Lawler, Bee Dances and the Sacred Bees, 1954
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Chthonic Aspects of Macdonald's Phantastes: from the Rising of The
Chthonic Aspects of MacDonald’s Phantastes: From the Rising of the Goddess to the Anodos of Anodos Fernando Soto The Herios was a woman’s festival. Plutarch of course could not be present at the secret ceremonies of the Thyaiades, but his friend Thyia, their president, would tell him all a man might know . From the rites known to him he promptly conjectured that it was a “Bringing up of Semele.” Semele, it is acknowledged, is but a Thraco-Phrygian form of Gaia, The “Bringing up of Semele” is but the Anodos of Gala or of Kore the Earth Maiden. It is the Return of the vegetation or Year-Spirit in the spring. (Jane Harrison, Themis 416) 1. Introduction and General Backgrounds hantastes is one of the most mysterious books George MacDonald wrote andP one of the least understood books in the English tradition. Since its publication in 1858, reviewers, readers and researchers have experienced great difficulties understanding the meaning of this complex work.The perceived impediments have been so great that some scholars remain unsure whether Phantastes contains a coherent plot or structure (Reis 87, 89, 93-94; Robb 85, 97; etc.). Other critics appear adamant that it contains neither (Wolff 50; Manlove, Modern 55, 71, 77, 79; England 65, 93, 122). Even those scholars who sense a structure or perceive a plot differ not only regarding the types of structure(s) and/or plot(s) they acknowledge (Docherty 17-22; McGillis “Community” 51-63; Gunther “First Two” 32-42), but in deciding into what, if any, genres or traditions Phantastes belongs (Prickett, “Bildungsroman” 109-23; Docherty 19, 23, 30, McGillis, “Femininity” 31-45; etc.). -
The Phenomenon of Chance in Ancient Greek Thought
THE PHENOMENON OF CHANCE IN ANCIENT GREEK THOUGHT by MELISSA M. SHEW A DISSERTATION Presented to the Department of Philosophy and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Doctor of Philosophy September 2008 11 University of Oregon Graduate School Confirmation of Approval and Acceptance of Dissertation prepared by: Melissa Shew Title: "The Phenomenon of Chance in Ancient Greek Thought" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the degree in the Department ofPhilosophy by: Peter Warnek, Chairperson, Philosophy John Lysaker, Member, Philosophy Ted Toadvine, Member, Philosophy James Crosswhite, Outside Member, English and Richard Linton, Vice President for Research and Graduate Studies/Dean ofthe Graduate School for the University of Oregon. September 6, 2008 Original approval signatures are on file with the Graduate School and the University of Oregon Libraries. 111 An Abstract of the Dissertation of Melissa M. Shew for the degree of Doctor of Philosophy in the Department of Philosophy to be taken September 2008 Title: THE PHENOMENON OF CHANCE IN ANCIENT GREEK THOUGHT Approved: Dr. Peter Warnek This dissertation engages three facets of Greek philosophy: 1) the phenomenon of tyche (chance, fortune, happening, or luck) in Aristotle's Physics, Nicomachean Ethics, and Poetics; 2) how tyche infonns Socrates' own philosophical practice in the Platonic dialogues; and 3) how engaging tyche in these Greek texts challenges established interpretations of Greek thought in contemporary scholarship and discussion. I argue that the complex status of tyche in Aristotle's texts, when combined with its appearance in the Platonic dialogues and the framework of Greek myth and poetry (poiesis), underscores the seriousness with which the Greeks consider the role of chance in human life. -
STONEFLY NAMES from CLASSICAL TIMES W. E. Ricker
ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Perla Jahr/Year: 1996 Band/Volume: 14 Autor(en)/Author(s): Ricker William E. Artikel/Article: Stonefly names from classical times 37-43 STONEFLY NAMES FROM CLASSICAL TIMES W. E. Ricker Recently I amused myself by checking the stonefly names that seem to be based on the names of real or mythological persons or localities of ancient Greece and Rome. I had copies of Bulfinch’s "Age of Fable," Graves; "Greek Myths," and an "Atlas of the Ancient World," all of which have excellent indexes; also Brown’s "Composition of Scientific Words," And I have had assistance from several colleagues. It turned out that among the stonefly names in lilies’ 1966 Katalog there are not very many that appear to be classical, although I may have failed to recognize a few. There were only 25 in all, and to get even that many I had to fudge a bit. Eleven of the names had been proposed by Edward Newman, an English student of neuropteroids who published around 1840. What follows is a list of these names and associated events or legends, giving them an entomological slant whenever possible. Greek names are given in the latinized form used by Graves, for example Lycus rather than Lykos. I have not listed descriptive words like Phasganophora (sword-bearer) unless they are also proper names. Also omitted are geographical names, no matter how ancient, if they are easily recognizable today — for example caucasica or helenica. alexanderi Hanson 1941, Leuctra. -
The Concept of Immo<Tals in Medite<<Anean Antiquity Autho<(S): Cha<Les H. Talbe<T Sou<Ce: Jou<Nal Of
!"#$%&'(#)*$&+$,--&.*/01$2'$3#42*#../'#/'$5'*2672*8 57*"&.91:;$%"/.0#1$<=$!/0>#.* ?&7.(#;$@&7.'/0$&+$A2>02(/0$B2*#./*7.#C$D&0=$EFC$G&=$H$9?#)=C$IEJK:C$))=$FIELFHM N7>021"#4$>8;$!"#$?&(2#*8$&+$A2>02(/0$B2*#./*7.# ?*/>0#$OPB;$http://www.jstor.org/stable/3265162 5((#11#4;$QMRQIRSQQE$QE;FI Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=sbl. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. The Society of Biblical Literature is collaborating with JSTOR to digitize, preserve and extend access to Journal of Biblical Literature. -
The Thebaid Europa, Cadmus and the Birth of Dionysus
The Thebaid Europa, Cadmus and the birth of Dionysus Caesar van Everdingen. Rape of Europa. 1650 Zeus = Io Memphis = Epaphus Poseidon = Libya Lysianassa Belus Agenor = Telephassa In the Danaid, we followed the descendants of Belus. The Thebaid follows the descendants of Agenor Agenor = Telephassa Cadmus Phoenix Cylix Thasus Phineus Europa • Agenor migrated to the Levant and founded Sidon • But see Josephus, Jewish Antiquities i.130 - 139 • “… for Syria borders on Egypt, and the Phoenicians, to whom Sidon belongs, dwell in Syria.” (Hdt. ii.116.6) The Levant Levant • Jericho (9000 BC) • Damascus (8000) • Biblos (7000) • Sidon (4000) Biblos Damascus Sidon Tyre Jericho Levant • Canaanites: • Aramaeans • Language, not race. • Moved to the Levant ca. 1400-1200 BC • Phoenician = • purple dye people Biblos Damascus Sidon Tyre Agenor = Telephassa Cadmus Phoenix Cylix Thasus Phineus Europa • Zeus appeared to Europa as a bull and carried her to Crete. • Agenor sent his sons in search of Europa • Don’t come home without her! • The Rape of Europa • Maren de Vos • 1590 Bilbao Fine Arts Museum (Spain) Image courtesy of wikimedia • Rape of Europa • Caesar van Everdingen • 1650 • Image courtesy of wikimedia • Europe Group • Albert Memorial • London, 1872. • A memorial for Albert, husband of Queen Victoria. Crete Europa = Zeus Minos Sarpedon Rhadamanthus • Asterius, king of Crete, married Europa • Minos became king of Crete • Sarpedon king of Lycia • Rhadamanthus king of Boeotia The Brothers of Europa • Phoenix • Remained in Phoenicia • Cylix • Founded -
The Pythias Excerpted from Secret History of the Witches © 2009 Max Dashu
The Pythias excerpted from Secret History of the Witches © 2009 Max Dashu I count the grains of sand on the beach and measure the sea I understand the speech of the mute and hear the voiceless —Delphic Oracle [Herodotus, I, 47] In the center of the world, a fissure opened from the black depths of Earth, and waters flowed from a spring. The place was called Delphoi (“Womb”). In its cave sanctuary lived a shamanic priestess called the Pythia—Serpent Woman. Her prophetic power came from a she-dragon in the Castalian spring, whose waters had inspirational qualities. She sat on a tripod, breathing vapors that emerged from a deep cleft in the Earth, until she entered trance and prophesied by chanting in verse. The shrine was sacred to the indigenous Aegean earth goddess. The Greeks called her Ge, and later Gaia. Earth was said to have been the first Delphic priestess. [Pindar, fr. 55; Euripides, Iphigenia in Taurus, 1234-83. This idea of Earth as the original oracle and source of prophecy was widespread. The Eumenides play begins with a Pythia intoning, “First in my prayer I call on Earth, primeval prophetess...” [Harrison, 385] Ancient Greek tradition held that there had once been an oracle of Earth at the Gaeion in Olympia, but it had disappeared by the 2nd century. [Pausanias, 10.5.5; Frazer on Apollodorus, note, 10] The oracular cave of Aegira, with its very old wooden image of Broad-bosomed Ge, belonged to Earth too. [Pliny, Natural History 28. 147; Pausanias 7, 25] Entranced priestess dancing with wand, circa 1500 BCE. -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
2019 Harvard Certamen Advanced Division Preliminary Rounds
2019 HARVARD CERTAMEN ADVANCED DIVISION PRELIMINARY ROUNDS 1 2019 HARVARD CERTAMEN ADVANCED DIVISION ROUND 1 1. For the verb careō, give the perfect active infinitive. CARUISSE B1: Give the same form for cernō. CRĒVISSE B2: Change crēvisse to the future tense. CRĒTURUS/-A/-UM ESSE 2. Known in Latin as Vallum Aelium, what structure, begun in 122 A.D., served as the northern boundary of the Roman Empire until the construction of a fortification north of it 20 years later? HADRIAN’S WALL B1: What governor of Britannia supervised the construction of Hadrian’s Wall? (A.) PLATORIUS NEPOS B2: Immediately north of the wall was the territory of which Scottish tribe? PICTS 3. Listen carefully to the following passage from Augustus’s Res Gestae, which I will read twice, and answer the questions that follow in English: Annōs undēvīginti nātus exercitum prīvātō consiliō et prīvātā impensā comparāvī, per quem rem pūblicam ā dominātiōne factiōnis oppressam in libertatem vindicāvī … Populus autem eōdem annō mē consulem, cum consulēs uterque bellō cecidisset, et triumvirum reī pūblicae constituendae creāvit. The question: Augustus claims that he freed the republic from the oppression of what? (THE DOMINATION OF) A FACTION (from: rem pūblicam ā dominātiōne factiōnis oppressam) B1: Describe how Augustus mustered an army. WITH PRIVATE PLANS & PRIVATE EXPENSE(S) (from: exercitum prīvātō consiliō et prīvātā impensā comparāvī) B2: What tragedy led the Roman people to install Augustus as triumvir and consul? THE DEATH OF THE TWO CONSULS (IN WAR) (from: cum consulēs uterque bellō cecidisset) 4. Described by Donatus as tall, dark, and rustic, which Roman author studied under the Epicurean Siro, was nicknamed Parthenias for his social aloofness, and wrote works such as Bucolics and Georgics? VIRGIL / (P.) VERGILIUS MARO B1: In the Georgics, Virgil removes mention of what prefect of Egypt, who had fallen out of favor with Augustus? CORNELIUS GALLUS B2: In place of a panegyric to Cornelius Gallus, there is an epyllion concerning what mythological beekeeper? ARISTAEUS 5. -
Approaching Dionysus : Challenges of a Post-Modern Bacchae
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2004 Approaching Dionysus : challenges of a post-modern Bacchae. Julie Dingman Evans University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Evans, Julie Dingman, "Approaching Dionysus : challenges of a post-modern Bacchae." (2004). Electronic Theses and Dissertations. Paper 413. https://doi.org/10.18297/etd/413 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. APPROACHING DIONYSUS: CHALLENGES OF A POST-MODERN BACCHAE By Julie Dingman Evans B.F.A., Western Kentucky University, 1993 A Thesis Submitted to the Faculty of the Graduate School of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts Department of Theater Arts University of Louisville Louisville, KY December 2004 APPROACHING DIONYSUS: CHALLENGES OF A POST-MODERN BACCHAE By Julie Dingman Evans B.F.A., Western Kentucky University, 1993 A Thesis Approved on November 22, 2004 By the following Dissertation Committee: Dissertation Director II DEDICATION This thesis is dedicated to the memory of My dear Dad Mr. Kendall Irving Dingman, Jr. To whom lowe my life and deepest love And to Professor David Palmer To whom lowe great friendship and kindness May their sweet souls Rest in Peace III ACKNOWLEDGEMENTS I would like to thank those people without whom this thesis would not exist. -
Summer Collection 2016 Brand Concept
SUMMER COLLECTION 2016 BRAND CONCEPT “I Sandals” knows how to show every aspect of you. Which may be adorable, Handsome, Elegant or smart. “I Sandals” shoes are specially designed for young ladies, As they well intergrade the latest fashion with dynamic design, exquisite details and high quality. “I Sandals” is dedicated to highlight the graceful beauty and youthful BEHIND THE NAME BEHIND THE NAME 7 Everyday is a new day MELLISA that cared for young Zeus in Greek mythology Art: Melissa/gl Color: Black platina Art: Melissa Art: Melissa/gl Color: Metal multi Color: Platina glitter 7 Everyday is a new day MELLISA that cared for young Zeus in Greek mythology Art: Melissa/gl Color: Black platina Art: Melissa Art: Melissa/gl Color: Metal multi Color: Platina glitter 9 GAIA : From the Greek word γαια (gaia), a parallel form of γη (ge) meaning "earth". In Greek mythology Gaia was the mother goddess who presided over the earth. She was the mate of Uranus and the mother of the Titans and the Cyclopes. Art: Gaia Art: Gaia Color: Natural Color: Black Art: Gaia Art: Gaia/pony Color: Platina Color: Black Art: Gaia/pin Art: Gaia/pin Art: Gaia Art: Gaia Color: Black Color: White Color: Silver Color: Platina 9 GAIA : From the Greek word γαια (gaia), a parallel form of γη (ge) meaning "earth". In Greek mythology Gaia was the mother goddess who presided over the earth. She was the mate of Uranus and the mother of the Titans and the Cyclopes. Art: Gaia Art: Gaia Color: Natural Color: Black Art: Gaia Art: Gaia/pony Color: Platina Color: Black Art: Gaia/pin -
The Construction of Two Copies of Ancient Greek Clay Beehives and the Control of Their Colonies’ Homeostasis
KATERINA KALOGIROU | ALEXANDROS PAPACHRISTOFOROU 69 THE CONSTRUCTION OF TWO COPIES OF ANCIENT GREEK CLAY BEEHIVES AND THE CONTROL OF THEIR COLONIES’ HOMEOSTASIS Katerina Kalogirou Departure of History and Archaeology, School of Philosophy, Aristotle University of Thessaloniki, Greece Alexandros Papachristoforou Laboratory of Animal Physiology, Sector of Zoology, Department of Biology, Aristotle University of Thessaloniki, Greece Department of Agricultural Sciences, Biotechnology and Food Science, Cyprus University of Technology, Cyprus The Greek word for the bee (Μέλισσα honey-lick- The first beekeeper was Aristaeus, son of Apollo er) has been used from poets to describe the beauties and Cyrene (Fig. 2). He was raised by Horai with nec- of nature and from philosophers to name everything tar and ambrosia, and the nymphs Brisai (βριτύ-βλίττω that is pure and virgin. The image of the bee has been to take the honey from the comb, Βρίτο- variant of depicted from the prehistoric times. In Mesolithic μέλισσα “bee”4) taught him apiculture. Through the Spain, we find a famous wall painting with the harvest island of Kea he spread the secret of beekeeping to of wild bee honey (Fig. 1). In Egypt, its images were the humans5, and thus the coins6 of the island have as standing for “Lower Egypt”, and with proper use of the a symbol the bee7. word bee and a royal name, meant “all upper and low- er Egypt”1. Archaeological evidence in Tel Rihov in the Honey bee has been a part in several divinities Jordan valley, illustrated the Biblical reference of the adorations, from which we will selectively refer to 8 Land of Israel, as the “Land of milk and honey”2. -
The Festival Proerosia Robertson, Noel Greek, Roman and Byzantine Studies; Winter 1996; 37, 4; Proquest Pg
New Light on Demeter's Mysteries: The Festival Proerosia Robertson, Noel Greek, Roman and Byzantine Studies; Winter 1996; 37, 4; ProQuest pg. 319 New Light on Demeter's Mysteries: The Festival Proerosia Noel Robertson EMETER'S "MYSTERIES: festivals conducted mainly by women and in sanctuaries that were suitably withdrawn, D were almost universal in Greek cities, like the cereal agri culture they were intended to promote. They were integral to Greek society and are now widely and profitably studied as a social phenomenon. If the general custom is important, so are the many ritual actions that constitute a given festival, through which (according to one's point of view) the women either worship the goddess Demeter, or work directly on the earth, or affirm their sense of the fitness of things. Animal sacrifice plays a large part, as usual, the pig species being favored by De meter, and there is a peculiar practice of throwing piglets into a pit, which is then closed. It is a disadvantage that reconstructions of ritual must be sought in older handbooks and special studies. The basic work on Greek festivals was done long ago, and new evidence, though not wholly neglected, has not led to any sustained effort of revision. The festival Proerosia, "Before-ploughing (rites)," is such a case. The Athenian, or Eleusinian, version of this festival once seemed to stand alone, as if it were something secondary and contrived, without much bearing on the larger pattern of Demeter's worship. We can now see that the Proerosia was widespread. It may have been as common as the greatest of Demeter's festivals, the Thesmophoria: it was a sequel to it, coming later in the autumn season.