Artisspectrum Vol.35, May 2016
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This Is Modern Art 2014/15 Season Lisa Portes Lisa
SAVERIO TRUGLIA PHOTOGRAPHY BY PHOTOGRAPHY BY 2014/15 SEASON STUDY GUIDE THIS IS MODERN ART (BASED ON TRUE EVENTS) WRITTEN BY IDRIS GOODWIN AND KEVIN COVAL DIRECTED BY LISA PORTES FEBRUARY 25 – MARCH 14, 2015 INDEX: 2 WELCOME LETTER 4 PLAY SYNOPSIS 6 COVERAGE OF INCIDENT AT ART INSTITUTE: MODERN ART. MADE YOU LOOK. 7 CHARACTER DESCRIPTIONS 8 PROFILE OF A GRAFFITI WRITER: MIGUEL ‘KANE ONE’ AGUILAR 12 WRITING ON THE WALL: GRAFFITI GIVES A VOICE TO THE VOICELESS with classroom activity 16 BRINGING CHICAGO’S URBAN LANDSCAPE TO THE STEPPENWOLF STAGE: A CONVERSATION WITH PLAYWRIGHT DEAR TEACHERS: IDRIS GOODWIN 18 THE EVOLUTION OF GRAFFITI IN THE UNITED STATES THANK YOU FOR JOINING STEPPENWOLF FOR YOUNG ADULTS FOR OUR SECOND 20 COMMON CORE STATE STANDARDS SHOW OF 2014/15 SEASON: CREATE A MOVEMENT: THE ART OF A REVOLUTION. 21 ADDITIONAL RESOURCES 22 NEXT UP: PROJECT COMPASS In This Is Modern Art, we witness a crew of graffiti writers, Please see page 20 for a detailed outline of the standards Made U Look (MUL), wrestling with the best way to make met in this guide. If you need further information about 23 ACKNOWLEDGEMENTS people take notice of the art they are creating. They choose the way our work aligns with the standards, please let to bomb the outside of the Art Institute to show theirs is us know. a legitimate, worthy and complex art form born from a rich legacy, that their graffiti is modern art. As the character of As always, we look forward to continuing the conversations Seven tells us, ‘This is a chance to show people that there fostered on stage in your classrooms, through this guide are real artists in this city. -
2019 July PERFORMANCE RESUME Copy 8.20.04 Pm Copy 2
MAUREEN J. ANDREW STATISTICS: Height: 167cm - 5’6” Dress: 10 Hair: (currently) Blonde Eyes: Green Weight: 63kg Bust - 38” - 96cm. Waist 29”- 74 cm Hips – 38” - 97 cm. Shoes - 8/39 Vocal Range. Belt C2-D4. Soprano to E5 Diploma Theatre Arts. Swinburne 2011. Fitness Leaders. Fitness Institute Frankston (Hons). R.A.D. (Intermediate. Hons.) C.S.Th.D. (Teachers diploma.) Honours all grades. Equity/ MEAA Platinum Member. Media Super: 9213456 Email: [email protected] . IMBD. Linkedin. http://www.imdb.com/name/nm0028528/mediaindex au.linkedin.com/pub/dir/ Maureen/Andrew MOBILE 0414511612 2016 www.artsparty.org Political Candidate. The Arts Party. 2018 Ballarat National Theatre Company. Board member. CABARET…WRITER /PRODUCER /PERFORMER 2019 CLUB VOLTAIRE. South Melbourne Liza Minnelli 2017 CHILLOUT. Daylesford ‘I’M WITH DOROTHY’ Judy Garland/Liza Minnelli ‘SMARVELLOUS’ NOEL AND GERTIE. With Peter Hurley Gertrude Lawrence 2016 CHILLOUT. Daylesford. The Grande Hotel Cabaret room Rhinestone Cowgirl 2016 LOL. Comedy music. Lunchtime Cabaret Touring country towns Entertainer 2015 CHILLOUT. Daylesford RHINESTONE COWGIRL Dolly Parton RHINESTONE COWGIRL. Dimboola, Katamatite, Tasmania. Hepburn Springs. Daylesford. BLISS BOMBS. JAZZ BABES. Liza Minnelli Madam MCee BLENDED FRUITS WEEKEND The Grande Hotel Cabaret Tina, Bette, Liza, Barbra ++ SWISS ITALIAN Festival. with Maestro Peter Hurley Classic opera, Noel Coward, and more NEW YORK NEW YORK! The Grande Hotel Cabaret Room Liza Minnelli BLISS BOMBS BURLESQUE - The Grande Hotel Cabaret Room Madam MCee 2014 CHILLOUT. Daylesford MY NAME IS BARBRA - The Grande Hotel Cabaret Barbra Streisand 2014/15 MARLENE - The Life, the Loves, the Legend. The Grande Hotel, Hepburn Marlene Dietrich 1982 WOMEN OF CHARACTER ( Season 2) Real Theatre Productions. -
Mar 2021 Mixology Program
Sunday, March 21, 2021: Online! a new series from COMMUNITY & ARTIST ENGAGEMENT At Undiscovered Works, we believe that stories impact change, that we better our world by coming together to learn about our shared and unique experiences. Our programming is dedicated to supporting artists as they times,develop all plays, the while music, entertaining monologues, and comedy, inspiring and dialogue. film. Our ensemble-based Off and Off-Off Broadway productions bring to light the social issues of our ABOUT MIXOLOGY Mixology is a new series from Undiscovered Works that explores the creative possibilities of presenting theatrical, cinematic, and performance pieces in virtual space. This month’s event features five new Shorts of All Sorts!“We started off doing some exploring with Zoom as part of the Undiscovered Works monthly storytelling event. After discussions with other creators we know we decided to do some further experimentation with a spin-off on Sunday afternoon. In an attempt to push the boundaries of the online world we wanted to incorporate filmed content and live elements. Of course in experiments sometimes things explode… but there are a few sure fire elements that will keep things on track!” - Jennifer Dean and Eric Rice OUR PROGRAM FAMILY (Live) a selection from the play written & directed by Marcia Haufrecht read by Eddie Kassar, Meissa Hampton, Karen Giordano, Robert Haufrecht, Tom Ashton and Julie Hays I MISS THOSE DAYS LIVING FOR THE NIGHT (Live) an original song performed by Cullen Gallagher IT’S A GIRL! PROJECT: CAROLINE VOAGEN NELSON & CHRISTINA LAFONTAINE one of a series of short documentaries by Kanchalee Wijakpaisarn AQUACADE a dreamlike, experimental short film by Caroline Voagen Nelson KURTIS ON ZOOM: EPISODE 1 - “CLOSURE” written & directed by Julie Hays produced & edited by Jennifer Dean original music & theme by Tom Ashton starring Mike* Q&A Roche, with Vivienne presenting Leheny, artists Eric follows Rice, Marcia our presentation. -
Paper Abstracts
PAPER ABSTRACTS 43rd Annual Conference Thursday, April 7th –– Saturday, April 9th, 2016 DePaul University, Chicago rd The 43 Annual Conference of the Midwest Art History Society is sponsored by: DePaul University The Art Institute of Chicago Columbia College Loyola University Institutional Members of the Midwest Art History Society The Cleveland Museum of Art The Figge Art Museum The Frederik Meijer Gardens & Sculpture Park Illinois State University School of Art The Krasl Art Center Michigan State University Art, Art History & Design The Nelson-Atkins Museum of Art Northern Arizona University Art Museum The Snite Museum of Art, University of Notre Dame University of Illinois at Chicago School of Art & Art History University of Iowa Museum of Art University of Iowa School of Art and Art History The University of Kansas The Kress Foundation Department of Art History Wright State University Art Galleries 2 CONTENTS Conference at a Glance 5 Conference Schedule and Abstracts 7 Undergraduate Session (I) 7 El Arte in the Midwest 8 Asian Art 10 Chicago Design: Histories and Narratives 11 The Social Role of the Portrait 13 Latin American and Pre-Columbian Art 14 History of Photography 16 Black Arts Movement 18 The Personal is Political: Feminist Social Practice 18 International Art Collections of Chicago 20 The Chicago World’s Fair: A Reevaluation 21 Native American Images in Modern and Contemporary Art 22 Art for All Seasons: Art and Sculpture in Parks and Gardens 23 Open Session (I) 25 Architecture 26 Twentieth-Century Art (I) 28 Recent Acquisitions -
Thinking the Flâneur in Late-Modern Societies Francisco Martínez
Beautiful Transgressions: Thinking the Flâneur in Late-modern Societies Francisco Martínez Introduction The present text1 has the objective of accounting for recent reincar- nations of the flâneur. The exercise is, therefore, to track this figure in late-modern societies. Also to re-think the notion of transgres- sion, changing in a world obsessed with changes, whereby limits appear increasingly loss and ‘think out of the box’ is stressed as a mean to innovation. Methodologically, I draw on multiple examples that help to reflect on contemporary transgressions as well as on classic authors that were inspired by the flâneur. Zygmunt Bauman (1994) enhances the rehearsing character of the original flâneur, its contingency of meaning, its playfulness, bringing about its own social order. And nonetheless, Bauman argues that the transforma- tion of this figure into a costumer is practically unavoidable: “at the end of the day, the dividing line has blurred. It is no more clear what (who) is the object of consumption, who (what) is the consumer” 1 Thanks to Marcos, Marika, Max, Patrick, Pille, Simon and Siobhan for their comments and encouragement while writing this text. 403 Hopeless Youth! Remediated Youth? (ibid.: 146). With certain drops of pessimism, Bauman claims that the contemporary flâneur has been reduced to a costumer in a mall or to a travelling player. He then concludes that today anyone with passionate eyes a heroic constitution would refuse being a flâneur (ibid.: 156). I will contest this opinion by giving contemporary exam- ples of flâneur-like acts that engage with the public space in a play- ful, transversal and affective interaction. -
STELLA PULO Gina Stoj Management-USA Cell: 209 433 8918
S STELLA PULO Gina Stoj Management-USA Cell: 209 433 8918 Email: [email protected] Cell: (917) 821-6373 Email: [email protected] www.stellapulo.com Age Range: 50’s Eyes: Green Hair: Red Height: 5’ 1” Weight: 135 lbs Voice: Mezzo AEA, SAG/AFTRA Actors’ Equity (UK) MEAA (Actors Equity) Australia FILM & TELEVISION Flight Of The Conchords Principal HBO TV, New York The Maltese Connexion Principal BBC TV & Scotland Tonight, UK Wadda Ya Doin’ Here Anyway? Principal SBS (Australia) & Circle TV, Malta Sarah Principal NSW Film Corporation, Australia Australia’s Most Wanted Principal Grundy TV, Australia Crossroads Principal Dir: Sal Petrosino, SVA Films, New York The Sullivans Guest Crawford Productions, Australia Truckies Guest ABC, Australia INTERNATIONAL THEATRE Every Night Something Awful! Theatre Workshop Edinburgh Festival The Stronger Theatre Marie Stuart Paris, Dir. Guilhem Pellegrin Rashomon Jels Theatre Tokyo, Dir. Zen Hirano Crazed! Nissan Theatre Tokyo, Dir. Akemi Hirata Marat Sade Open Stage Theatre Melbourne, Dir. Lindy Davies Richard lll Universal Theatre Sydney, Dir. Ian Ellis NEW YORK THEATRE The Stronger The Actors Studio Dir. Frank Corsaro Bronxosaurus Tribeca Film Studios w/Sam Waterston Every Night Something Awful! The Actors Studio Dir. George Rondo The Maids Common Basis Dir. Marcia Haufrecht Walking On Stix Lincoln Center Lab Dir. Sarah Cathcart Peer Gynt Miller Theatre w/Kristin Linklater Group Theatre Festival (Artistic Director: Estelle Parsons) Success Story The Actors Studio Dir: Stephen Lang w/Quentin Tarantino, Marisa Tomei Night Over Taos The Actors Studio Dir: Miriam Colon w/Earle Hyman Big Night The Actors Studio Dir: Michael Sexton w/Angelica Paige COMMERCIALS, INDUSTRIALS, PRINT WORK, VOICE OVER, RADIO & TV INTERVIEWS Latest: Principal, Greater Building Society w/ Jerry Seinfeld (Also, Lists, Tapes and MP3s available upon request) TRAINING: Acting: Uta Hagen, Sandra Seacat, Frank Corsaro, Shelley Winters, Marcia Haufrecht, Allan Miller, Elizabeth Kemp, Actors’ Centre (London), B.Ed., Creative Arts (Melbourne University). -
Why Is America So Punitive?
Why is America So Punitive? A Report on the Deliberations of The Interdisciplinary Roundtable on Punitiveness in America Held at John Jay College of Criminal Justice April 2-3, 2015 Authors: Bettina Muenster and Jennifer Trone March 2016 Supported By: Acknowledgements We would like to express our gratitude to the John D. and Catherine T. MacArthur Foundation which has a long history supporting research that leads to social change. In this instance, the Foundation hoped that a cross-pollination of perspectives could unpack the phenomenon of punitiveness in the operations of the American criminal justice system and, more importantly, illuminate the path forward to a more humane and effective response to crime. The Roundtable thus joins a larger portfolio of research and programmatic initiatives at MacArthur that are designed to find ways to reduce America’s reliance on incarceration while promoting public safety and justice. About Us The John D. and Catherine T. MacArthur Foundation supports creative people, effective institutions, and influential networks building a more just, verdant, and peaceful world. MacArthur is placing a few big bets that truly significant progress is possible on some of the world’s most pressing social challenges, including over-incarceration, global climate change, nuclear risk, and significantly increasing capital for the social sector. In addition to the MacArthur Fellows Program, the Foundation continues its historic commitments to the role of journalism in a responsible and responsive democracy; the strength and vitality of our headquarters city, Chicago; and generating new knowledge about critical issues. MacArthur is one of the nation's largest independent foundations. -
Dec 2020 Mixology Program
Sunday, December 13, 2020: Online! a new series from COMMUNITY & ARTIST ENGAGEMENT At Undiscovered Works, we believe that stories impact change, that we better our world by coming together to learn about our shared and unique experiences. Our programming is dedicated to supporting artists as they times,develop all plays, the while music, entertaining monologues, and comedy, inspiring and dialogue. film. Our ensemble-based Off and Off-Off Broadway productions bring to light the social issues of our ABOUT MIXOLOGY Mixology is a new series from Undiscovered Works that explores the creative possibilities of presenting theatrical, cinematic, and performance pieces in virtual space. This month’s event features six new Shorts of All Sorts! “We started off doing some exploring with Zoom as part of the Undiscovered Works monthly storytelling event. After discussions with other creators on Sunday afternoon. In an attempt to push the boundaries of the online we know we decided to do some further experimentation with a spin-off elementsworld we thatwanted will to keep incorporate things on filmed track!” content and live elements. Of course in experiments sometimes things explode… but there are a few sure fire - Jennifer Dean and Eric Rice OUR PROGRAM KURTIS ON ZOOM: EPISODE 5 (Live) written by Julie Hays performed by Mike Roche & Jennifer Dean DUSTY LIVE FROM THE CLOSET: EPISODE 2 (Live) written by Leah Abrams voiced by Patricia Black accompanying video by Jennifer Dean & live musical accompaniment by Paul Mendoza FLEETWOOD: PART 5 (Live) written & performed by Robert Pagnani video collage by Jennifer Dean KOKO’S LOVE: EPISODE 3, PART 2 created, produced & performed by Yoshie Sakai KURTIS ON ZOOM: THE FINALE (Live) written by Julie Hays performed by Mike Roche, Vivienne Leheny, Marcia Haufrecht, Eric Rice & Bonnie Rose “NEW YORK CITY” (Live) written & performed by Tom Ashton ***** * Q&A with presenting artists follows our presentation. -
Of Partiers and Parking Lots: Anthology Film Archives Celebrates the Work of Jeff Krulik
BOOG CITY A COMMUNITY NEWSPAPER FROM A GROUP OF ARTISTS AND WRITERS BASED IN AND AROUND NEW YORK CITY’S EAST VILLAGE ISSUE 107 FREE Of Partiers and Parking Lots: Anthology Film Archives Celebrates the Work of Jeff Krulik ART Jeanne Wilkinson LIBRARIES The Death and (After)life of Great American Libraries :: Mellow Pages, Bushwick, Brooklyn MUSIC Where Are They Now? Checking in On Boog City Music Coverage Gone By POETRY Megyn Adkins, Stephen Bett, Ian Davisson, Jason Gallagher PRINTED MATTER This Is How We Do It: On Rebecca Lazier and Dan Trueman’s There Might Be Others Boog City Academy: 5 Poets on Their Summer Syllabi SMALL PRESS On Homage and Muse, with Kore Press PRINTED MATTER This Is How We Do It BY JOSEPHINE STEWART This work, then, via There Might Be Others Rebecca Lazier and Dan Trueman this document, is not The Operating System ood improvisation, and the crafting of good improvisational systems, requires not just a willingness to say yes but an unshakeable will a repeatable or re- to decide repeatedly and never tire of it. To decide to make rules. To test and push and determine which rules are right. To decide to Gfollow. To decide to lead. To decide to release the most free and unedited creative impulse, and simultaneously to decide to respect viewable performance; the impulses of others. System-based improvisation is marriage: deciding each day not to toss the ring out the window and try something else, deciding to work on it. It is society-building: making laws and deciding their justness, accumulating knowledge and deciding to share it, it is a reusable tool or a constructing language and deciding meaning. -
The Stone Roses Music Current Affairs Culture 1980
Chronology: Pre-Stone Roses THE STONE ROSES MUSIC CURRENT AFFAIRS CULTURE 1980 Art created by John 45s: David Bowie, Ashes Cinema: Squire in this year: to Ashes; Joy Division, The Empire Strikes Back; N/K Love Will Tear Us Apart; Raging Bull; Superman II; Michael Jackson, She's Fame; Airplane!; The Out of My Life; Visage, Elephant Man; The Fade to Grey; Bruce Shining; The Blues Springsteen, Hungry Brothers; Dressed to Kill; Heart; AC/DC, You Shook Nine to Five; Flash Me All Night Long; The Gordon; Heaven's Gate; Clash, Bankrobber; The Caddyshack; Friday the Jam, Going Underground; 13th; The Long Good Pink Floyd, Another Brick Friday; Ordinary People. in the Wall (Part II); The d. Alfred Hitchcock (Apr Police, Don't Stand So 29), Peter Sellers (Jul 24), Close To Me; Blondie, Steve McQueen (Nov 7), Atomic & The Tide Is High; Mae West (Nov 22), Madness, Baggy Trousers; George Raft (Nov 24), Kelly Marie, Feels Like I'm Raoul Walsh (Dec 31). In Love; The Specials, Too Much Too Young; Dexy's Fiction: Midnight Runners, Geno; Frederick Forsyth, The The Pretenders, Talk of Devil's Alternative; L. Ron the Town; Bob Marley and Hubbard, Battlefield Earth; the Wailers, Could You Be Umberto Eco, The Name Loved; Tom Petty and the of the Rose; Robert Heartbreakers, Here Ludlum, The Bourne Comes My Girl; Diana Identity. Ross, Upside Down; Pop Musik, M; Roxy Music, Non-fiction: Over You; Paul Carl Sagan, Cosmos. McCartney, Coming Up. d. Jean-Paul Sartre (Apr LPs: Adam and the Ants, 15). Kings of the Wild Frontier; Talking Heads, Remain in TV / Media: Light; Queen, The Game; Millions of viewers tune Genesis, Duke; The into the U.S. -
Banksy and the Stencil As Radical Graphic Form
DRTP 1 (1) pp. 97–117 Intellect Limited 2016 Drawing: Research, Theory, Practice Volume 1 Number 1 © 2016 Intellect Ltd Essays. English language. doi: 10.1386/drtp.1.1.97_3 Essays Paul GouGh RMIT University Existencillism: Banksy and the stencil as radical graphic form Keywords abstract subcultural graffiti Contemporary graffiti artists, or ‘writers’ as they are known, observe a strict hierarchy that self-ranks Banksy ambition, daring and calligraphic innovation. At the apex are those writers who create the imposing wildstyle Blek le Rat exhibition pieces, large-scale vivid inscriptions that require a high degree of graphic invention and daring. At street art the other extreme are the stencil-cutters, who by comparison are regarded within the peer community of the stencil subculture, as lesser writers, relying on craft skills that are held to be quaint, even fraudulent. This article stencilling explores the persistence and ubiquitous spread of the stencil as a vehicle for mass-produced street art, made especially popular through the iconic work of British street-artist Banksy. Exploring the origins of his work in stencil the article examines how he has both radicalized the genre, while still retaining its essential value 97 DRTP_1.1_Paul Gough_97-117.indd 97 10/1/15 2:26:48 PM Paul Gough as an industrial, utilitarian and iconic graphic. The article compares the deadpan, but hugely popular, drawn language of the stencil with the freehand calligraphy of the taggers, ‘kings’ and other exhibition ‘writers’, and closes with a set of questions, in particular: what is the future of drawing in countercultural expression? urban calligraphy Graffiti have to be seen as an assertion of something, a criticism of public reality […] [a] tide of indecipherable signatures of mutinous adolescents which has washed over and bitten into the facades of monuments and the surfaces of public vehicles in the city where I live: graffiti as an assertion of disrespect, yes, but most of all simply an assertion […] the powerless saying: I’m here too. -
Un Annual Summit Brings World Leaders to Nyc
PAGE 4 PAGE 5 GET TO YOUR MMC FACES CAMPUS SGA PRESIDENT SECURITY THREAT VOLUME 22, ISSUE 02 MARYMOUNT MANHATTAN COLLEGE’S STUDENT NEWSPAPER October 15TH, 2019 UN ANNUAL SUMMIT BRINGS WORLD LEADERS TO NYC Photo from www.pewresearch.org By Seamus Fallon Manhattan’s Foley Square, which specific steps to lower dependence eliminating the use of fossil fuels, Staff Writer totaled “at least 60,000 people” on fossil fuel in there respective an economic and politically pain- according to Mayor De Blasio’s of- nations. The leaders of more than ful step that would drastically re- The Unite Nation’s annual fice who even allowed thousands 70 countries have made prom- duce emissions. The nations that summit filled with world leaders of students in the New York City ises outside and inside the U.N. have declared “net zero” targets opened on September 23rd with Public School system to take the chambers that sounds “nothing only make up a small percent- U.N. Secretary General, Antonio day off in order to participate in short of revolutionary” as many age of global emissions. They do Guterres, calling this major sum- the strike. The summit featured news-houses call it. By 2050, these not include major polluters with mit to promote actions to slow a 16-year-old Swedish climate leaders say they will reach “net heavy industrial or farming con- climate change. It’s safe to say the activist Greta Thunberg, who zero” thus, putting no more car- centrations like China, the Unit- United Nations Summit was not traveled across the Atlantic on a bon dioxide into the atmosphere.