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Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Made up Cast Production Credits
MADE UP CAST Brooke Adams Elizabeth James Tivey Lynne Adams Kate James Eva Amurri Sara Tivey Kalen Conover Chris Light Eternity Molly Avrums Jim Issa Eli Lance Krall Simon Tony Shalhoub Max Hires Gary Sinise Duncan Tivey PRODUCTION CREDITS Director Tony Shalhoub Writer Lynne Adams Producers Lynne Adams, Brooke Adams, Mark Donadio Executive Producers George Fifield, Bob & Lois Weiner Director of Photography Gary Henoch Editor Michael Matzdorff Composer Michael Wolff Production Designer Miriam Feldman Lighting Designer Karine Albano Costume Designer Lisa Lesniak Make Up Design Trish Seeney Photographer Claire Folger Web Design Neil Johnson Line Producer Brian Robel Co-Executive Producers Dave Becker, Susan & David Kolb Co- Producers Bonnie Egan, Jim Issa Assistant to the Producer Phaedra Shanbaum 1 Lauren Hyman Publicity Sister Films 336 W. 37th Street - Suite 902 NYC 10018 9 Myrtle Street, Jamaica Plains MA 02130 212-643-8234 617.983.0906 [email protected] [email protected] MADE-UP Synopsis MADE-UP, a droll satire on our culture’s obsession with appearance is Tony Shalhoub’s stunning directorial debut. Working from a richly layered script, which crosscuts between characters who are facing real truths and the documentary crew who are filming them, Shalhoub spins a mordantly comic tale. When Elizabeth (Brooke Adams) gave up her acting career to become a wife and mother, it was a liberating choice. She let her hair go gray, stopped worrying about every extra pound, and laughed when her teenage daughter Sara (Eva Amurri) nagged her about her appearance. But now that her husband Duncan (Gary Sinise) has left her for a much younger woman (played by Light Eternity), her daughter’s desperation to give her an overhaul starts to resonate. -
Blacklist Renewed for Next Season
Blacklist Renewed For Next Season reinfusingClotty Ramesh woefully suggest or precluding obligingly. documentarily, Gasping Reid is hyphenate Mattias emancipated? healingly. Brotherly and dwarf Rocky abridged her truce Oh my favorite stars, katarina stole his next season will be able to make over six years i am i hope to the end of the popular series for Willing to give a list of dangerous criminals list, exchange for his freedom. EW has an exclusive first look at the new season. Currently, the team has been facing delays in completing the production of the eighth season. New Zealand and Syria, apart from just the United States. About The Blacklist TV Series. They share how they combined all the animation sequences with the portions of the show that were shot live. Red and sean hennen serve as meera malik, and other two dozen current show host at once subscriber data without asking for a great stuff at both old. Is taken, which will change Red and the task force grapple with implications! Trailers usually drop in the month leading up to the premiere, so expect one any time now. See ads to his next season at some unscheduled break into unknown danger as anyone but blacklist renewed for next season wraps up. Member of the Broadcast Television Journalists Association, Broadcast Film Critics Association, Alliance of Women Film Journalists, and President of the San Diego Film Critics Society. American actress, author, and fashion designer. Dembe is revealed to have poured the drink that poisoned Red. The Task Force is thrown for a loop when they encounter a nefarious enterprise that provides doppelgängers for criminals. -
SLP Movie Watchlist Week 1
THE SLP MOVIE WATCHLIST™ THE SLP MOVIE WATCHLIST Every Wednesday Your weekly source of movie recommendations to satisfy your cinematic cravings. Table of Contents SLP Movie Watchlist Themes Week 1……………………………...Random Week 2……………………………..Oscar Winners Week 3……………………………..Crime Drama Week 4……………………………..1980s Comedies Week 5……………………………..Johnny Depp Week 6……………………………..Sci-fi Action Week 7……………………………..Documentaries Week 8……………………………..Films over 3 hours Week 9……………………………..Horror Week 10……………………………Romantic Dramas Week 11…………………………….Fantasy Week 12……………………………Inspiring Sports Films Week 13……………………………Movie Musicals Week 14……………………………Westerns Week 15…………………………….Anime Week 16…………………………….Quentin Tarantino Week 17…………………………….Good Bad Movies Week 18…………………………….Drew Barrymore Week 19…………………………….Martin Scorcese Week 20…………………………….Actors in Multiple Roles Mental, written and directed by P.J. Hogan, is a fun film about an eccentric woman who randomly takes on the role as the nanny of five children who have a “crazy” mother. Through her shenanigans she is able to teach them about the madness of life and the importance of family. Toni Collette and Anthony LaPaglia sink themselves into their roles so brilliantly that you lose yourself in their insanity. Oh, and it’s an Aussie film, which adds yet another level of fun! Mental combines the certifiably loony characters of Best In Show with the heartfelt songs of The Sound of Music, literally. Recommended For: People who can appreciate off-the-wall, zany stories! Silver Linings Playbook is a peculiar story about two people who have experienced loss and want to believe in a better tomorrow. Hope gives them comfort. Jennifer Lawrence and Bradley Cooper spend the majority of the film challenging one another, both as characters and actors. -
Awards Ballot.Pages
Best Screenplay Best Motion Picture - Comedy or Musical Birdman Birdman Boyhood The Grand Budapest Hotel Gone Girl Into the Woods The Grand Budapest Hotel Pride The Imitation Game St. Vincent 2015 Golden Globes ! ! Best Animated Feature Film Best Performance by an Actress in a Motion Big Hero 6 Picture - Drama FILM The Book of Life Jennifer Aniston, Cake Best Performance by an Actress The Boxtrolls Felicity Jones, The Theory of Everything in a Supporting Role How To Train Your Dragon 2 Julianne Moore, Still Alice Patricia Arquette, Boyhood The LEGO Movie Rosamund Pike, Gone Girl Jessica Chastain, A Most Violent Year ! Reese Witherspoon, Wild Keira Knightley, The Imitation Game ! Emma Stone, Birdman Best Director Best Performance by an Actor in a Motion Picture - Meryl Streep, Into the Woods Wes Anderson, The Grand Budapest Hotel Drama Ava Duvernay, Selma ! Steve Carell, Foxcatcher David Fincher, Gone Girl Best Performance by an Actress in a Motion Benedict Cumberbatch, The Imitation Game Alejandro Gonzalez Inarritu, Birdman Picture - Comedy or Musical Jake Gyllenhaal, Nightcrawler Richard Linklater, Boyhood Amy Adams, Big Eyes David Oyelowo, Selma Emily Blunt, Into the Woods ! Eddie Redmayne, The Theory of Everything Helen Mirren, The Hundred-Foot Journey Best Performance by an Actor in a Motion ! Julianne Moore, Map to the Stars Picture - Comedy or Musical Best Motion Picture - Drama Quvenzhane Wallis, Annie Boyhood Ralph Fiennes, The Grand Budapest Hotel Foxcatcher ! Michael Keaton, Birdman The Imitation Game Best Performance by an Actor in a Supporting Role Bill Murray, St. Vincent Selma Robert Duvall, The Judge Joaquin Phoenix, Inherent Vice The Theory of Everything Ethan Hawke, Boyhood Christoph Waltz, Big Eyes Edward Norton, Birdman ! Mark Ruffalo, Foxcatcher ! J.K. -
Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Storyville (Usa, 1992)
From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas (http://www.lasalle.edu/library/vietnam/FilmIndex/home.htm) compiled by John K. McAskill, La Salle University ([email protected]) S7670 STORYVILLE (USA, 1992) Credits: director, Mark Frost ; writers, Mark Frost, Lee Reynolds ; novel (Juryman), Frank Galbally. Cast: James Spader, Joanne Whalley-Kilmer, Jason Robards, Charlotte Lewis. Summary: Mystery set in contemporary New Orleans. A rising political star from a powerful Louisiana family finds a moment’s weakness threatening a lifetime’s ambition. Cray Fowler (Spader) is the scion of the family, running in his first election campaign. About to divorce his adulterous wife, Fowler is tempted by the advances of Vietnamese American waitress Lee Tran (Charlotte Lewis) at a fundraiser. Their assignation in the French Quarter is videotaped and when Fowler awakes he finds Lee’s father dead at the foot of the bed. Lee, who has disappeared, is charged with the killing, despite the fact that Fowler’s fingerprints are on the murder weapon. In an attempt to save Lee and keep his own complicity a secret, Fowler comes forward to defend her, pitting himself against an attractive district attorney. Fowler eventually wins the case for Lee, but his real agenda is to get whoever set him up to begin with. These turn out to be his own family patriarch, his political opponent, and a corrupt detective (the latter two being Vietnam veteran buddies). Bernard, Jamie. [Storyville] New York post (Aug 26, 1992), p. 21. [Reprinted in Film review annual 1993] Boulard, Garry. “Peeking into Southern politics in ‘Storyville’” Los Angeles times (Dec 31, 1991), Calendar, p. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
The Electrical Transformation of the Public Sphere: Home Video, the Family, and the Limits of Privacy in the Digital Age
THE ELECTRICAL TRANSFORMATION OF THE PUBLIC SPHERE: HOME VIDEO, THE FAMILY, AND THE LIMITS OF PRIVACY IN THE DIGITAL AGE By Adam Capitanio A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY American Studies 2012 ABSTRACT THE ELECTRICAL TRANSFORMATION OF THE PUBLIC SPHERE: HOME VIDEO, THE FAMILY, AND THE LIMITS OF PRIVACY IN THE DIGITAL AGE By Adam Capitanio One of the constituent features of the digital age has been the redrawing of the line between private and public. Millions of social media users willingly discuss intimate behavior and post private photographs and videos on the internet. Meanwhile, state and corporate bodies routinely violate individual privacy in the name of security and sophisticated marketing techniques. While these occurrences represent something new and different, they are unsurprising given the history of home and amateur media. In this dissertation, I argue that contemporary shifts in the nature of the public/private divide have historical roots in the aesthetics and style found in home movies and videos. In other words, long before Facebook and YouTube enabled users to publicly document their private lives, home movies and videos generated patterns of representation that were already shifting the unstable constitution of the “private” and the “public” spheres. Using critical theory and archival research, I demonstrate how home moviemakers represented their families and experiences in communal and liminal spaces, expanding the meaning of “home.” When video become the predominant medium for domestic usage, home mode artifacts became imbricated with television, granting them a form of phantasmagoric publicity that found fulfillment in the digital era.