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EDMONTON AB T6E 2M2 V Olume 24, Issue 4
• Steve Hudson Quintet • Simon Fisk Quartet • Deitra Farr with the Jim Guiboche Band • Harley Symington • Cindy Church - The Nearness of You: A ® Tribute to the Music of Hoagy Carmichael • Joel Haynes Trio • Lina Allemano Four • Jon McCaslin Septet • Michael Musillami Trio • Jim Brenan Quartet • The Claudia Quintet • Modo Trio: CD Release Event Volume 24, Issue 4 – September /October 2006 Volume EDMONTON JAZZ SOCIETY 11 TOMMY BANKS WAY (Corner of 102 St & 86 Ave) EDMONTON AB T6E 2M2 Publication Mail # 40047729 Annual General Meeting Notice is hereby given that the annual general meeting of members of the Edmonton Jazz Society (1973) will be held at the Yardbird Suite, 11 Tommy Banks Way, Edmonton, Alberta, on Tuesday, October 31, 2006 at 7:00 PM for the membership purpose of: Your Edmonton Jazz Society Membership supports a variety of 1. Receiving the report of the president; activities and ensures that the best of live jazz will continue to 2. Receiving and considering the report of the treasurer of the Society for the have a home in our city. fiscal year ended July 31, 2006 including the appointment of the auditors for the coming year; 3. Election of the board of directors and officers of the Society; Membership Options (check one): 4. The transition of such further business as may properly come before the Ì Gold Card $200 tax receipt & free admission for one year ........$450.00 meeting or any adjournment thereof. Ì Silver Card free admission for one year ....................................$250.00 Further information regarding the business to be discussed at the annual Ì Regular ..........................................................................................$40.00 general meeting can be obtained by contacting the Yardbird Suite at Ì Student or Senior ..........................................................................$25.00 telephone 432-0428, or fax 433-3773. -
Little in Love
www.warnermusic.ca/brandt/index.html Canada. across Hospitals Children's selected to donated be will album this of sales from proceeds the of portion A 8th September Radio At 16th September Tuesday Stores In Love In Little Frame The Outside ingleNideo Album New RANOT VUL 1351 No. Registration Mail GST) .20 plus ($2.80 $3.00 - 1997 8, September 1 No. 66 Volume 2 - RPM - Monday September 8,1997 Ganclharvas: Sailing themseyes for 2 smile constitutionally. Brrothers to pan "[Kicking In The Water] wasn't a major crisis by Rod Gudino but Jago nevertheless finds himself taking the time for us," recalls Jago, "but you know, it wasn't The million dollar writing and to re -consider an answer as he begins to talk about something that I didn't expect. It really was more production team known as the Dust To what lengths will a rock and roll band go to his band's latest release. of a selfish album on our part; it's the album we Brothers--and acclaimed for make their audiences smile? That question is, in But to backtrack a little. Jago and his band -- had to make. We kind of had come to an end in the production credits on albums from the the mind of Paul Jago, inseparably related to a more a sometimes uppity little quintet by the name of direction the band was heading which enabled us Beastie Boys, Beck, The Rolling Gandharvas -- have ventured to reassess ourselves." Stones and Hanson -- have been three releases deep into a Sold For A Smile is the title put on that secured as panellists for the Toronto career of music making so reassessment and, as the title suggests, Jago and International Film Festival's outstanding,thatithas bandmembers agreed that the lightness of being that Symposium'97 onMonday, attracted the financial backing characterised their initial breakthrough was September 8 (from 3:30 - 5 pm in the of Universal Records in something that shouldn't be abandoned, at least not Civic Ballroom at the Sheraton Centre Canada. -
THE SWING MARTINI One Part Cindy Church Three Parts Polyjesters a Splash of Ella and a Twist of Louis Shaken and Stirred!
For Immediate Release: September 21st, 2008 THE SWING MARTINI One part Cindy Church Three parts Polyjesters A Splash of Ella and a Twist of Louis Shaken AND Stirred! FRIDAY, OCTOBER 10th, 2008 ~ GALA OPENING! $75 ticket includes Wood Tapas Oven Tasting, Champagne and the Show 7:00pm Entry ~ 9:00pm Show SATURDAY, OCTOBER 11th, 2008 ~ The Swing Martini refills… $45 ticket (ala carte Wood Tapas Over menu available) 7:00pm Entry ~ 9:00pm Show Local Alberta Favorite’s The Polyjesters join forces with the Juno nominated and well known Canadian songbird Cindy Church, in collaboration and celebration of the opening of Calgary’s most elegant new entertainment venue, Club Paradiso. Club Paradiso isn’t just another club. It is Frank Sinatra and the Rat Pack, it’s Casablanca (here’s lookin’ at you kid!), it’s luxury and comfort and delight all rolled into one. Plush banquets, an intimate stage, wood oven tapas, martinis & fresh cocktails are there for your evenings enjoyment. The vibe whispers 'smoky jazz' (without the smoke). Located above Village Cantina Tropical Grill in Inglewood, this venue is designed for unique entertainment and intimate gatherings, and you'll find the roof top patio with a fireplace coffee table & plush seating completely irresistible. THE POLYJESTERS… Though the Polyjesters don’t appear to be “Casablanca,” these comical and talented gents cut their teeth on the old swing and jazz recordings of the 20’s, 30’s, 40’s and 50’s. Its rooted so deep in their souls they have to play their hearts and hands out just to quell the beats.. -
Rampulla's Martial Arts
18 Independent & Free Press, Wednesday, May 23, 2007 Songwriters to perform at Source of the Song 9 Source of the Song 9 will be held In addition to a distinguished solo the winner of both the 2006 USA on Saturday, May 26, 2-5 p.m. in career, Church is a member of the Songwriting competition and the Glen Williams Town Hall. vocal super-group Quartette (with Unisong competition. There’s no experience quite as Gwen Swick, Caitlin Hanford and Jones is an alt-country/folk artist rewarding and powerful as hearing a Sylvia Tyson), performing as well in whose reputation has been steadily great original song performed by the Lunch at Allen’s (with Marc Jordan, growing since she moved to Toronto. person who wrote it. Bruce and Ian Thomas, and Murray McLaugh- Tickets for the event are $12 in Marlene Madole, as hosts and co- lin) and The Nearness of You: A advance and $15 at the door. They producers of Source of the Song 9— Tribute to the Songs of Hoagy are available at Studio 7, the an acoustic songwriter’s concert or Carmichael (together with pianist Joe Williams Mill Visual Arts Centre, 38 OAK STREET “round”— have good reason to Sealy and bassist George Koller). 515 Main S. in Glen Williams or GEORGETOWN believe this truth will be demonstrat- Banks, an acoustic guitarist, is an from Best’s Harbour, 523 Main St. ONTARIO ed again when they will welcome award-winning and hit songwriter For more information, contact: special guests Cindy Church, (Saints and Angels for Sara Evans, Bruce Madole, 905-459-9753 or at Victoria Banks and Kirsten Jones. -
“Art 33” Chilliwack School District 33 High Schools
A Special Event ART CLASSES SONS OF THE PIONEERS CHILLIWACK AT THE CENTRE The legendary Sons of the Pioneers will soon be traveling CULTURAL CENTRE north to the central interior of British Columbia, Canada. WRAPPING CABOCHON Their 2017 tour will begin on June 20 in Abbotsford FOR TICKETS: PENDANTS and continue east through the Okanagan Valley to the CALL: 604.391.SHOW(7469) Saturday, June 3, 2017 Kootenay Region of beautiful B.C. The tour will wrap up in Kamloops on June 28. IN PERSON: 9201 Corbould Street, Chilliwack 1:00 - 4:00pm ONLINE: www.chilliwackculturalcentre.ca TRAVEL PHOTOGRAPHY The British Columbian cities which will host this legendary band include Vancouver, Abbotsford, Kelowna, The Centre Box Office Hours: Saturday, June 10, 2017 Oliver, Nelson, Vernon, and Kamloops. Monday to Friday: 9:30am - 9:00pm, 1:00 - 4:00pm and Front Saturday & Sunday: 9:30am - 5:00pm ABBOTSFORD ART CENTRE Volume 7 / Issue 6 JUNE 2017- NEWS FROM THE CENTRE GARDEN MARKERS and open one hour before performances. Tuesday, July 11, 2017 June 20, 2017 6:30 - 8:30pm CENTRE 7:00pm “ART 33” CHILLIWACK SCHOOL DISTRICT BODY, WINE, JEWELS Tickets: $48 Tuesday, July 18, 2017 6:00 - 9:00pm 33 HIGH SCHOOLS ART EXHIBIT HEART OF GLASS Shantero Productions presents Saturday, July 22, 2017 1:00 - 4:00pm LUNCH AT ALLEN’S ART33 is a collective of students from School District 33 high schools CLOSEUP MAGIC Lunch At Allen’s is a musical powerhouse comprised of Wednesday, August 2, 2017 four remarkable Canadian talents: Murray McLauchlan, (Chilliwack, G.W. Graham and 6:00 - 9:00pm Cindy Church, Marc Jordan and Ian Thomas. -
Cindy CHURCH 2 - RPM CHART WEEKLY - Monday March 28, 1994
$3.00 $2.80 plus .20 GST Volume 59 No. 10 11) 1 March 28, 1994 I A 100 TOP HITS 100 TOP CDs 100 COUNTRY HITS Cindy CHURCH 2 - RPM CHART WEEKLY - Monday March 28, 1994 CBS Masterworks veteran Harry Dunnette dead at 70 Immaculately groomed, Mr. Dunnette was the "perfect ambassador" for classical Harry Dunnette, who headed up CBS in the Hamilton/Toronto area where he met Masterworks in the early sixties, died March many of the stars of the classical music world. music. "Harry was a detail man. He set up hectic schedules for himself and systems that 12 at the age of 70. It was his thirst for knowledge of classical brought immense recognition to our classical Mr. Dunnette, who was born in Hamilton, music and the masters that took him to Finland Ontario, served in the RCAF in World War II. to see Sibelius in concert. Ironically, it was lines. He had a great relationship both personal He had a history of heart problems stemming while in Finland when he met his wife Anja. and business with many of the travelling from an injury suffered during his enlistment. Returning to Canada Mr. Dunnette joined classical recording artists." His health further deteriorated when he the sales force of CBS where he became In 1966, Mr. Dunnette took over the new contacted multiple sclerosis 20 years ago, a manager of Masterworks and Epic Classics. musical instrument division of CBS which HIT disease that finally confined him to a This further advanced his popularity in the had purchased Fender Guitars and Rogers wheelchair until his death. -
SECTION B June 2018
P R I N C E E D W A R D I S L A N D ’ June 2018 S G U ANNIVERSARY ISSUE I D Section A E T O W H A T ’ S G O I N G O N / B U Z Z O N . C O M Karen Gallant Page A 2 The BUZZ June 2018 The BUZZ June 2018 Page A 3 Page A 4 The BUZZ June 2018 Profile: Debbie Atkinson by Jane Ledwell Debbie gets to every show she can— “certainly every day of the festival.” This year, she is especially looking forward to “reprise” shows Cynthia MacLeod has organized, to bring back shows from past years that people particularly loved. Music lover Often, Debbie says, “I have to emcee a show, or take tickets or serve food. We have to do whatever we have to do.” Sometimes, at a late-night, post-show jam, she will add her own guitar to the melee of instruments. “I’ve played guitar for years, as a church youth leader, around campfires and with youth groups. I play guitar in a rock band at church. It’s great for mental health. Some people cook, some people garden—I like music,” she says. When the PEI Mutual Festival of Small Halls begins, “I’m just a cog in the wheel,” Debbie insists, but she laughs, “I’ve been a constant cog—I’m the only original cog left. “Every year for the festival, we have to hire new staff, and they are often 20- somethings with not a lot of knowledge of traditional music, Debbie says. -
A History of the CKCU Ottawa Folk Festival
A History of the Ottawa Folk Festival by Joyce MacPhee and Ottawa Folk Festival Volunteers INTRODUCTION ............................................................................................................................................... 2 OTTAWA FOLK FESTIVAL TIMELINE ............................................................................................................. 3 YEAR 1 – 1994 ................................................................................................................................................... 6 YEAR 2 – 1995 ................................................................................................................................................... 8 YEAR 3 – 1996 ................................................................................................................................................. 10 YEAR 4 – 1997 ................................................................................................................................................. 13 YEAR 5 – 1998 ................................................................................................................................................. 16 YEAR 6 – 1999 ................................................................................................................................................. 20 YEAR 7 – 2000 ................................................................................................................................................. 25 YEAR 8 – 2001 ................................................................................................................................................ -
Quartette - Biography
Quartette - Biography While Quartette’s catalog is filled with commendable recordings, its sixth album “Down At The Fair” is unquestionably its finest work. Ambitious, and stylistically wide-ranging, “Down At The Fair” began its evolution with a meeting of Quartette members—Cindy Church, Caitlin Hanford, Gwen Swick, and Sylvia Tyson—in early 2007. After evaluating the lode of original songs they had for the project, they decided to work within a grittier context than they had traditionally done. They also decided to bring in guitarist/producer Colin Linden—a long-time friend of each—to helm the project. Over a three decade career, Nashville-based Canadian Linden has been involved in creating a memorable body of classic roots and blues recordings, whether as a producer, a solo artist, or as a member of Blackie and the Rodeo Kings. In recent years, he has produced such musical figures as Bruce Cockburn, Paul Reddick, Colin James, Sue Foley, and Lennie Gallant. While Quartette trusted Linden’s instincts, and knew they’d appreciate his musical meticulousness, as well as his signature electric and country blues guitar playing, they also wanted him to probe to its limits any musical idea that appealed to them. “Something I addressed with Colin was the importance of players digging in —not playing as if they're playing with girls,” says Sylvia. “We're not that delicate.” Still brimming with enthusiasm over the sessions at the Woodshed Studio in Toronto, and at The Rendering Plant in Nashville, Caitlin says, “We were up for a new adventure.” She adds, “We knew with Colin we weren’t going to get a slick record. -
Matthew Capel Thesis 18 September 2007
'Damned If They Do And Damned If They Don't': The Inferiority Complex, Nationalism, and Maclean's Music Coverage, 1967-1995 By Gordon Matthew Donald Capel A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in History Waterloo, Ontario, Canada, 2007 © Gordon Matthew Donald Capel 2007 Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as required by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This thesis critically analyses music coverage in Maclean’s between 1967-1995, and reveals that the magazine continually stressed Canadian music as inferior to that produced by foreign artists. Only during times of intense nationalism were Canadian musicians positively received in its pages. More generally, domestic productions were seen as deficient. The historical components of this investigation reveal an essential irony in the perception of Canadian music during the last four decades of the 20th century. Despite nationalist rhetorics and Maclean's self-appointed title of "Canada's National Newsmagazine," its critics consistently emphasised that Canadian music was of poor quality in the 1967-1995 period. iii Acknowledgements I would like to express my gratitude to all those wonderful people who helped me complete this thesis. First, I must applaud my thesis advisor P. Whitney Lackenbauer for his motivation, discerning eye, and willingness to tell me when something wasn't history. For this confused, stubborn, and excitable grad student, your support cannot be overstated. -
Skvorecky at Home in Canada Women In
Skvorecky at home in Canada Women in while researching his novel Dvorak in Would he go back? No. "1 have Education Love -memoirs of the veterans and developed a liking for Canada, ... a In a November 30 event sponsored several histories giving their names nation of immigrants." Little children by Women's Studies, the Faculty of and experiences. He figures there coming here learn English very Education and the Centre on were about 500 Czech soldiers in the quickly, he said, and almost forget Collaborative Research, Education Prof. Union Army, and less than 20,000 their mother tongue; then, at age 16 Cecilia Reynolds talked about a book Czechs in the United States. "They or 17, they start to become interested she has co-edited with Beth Young, were mostly volunteers, and they again and to re-Iearn it. The Czechs Women and Leadership in Canadian fought very well." almost lost their language in the 18th Education. Although the book is about Mr. Skvorecky read a passage from century, he explained, when most of "men and women trying to work his new book, then answered ques the intelligentsia spoke German. Only [according to feminist principles] in the tions from the audience. He writes his villagers spoke Czech, and they were field of educational administration, novels in Czech, he explained, but mostly illiterate. But under the Nazi [which isn't happy to have them writes non-fiction and some of his and Communist dictatorships, the working that way]," the authors were stories in English. He doesn't try to intelligentsia became patriots and persuaded not to use the word "femi write the novels in English, he said, started re-Iearning their language, nism" or even the word "gender" in because he's too interested in the mainly through its literature. -
Issue Number 19 February 1997
Gavin’s Woodpile – The Bruce Cockburn Newsletter Edited by Daniel Keebler Issue Number 19 February 1997 The following interview was conducted in London with Bruce Cockburn on December 10, 1996, by Richard Hoare for the release of The Charity of Night album. Richard Hoare (RH) : In order to set the scene for the new album, please can you briefly describe your move to a new record label. Bruce Cockburn (BC) : Outside of Canada, when we parted with Columbia/Sony, there were several candidates under consideration. Ryko seduced me the best. It’s off to a really good start and the whole experience so far is very positive. It feels a lot more comfortable to be with a label that understands what to do with artists that don’t get radio play. The big liability with Columbia was that although they had all the muscle which in the States worked well for us, they still didn’t know what to do if you were not on the radio. Anyway, there’s been a change and we’re moving forward. RH : Has there been a positive decision to reintegrate jazz into your work with this album because I recall a quote of yours at about the time of Nothing But a Burning Light to the effect that there was a conscious decision at that point to omit jazz from the material. BC : It was more a case that in that period, and to a lesser degree with Dart to The Heart, that I made a conscious decision to keep it (jazz) out but as soon as I took down that little iron curtain, it came back in.