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Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Made up Cast Production Credits
MADE UP CAST Brooke Adams Elizabeth James Tivey Lynne Adams Kate James Eva Amurri Sara Tivey Kalen Conover Chris Light Eternity Molly Avrums Jim Issa Eli Lance Krall Simon Tony Shalhoub Max Hires Gary Sinise Duncan Tivey PRODUCTION CREDITS Director Tony Shalhoub Writer Lynne Adams Producers Lynne Adams, Brooke Adams, Mark Donadio Executive Producers George Fifield, Bob & Lois Weiner Director of Photography Gary Henoch Editor Michael Matzdorff Composer Michael Wolff Production Designer Miriam Feldman Lighting Designer Karine Albano Costume Designer Lisa Lesniak Make Up Design Trish Seeney Photographer Claire Folger Web Design Neil Johnson Line Producer Brian Robel Co-Executive Producers Dave Becker, Susan & David Kolb Co- Producers Bonnie Egan, Jim Issa Assistant to the Producer Phaedra Shanbaum 1 Lauren Hyman Publicity Sister Films 336 W. 37th Street - Suite 902 NYC 10018 9 Myrtle Street, Jamaica Plains MA 02130 212-643-8234 617.983.0906 [email protected] [email protected] MADE-UP Synopsis MADE-UP, a droll satire on our culture’s obsession with appearance is Tony Shalhoub’s stunning directorial debut. Working from a richly layered script, which crosscuts between characters who are facing real truths and the documentary crew who are filming them, Shalhoub spins a mordantly comic tale. When Elizabeth (Brooke Adams) gave up her acting career to become a wife and mother, it was a liberating choice. She let her hair go gray, stopped worrying about every extra pound, and laughed when her teenage daughter Sara (Eva Amurri) nagged her about her appearance. But now that her husband Duncan (Gary Sinise) has left her for a much younger woman (played by Light Eternity), her daughter’s desperation to give her an overhaul starts to resonate. -
«Da Grande? Vado a Hollywood»
CULTURA E SPETTACOLI Intervista Franco Amurri, 30 anni, regista Si chiama «Flashback» e sarà Briiggen: di «Da grande», ingaggiato interpretato da Dennis Hopper il mio Bach dalla Paramount per dirigere eKieferSutherland autentico un film tutto americano «No, non mi monterò la testa» •'AMSTERDAM. Frana BrOg gen prava in quali giorni ad Amsterdam la Messa in si mi nore di Bach con l'orchestra Maurice Bejart: a Venezia un collage di sue coreografie - IMI 18° secolo che dirigerà in «Da grande? Vado a Hollywood» tournee per l'Europa dal 6 mar», toccando In Italia Bo- Tre anni fa firmava II ragazzo del Pony Express con - rogna, Firenze e Milano (18, Jerry Cala, il prossimo 10 aprile comincia a Denver Il balletto. Rassegna a Venezia - 19,21,22 marzo). È l'occasio ne per ascoltare questa sum- le riprese di Flashback, una «action-comedy» con ' ma dell'arte bachlana (che Kiefer Sutherland e [tennis Hopper da 13 milioni di .sarà registrata dal vivo dalla dollari. Il fortunato è Franco Amurri, cineasta tren -Philips perche BrOggen non tenne, ex marito di Susan Sarandon, uno dei pochi, Viaggio mitico ama lavorare in sala d'Incisio pochissimi italiani cui Hollywood (in questo caso la ne) eseguila da questa orche- , «tra di specialisti di musica an- Paramount) abbia deciso di affidare un film. , Uca. Frans BrOggen sostiene, con Béjart „Mm, J» necessita della risco perta della prassi esecutiva MtCHU-IANSILMI Béjart ritoma alle fiabe popolari come dimostrano, originale. BrOggen, che come flautista e stato molto attivo in una lunga carrellata veneziana, i titoli delle sue HROMA Sembra un nas- gli ha dato nel 198S anche anche sul versante della musi- ultime creazioni: A force de partir je sub reste cttez tunto del Sogno Americano. -
Pocket Product Guide 2006
THENew Digital Platform EFM 2011 tm BERLIN POCKET ISSUE & PRODUCT OF FILM GUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSConnect to Seller - Buy Product EFM 2011 Bumper Online - EFM Daily Editions - Unabridged EFM Product Guide + Stills The Visual is The Medium synopsisandtrailers.com makes it easy for you to Your Simplest Sales Tool read-watch-connect-buy like never before. S HOWCASING T RAILERS D AILY F EB 10-16 An end to site hopping. VISIT:thebusinessoffilmdaily.com For Buyers: Time is Money - View & Connect For Sellers: Attract Buyer Interest - Spend Your Time Promoting New Films November 2 - 9, 2011 Arrow Entertainment Sahamongkolfilm MGB Stand #120 MGB Stand #129 Vision Films Imageworks Ent. MGB Booth #127 Maritim Hotel Suite 9002 STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE BERLIN PRODUCT GUIDE 2011 Writer: Laura Beccaria 6 SALES Producer: Abano Producion, Anera Films, 6 Sales, Alto de las cabañas 5 28231 Las Continental Producciones Rozas de Madrid. Tel: +34.91.636.10.54. Delivery Status: completed Fax: +34.91.710.35.93. www.6sales.es, E- Year of Production: 2010, Country of mail: [email protected] Origin: Spain Sales Agent Little MUMU’s journey towards her ulti- At EFM: Marina Fuentes (Partner), mate dream: to become a great star. Avraham Pirchi (Partner), Mar Abadin THE RUNWAY (Head of Sales) http://www.6sales.es/theRunaway.html Office: Washington Suite, office 100, Family comedy (100 min) Marriott Hotel, Tel: +49(0)30.22000.1127 -
Susan Sarandon: from 'Joe' to 'Jeff'
PAGE b8 THE STATE JOURNAL mR A cH 15, 2012 Thursday ALMANAC 50 YEARS AGO Susan Sarandon: From ‘Joe’ to ‘Jeff’ Mr. and Mrs. William H. Fraysure led the conclud- ing Assembly Ball of the se- Actress, whose career has spanned 40 years, keeps showing off range ries at Holiday Inn. It was the eighth of the series, held with the legislature in ses- By Frank Lovece “My entire life is noth- sion. Assisting Mr. and Mrs. NewsdAy Fraysure were Gov. and Mrs. ing but serendipity. I Bert Combs, Lt. Gov. and STAMFORD, Conn. – How pride myself on the fact Mrs. Wilson W. Wyatt, Mayor wide is Susan Sarandon’s and Mrs. Paul Judd, Mr. and range as an actress? Wide that I’m able to change Mrs. Roger Levering, Mr. and enough that the “thinking gears when something Mrs. James Hanrahan, Mr. man’s sex symbol” of the and Mrs. Robert Archer, Mr. 1970s and ‘80s won a best crosses my path.” and Mrs. C.A. Cotton Jr., Mr. actress Academy Award susAn sArAndon and Mrs. Carl Kagin, Mr. and for playing a nun (in 1995’s Mrs. Clarence VanLiew, Mr. “Dead Man Walking”). Still and Mrs. Robert Nuchols, Mr. sexy at 65, she’s set both the New York City-born Sa- William C. Jolly, and Mr. and hearts and film critics aflut- randon has a daughter – ac- Mrs. Edwin Suppinger. ter since her 1970 film debut tress Eva Amurri, with former opposite Peter Boyle in “Joe,” partner Franco Amurri – and and in such other movies as two sons with former partner 25 YEARS AGO Members of the Frank- “The Rocky Horror Picture Tim Robbins. -
Intimate Portrait Desperately Seeking
WW | intimate portrait desperately seeking Would you fly 31,000 kilometres to spend an LET’S FACE IT, there aren’t many people So, yes, it’s true these roles might help Susanin the world you’d fly 15,572 kilometres to determine whether a middle-aged man hour with someone? see just for an hour. Take in the return such as myself would want to consider David Leser would, but journey and it’s actually more like 31,000 travelling across the world to spend an only if that someone kilometres for the dubious honour of hour with someone like that. Yet would spending 60 minutes in that person’s it be enough to get me across the line? was the fascinating company. That’s about 520 kilometres for Probably not (liar, liar, pants on fire). Susan Sarandon. every precious minute you’re with them. Surely you’d need something else, such as He or she would have to be a special her Academy Award-winning performance somebody, right? Maybe Mother Teresa as the New Orleans nun, Sister Helen or John Lennon, were either still alive. Prejean, in Dead Man Walking, or her Somebody endowed with qualities you unforgettable portrayal as that lioness of don’t normally find – a combination, a mother in Lorenzo’s Oil (for which she perhaps, of shining intelligence and earthy received one of her four Oscar nominations) wisdom, deep humanity and a fierce social to get a man to take out his suitcase. and political conscience; somebody smart Yet even then you’d be ill-advised and wise and empathic, and, well, yes, in not to throw into the mix the real-life this case, bosomy and beautiful, too, in an attributes we’ve read so much about – her ageless sex-goddess kind of way. -
Film, History and Cultural Memory: Cinematic Representations of Vietnam-Era America During the Culture Wars, 1987-1995
FILM, HISTORY AND CULTURAL MEMORY: CINEMATIC REPRESENTATIONS OF VIETNAM-ERA AMERICA DURING THE CULTURE WARS, 1987-1995 James Amos Burton, BA, MA. Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2007 Abstract My thesis is intended as an intellectual opportunity to take what, I argue, are the “dead ends” of work on the history film in a new direction. I examine cinematic representations of the Vietnam War-era America (1964-1974) produced during the “hot” culture wars (1987-1995). I argue that disagreements among historians and commentators concerning the (mis)representation of history on screen are stymied by either an over- emphasis on factual infidelity, or by dismissal of such concerns as irrelevant. In contradistinction to such approaches, I analyse this group of films in the context of a fluid and negotiated cultural memory. I argue that the consumption of popular films becomes part of a vast intertextual mosaic of remembering and forgetting that is constantly redefining, and reimagining, the past. Representations of history in popular film affect the industrial construction of cultural memory, but Hollywood’s intertextual relay of promotion and accompanying wider media discourses also contributes to a climate in which film impacts upon collective memory. I analyse the films firmly within the discursive moment of their production (the culture wars), the circulating promotional discourses that accompany them, and the always already circulating notions of their subjects. The introduction outlines my methodological approach and provides an overview of the relationship between the twinned discursive moments. Subsequent chapters focus on representations of returning veterans; representations of the counterculture and the anti-war protest movement; and the subjects foregrounded in the biopics of the period. -
Paul Duddridge Starring
SCREEN MEDIA FILMS PRESENTS Theatrical Release Date: May 6, 2016 Director: Paul Duddridge Starring: Selma Blair, Susan Sarandon, Sharon Stone, Courteney Cox, Mira Sorvino, Christina Ricci, Paul Wesley and Ashanti Original Music: Ashanti Running time: 90 minutes Rating: Not rated Official website: www.mothersanddaughtersmovie.net Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] / Jenny Bloom, [email protected] / Jacki St. Thomas, [email protected] Page | 1 LOGLINE Every daughter has a mother. Every mother is a daughter. Intersecting stories come to life through photographer Rigby’s lens as she learns what it is to be a mom. SYNOPSIS High atop a building in Manhattan, hip and happy single gal, Rigby Gray, peeks into the apartments and lives of her neighbors… hiding safely behind her long camera lens... unaware her life is about to become changed forever. Rigby’s snapshots of people’s lives come to life in the intersecting stories of different mother and child relationships, in the colorful variety of shapes they can take. We learn about how sisters and strangers, roommates and lovers, and even nightmare mothers-in-law, can be the most loving of maternal figures. When an unlikely and unexpected pregnancy forces Rigby to turn the lens inward and watch the upheaval it’s reeking on her own life… a life she is reluctant to change… it is these stories that help with her own most important decision, and to embrace the exhilarating journey of new life as she learns what it is to be a mother, and a daughter to her own. -
Cinemadessai | Sempre Pazzi Per Mery
Cinemadessai | Sempre pazzi per Mery Per la serie ridere fa bene all’anima, ecco un altro film liberatorio, terapeutico, scatenato e scatenante. Tutti pazzi per Mary, in onda stasera alle 21.30, su La7D. Di per sè la storia non è originalissima, e anzi all’orizzonte ci sarebbe perfino il rischio dello stereotipo. Ma Cameron Diaz buca lo schermo, l’alchimia con Ben Stiller e Matt Dillon fantastica, il ritmo travolgente, Peter e Bobby Farrelly dirigono con mano sicura e mantengono sempre alti tensione e humour. Il film funziona alla perfezione. Consigli per l’uso: il film è impudico e politicamente scorretto, talvolta ai limiti del demenziale, non c’è alcun messaggio e nessuna morale, se non , forse, quella che l’amore alla fine vince sempre. Ma la storia funziona. L’AFI lo ha inserito al ventisettesimo posto nella lista delle migliori cento commedie americane di tutti i tempi. Forse la chiave sta nella intelligente variazione al tema dell’amore che dura nel tempo. Nella fattispecie, si tratta di quello che Ted prova verso Mary, che l’aveva scelto come accompagnatore per il ballo di fine anno al liceo. Tredici anni dopo, Ted è ancora innamorato, e per ritrovare la ragazza ingaggia un detective privato che finisce con l’innamorarsi di Mary. Di qui parte una trafila di scoppiettanti colpi di scena caratterizzati da una surreale demenziali. Risate e divertimento sono assicurati. DOMANI Ecco un bel film da rivedere e da recuperare: Da grande, di Franco Amurri con Renato Pozzetto. Uscito nel 1987, è una commedia atipica, che gioca più sull’aspetto fantastico e surreale che non sui canoni tradizionali della commedia all’italiana, ma funziona, grazie alla mano abile di Amurri, e ad una buona sceneggiatura, che il regista scrisse assieme a | 1 Cinemadessai | Sempre pazzi per Mery Stefano Sudriè.