice. About Us The John D. and Catherine T. MacArthur Foundation supports creative people, effective institutions, and influential networks building a more just, verdant, and peaceful world. MacArthur is placing a few big bets that truly significant progress is possible on some of the world’s most pressing social challenges, including over-incarceration, global climate change, nuclear risk, and significantly increasing capital for the social sector. In addition to the MacArthur Fellows Program, the Foundation continues its historic commitments to the role of journalism in a responsible and responsive democracy; the strength and vitality of our headquarters city, Chicago; and generating new knowledge about critical issues. MacArthur is one of the nation's largest independent foundations.
    [Show full text]
  • Dec 2020 Mixology Program
    Sunday, December 13, 2020: Online! a new series from COMMUNITY & ARTIST ENGAGEMENT At Undiscovered Works, we believe that stories impact change, that we better our world by coming together to learn about our shared and unique experiences. Our programming is dedicated to supporting artists as they times,develop all plays, the while music, entertaining monologues, and comedy, inspiring and dialogue. film. Our ensemble-based Off and Off-Off Broadway productions bring to light the social issues of our ABOUT MIXOLOGY Mixology is a new series from Undiscovered Works that explores the creative possibilities of presenting theatrical, cinematic, and performance pieces in virtual space. This month’s event features six new Shorts of All Sorts! “We started off doing some exploring with Zoom as part of the Undiscovered Works monthly storytelling event. After discussions with other creators on Sunday afternoon. In an attempt to push the boundaries of the online we know we decided to do some further experimentation with a spin-off elementsworld we thatwanted will to keep incorporate things on filmed track!” content and live elements. Of course in experiments sometimes things explode… but there are a few sure fire - Jennifer Dean and Eric Rice OUR PROGRAM KURTIS ON ZOOM: EPISODE 5 (Live) written by Julie Hays performed by Mike Roche & Jennifer Dean DUSTY LIVE FROM THE CLOSET: EPISODE 2 (Live) written by Leah Abrams voiced by Patricia Black accompanying video by Jennifer Dean & live musical accompaniment by Paul Mendoza FLEETWOOD: PART 5 (Live) written & performed by Robert Pagnani video collage by Jennifer Dean KOKO’S LOVE: EPISODE 3, PART 2 created, produced & performed by Yoshie Sakai KURTIS ON ZOOM: THE FINALE (Live) written by Julie Hays performed by Mike Roche, Vivienne Leheny, Marcia Haufrecht, Eric Rice & Bonnie Rose “NEW YORK CITY” (Live) written & performed by Tom Ashton ***** * Q&A with presenting artists follows our presentation.
    [Show full text]
  • Of Partiers and Parking Lots: Anthology Film Archives Celebrates the Work of Jeff Krulik
    BOOG CITY A COMMUNITY NEWSPAPER FROM A GROUP OF ARTISTS AND WRITERS BASED IN AND AROUND NEW YORK CITY’S EAST VILLAGE ISSUE 107 FREE Of Partiers and Parking Lots: Anthology Film Archives Celebrates the Work of Jeff Krulik ART Jeanne Wilkinson LIBRARIES The Death and (After)life of Great American Libraries :: Mellow Pages, Bushwick, Brooklyn MUSIC Where Are They Now? Checking in On Boog City Music Coverage Gone By POETRY Megyn Adkins, Stephen Bett, Ian Davisson, Jason Gallagher PRINTED MATTER This Is How We Do It: On Rebecca Lazier and Dan Trueman’s There Might Be Others Boog City Academy: 5 Poets on Their Summer Syllabi SMALL PRESS On Homage and Muse, with Kore Press PRINTED MATTER This Is How We Do It BY JOSEPHINE STEWART This work, then, via There Might Be Others Rebecca Lazier and Dan Trueman this document, is not The Operating System ood improvisation, and the crafting of good improvisational systems, requires not just a willingness to say yes but an unshakeable will a repeatable or re- to decide repeatedly and never tire of it. To decide to make rules. To test and push and determine which rules are right. To decide to Gfollow. To decide to lead. To decide to release the most free and unedited creative impulse, and simultaneously to decide to respect viewable performance; the impulses of others. System-based improvisation is marriage: deciding each day not to toss the ring out the window and try something else, deciding to work on it. It is society-building: making laws and deciding their justness, accumulating knowledge and deciding to share it, it is a reusable tool or a constructing language and deciding meaning.
    [Show full text]
  • The Stone Roses Music Current Affairs Culture 1980
    Chronology: Pre-Stone Roses THE STONE ROSES MUSIC CURRENT AFFAIRS CULTURE 1980 Art created by John 45s: David Bowie, Ashes Cinema: Squire in this year: to Ashes; Joy Division, The Empire Strikes Back; N/K Love Will Tear Us Apart; Raging Bull; Superman II; Michael Jackson, She's Fame; Airplane!; The Out of My Life; Visage, Elephant Man; The Fade to Grey; Bruce Shining; The Blues Springsteen, Hungry Brothers; Dressed to Kill; Heart; AC/DC, You Shook Nine to Five; Flash Me All Night Long; The Gordon; Heaven's Gate; Clash, Bankrobber; The Caddyshack; Friday the Jam, Going Underground; 13th; The Long Good Pink Floyd, Another Brick Friday; Ordinary People. in the Wall (Part II); The d. Alfred Hitchcock (Apr Police, Don't Stand So 29), Peter Sellers (Jul 24), Close To Me; Blondie, Steve McQueen (Nov 7), Atomic & The Tide Is High; Mae West (Nov 22), Madness, Baggy Trousers; George Raft (Nov 24), Kelly Marie, Feels Like I'm Raoul Walsh (Dec 31). In Love; The Specials, Too Much Too Young; Dexy's Fiction: Midnight Runners, Geno; Frederick Forsyth, The The Pretenders, Talk of Devil's Alternative; L. Ron the Town; Bob Marley and Hubbard, Battlefield Earth; the Wailers, Could You Be Umberto Eco, The Name Loved; Tom Petty and the of the Rose; Robert Heartbreakers, Here Ludlum, The Bourne Comes My Girl; Diana Identity. Ross, Upside Down; Pop Musik, M; Roxy Music, Non-fiction: Over You; Paul Carl Sagan, Cosmos. McCartney, Coming Up. d. Jean-Paul Sartre (Apr LPs: Adam and the Ants, 15). Kings of the Wild Frontier; Talking Heads, Remain in TV / Media: Light; Queen, The Game; Millions of viewers tune Genesis, Duke; The into the U.S.
    [Show full text]
  • Banksy and the Stencil As Radical Graphic Form
    DRTP 1 (1) pp. 97–117 Intellect Limited 2016 Drawing: Research, Theory, Practice Volume 1 Number 1 © 2016 Intellect Ltd Essays. English language. doi: 10.1386/drtp.1.1.97_3 Essays Paul GouGh RMIT University Existencillism: Banksy and the stencil as radical graphic form Keywords abstract subcultural graffiti Contemporary graffiti artists, or ‘writers’ as they are known, observe a strict hierarchy that self-ranks Banksy ambition, daring and calligraphic innovation. At the apex are those writers who create the imposing wildstyle Blek le Rat exhibition pieces, large-scale vivid inscriptions that require a high degree of graphic invention and daring. At street art the other extreme are the stencil-cutters, who by comparison are regarded within the peer community of the stencil subculture, as lesser writers, relying on craft skills that are held to be quaint, even fraudulent. This article stencilling explores the persistence and ubiquitous spread of the stencil as a vehicle for mass-produced street art, made especially popular through the iconic work of British street-artist Banksy. Exploring the origins of his work in stencil the article examines how he has both radicalized the genre, while still retaining its essential value 97 DRTP_1.1_Paul Gough_97-117.indd 97 10/1/15 2:26:48 PM Paul Gough as an industrial, utilitarian and iconic graphic. The article compares the deadpan, but hugely popular, drawn language of the stencil with the freehand calligraphy of the taggers, ‘kings’ and other exhibition ‘writers’, and closes with a set of questions, in particular: what is the future of drawing in countercultural expression? urban calligraphy Graffiti have to be seen as an assertion of something, a criticism of public reality […] [a] tide of indecipherable signatures of mutinous adolescents which has washed over and bitten into the facades of monuments and the surfaces of public vehicles in the city where I live: graffiti as an assertion of disrespect, yes, but most of all simply an assertion […] the powerless saying: I’m here too.
    [Show full text]
  • Un Annual Summit Brings World Leaders to Nyc
    PAGE 4 PAGE 5 GET TO YOUR MMC FACES CAMPUS SGA PRESIDENT SECURITY THREAT VOLUME 22, ISSUE 02 MARYMOUNT MANHATTAN COLLEGE’S STUDENT NEWSPAPER October 15TH, 2019 UN ANNUAL SUMMIT BRINGS WORLD LEADERS TO NYC Photo from www.pewresearch.org By Seamus Fallon Manhattan’s Foley Square, which specific steps to lower dependence eliminating the use of fossil fuels, Staff Writer totaled “at least 60,000 people” on fossil fuel in there respective an economic and politically pain- according to Mayor De Blasio’s of- nations. The leaders of more than ful step that would drastically re- The Unite Nation’s annual fice who even allowed thousands 70 countries have made prom- duce emissions. The nations that summit filled with world leaders of students in the New York City ises outside and inside the U.N. have declared “net zero” targets opened on September 23rd with Public School system to take the chambers that sounds “nothing only make up a small percent- U.N. Secretary General, Antonio day off in order to participate in short of revolutionary” as many age of global emissions. They do Guterres, calling this major sum- the strike. The summit featured news-houses call it. By 2050, these not include major polluters with mit to promote actions to slow a 16-year-old Swedish climate leaders say they will reach “net heavy industrial or farming con- climate change. It’s safe to say the activist Greta Thunberg, who zero” thus, putting no more car- centrations like China, the Unit- United Nations Summit was not traveled across the Atlantic on a bon dioxide into the atmosphere.
    [Show full text]