DURHAM UNIVERSITY

DEPARTMENT OF ENGLISH STUDIES

LECTURE MODULES READING LIST BOOKLET

2015/2016

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CONTENTS

Theory and Practice of Literary Criticism Page 2

Shakespeare Page 5

Medieval Literature Page 12

Renaissance Literature Page 21

Victorian Literature Page 26

The Modern Period Page 37

Old Norse Page 43

Old French Page 54

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Theory and Practice of Literary Criticism Module Convenor: Dr Alastair Renfrew

Introductory Reading List

This introductory list covers texts that should a. be acquired in advance of the course; b. be consulted during the long vacation in preparation for the course.

*Please note that a full reading list covering each of the topics studied on the module, as well as additional general resources, will be available via DUO from the start of term.* a. The set text for the course is:

The Norton Anthology of Theory and Criticism (2nd edition), ed. Vincent B. Leitch et al (Norton, 2010).

A wide-ranging collection of excerpts and essays from the long history of theory and criticism, from Plato to the present day, with particular emphasis on the past century. With essays on all of the theoretical strands covered on the course, this will be your primary resource for preparatory reading in advance of lectures and will also provide much of the set reading for tutorials (although individual lecturers and tutors may also prescribe supplementary material from other sources). The anthology also features brief introductions to individual critics and theorists, as well as a comprehensive bibliography and index. b. It is advisable to read in advance one or more of the following introductions to theory and criticism:

Jonathan Culler, A Very Short Introduction to Literary Theory (, 1997).

As the title suggests, this is a very short, lucid and accessible introduction to some of the key issues involved in reading and using theory.

Patricia Waugh (ed.), Literary Theory and Criticism: an Oxford Guide (Oxford University Press, 2006).

A collection of some 40 essays, with a long introduction, covering the history of modern theory and criticism, including the theorists and movements covered on the course.

Andrew Bennett and Nicholas Royle (eds), An Introduction to Literature, Criticism and Theory (4th edition) (Routledge, 2009).

As much an introduction to literary studies in general as it is to theory and criticism, this book is organised thematically, rather than by theorists and movements, and is particularly helpful in encouraging theoretical reflection that is integrated with your existing habits as readers. Also contains a brief but helpful glossary of terms; links to additional chapters are available at www.routledge.com/books/details/9781405859141/

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THEORY AND PRACTICE OF LITERARY CRITICISM LECTURE LIST 2015/2016

Lectures will take place every Thursday from 2.00 pm to 3.00 pm in ER201

Michaelmas Term 2015

15 October Introduction: What is Theory? Dr Renfrew

22 October Criticism, Canon and Value Dr Harding

29 October Formalism(s) Dr Renfrew

5 November Structuralism Dr Renfrew

12 November Marxism(s) Dr Renfrew

19 November The Frankfurt School Dr Thomas

26 November Psychoanalysis (i) Freud Professor James

3 December Psychoanalysis (ii) Lacan Dr Thomas

10 December Deconstruction Professor Clark

17 December New Historicism Dr Grausam

Epiphany Term 2016

21 January Dialogism: The Bakhtin School Dr Renfrew

28 January Postcolonialism (i) Professor Regan

4 February Postcolonialism (ii) Dr Terry

11 February Feminism(s) Dr Wootton

18 February READING WEEK

25 February Queer Theory Dr Renfrew

3 March Ecocriticism Professor Clark

10 March Animal Studies Professor Clark

17 March Posthumanism Dr Mack

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Easter Term 2016

28 April Postmodernism Dr Grausam

5 May Digital Humanities Dr Renfrew

12 May The Function of Criticism at the Present Time Dr Grimble

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Shakespeare Module Convenors: Professor Barbara Ravelhofer and Dr Mandy Green

Michaelmas Term lectures will be on historical drama (Richard II, Henry IV1,2, Henry V), tragedies (Titus Andronicus, Hamlet, Macbeth), and early comedy. Epiphany and Easter Term lectures will be on the Sonnets and narrative poems (for instance, Venus and Adonis), further forms of comedy and pastoral (for instance, As You Like It and Much Ado about Nothing), Roman plays (including Antony and Cleopatra and Coriolanus), as well as several later plays (including Cymbeline and The Winter’s Tale). The lectures will be rounded off with an outlook on Shakespeare’s legacy.

You should read Shakespeare’s Complete Works during the summer vacation. You need to engage with the full range of Shakespeare’s works, so it is important that you read as widely and as deeply as possible, rather than trying to rely on your A-Level knowledge.

Editions

Complete Works: The Oxford Shakespeare: The Complete Works, ed. Stanley Wells and Gary Taylor (Oxford: OUP, 1988, 2nd edn, 2005). This is the standard edition recommended by the Department and allowed for the open-book examination.

Other more copiously annotated Complete Works are listed below; these may, however, not be taken into the examination:  The Norton Shakespeare, ed. Stephen Greenblatt et al. (New York: Norton, 1997)  William Shakespeare: Complete Works, ed. Jonathan Bate and Eric Rasmussen (New York: Random House, 2007; pbk Basingstoke: Macmillan / The Royal Shakespeare Company, 2008) represents a modernized version of Shakespeare’s First Folio edn (1623)  The Riverside Shakespeare, gen. ed. G. Blakemore Evans (Boston: Houghton Mifflin, 2nd edn, 1997)  Complete Works [in original spelling], ed. Stanley Wells and Gary Taylor (Oxford: OUP, 1986)  The Norton Facsimile: The First Folio, ed. Charlton Hinman, 1968 (2nd ed., intro. P. W. M. Blayney, 1996)

Editions of individual works: To prepare an individual text adequately for the exam, you should consult this text in one of the following editions:  The Arden Shakespeare, launched in 1899, provides copious introductions, annotation, and textual apparatus of the highest scholarly standard.  New Cambridge series (Cambridge University Press)  Oxford series (World’s Classics)  The recommended edition for non-dramatic verse is Complete Sonnets and Poems, ed. Colin Burrow (OUP, 2002).

Editions suitable for the Shakespeare examination: The Shakespeare examination is an ‘open book’ paper: candidates must take a copy of the collected works into the examination. No loose papers or photocopies of the works must be brought to the exam. The editon must be an unannotated text. It must not contain any commentary or glosses of difficult words in the margins. Introductions to individual plays should not exceed one page. Texts should include a line count.

Reference works and introductions Bate, Jonathan, and Russell Jackson, Shakespeare: An Illustrated Stage History (Oxford: OUP, 1996)

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Bullough, G., ed., Narrative and Dramatic Sources of Shakespeare, 8 vols (London: Routledge, 1957- 75) Dobson, Michael, and Stanley Wells, eds., The Oxford Companion to Shakespeare (Oxford: OUP, 2001) Findlay, Alison, Women in Shakespeare: A Dictionary (London: Continuum, 2010). An A-Z of over 350 entries on how women were represented on the stage. Gurr, Andrew, The Shakespearean Stage, 1574-1642 (Cambridge: CUP, 4th edn 2008) Kastan, David Scott, ed., A Companion to Shakespeare (Oxford: Blackwell, 1999) Schoenbaum, Samuel, William Shakespeare: A Documentary Life (Oxford: Clarendon, 1975) Smith, Emma, ed., Shakespeare’s Histories (Oxford: Blackwell, 2004) Smith, Emma, ed., Shakespeare’s Tragedies (Oxford: Blackwell, 2004) Smith, Emma, ed., Shakespeare’s Comedies (Oxford: Blackwell, 2003) Wells, Stanley, ed., The Cambridge Companion to Shakespeare Studies (Cambridge: CUP, 1986) Wells, Stanley, and Gary Taylor, William Shakespeare: A Textual Companion (Oxford: Clarendon, 1987)

Criticism The following is a select list of the vast Shakespeare literature. Individual lecturers may recommend further specific works in tutorials and lectures.

Before 1900 Johnson, Samuel, Johnson on Shakespeare, ed. A. Sherbo (New Haven: Yale UP, 1968); see also The Works of Samuel Johnson, vols 7 and 8, 1958-85. Foakes, R. A., ed., Coleridge’s Criticism of Shakespeare: A Selection (London: Athlone, 1989) Bate, Jonathan, ed. The Romantics on Shakespeare (Harmondsworth: Penguin, 1992)

1900-1960 Bradley, A. C., Shakespearean Tragedy (London: Macmillan, 1904; new edn Basingstoke: Macmillan, 1992) Granville-Barker, Harley, Prefaces to Shakespeare, 5 vols (London: Sidgwick & Jackson, 1927-47) Knight, G. Wilson, The Wheel of Fire: Interpretations of Shakespearian Tragedy (Oxford: OUP, 1930; 4th edn 1960) Wilson, John Dover. What Happens in Hamlet (Cambridge: CUP, 1935; 3rd edn, 1956) Tillyard, E. M. W., Shakespeare’s History Plays (London: Chatto & Windus, 1944) Barber, C. L., Shakespeare’s Festive Comedy (Princeton: Princeton UP, 1959)

1960-2014 Kott, Jan, Shakespeare Our Contemporary (London: Methuen, 1964) Frye, Northrop, A Natural Perspective: The Development of Shakespearean Comedy and Romance (New York: Columbia UP, 1965) Jones, Emrys, Scenic Form in Shakespeare (Oxford: Clarendon, 1971) French, Marilyn, Shakespeare’s Division of Experience (London: Cape, 1982) Empson, William, Essays on Shakespeare, ed. David B. Pirie (Cambridge: CUP, 1985) Dollimore, Jonathan, and Alan Sinfield, eds., Political Shakespeare: Essays in Cultural Materialism (Manchester: Manchester UP, 1985; 2nd edn, 1993) Barton, Anne, Essays, Mainly Shakespearean (Cambridge: CUP, 1994) Drakakis, John, ed., Alternative Shakespeares, vol. 1 (London: Methuen, 1985) Hawkes, Terence, ed., Alternative Shakespeares, vol. 2 (London: Routledge, 1996) Greenblatt, Stephen, Shakespearean Negotiations (Berkeley: University of California Press, 1988) Hughes, Ted, Shakespeare and the Goddess of Complete Being (London: Faber, 1992)

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Traub, Valerie, Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama (London: Routledge, 1992) Vickers, Brian, Appropriating Shakespeare: Contemporary Critical Quarrels (New Haven: Yale UP, 1994) Jones, John, Shakespeare at Work (Oxford: Clarendon, 1995) Kermode, Frank, Shakespeare’s Language (London: Allen Lane, 2000) Loomba, Ania, Shakespeare, Race and Colonialism (Oxford: OUP, 2002) Vickers, Brian, Shakespeare, Co-Author: A Historical Study of Five Collaborative Plays (Oxford: OUP, 2002) Erne, Lukas, Shakespeare as Literary Dramatist (Cambridge: CUP, 2003) Lopez, Jeremy, Theatrical Convention and Audience Response in Early Modern Drama (Cambridge: CUP, 2003) Edmondson, Paul, and Stanley Wells, Shakespeare’s Sonnets. (Oxford: OUP, 2004). Essential reading for candidates preparing the Sonnets for the exam. Rackin, Phyllis, Shakespeare and Women (Oxford: OUP, 2005) Nelsen, Paul, and June Schlueter, eds, Acts of Criticism: Performance Matters in Shakespeare and His Contemporaries (Madison, NJ: Farleigh Dickinson P, 2006) Nuttall, A. D., Shakespeare the Thinker (New Haven: Yale UP, 2007) Hammond, Paul, The Strangeness of Tragedy (Oxford: OUP, 2009). Covering classical to neo- classical literature, including Sophocles, Seneca, Shakespeare and Racine. Shapiro, James, Contested Will: Who Wrote Shakespeare? (London: Faber, 2010) Shell, Alison, Shakespeare and Religion (London: Arden, 2010) Cooper, Helen, Shakespeare and the Medieval World (London: Black/Arden, 2010) Brown, John Russell, Studying Shakespeare in Performance (Basingstoke: Palgrave, 2011) Tanner, Tony, Prefaces to Shakespeare (Cambridge, MA: Harvard UP, 2012) Burrow, Colin, Shakespeare and Classical Antiquity (Oxford: OUP, 2013) Gurr, Andrew, and F. Karim-Cooper, eds, Moving Shakespeare Indoors: Performance and Repertoire in the Jacobean Playhouse (Cambridge: CUP, 2014)

Academic Journals: These journals are warmly recommended for exam purposes. They offer a perfect alternative to oversubscribed books:

Shakespeare Quarterly (New York, 1950–present) Shakespeare Studies (Cincinnati, 1965–present) Shakespeare Survey (Cambridge, 1948–present) Shakespeare Jahrbuch (Heidelberg, 1965–present) English Literary Renaissance English Literary History

Audio-Visual Material The Library and the Department have all of the plays of Shakespeare in BBC performances. Departmental copies can be borrowed from the Secretary, Hallgarth House. Further Library holdings include:

Tragedies: Titus (Titus Andronicus), dir. Julie Taymor, with Anthony Hopkins and Jessica Lange (2000). Romeo and Juliet, dir. Franco Zeffirelli (1968); Romeo and Juliet, dir. Baz Luhrmann, with Leonardo DiCaprio (1996).

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Julius Caesar, dir. Joseph Mankiewicz, with Marlon Brando, James Mason, and John Gielgud (1953); , dir. Stuart Burge, with John Gielgud, Jason Robards, and Charlton Heston (1969). Hamlet, dir. Laurence Olivier (1948); Hamlet, dir. John Gielgud, with Richard Burton (1964); Hamlet, dir. Grigori Kozintsev (1964, in Russian); Hamlet, dir. Tony Richardson, with Nicol Williamson as Hamlet and Marianne Faithful as Ophelia (1969); Hamlet, dir. Franco Zeffirelli, with Mel Gibson (1990); Hamlet, dir. Kenneth Branagh (1996). Othello, dir. Orson Welles. (1952); Othello, dir. Stuart Burge, with Laurence Olivier (1965); Othello, dir. Trevor Nunn, with Ian McKellen as Iago (1989); Othello, with Laurence Fishburne as Othello and Kenneth Branagh as Iago (1995). King Lear, dir. Peter Brook, with Paul Scofield (1969); King Lear, dir. Grigori Kozintsev (1970, in Russian; screenplay by Boris Pasternak); a television production of King Lear, with Laurence Olivier (1984); and King Lear, dir. Brian Blessed (1999). Macbeth, dir. Orson Welles (1946); Macbeth, dir. Roman Polanski (1971); Macbeth, dir. Trevor Nunn, with Ian McKellen and Judi Dench (1979). Antony and Cleopatra, dir. Trevor Nunn, with Richard Johnson and Janet Suzman (1972). Comedies: The Taming of the Shrew, dir. Franco Zeffirelli, with Richard Burton and Elizabeth Taylor (1966). Love’s Labour’s Lost, dir. Kenneth Branagh (1999). A Midsummer Night’s Dream, dir. Adrian Noble (Royal Shakespeare Company, 1995); Midsummer Night’s Dream, dir. Michael Hoffman, with Kevin Kline and Michelle Pfeiffer (1999). The Merchant of Venice, dir. Jonathan Miller, with Laurence Olivier and Joan Plowright (National Theatre, 1969). Much Ado About Nothing, dir. Kenneth Branagh (1993). , with Alec Guiness, Ralph Richardson, Joan Plowright and Tommy Steele (1969); a television production of Twelfth Night, dir. Kenneth Branagh (1988); Twelfth Night, dir. Trevor Nunn, with Helena Bonham-Carter and Ben Kingsley (1996). The Tempest, dir. George Schaefer, with Richard Burton as Caliban (1960). Histories: The Hollow Crown: BBC adaptations of Richard II, Henry IV, 1/2, and Henry V (2012). Henry VI, dir. Michael Bogdanov (English Shakespeare Company, 1990; the three plays cut to form two: The House of York, The House of Lancaster). Richard III, dir. Laurence Olivier (1955); Richard III, dir. Richard Loncraine, with Ian McKellen (1995). Henry V, dir. Laurence Olivier (1944); Henry V, dir. Kenneth Branagh (1989); Henry V, dir. Michael Bogdanov, with Michael Pennington (English Shakespeare Company, 1990).

Adaptations: British Film Institute, Silent Shakespeares (films 1899-1911). Akira Kurosawa (dir.): Throne of Blood (1957, a version of Macbeth); The Bad Sleep Well (1960, which draws loosely on Hamlet); and Ran (1984, a free version of King Lear). Celestino Coronado (dir.), Hamlet, with David and Anthony Meyers as Hamlet (and Laertes) and Helen Mirren as Ophelia (and Gertrude) (1976, ‘the naked Hamlet’); and A Midsummer Night’s Dream, with the Lindsay Kemp dance company. Derek Jarman (dir.), The Angelic Conversation (1985, 14 of Shakespeare’s Sonnets, read by Judi Dench). Peter Greenaway (dir.), Prospero’s Books (1991, a version of The Tempest with John Gielgud). Michael Almereyda (dir.), Hamlet, with Ethan Hawke (2000).

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Performances on CD: These include Marlowe Society and Caedmon recordings of most of the plays; Renaissance Theatre Company recordings of a few: Kenneth Branagh in Romeo and Juliet and Hamlet, Sir John Gielgud in King Lear, CD 825.5 SHA. Also BBC: Romeo and Juliet, A Midsummer Night’s Dream, 1 Henry IV, Julius Caesar, Twelfth Night, The Taming of the Shrew, and Hamlet. Also Great Shakespeareans (audio recordings, 1890-1950: CD 825.5 SHA/GRE); and Great Historical Shakespeare Recordings (audio recordings, 1890-1950).

CD-ROMs, Websites and Online Collections  CD-ROM: Shakespeare: His Life, Times, and Works. (undergraduate office, Hallgarth House).  CD-ROM: Norton Shakespeare Workshop, ed. Mark Rose: on MND, Merchant of Venice, 1Henry IV, Hamlet, Othello, and The Tempest (University Library).  The Cambridge King Lear CD-ROM: Text and Performance (University Library).  The Internet Shakespeare Editions: with a section on Shakespeare’s life and times, play texts, commentaries, critical material, and materials from performance archives: http://web.uvic.ca/shakespeare/  ‘Hamlet on the Ramparts’, on Hamlet, includes annotated texts, production materials, and films from 1913 (Forbes-Robertson), 1920 (Svend Gade), and 1964 (Burton-Gielgud): http://shea.mit.edu/ramparts/  Blackwell Companions are now freely available online from Durham: http://www.blackwellreference.com/subscriber/uid=42/subject?id=literature&discipline=id 2245633. If prompted for a login, give your Durham user id and password.

Finding further criticism: MLA database: accessible via Library Catalogue > databases

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SHAKESPEARE

LECTURE LIST 2015/2016

Lectures will take place every Thursday from 9.00 am to 10.00 am in ER201

Michaelmas Term 2015

15 October Introduction Professor Ravelhofer / Dr Green

22 October Richard II Dr Green

29 October The long view across a cycle: from Henry IV1-2 to Henry V Dr Gray

5 November Kinds of Shakespearean Character Professor Ravelhofer

12 November Theories of Tragedy Dr Carver

19 November Titus Andronicus Dr Carver

26 November Hamlet Professor Ravelhofer

3 December Macbeth Professor O’Neill

10 December Theories of Comedy Dr Carver

17 December A Midsummer Night’s Dream Dr Carver

Epiphany Term 2016

21 January Pastoral: As You Like It and thereafter Dr Gray

28 January Comedy: Twelfth Night and Much Ado about Nothing Dr Gray

4 February The Merchant of Venice and The Jew of Malta Dr Sugg

11 February Shakespeare’s Prose: King Lear, Measure for Measure, The Two Professor Gentlemen of Verona Ravelhofer / Dr Green

18 February READING WEEK

25 February Erotic Epyllia: The Rape of Lucrece and Venus and Adonis Dr Green

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3 March The Sonnets Dr Crane

10 March Roman Plays: Julius Caesar and Coriolanus Dr Gray

17 March The Impact of Editors and Actors on Shakespeare’s Texts: Professor Antony and Cleopatra Ravelhofer / Dr Gray

Easter Term 2016

28 April Othello and The Winter’s Tale Professor Ravelhofer

5 May King Lear and The Tragedie of Cymbeline King of Britaine Dr Green

12 May Shakespearean Legacies: Thomas Gray to Sylvia Plath Professor O’Neill

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Medieval Literature Module Convenors: Professor Elizabeth Archibald (Michaelmas 2015) and Professor Corinne Saunders (2016)

This list introduces the main authors and topics, following the order of the lecture list for next year. Editions of literary works are given, and a few critical works for each topic. Good paperback editions are asterisked. The final sections list some background texts and general or contextual studies. Further reading lists on individual writers and topics will be supplied at lectures. Most important over the vacation is to familiarise yourself with as many of the primary texts as possible. The language of the texts can, of course, be more challenging than that of contemporary texts, so the more you can read over the summer the better! If you have any questions, please feel free to contact the course convenor, Professor Elizabeth Archibald, during the vacation: [email protected].

NB: The Library is asked to place all asterisked items on three-day loan.

Early Middle English *The Owl and the Nightingale: Text and Translation, ed. Neil Cartlidge, U of Exeter P, 2001.

Romances The Breton Lay in Middle English, ed. T. C. Rumble, Detroit: Wayne State University Press, 1965. The Middle English Breton Lays, ed. Anne Laskaya and Eve Salisbury, TEAMS, Kalamazoo, MI: Western Michigan U, 1995) [individual texts available online at http://d.lib.rochester.edu/teams/text-online] *Medieval English Romances, ed. Diane Speed, 3rd ed. Durham: Durham Medieval Texts, 1993. (available from the department). *Middle English Romances, ed. Stephen H. A. Shepherd, New York and London: Norton Critical Editions, 1995. Middle English Metrical Romances, ed. W. H. French and C. B. Hale, New York, 1930. Middle English Verse Romances, ed. D. B. Sands, New York: Holt Reinhard Winston, 1966. *Six Middle English Romances, ed. Maldwyn Mills, London: Dent, 1973. *Of Love and Chivalry: An Anthology of Middle English Romance, ed. Jennifer Fellows, London: Dent, 1993.

W. R. J. Barron, Medieval English Romance, Harlow: Longman, 1987. Rosalind Field, Phillipa Hardman and Michelle Sweeney (eds), Christianity and Romance in Medieval , Cambridge: D. S. Brewer, 2010 Roberta L. Krueger, ed., The Cambridge Companion to Medieval Romance, Cambridge: Cambridge University Press, 2000. Raluca L. Radulescu and Cory J. Rushton, ed., A Companion to Medieval Popular Romance, Cambridge: D. S Brewer, 2009. Corinne Saunders, ed., A Companion to Romance: From Classical to Contemporary, Oxford: Blackwell, 2004. John Stevens, Medieval Romance: Themes and Approaches, London: Hutchinson, 1973.

The Alliterative Tradition *Alliterative Poetry of the Later Middle Ages: an Anthology, ed. Thorlac Turville-Petre, London: Routledge, 1989 (includes Winner and Wastour, The Parliament of the Three Ages, etc.). *Middle English Debate Poetry: A Critical Anthology, ed. John W. Conlee, East Lansing: Colleagues’ P, 1991 [includes Winner and Waster, Parliament of the Three Ages, Death and Life].

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The Piers Plowman Tradition. A Critical Edition of Pierce the Ploughman’s Crede, Richard the Redeless, Mum and the Sothsegger and The Crowned King, ed. Helen Barr, London: Dent, 1993. Winner and Wastour, ed. Stephanie Trigg, EETS 297, Oxford University Press, 1990.

Thorlac Turville-Petre, The Alliterative Revival, Cambridge: Brewer, 1977.

The Gawain Poet Pearl, Cleanness, Patience and Sir Gawain and the Green Knight, ed. A. C. Cawley and J. Anderson, London: Dent, 1976. *The Poems of the Pearl Manuscript, ed. Malcolm Andrew and Ronald Waldron, revised ed., London: Arnold, 1987; 5th edition, Exeter: Exeter University Press, 2007. (The 5th edition includes a prose translation on CD-ROM.) Victor Watts trans., Pearl: A Modernised Version of the Middle English Poem by Victor Watts, with the original text glossed and edited by David Fuller and Corinne Saunders, London: Enitharmon Press, 2005. Ad Putter and Myra Stokes (eds), The Works of the Gawain Poet, London: Penguin, 2014

Derek Brewer and Jonathan Gibson, eds., A Companion to the Gawain Poet, Cambridge: D.S. Brewer, 1997. J. A. Burrow, A Reading of Sir Gawain and the Green Knight, London: Routledge, Kegan Paul, 1965. Ad Putter, An Introduction to the Gawain-Poet, London & New York: Longman, 1996. A. C. Spearing, The Gawain Poet. A Critical Study, Cambridge: Cambridge University Press, 1970.

Gower The English Works, ed. G. C. Macaulay, Oxford: Clarendon, Early English Text Society, extra series, 81, 2 vols., 1900. Confessio Amantis, ed. Russell A. Peck, Toronto, Buffalo: University of Toronto Press in association with the Medieval Academy of America, 1980. *Confessio Amantis, ed. Russell A. Peck, with Latin translations by Andrew Galloway, 3 vols., Kalamazoo, Mich.: TEAMS, 2004-6. Selections, with an introduction, notes and glossary by J. A. W. Bennett, Oxford: Clarendon, 1968.

Sian Echard (ed.), A Companion to Gower, Cambridge: Brewer, 2005. Peter Nicholson (ed.), Gower’s ‘Confessio Amantis’: A Critical Anthology, Cambridge: Brewer, 1991. Diane Watt, Amoral Gower: Language, Sex, and Politics, Minneapolis: University of Minnesota Press, 2003. R. F. Yeager, John Gower’s Poetic: The Search for a New Arion, Cambridge: Brewer, 1990.

The Alliterative Morte Arthure * Larry D. Benson, ed., King Arthur’s Death. The Middle English Stanzaic Morte Arthur and the Alliterative Morte Arthure, New York: Bobbs Merrill, 1974; reprinted Exeter: University of Exeter Press, 1986. Morte Arthure, ed. E. Brock, EETS O.S. 8, new ed. 1871, reprinted 1967.

The Alliterative Morte Arthure. A Reassessment of the Poem, ed. Karl Heinz Göller (Arthurian Studies 2), Cambridge: D.S. Brewer, 1981.

Langland *Piers Plowman: A Parallel-Text Edition of the A, B, C and Z Versions, ed. A. V. C. Schmidt, London: Longman, 1995.

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The Vision of Piers Plowman: A Complete Edition of the B. Text, ed. A. V. C. Schmidt, London: Dent, 1978. The Vision of Piers Plowman, ed. Elizabeth Robertson and Stephen H. A. Shepherd, New York: Norton, 2006. Derek Pearsall, Piers Plowman: A New Annotated Edition of the C-Text, Exeter: U of Exeter P, 2008.

Anna Baldwin, A Guidebook to Piers Plowman, Basingstoke: Palgrave Macmillan, 2007. J. A. Burrow, Langland’s Fictions, Oxford: Clarendon, 1993. Malcolm Godden, The Making of Piers Plowman, London: Longman, 1990. James Simpson, Piers Plowman: An Introduction to the B-Text, London and New York: Longman, 1991

Lyrics English Lyrics of the Thirteenth Century, ed. Carleton Brown, Oxford: Clarendon, 1932, reprinted 1971. The Harley Lyrics, ed. G. L. Brook, 4th ed., Manchester: Manchester University Press, 1968. *Middle English Lyrics, ed. M. S. Luria and R. L. Hoffman, New York: Norton Critical Editions, 1974. Religious Lyrics of the Fourteenth Century, ed. Carleton Brown, 2nd ed. Oxford: Clarendon, 1952. Religious Lyrics of the Fifteenth Century, ed. Carleton Brown, Oxford: Clarendon, 1939. Secular Lyrics of the 14th and 15th Centuries, ed. R. H. Robbins, Oxford: Clarendon, 1952. A Selection of Religious Lyrics, ed. D. Gray, Oxford: Clarendon Medieval and Tudor Series, 1975. Medieval English Lyrics, ed. R. T. Davies, London: Faber, 1965.

P. Dronke, The Medieval Lyric, London: Hutchinson, 1968. Thomas G. Duncan, ed., A Companion to the Middle English Lyric, Cambridge: D. S. Brewer, 2005. R. Woolf, The English Religious Lyric in the Middle Ages, Oxford: Clarendon, 1968.

Hoccleve *Thomas Hoccleve: ‘My Compleinte’ and Other Poems, ed. Roger Ellis, U of Exeter P, 2001.

Ethan Knapp, The Bureaucratic Muse: Thomas Hoccleve and the Literature of Late Medieval England, University Park, PA: Pennsylvania State University Press, 2001 James Simpson, ‘Madness and Texts: Hoccleve’s Series’, in Chaucer and Fifteenth-Century Poetry, ed. Julia Boffey and Janet Cowen, London: King’s College London, 1991, pp. 15-29

Henryson *The Makars: The Poems of Henryson, Dunbar and Douglas, ed. J. A. Tasioulas, Edinburgh: Canongate, 1999. The Poems of Robert Henryson, ed. Denton Fox, Oxford: Clarendon, 1981. The Poems and Fables of Robert Henryson, ed. H. Harvey Wood, Edinburgh: Oliver and Boyd, 1933. Selected Poems of Robert Henryson and William Dunbar, ed. Douglas Gray, Penguin: Harmondsworth, 1998.

Douglas Gray, Robert Henryson (Medieval and Renaissance Authors Series), Leiden: Brill, 1979.

Dunbar *The Makars: The Poems of Henryson, Dunbar and Douglas, ed. J. A. Tasioulas, Edinburgh: Canongate, 1999. The Poems of William Dunbar, ed. James Kinsley, Oxford: Clarendon, 1979. The Poems of William Dunbar, ed. W. Mackay MacKenzie, Edinburgh: Collins, 1932.

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Selected Poems of Robert Henryson and William Dunbar, ed. Douglas Gray, Penguin: Harmondsworth, 1998.

Priscilla Bawcutt, Dunbar the Makar, Oxford: Clarendon, 1992. Ian Simpson Ross, William Dunbar (Medieval and Renaissance Authors Series), Leiden: Brill, 1981.

Malory *Le Morte Darthur: the Winchester Manuscript, ed. Helen Cooper, Oxford World’s Classics, Oxford: Oxford University Press, 1998 (slightly abridged; modernised spelling). Le Morte Darthur, ed. Stephen H. A. Shepherd, New York: W. W. Norton, 2004. The Works of Sir Thomas Malory, ed. E. Vinaver, 3 vols., Oxford: Clarendon, 1947; 3rd edition, rev. P. J. C. Field, 1990. *The Works, ed. E. Vinaver, one vol., Oxford: Oxford University Press, 2nd ed., 1971.

Elizabeth Archibald & A. S. G. Edwards, eds., A Companion to Malory, Cambridge: Brewer, 1997. Catherine Batt, Malory’s Morte Darthur: Remaking Arthurian Tradition, New York: Palgrave, 2002. Terence McCarthy, An Introduction to Malory, Woodbridge: Boydell and Brewer, 1988. Felicity Riddy, Sir Thomas Malory, Leiden: Brill, 1987.

Julian of Norwich *A Revelation of Love, ed. Marion Glasscoe, Exeter: Exeter University Press, 1976; rev. edition, 1993 (the longer version). *Revelations of Divine Love, ed. Clifton Wolters, Harmondsworth: Penguin, 1970. The Shewings of Julian of Norwich, ed. Georgia Ronamn Crampton, TEAMS, Kalamazoo, MI: Western Michigan University, 1994; available online at http://d.lib.rochester.edu/teams/text-online Revelations of Divine Love, trans. Elizabeth Spearing, Penguin: London, 1998

Alexandra Barratt, ed., Women’s Writing in Middle English, London: Longman, 1992. Grace M. Jantzen, Julian of Norwich: Mystic and Theologian, London: SPCK, 1987. Liz Herbert McAvoy, ed., A Companion to Julian of Norwich, Cambridge: D. S. Brewer; Rochester, NY: Boydell and Brewer, 2008.

Margery Kempe *The Book of Margery Kempe, ed. Barry Windeatt, 2000, Cambridge: D. S. Brewer, 2004. The Book of Margery Kempe, modernised by B. A. Windeatt, Harmondsworth: Penguin, 1985. The Book of Margery Kempe, trans. and ed. Lynn Staley, A Norton Critical Edition, New York: Norton, 2001. The Book of Margery Kempe, ed. S. B. Meech and E. H. Allen, EETS, 1940. The Book of Margery Kempe, ed. Lynn Staley, TEAMS, Kalamazoo, MI: Western Michigan University, 1996; available online at http://d.lib.rochester.edu/teams/text-online

John H. Arnold and Katherine J. Lewis, eds, A Companion to The Book of Margery Kempe, Cambridge: D. S. Brewer, 2004. Clarissa W. Atkinson, Mystic and Pilgrim: The Book and the World of Margery Kempe, Ithaca: Cornell University Press, 1983.

The Mystery Cycles *English Mystery Plays, ed. Peter Happé, Harmondsworth: Penguin, 1975. *Medieval Drama: An Anthology, ed. Greg Walker, Oxford: Blackwell, 2000.

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Medieval Drama, ed. David Bevington, New York: Houghton Mifflin, 1975. Chester Plays: the Chester Mystery Cycle, ed. R. M. Lumiansky and David Mills, EETS, 2 vols., 1974, 1986. The N-Town Play, ed. S. Spector, 2 vols., EETS, Oxford: Oxford University Press, 1991. The Towneley Plays, ed. M. Stevens and A. C. Cawley, 2 vols., EETS, 1994. Towneley Plays: the Wakefield Pageants in the Towneley Cycle, ed. A. C. Cawley, Manchester: Manchester University Press, 1958. The York Plays, ed. Richard Beadle (York Medieval Texts, 2nd series), London: Arnold, 1982.

Richard Beadle and Alan J. Fletcher, ed., The Cambridge Companion to Medieval English Theatre, Cambridge: Cambridge University Press, 2008. Peter Happé, The Towneley Cycle: Unity and Dissent, Religion and Culture in the Middle Ages, Cardiff: U. of Wales P., 2007. V. A. Kolve, The Play Called Corpus Christi, Stanford University Press, 1966. Katie Normington, Medieval English Drama: Performance and Spectatorship, Cambridge: Polity, 2009. A videotape performance of the York Assumption of the Virgin can be borrowed from the English Department office.

Morality Drama *Four Morality Plays, ed. Peter Happé, Harmondsworth: Penguin, 1979. *English Moral Interludes, ed. Glynne Wickham, London: Dent, 1976.

S. J. Kahrl, Traditions of Medieval English Drama, London: Hutchinson paperback, 1974. Videotape performances of Everyman and Nature can be borrowed from the English Department office.

Background Texts Boethius, The Consolation of Philosophy (any translation, e.g. trans. V. E. Watts, Harmondsworth: Penguin, 1999). Guillaume de Lorris and Jean de Meun, The Romance of the Rose (any translation, e.g. trans. Frances Horgan, Oxford World’s Classics, 1994). Ovid, Metamorphoses (any translation, e.g. trans. David Raeburn, Harmondsworth: Penguin, 2004).

General Reading Laura Ashe, Fiction and History in England, 1066-1200, Cambridge Studies in Medieval Literature 68, Cambridge: Cambridge University Press, 2007. Priscilla Bawcutt and Janet Hadley Williams (eds), A Companion to Medieval Scottish Poetry, Cambridge: D.S. Brewer, 2006. H. S. Bennett, Chaucer and the Fifteenth Century, Oxford: Clarendon, 1947. *Alcuin Blamires et al (eds), Woman Defamed and Woman Defended, Oxford: Clarendon P, 1992 W. F. Bolton, The Middle Ages, (Sphere History of Literature 1), London: Sphere, 1986. *Peter Brown (ed.), A Companion to Medieval Literature and Culture c. 1350-1500, Blackwell Companions to Literature and Culture, Oxford: Blackwell, 2007. Jennifer Bryan, Looking Inward: Devotional Reading and the Private Self in Late Medieval England, Middle Ages Series, Philadelphia, PA: U of Pennsylvania P, 2008. J. A. Burrow, Ricardian Poetry: Chaucer, Gower, Langland, and the Gawain Poet, London: Routledge, 1971. J. A. Burrow, Medieval Writers and Their Work: Middle English Literature and its Background 1100- 1500, Oxford: Oxford University Press, , 1982. Christopher Cannon, Middle English Literature: A Cultural History, Cambridge; Malden, MA: Polity Press, 2008.

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Kate Crassons, The Claims of Poverty: Literature, Culture, and Ideology in Late Medieval England, Notre Dame: University of Notre Dame Press, 2010. Tony Davenport, Medieval Narrative: An Introduction, Oxford: Oxford University Press, 2004. Isabel Davies, Writing Masculinity in the Later Middle Ages, Cambridge Studies in Medieval Literature 62, Cambridge: Cambridge University Press, 2007 Carolyn Dinshaw and David Wallace (eds), The Cambridge Companion to Medieval Women’s Writing, Cambridge: Cambridge UP, 2003 *A. S. G. Edwards ( ed.), A Companion to Middle English Prose, Cambridge: D.S. Brewer, 2004. Andrew Galloway (ed.), The Cambridge Companion to Medieval English Culture Cambridge: Cambridge UP, 2011 Matthew Giancarlo, Parliament and Literature in Late Medieval England, Cambridge Studies in Medieval Literature 64, Cambridge: Cambridge University Press, 2007. *Douglas Gray, Later Medieval English Literature, Oxford: Oxford University Press, 2008. Douglas Gray (ed.), From the Norman Conquest to the Black Death: An Anthology of Writings from England, Oxford: Oxford University Press, 2011. Richard Firth Green, Poets and Prince-Pleasers: Literature and the English Court in the Late Middle Ages, Toronto: University of Toronto Press, 1980. Richard Firth Green, A Crisis of Truth: Literature and Law in Ricardian England, Philadelphia: University of Pennsylvania Press, 1999. D. H. Green, Women Readers in the Middle Ages, Cambridge Studies in Medieval Literature 65, Cambridge: Cambridge University Press, 2007. Ralph Hanna, London Literature, 1300-1380, Cambridge: Cambridge University Press, 2005. *David Johnson and Elaine Treharne (eds), Readings in Medieval Texts: Interpreting Old and Middle English Literature , Oxford: Oxford UP, 2005 A. M. Kinghorn, The Chorus of History, 1485-1558, London: Blandford, 1971. John Lawlor (ed.), Patterns of Love and Courtesy: Essays in Memory of C.S. Lewis, London: Arnold, 1966. David Matthews, Writing to the King: Nation, Kingship, and Literature in England, 1250-1350, Cambridge: Cambridge University Press, 2010. Carol M. Meale, (ed.), Women and Literature in Britain 1150-1500, Cambridge: Cambridge University Press, 1991. J. Derrick McClure and M.R.G. Spiller (eds.), Bryght Lanternis: Essays in the Language and Literature of Medieval and Renaissance Scotland, Aberdeen: Aberdeen University Press, 1989. Ruth Morse, Truth and Convention in the Middle Ages: Rhetoric, Representation and Reality, Cambridge: Cambridge University Press, 1991. A.G.Rigg, A History of Anglo-Latin Literature, 1066-1422, Cambridge: Cambridge University Press, 1992. Elizabeth Salter, English and International: Studies in the Literature, Art and Patronage of Medieval England, ed. Derek Pearsall and Nicolette Zeeman, Cambridge: Cambridge University Press, 1988. *Corinne Saunders, A Companion to Medieval Poetry, Oxford: Blackwell, 2010. *Corinne Saunders, Magic and the Supernatural in Medieval English Romance, Cambridge: D.S. Brewer, 2010 Larry Scanlon, ed., The Cambridge Companion to Medieval English Literature, 1100-1500, Cambridge: Cambridge University Press, 2009. Wendy Scase, Literature and Complaint in England, 1272-1553, Oxford: Oxford University Press, 2007. V. J. Scattergood, Politics and Poetry in the Fifteenth Century: 1399-1485, London: Blandford, 1971. John Scattergood, Occasions for Writing: Essays on Medieval and Renaissance Literature, Politics and Society, Dublin: Four Courts Press, 2010.

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*James Simpson, The Oxford English Literary History Volume 2. 1350-1547: Reform and Cultural Revolution, Oxford: Oxford University Press, 2002. Elizabeth Solopova and Stuart D. Lee, Key Concepts in Medieval Literature, Palgrave Key Concepts, Basingstoke: Palgrave Macmillan, 2007. A. C. Spearing, The Medieval Poet as Voyeur: Looking and Listening in Medieval Love-Narratives, Cambridge: Cambridge University Press, 1993. A. C. Spearing, Readings in Medieval Poetry, Cambridge: Cambridge University Press, 1987. A. C. Spearing, Textual Subjectivity: The Encoding of Subjectivity in Medieval Narratives and Lyrics, Oxford: Oxford University Press, 2005. *Paul Strohm, ed., Middle English, Oxford Twenty-First Century Approaches to Literature, Oxford: Oxford University Press, 2007. *Elaine Treharne and Greg Walker, ed., The Oxford Handbook of Medieval Literature in English, Oxford: Oxford University Press, 2010. Thorlac Turville-Petre, England the Nation: Language, Literature and National Identity 1290-1340, Oxford: Clarendon, 1996. Daniel Wakelin, Humanism, Reading, and English Literature 1430-1530, Oxford: Oxford University Press, 2007. Diane Watt, Medieval Women’s Writing: Works by and for Women in England, 1100-1500, Cambridge: Polity Press, 2007. Kurt Wittig, The Scottish Tradition in Literature, Edinburgh: Oliver and Boyd, 1958.

Historical Background Emilie Amt, Women’s Lives in Medieval Europe: A Sourcebook, New York and London: Routledge, 1993. Ralph Griffiths, ed., The Fourteenth and Fifteenth Centuries (The Short Oxford History of the British Isles), Oxford: Oxford University Press, 2003. , Rosemary Horrox, Fifteenth-Century Attitudes: Perceptions of Society in late Medieval England, Cambridge: Cambridge University Press, 1994 John Huizinga, The Waning of the Middle Ages (1919), Harmondsworth: Pelican, 1955. E. F. Jacob, The Fifteenth Century: 1399-1485 (Oxford History of England 6), Oxford: Oxford University Press, 1961. Helen M. Jewell, Women in Medieval England, Manchester: Manchester University Press, 1996. Henrietta Leyser, Medieval Women: A Social History of Women in England 450-1500, London: Weidenfeld and Nicolson, 1995. Conor McCarthy, ed., Love, Sex and Marriage in the Middle Ages: A Sourcebook, London: Routledge, 2004. May McKisack, The Fourteenth Century, 1307-1399 (Oxford History of England 5), Oxford: Oxford University Press, 1959. David Nicholas, The Evolution of the Medieval World: Society, Government and Thought in Europe, 312- 1500, London: Longman, 1992. Michael Prestwich, Plantagenet England, 1225-1360, Oxford: Clarendon, 2005. R. W. Southern, The Making of the Middle Ages, London: Hutchinson, 1953.

Manuscripts and Book Production De Hamel, Christopher, A History of Illuminated Manuscripts, London: Phaidon, 1994. Jeremy Griffiths and Derek Pearsall (eds), Book Production and Publishing in Britain 1375-1475, Cambridge: Cambridge University Press, 1989. Ralph Hanna, Pursuing History: Middle English Manuscripts and their Texts, Stanford, Calif. : Stanford University Press, 1996.

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MEDIEVAL LITERATURE LECTURE LIST 2015/2016

Lectures will take place every Monday from 12.00 noon to 1.00 pm in ER149

Michaelmas Term 2015

12 October Introduction: Medieval Literature Professor Archibald/ Dr Huxtable

19 October Early Middle English: The Owl and the Nightingale Dr Barraclough

26 October Literacy and Language Professor Archibald

2 November Romance I Professor Archibald

9 November Romance II Dr Huxtable

16 November The Alliterative Tradition I: Morte Arthure Dr Ashurst

23 November The Alliterative Tradition II: Sir Gawain and the Green Dr Huxtable Knight

30 November The Alliterative Tradition III: Pearl Dr Ashurst

7 December Lyrics Professor Fuller

14 December Langland: Piers Plowman I Professor Fuller

Epiphany Term 2016

18 January Langland: Piers Plowman II Professor Fuller

25 January Scottish Poets: Dunbar Dr Ashurst

1 February Scottish Poets: Henryson Dr Ashurst

8 February Gower: Confessio Amantis Professor Fuller

15 February READING WEEK

22 February Malory: Le Morte Darthur I Professor Saunders

29 February Malory : Le Morte Darthur II Professor Fuller

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7 March Julian of Norwich: The Revelations of Divine Love Professor Saunders

14 March The Book of Margery Kempe Professor Archibald

Easter Term 2016

25 April Drama Dr Chambers

2 May Drama Dr Chambers

9 May Afterlives of medieval literature Professor Saunders and Dr Huxtable/Prof Cartlidge

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Renaissance Literature Module Convenor: Dr Robert Carver

This module will cover the following texts, among others:

Michaelmas Term: Thomas More, Utopia; Petrarch’s Rime sparse and the verse of Sir Thomas Wyatt; English translations of the Bible; John Foxe’s Acts and Monuments (a. k. a. ‘Foxe’s Book of Martyrs’); Sir Philip Sidney, The Defence of Poesie, Astrophil and Stella; Edmund Spenser, Amoretti, The Faerie Queene, Bk I-III; Marlowe, Hero and Leander

Epiphany Term: Thomas Kyd, The Spanish Tragedy; Christopher Marlowe, Tamburlaine I &II, Dr Faustus; John Webster, The White Devil, The Duchess of Malfi; Thomas Middleton and William Rowley, The Changeling; Middleton, A Chaste Maid in Cheapside, and Shirley, The Lady of Pleasure; Sidney, The Old Arcadia; Nashe, The Unfortunate Traveller

Easter Term: Francis Bacon, Essays; Thomas Nashe, prose works; John Donne, Sermons

Suggested editions for purchase or reading over the summer.

Most of the items on this list were in print at the time the list was drawn up. An X by the entry indicates that the volume is out of print, but that copies are available second-hand and in the University Library. Otherwise, the selection has been made on the basis of value for money. In most cases, these are not the only editions in print/ available in the library; please contact the convenor with any queries. The reading lists to be given out at individual lectures will often adjudicate between alternative editions and provide further reading.

Bacon, Francis, The Major Works, ed. Brian Vickers, Oxford World’s Classics (Oxford: Oxford University Press, 2002). Includes the Essays. The Bible. Authorized King James Version with Apocrypha, ed. Robert Carroll and Stephen Prickett (Oxford: Oxford University Press, 1997). Bruce, Susan, ed., Three Early Modern Utopias: Utopia, New Atlantis, The Isle of Pines (Oxford: Oxford University Press, 1999). Contains More’s Utopia and other literary responses to the New World. Foxe, John, Actes and Monuments (1576). Check the website of this British Academy Project at http://www.hrionline.ac.uk/johnfoxe/. Kyd, Thomas, The Spanish Tragedy, ed. David Bevington, Revels Student Editions (Manchester: Manchester University Press, 1996). Marlowe, Christopher, Doctor Faustus and Other Plays, ed. David Bevington and Eric Rasmussen, World’s Classics (Oxford: Oxford University Press, 1995). Includes the A- and B-texts of Doctor Faustus, and Edward II. — Tamburlaine. Parts One and Two, ed. Anthony B. Dawson, New Mermaids (London: Black, 2nd edn 1997). — All Ovids Elegies, Lucans First Booke, Dido Queene of Carthage, Hero and Leander, ed. Roma Gill. (Oxford: Clarendon Press, 1987). Middleton, Thomas, Women Beware Women and Other Plays, ed. Richard Dutton, Oxford World’s Classics (Oxford: Oxford University Press, 1999). Contains The Changeling (with William Rowley) and A Chaste Maid in Cheapside. — The Collected Works, ed. Gary Taylor and John Lavagnino (Oxford: Clarendon Press, 2007). Milton, Joh,. Areopagitica, and Other Political Writings, foreword by John Alvis (Indianapolis: Liberty Fund, 1999).

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— The Complete Works of John Milton, ed. David Loewenstein et al. (Oxford: Oxford University Press, 2008-). An ongoing project which will result in 11 vols. For works which have not appeared yet you should check the Yale edition of Milton’s Complete Prose Works. Ed. D. Wolfe. New Haven: Yale University Press, 1953-82. Nashe, Thomas, The Unfortunate Traveller and Other Works, ed. J. B. Steane (Harmondsworth: Penguin, 1978). Sidney, Sir Philip, Sir Philip Sidney: The Major Works, ed. Katherine Duncan-Jones, Oxford World’s Classics (Oxford: Oxford University Press, 2002). Includes Defence of Poesy, Astrophil and Stella. Spenser, Edmund, The Faerie Queene, ed. Thomas P. Roche and C. Patrick O’Donnell (Harmondsworth: Penguin, 1988) (cheapest) or: The Faerie Queene. ed. A. C. Hamilton, Shohachi Fakuda, Hiroshi Yamashita et al. (London: Longman, 2001) (most up-to-date). Webster, John, The Duchess of Malfi and other Plays, ed. R. Weis, World’s Classics (Oxford: Oxford University Press, 1996). Also includes The White Devil. Wyatt, Sir Thomas, The Complete Poems, ed. R. A. Rebholz (Harmondsworth: Penguin, 1978).

The Norton Anthology of English Literature contains basic editions of / excerpts from a number of these texts, as well as other relevant material, and students are strongly recommended to browse the Renaissance section as a way of getting a preliminary sense of the period.

Over the summer, your priority should be to read the actual texts, beginning, perhaps, with More’s Utopia, Sidney’s Defence of Poesie, and the first three books of Spenser’s The Faerie Queene; the first lecture of the course will discuss recent literary-critical trends in Renaissance studies, and a substantial reading-list of secondary literature will be given out in subsequent lectures and/or posted on DUO. Meanwhile, here are a few useful references to get started:

Some surveys and introductions, as well as basic literature on individual topics:

Braunmuller, A. R., and Michael Hattaway, eds, The Cambridge Companion to English Renaissance Drama (Cambridge: Cambridge University Press, 1990). Brigden, Susan, New Worlds, Lost Worlds: The Rule of the Tudors, 1485-1603 (London: Penguin, 2001). Briggs, Julia, This Stage-Play World: Texts and Contexts, 1580-1625, 2nd edn (Oxford: Oxford University Press, 1997). Butler, Martin, Theatre and Crisis, 1632-1642 (Cambridge: Cambridge University Press, 1984). Coffey, John, and Paul C. H. Lim, eds, The Cambridge Companion to Puritanism (Cambridge: Cambridge University Press, 2008). Duffy, Eamon, The Stripping of the Altars: Traditional Religion in England, c. 1400-1580 (New Haven: Yale University Press, 1992). (A seminal ‘revisionist’ account of the Reformation). 274.2 DUF (5 copies) Genette, Gerard, Paratexts, trans. by Jane E. Lewin (Cambridge: Cambridge University Press, 1997). Hadfield, Andrew, The English Renaissance, 1500-1620 (Oxford: Blackwell, 2001). Hill, Christopher, Collected Essays (Brighton: Harvester, 1986). Keeble, N. H., The Cambridge Companion to Writing of the English Revolution (Cambridge: Cambridge University Press, 2001). Kerrigan, John. Revenge Tragedy: Aeschylus to Armageddon. Oxford: Clarendon Press, 1996. Kinney, Arthur F., ed., The Cambridge Companion to English Literature, 1500-1600 (Cambridge: Cambridge University Press, 2000). Loewenstein, David, and Janet Mueller, eds, The Cambridge History of Early Modern English Literature (Cambridge: Cambridge University Press, 2002).

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Neill, Michael, Issues of Death. Mortality and Identity in English Renaissance Tragedy (Oxford: Clarendon Press, 1997). Peters, Julie Stone, Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe (Oxford: Oxford University Press, 2000). Pooley, Roger, English Prose of the Seventeenth Century, 1590-1700 (London: Longman, 1992). Rivers, Isabel, Classical and Christian Ideas in English Renaissance Poetry: A Student’s Guide, 2nd edn (London: Routledge, 1992). Shell, Alison, Catholicism, Controversy and the English Literary Imagination, 1558-1660 (Cambridge: Cambridge University Press, 1999). Sharpe, Kevin, Criticism and Compliment: The Politics of Literature in the England of Charles I. (Cambridge: Cambridge University Press, 1987). — The Personal Rule of Charles I (New Haven: Yale University Press, 1923). Smith, Nigel. Literature and Revolution in England, 1640-1660 (New Haven: Yale University Press, 1994). Spurr, John, English Puritanism, 1603-1689 (Basingstoke; Macmillan, 1998). Vickers, Brian, ed., English Renaissance Literary Criticism (Oxford: Clarendon Press, 1999). A helpful overview of early modern attitudes to literary theory. Essential reading! Waller, Gary, English Poetry of the Sixteenth Century, 2nd edn (London: Longman, 1993).

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RENAISSANCE LITERATURE LECTURE LIST 2015/2016

Lectures will take place every Wednesday from 10.00 am to 11.00 am in ER140

Michaelmas Term 2015

14 October Introduction Dr Carver

Renaissance Humanism and the ‘Reformation’ 21 October Thomas More, Utopia Dr Green

28 October The Petrarchan Tradition (I): Thomas Wyatt Dr Green

4 November Contesting the Word of God: Tradition and ‘Reformation’ Dr Gray

11 November Renaissance Literary Criticism: Sidney, The Defense of Poesie Dr Carver

18 November The Petrarchan Tradition (II): Sidney, Astrophil and Stella Dr Carver

25 November The Petrarchan Tradition (III): Spenser, Amoretti Dr Green

2 December Spenser, The Faerie Queene, I-II Dr Carver

9 December Spenser, The Faerie Queene, III Dr Carver

16 December Rhetoric into Poetry: Marlowe’s Hero and Leander Dr Carver

Epiphany Term 2016

Renaissance Drama 20 January Renaissance Seneca Professor Ravelhofer / Dr Harding

27 January Marlowe: Tamburlaine, Parts 1 & 2 Dr Sugg

3 February Marlowe: Doctor Faustus Dr Gray

10 February Webster: The White Devil and The Duchess of Malfi Professor Ravelhofer

17 February READING WEEK

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24 February Middleton and Rowley: The Changeling Professor Ravelhofer

2 March Sex and the City: Middleton’s A Chaste Maid in Cheapside and Professor Shirley’s The Lady of Pleasure Ravelhofer

Renaissance Prose 9 March Prose Fiction I: Sidney’s Arcadia Dr Carver

16 March Prose Fiction II: From Romance to Realism Dr Gray

Easter Term 2016

27 April Renaissance Science I: Francis Bacon Dr Sugg

4 May Renaissance Science II: Thomas Nashe Dr Sugg

11 May Rhetoric in Practice: Donne’s Sermons Dr Sugg

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Victorian Literature Module Convenor: Dr Simon Grimble

PRIMARY READING Students are warmly advised to get down to reading the longer novels and poems during the Summer Vacation.

This module is not a ‘set text’ course. You may answer on any Victorian (1837-1901) text in the questions in the first half of the paper: for reasons of space, many important writers are not lectured on, but that doesn’t mean you cannot read and write about Thackeray, Elizabeth Barrett Browning, Wilkie Collins, ‘sensation fiction’, Kipling etc. etc. There are also more ‘link’ lectures this year that will discuss a variety of authors and themes. Previous papers are available in the libraries and online. The following texts are recommended. These editions all have sound texts and contain notes, bibliographies and good critical introductions, but the most important thing is to acquire copies of Victorian texts and begin reading.

Fiction and Drama Charles Dickens: David Copperfield (Norton or Oxford World’s Classics) Great Expectations (Norton or Oxford World’s Classics) Charlotte Brontë: Villette (Penguin or Oxford World’s Classics) Elizabeth Gaskell: North and South (Penguin or Oxford World’s Classics) George Eliot: Adam Bede (Norton or Penguin) Mill on the Floss (Norton) Middlemarch (Penguin or Oxford World’s Classics) Thomas Hardy: Jude the Obscure (Norton, Penguin or Oxford World’s Classics) Tess of the D’Urbervilles (Norton, Penguin or Oxford World’s Classics) George Gissing: The Nether World (Oxford World’s Classics) Oscar Wilde: The Importance of Being Earnest and Other Plays (Penguin or Oxford World’s Classics)

Poetry The Norton Anthology (Volume 2) has been recommended to students for this and other courses. The volume contains only sections of the poems by Tennyson (In Memoriam), and selections of poems by Matthew Arnold, Arthur Hugh Clough, Robert Browning, Christina Rossetti, the other ‘Pre-Raphaelite’ poets, and Gerard Manley Hopkins. Students wishing to specialize on these poets are strongly advised to study more widely and therefore to borrow or purchase individual texts. The following are recommended:

The Poems of Matthew Arnold, ed. Kenneth Allott (Longman, 1979)

Clough: Selected Poems, ed. J. P. Phelan (Longman, 1995)

Tennyson’s Poetry, ed. Robert W. Hill (Norton Critical Editions, 1999) or Selected Poems: Tennyson, ed. Christopher Ricks (Penguin, 2007)

Robert Browning: The Major Works, ed. Adam Roberts (Oxford World’s Classics, 2009)

A.C. Swinburne: Poems and Ballads and Atalanta in Calydon, ed. Kenneth Haynes (Penguin, 2000)

Christina Rossetti: Complete Poems, ed. Betty Flowers (Penguin, 2001)

26 or Selected Poems: Rossetti, ed. Dinah Roe (Penguin, 2008)

Gerard Manley Hopkins: The Major Works, ed. Catherine Phillips (Oxford World’s Classics, 2009)

Edward Lear: The Complete Verse and Other Nonsense, ed.with an introduction and notes by Vivien Noakes (Allen Lane, 2001; pub. from 2002 as ‘ … and Other Verse).

Lewis Carroll: The Annotated Alice: Alice’s Adventures in Wonderland and Through the Looking-Glass, with an introduction and notes by Martin Gardner (Allen Lane, 2000). NB: the lecture naming Carroll as one of its featured authors will focus on a few poems (well annotated in this edition), not on the Alice books as complete works, though they can be written on in the examination.

For selections from these and many other poets, also see The New Oxford Book of Victorian Verse, ed. Christopher Ricks (Oxford, 2004).

Prose Charles Darwin: On The Origin of Species (Oxford World's Classics) John Stuart Mill: On Liberty and the Subjection of Women (Penguin) Matthew Arnold: Culture and Anarchy and Other Writings (Cambridge University Press) John Ruskin: Unto This Last and Other Writings (Penguin), or Selected Writings (Oxford World’s Classics) William Morris: News From Nowhere and Other Writings (Penguin) Oscar Wilde: The Soul of Man Under Socialism and Selected Critical Prose (Penguin)

Material for the lectures on Victorian prose (Ruskin, Carlyle, Mill, Arnold, Morris) can also be found in the Norton Anthology.

SECONDARY READING

Some tips: Do not rely solely on what is on the shelves: check the library catalogue, the return shelves and the Reserve collection. If the book you are looking for is out, recall it. Books with more than 2 holds are automatically placed on 3-day loan. Don’t forget about journal articles: the Library carries a large number of general and author- specific Victorian journals. Use library databases (via the Library's web-page of English subject links) to help you track down material. Even if you cannot find what you are looking for immediately in the library, you can always access on-line journal articles via JSTOR, LION or MUSE. There are links to specific items in Course Documents in DUO. If you are encountering specific difficulties with the library, please ask the Library staff, and, if they are not able to help, your tutor for this module. Core books are marked with a star (Reserve); recommended (3-day loan) with two stars.

Introductions and Histories Altick, Richard D. Victorian People and Ideas. 820.88 ALT Briggs, Asa, Victorian Cities. 301.360942081 BRI Best, Geoffrey, Mid-Victorian Britain, 1851-75. 942.081 BES

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Davis, Philip, The Victorians. Vol.8 of The Oxford English Literary History. 820.81 DAV Ensor, R.C.K., England, 1870-1914. 942.08 ENS Gilmour, Robin, The Victorian Period: The Intellectual and Cultural Context of English Literature. 1830- 1890. 820.88 GIL Guy, Josephine M, ed. The Victorian Age: an Anthology of Sources and Documents. 942.081 VIC Harrison, J.F.C. Late Victorian Britain, 1875-1901. 309.142081 HAR McCord, Norman. British History, 1815-1906. 942.081 MCC Moran, Maureen. Victorian Literature and Culture. 820.18 MOR Pionke, Albert D. and Denise Tischler Millstein, eds. Victorian Secrecy: Economies of Knowledge and Concealment (2010) 820.9353 VIC Sanders, Andrew. The Short Oxford History of English Literature. Chapters 7 and 8. 820.11 SAN Shears, Jonathon and Harrison, Jen, eds, Literary Bric-à-Brac and the Victorians (on order) *Thompson, E.P. The Making of the English Working Class. 323.330942 THO *Thompson, F.M.L. The Rise of Respectable Society: A Social History of Victorian Britain: 1830-1900. 309.142081 THO Tucker, Herbert F., ed. A Companion to Victorian Literature and Culture. 820.81 COM Warwick, Alex, and Martin Willis, eds, The Victorian Literature Handbook. 820.91 VIC Williams, Raymond. Culture and Society. 1780-1950. 820.18 WIL Williams, Raymond. The Country and the City. 820.18 WIL Yearbook of English Studies. 36.2 (2006). 058.2

Fiction Brantlinger, Patrick and William B. Thesing, eds. A Companion to the Victorian Novel. 820.85 COM Cunningham, Valentine, Everywhere Spoken Against: Dissent in the Victorian Novel. 820.85 CUN Ermarth, Elizabeth, The English Novel In History 1840-1895. 820.85 ERM *David, Deidre. The Cambridge Companion to the Victorian Novel. 820.85 CAM *Keating, Peter. The Haunted Study: A Social History of the English Novel 1875-1914. 820.15 KEA Levine, George. How to Read the Victorian Novel. 820.85 LEV ---. The Realistic Imagination: English Fiction from Frankenstein to Lady Chatterley. 820.85 LEV Marshall, Gail, Victorian Fiction. 820.85 MAR O’Gorman, Francis, ed. A Concise Companion To The Victorian Novel 820.85 CON ---. The Victorian Novel. Blackwell Guides to Criticism. 820.85 VIC Regan, Stephen. The Nineteenth-Century Novel: A Critical Reader. 809.3 NIN Sutherland, John. The Longman Companion to Victorian Fiction. Ref. 820.85 SUT ---. Victorian Novelists and Publishers. 820.85 SUT Wheeler, Michael. English Fiction of the Victorian Period. 820.85 WHE Williams, Raymond. The English Novel from Dickens to Lawrence. 820.85 WIL

Sensation Fiction Garrison, Laurie. Science, Sexuality and Sensation Novels: Pleasures of the Senses. [on order] Mangham, Andrew. Violent Women and Sensation Fiction: Crime, Medicine and Victorian Popular Culture. [on order] Miller, D. A. The Novel and the Police. 820.85 MIL Pykett, Lyn. The ‘Improper’ Feminine: the Women’s Sensation Novel and the New Woman Writing. 820.85 PYK ---. The Sensation Novel. 820.85 PYK Small, Helen. Love’s Madness: Medicine, the Novel, and Female Insanity, 1800-1865. 820.85 SMA Sutherland, John. Victorian Fiction: Writers, Publishers, Readers. 820.85 SUT

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Poetry *Armstrong, Isobel. Victorian Poetry: Poetry, Poetics and Politics. 820.82 ARM Bevis, Matthew, ed. The Oxford Handbook of Victorian Poetry. 821.28 OXF **Bristow, Joseph. ed. The Cambridge Companion to Victorian Poetry. 820.82 CAM ---, ed. Victorian Women Poets: Emily Brontë, Elizabeth Barrett Browning, Christina Rossetti. 820.82 VIC *Byron, Glennis. Dramatic Monologue. 820.12 BYR Byrom, Thomas. Nonsense and Wonder: The Poems and Cartoons of Edward Lear. 828.3 LEA/BYR Collins, Thomas J. and Vivienne J. Rundle, eds. The Broadview Anthology of Victorian Poetry and Poetic Theory. 821.28 BRO Cosslett, Tess, ed. Victorian Women Poets. 820.82 VIC Cronin, Richard, et al., eds. A Companion to Victorian Poetry. 820.82 COM Cunningham, Valentine, and Duncan Wu, eds. Victorian Poetry. Blackwell Essential Literature Anthologies. 821.28 VIC Cunningham, Valentine, ed., Victorian Poets: A Critical Reader 821.809 VIC Douglas-Fairhurst, Robert, Victorian Afterlives: The Shaping of Influence in Nineteenth-century Literature. 820.81 DOU *Griffiths, Eric, The Printed Voice of Victorian Poetry. 820.82 GRI Karlin, Daniel, ed. The Penguin Book of Victorian Verse. 820.81 PEN **Leighton, Angela, Victorian Women Poets: Writing against the Heart. 820.82 LEI ---. On Form: Poetry, Aestheticism, and the Legacy of the Word. 820.12 LEI Matthews, Samantha. Poetical Remains: Poets’ Graves, Bodies, and Books in the Nineteenth Century. 820.82 MAT Miles, Rosie. Victorian Poetry in Context 821.809 MIL O’Neill, Michael, ed., The Cambridge History of English Poetry (2010) 820.12 CAM [Following chapters are relevant: ‘Victorian Poetry: An Overview’, ‘Tennyson’, ‘Elizabeth Barrett and Robert Browning’, ‘Emily Brontë, Arnold, Clough’, ‘Dante Gabriel Rossetti and Swinburne’, ‘Christina Rossetti and Hopkins’, ‘Later Victorian Voices 1’, and ‘Later Victorian Voices 2’. ] **O'Gorman, Francis, Victorian Poetry: An Annotated Anthology. 821.28 VIC *Radford, Andrew, and Mark Sandy, eds, Romantic Echoes in the Victorian Era. 820.81 ROM Richards, Bernard. English Poetry of the Victorian Period 1830-1890. 820.82 RIC Ricks, Christopher, ed. The New Oxford Book Of Victorian Verse. 821.28 NEW

Drama Booth, Michael. Prefaces to English Nineteenth-century Theatre. 820.83 BOO ---. Victorian Spectacular Theatre, 1850-1910. 792.094208 BOO ---, ed. English Plays of the Nineteenth Century. 5 vols. 821.38 BOO Chothia, Jean, English Drama of the Early Modern Period, 1890-1940. 820.13 CHO ---, ed., The New Woman and Other Emancipated Woman Plays. 821.38 NEW Davis, Tracy C. and Ellen Donkin, eds., Women and Playwriting in Nineteenth-century Britain. 820.83 WOM Hudston, Sara. Victorian Theatricals: From Menageries to Melodrama. 821.18 HUD Knight, Joseph. A History of the Stage during the Victorian Era. 792.0942081 KNI Powell, Kerry, ed. The Cambridge Companion to Victorian and Edwardian Theatre. 792.094208 CAM Richards, Kenneth, and Peter Thomson, eds. Essays on Nineteenth-Century British Theatre. 792.0942081 MAN Rowell, George. The Victorian Theatre, 1792-1914: A Survey. 792.094208 ROW ---, ed. Late Victorian plays, 1890-1914. 821.39 ROW ---, ed. Nineteenth-Century Plays. 821.38 ROW Stierstorfer, Klaus, ed. London Assurance and other Victorian Comedies. 821.38 LON

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Science and Religion Bailin, Miriam. The Sickroom in Victorian Fiction: The Art of Being Ill. 820.85 BAI *Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. 820.85 BAL **Beer, Gillian. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. 820.85 BEE Cosslett, Tess. The "Scientific Movement" and Victorian Literature. 820.81 COS -, ed., Science and Religion in the Nineteenth Century. 821.78 COS Cadbury, Deborah. The Dinosaur Hunters. 5(09):66 CAD Darwin, Charles. A Darwin Selection. 57 DAR -, The Descent of Man. 575.829 DAR *-, The Origin of Species. 575.82 DAR *Desmond, Adrian, and James Moore. Charles Darwin. 57(092) DAR/DES **Levine, George. Darwin and the Novelists: Patterns of Science in Victorian Fiction. 820.85 LEV Oulton, Carloyn. Literature and Religion in Mid-Victorian England: From Dickens to Eliot. 820865 OUL Otis, Laura, ed. Literature and Science in the Nineteenth Century: An Anthology. 821.18 LIT Ruse, Michael, The Darwinian Revolution. 5(09):575.8 RUS Secord, Jim, Victorian Sensation : the Extraordinary Publication, Reception, and Secret Authorship of Vestiges of the Natural History of Creation. 5(09):575.8 SEC Silver, Anna Krugovoy, Victorian Literature and the Anorexic Body. 820.81 SIL Stevenson, Lionel. Darwin Among the Poets. 820.82 STE *Wheeler, Michael. Death and the Future Life in Victorian Literature and Theology. 820.81 WHE

Sex, Gender, Women's Writing **Auerbach, Nina. Woman and the Demon: The Life of a Victorian Myth. 820.85 AUE *Boumelha, Penny. Thomas Hardy And Women: Sexual Ideology And Narrative Form. 828.4 HAR/BOU Bullen, J. B. The Pre-Raphaelite Body: Fear and Desire in Painting, Poetry, and Criticism. 759.2 BUL *Gilbert, Sandra M. and Susan Gubar. The Madwoman in he Attic: The Woman Writer and the Nineteenth-century Literary Imagination. 820.81 GIL Gorham, Deborah. The Victorian Girl and the Feminine Ideal. 301.4120942 GOR *Homans, Margaret. Bearing the Word: Language and Female Experience in Nineteenth-century Women's Writing. 820.81 HOM Marcus, Stephen, The Other Victorians: A Study of Sexuality and Pornography in Mid-19th-century England. 820.88 MAR Mill, John Stuart. The Subjection of Women. 323.44 MIL Poovey, Mary. Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. 301.4120942 POO Ruskin, John. Sesame and Lilies. 828.3 RUS Shattock, Joanne, ed. Women and Literature in Britain 1800-1900. 820.81 WOM *Showalter, Elaine. The Female Malady: Women, Madness, and English Culture, 1830-1980. 362.2 SHO *---. A Literature of Their Own: British Women Novelists from Brontë to Lessing. 820.15 SHO *---. The New Feminist Criticism: Essays on Women, Literature, and Theory. 809.93 SHO Small, Helen, Love's Madness: Medicine, the Novel, and Female Insanity, 1800-1865. 820.85 SMA Walkowitz, Judith, Prostitution and Victorian Society: Women, Class, and the State. 343.53 WAL (Palace Green, Law)

Victorian Afterlives Giddings, Robert, and Erica Sheen, The Classic Novel: From Page to Screen 791.436 CLA

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Kaplan, Cora, Victoriana: Histories, Fictions, Criticisms 820.9358 KAP Lupack, Barbara Tepa, Nineteenth-Century Women at the Movies: Adapting Classic Women’s Fiction to Film. 791.436 NIN O’Neill, Michael, Mark Sandy, and Sarah Wootton, eds. The Persistence of Beauty: Victorians to Moderns 820.9384 PER Stoneman, Patsy, Bronte Transformations: The Cultural Dissemination of Jane Eyre and Wuthering Heights. 828.3 BRO/STO

Authors The following are only a guide to recommended sources. Suggestions for further reading will also be made in the individual lectures. As suggested above, you should use the full range of books, periodical articles and electronic resources available on these authors.

Carlyle, Mill, Ruskin, Arnold, Clough, Morris Allott, Kenneth, ed. Matthew Arnold. 828.3 ARN/ALL *Arnold, Matthew. Culture and Anarchy and Other Writings. Ed. Stefan Collini. 828.3 ARN Collini, Stefan. Matthew Arnold: A Critical Portrait. 828.3 ARN/COL ---. Public Moralists : Political Thought And Intellectual Life In Britain. 1850-1930. 320.94208 COL Garratt, Peter. ‘Ruskin’s Modern Painters and the Visual Language of Reality’, Journal of Victorian Culture 14, 1 (2009): 53-71 [access via library e-journals]. Goldberg, M.K. Carlyle and Dickens. 828.DIC/GOL Grimble, Simon. Landscape, Writing and ‘the Condition of England’: Ruskin to Modernism. 820.18 GRI Grimble, Simon. Lives of Victorian Literary Figures: John Ruskin. 820.81 LIV, vol. 3. Heffer, Simon. Moral Desperado: A Life Of Thomas Carlyle. 828.2 CAR/HEF Hewison, Robert, ed. New Approaches to Ruskin: Thirteen Essays. 828.3 RUS/HEW MacCarthy, Fiona. William Morris: A Life For Our Time. 828.3 MOR/MAC *Mill, John Stuart. On Liberty, With The Subjection Of Women And Chapters On Socialism. Ed. Stefan Collini. 323.44 MIL O’Neill, Michael. ‘ “The Burden of Ourselves”: Arnold as a Post-Romantic Poet’, Yearbook of English Studies, 36. 2 (2006): 109-24. 058.2 YEA [catalogued with journals]. O'Gorman, Francis. Late Ruskin, New Contexts. 828.3 RUS/OGO Phelan, J. P., ed. (introduction and notes), Clough: Selected Poems. 828.3 CLO Skorupski, John, ed. The Cambridge Companion to Mill. 192.7 MIL/CAM Trilling, Lionel. Matthew Arnold. 828.3 ARN/TRI Thorpe, Michael, ed., Clough: The Critical Heritage 828. 3 CLO/THO

The Brontës *Allot, Miriam. The Brontës: The Critical Heritage. 828.3 BRO/ALL *Barker, Juliet. The Brontës. 828.3 BRO/BAR *---. The Brontes: A Life in Letters. 828.3 BRO *Boumelha, Penny, Charlotte Brontë. 828.3 BRO/BOU Davies, Stevie, Emily Brontë: Heretic. 828.3 BRO/DAV **Eagleton, Terry. Myths of Power: A Marxist Study of the Brontës. 828.3 BRO/EAG **Glen, Heather, ed., The Cambridge Companion to the Brontes. 828.3 BRO/CAM Ingham, Patricia, ed., The Brontës. 828.3 BRO *Langland, Elizabeth, Anne Bronte: The Other One. 828.3 BRO/LAN *Nash, Julie, and Barbara Suess, eds. New Approaches to the Literary Art of Anne Brontë. 828.3 BRO/NEW *Shuttleworth, Sally. Charlotte Brontë and Victorian Psychology. 828.3 BRO/SHU

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**Stoneman, Patsy. Brontë Transformations: The Cultural Dissemination of Jane Eyre and Wuthering Heights. 828.3 BRO/STO Thormählen, Marianne. The Brontës and Education. 828.3 BRO/THO *---. The Brontës and Religion. 828.3 BRO/THO ---. The Brontës In Context. 820.81 BRO Winnifrith, Tom, and Edward Chisholm. Charlotte and Emily Brontë: Literary Lives. 828.3 BRO/WIN

Robert Browning **Armstrong, Isobel, ed. Robert Browning. 828.2 BRO/ARM Joseph Bristow, Robert Browning (1991) 828 BRO/BRI **Hawlin, Stefan. The Complete Critical Guide to Robert Browning. 828.1 BRO/HAW Jack, Ian. Browning's Major Poetry. 828.2 BRO/JAC Karlin, Daniel. Browning's Hatreds. 828.2 BRO/KAR Leighton, Angela, Elizabeth Barrett Browning. 828.2 BRO/LEI Martens, Britta, Browning, Victorian Poetics and the Romantic Legacy [On Order] **Watson, J.R., ed. Men and Women and Other Poems: A Casebook. 828.2 BRO/WAT Wood, Sarah. Robert Browning: A Literary Life. 828.2 BRO/WOO Woolford, J., and Daniel Karlin, eds. The Poems of Robert Browning. 828.2 BRO

Charles Dickens **Carey, John. The Violent Effigy: a Study of Dickens' Imagination. 828.2 DIC/CAR Furneaux, Holly. Queer Dickens: Erotics, Families, Masculinities. 8282.2 DIC/FUR *Hardy, Barbara. The Moral Art of Dickens. 828.2 DIC/HAR *Miller, J. Hillis. Charles Dickens: the World of his Novels. 828.2 DIC/MIL *Sanders, Andrew. Charles Dickens. 828.2 DIC/SAN ---. Dickens and the Spirit of the Age. 828.2 DIC/SAN Schlicke, Paul, ed., The Oxford Reader's Companion to Dickens. Ref 828.2 DIC/SCH Stone, Harry. Dickens And The Invisible World : Fairy Tales, Fantasy, And Novel-Making. 828.2 DIC/STO

George Eliot Anderson, Amanda, and Harry E. Shaw, eds. A Companion to George Eliot. 828.3 ELI/COM *Beer, Gillian. George Eliot. 828.3 ELI/BEE Carroll, David. George Eliot and the Conflict of Interpretations. 828.3 ELI/CAR Chase, Karen (ed). Middlemarch in the Twenty-First Century. 828.3 ELI/MID *Haight, Gordon. George Eliot: A Biography. 828.3 ELI/HAI *Hardy, Barbara. The Novels of George Eliot. 828.3 ELI/HAR Harris, Margaret, ed. George Eliot in Context. 823.8 GEO Henry, Nancy. The Cambridge Introduction to George Eliot. 828.3 ELI/HEN ---. The Life of George Eliot : A Critical Biography 828.3 ELI/HEN *Levine, George, ed. The Cambridge Companion to George Eliot. 828.3 ELI/CAM Rignall, John, ed. Oxford Reader's Companion to George Eliot. Ref 828.3 ELI/OXF Shuttleworth, Sally. George Eliot and Nineteenth-century Science. 828.3 ELI/SHU Uglow, Jenny. George Eliot. 828.3 ELI/UGL

Elizabeth Gaskell *Flint, Kate. Elizabeth Gaskell. 828.3 GAS/FLI Foster, Shirley, Elizabeth Gaskell: A Literary Life (2002) 828.3 GAS/FOS Matus, Jill, ed. The Cambridge Companion to Elizabeth Gaskell. 828.3 GAS/CAM

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*Spencer, Jane. Elizabeth Gaskell. 828.3 GAS/SPE *Stoneman, Patsy. Elizabeth Gaskell. 828.3 GAS/STO *Uglow, Jenny. Elizabeth Gaskell: A Habit of Stories. 828.3 GAS/UGL

George Gissing Goode, John. George Gissing: Ideology and Fiction. 828.5 GIS/GOO Grylls, David. The Paradox of Gissing. 828.5 GIS/GRY Huguet, Christine and James, Simon J., eds. George Gissing and the Woman Question: Convention and Dissent 823.8 GIS/GEO *James, Simon J. Unsettled Accounts: Money and Narrative in the Novels of George Gissing. 828.5 GIS/JAM **Poole, Adrian. Gissing in Context. 828.5 GIS/POO Ryle, Martin and Taylor, Jenny Bourne, eds. George Gissing: Voices of the Unclassed. 828.5 GIS/GEO

Thomas Hardy *Boumelha, Penny. Thomas Hardy And Women. 828.4 HAR/BOU **Bullen, J.B. The Expressive Eye: Fiction and Perception in the Work of Thomas Hardy. 828.4 HAR/BUL *Kramer, Dale. The Cambridge Companion to Thomas Hardy. 828.4 HAR/CAM Lucas, John. The Literature Of Change : Studies In The Nineteenth-Century Provincial Novel. 820.85 LUC **Mallett, Philip. Thomas Hardy: Texts and Contexts. 828.4 HAR/THO Page, Norman. Thomas Hardy. 828.4 HAR/PAG Widdowson, Peter. Thomas Hardy. 828.4 HAR/WID Wilson, Keith, ed. A Companion to Thomas Hardy. 828.4 HAR/COM

Gerard Manley Hopkins **Bergonzi, Bernard, Gerard Manley Hopkins. 828.5 HOP/BER Bottrall, Margaret, ed. Gerard Manley Hopkins: Poems. 828.5 HOP/BOT Feeney, Joseph J. The Playfulness of Gerard Manley Hopkins. 828.5 HOP/FEE House, Humphry, The Journals and Papers of Gerard Manley Hopkins 828.5 HOP/HOU Kenney, Anthony. God and Two Poets: Arthur Clough and Gerard Manley Hopkins. 828.3 CLO/KEN Martin, Robert Bernard. Gerard Manley Hopkins: a Very Private Life. 828.5 HOP/MAR Milroy, James. The Language of Gerard Manley Hopkins. 826.5 HOP/MIL Phillips, Catherine. Gerard Manley Hopkins and the Victorian Visual World. HOP/PHI Roberts, Gerald. Gerard Manley Hopkins: A Literary Life. 828.5 HOP/ROB White, Norman. Hopkins: A Literary Biography. 828.5 HOP/WHI

Christina Rossetti Chapman, Alison. The Afterlife of Christina Rossetti. 828.3 ROS/CHA **D'Amico, Diane. Christina Rossetti: Faith, Gender, and Time. 828.3 ROS/DAM **Harrison, Antony. Christina Rossetti in Context. 828.3 ROS/HAR **Jones, Kathleen. Learning not to be First: The Life of Christina Rossetti. 828.3 ROS/JON *Kent, David A., ed. The Achievement of Christina Rossetti. 828.3 ROS/ACH Marsh, Jan. Christina Rossetti: A Writer's Life. 828/3 ROS/MAR Mayberry, Katherine J. Christina Rossetti and the Poetry of Discovery. 828.3 ROS/MAY Roe, Dinah, Christina Rossetti’s Faithful Imagination: The Devotional Poetry and Prose (2006) 828.3 ROS/ROE

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Alfred Lord Tennyson Douglas-Fairhurst, Robert, and Seamus Perry, eds, Tennyson Among the Poets: Bicentenary Essays. 828.2 TEN/TEN Martin, Robert Bernard. Tennyson: the Unquiet Heart. 828.2 TEN/MAR Pearsall, Cornelia. Tennyson’s Rapture: Transformation in the Victorian Dramatic Monologue. 828.2 TEN/PEA *Perry, Seamus. Alfred Tennyson. 828.2 TEN/PER *Ricks, Christopher. Tennyson. 828.2 TEN/RIC Shaw, Marion. Alfred Lord Tennyson. 828.2 TEN/SHA Sinfield, Alan. Alfred Tennyson. 828.2 TEN/SIN

Oscar Wilde **Ellmann, Richard. Oscar Wilde. 828.5 WIL/ELL *-, ed. Oscar Wilde: A Collection of Critical Essays. 828.5 WIL/ELL **Gagnier, Regenia. Idylls Of The Marketplace : Oscar Wilde And The Victorian Public. 828.5 WIL/GAG *Raby, Peter, ed. The Cambridge Companion to Oscar Wilde. 828.5 WIL/CAM Sloan, John. Oscar Wilde. 828.5 WIL/SLO Stokes, John. Oscar Wilde. Pam 828.5 WIL/STO

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VICTORIAN LITERATURE LECTURE LIST 2015/2016

Lectures will take place every Friday from 11.00 am to 12.00 noon in ER140

Michaelmas Term 2015

16 October ‘A time very much like the present’: imagining the Dr Grimble Victorians

23 October From Romantic to Victorian? Early Victorian literature Dr Garratt

30 October The Victorian lyric Professor Regan

6 November Faith and Doubt (Alfred Tennyson: In Memoriam) Professor James

13 November Realism and the Novel (Charlotte Brontë, Villette, Dr Garratt Elizabeth Gaskell, North and South)

20 November The Dramatic Monologue Professor Clark

27 November Social Criticism: the Hero as a Man of Letters? (Carlyle, Dr Grimble / Dr Ruskin, Morris) Garratt

4 December The Question of a Career (Charles Dickens: David Professor James Copperfield)

11 December Darwin, Science and Victorian literary culture Dr Garratt

18 December George Eliot and the Form of the Victorian Novel (Adam Dr O’Connell Bede, The Mill on the Floss)

Epiphany Term 2016

22 January ‘Choose equality’: the idea of equality in Victorian Dr Grimble literature

29 January Charles Dickens: Great Expectations Professor Clark

5 February Adaptations and Afterlives of the Victorian Novel Dr Wootton

12 February Reform and the Community (George Eliot, Middlemarch) Dr Wootton

19 February READING WEEK

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26 February The Poetry of Matthew Arnold and Arthur Hugh Clough Professor O’Neill

4 March Christina Rossetti and Pre-Raphaelitism Dr Wootton

11 March Oddness and Nonsense: Hopkins, Lear, Carroll Professor O’Neill

18 March Realism and the City (George Gissing: The Nether World) Professor James

Easter Term 2016

29 April The Tragic Vision of Hardy’s Late Novels (Tess of the Professor Regan d’Urbervilles, Jude the Obscure)

6 May Oscar Wilde (‘The Decay of Lying’, ‘The Critic as Artist’, Professor Clark The Importance of Being Earnest)

13 May Revision lecture: Towards modernism? Leaving the Dr Grimble & Dr nineteenth century Garratt

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Literature of the Modern Period Module Convenor: Professor Stephen Regan

Overview:

This module surveys poetry and prose from the turn of the century to the end of the Second World War, situating these decades’ extraordinary literary transformations within the contexts of the period’s rapid and spectacular historical, cultural, and social changes. We shall read many of high modernism’s landmark achievements – works such as T.S. Eliot’s The Waste Land, James Joyce’s Ulysses, and Virginia Woolf’s To the Lighthouse – and a wide range of other writers associated with modernism, including E.M. Forster, D.H. Lawrence, Joseph Conrad, and Katherine Mansfield. In addition, we shall study writers who are acutely modern but not necessarily ‘modernist’ – H.G. Wells, Thomas Hardy, and the Great War poets at the start of the period, for example, and W.H. Auden, Christopher Isherwood, and Louis MacNeice at the end of it, their 1930s careers overlapping with those of such ‘late modernists’ as Henry Green and Elizabeth Bowen. The lecture series will proceed broadly chronologically, telling the story of British and Irish literature in the first half of the twentieth century through the work of some of its most strikingly accomplished participants.

Students are invited to make their own connections among those writers, and to investigate and appreciate through close reading the complexities of their challenging and absorbing works. Lectures aim to model such ‘close readings’, while also introducing some of the key intellectual, artistic, and cultural developments in which early-twentieth-century writers played so decisive a part. Lecture will prompt some challenging questions. How does this literature register the impact of urbanization and technological change? What does the fictive self look like in the era of psychoanalysis? How do modernist writers represent gender and sexuality in the era of women’s enfranchisement? What happens to social class, national feeling, and a sense of citizenship in decades marked by domestic unrest in Ireland and Britain, and by the development of mass political movements such as fascism and communism on the continent? How did writers register the eruption and experience of two world wars within a single lifetime?

Organisation:

Weekly lectures throughout the year will be supplemented by group tutorials. The module will be assessed by a three-hour, three-essay paper asking questions about a wide range of authors, texts, and topics from the course; a successful exam will demonstrate the candidate’s knowledge of selected texts and their contexts, and an ability to interpret and compare texts confidently and ambitiously in terms of both their forms and their ideas.

Required Texts:

Some of the works we are going to be studying are long and difficult, and every one of them abundantly rewards multiple readings. With that in mind, we hope you will find a little time to commence your preparation over the summer break!

E.M. Forster, Howards End (Penguin) Joseph Conrad, The Secret Agent (Penguin) H.G. Wells, Ann Veronica and Tono-Bungay (Everyman) D.H. Lawrence, Sons and Lovers (Oxford) Thomas Hardy, Collected Poems (Wordsworth) or Selected Poems (Longman) Selected Poetry of the First World War (Wordsworth)

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W.B. Yeats, W.B. Yeats: The Major Works (Oxford) James Joyce, Dubliners, A Portrait of the Artist as a Young Man, and Ulysses Katherine Mansfield, Collected Stories (Wordsworth) T.S. Eliot, Collected Poems (Faber) Virginia Woolf, Mrs Dalloway and To the Lighthouse (Oxford) Elizabeth Bowen, The Last September (Vintage) Henry Green, Party Going (in the Vintage Living/Loving/Party Going) Evelyn Waugh, Scoop (Penguin) W.H. Auden, Collected Poems (Faber) Louis MacNeice, Selected Poems, ed. Michael Longley (Faber)

You can find the lecture list for the coming year at the end of this section of the handbook. Once you have made a good start on the primary reading, you might turn to this preliminary list of recommended secondary reading. Durham University Library catalogue numbers are given below, but it is worth checking the catalogue for additional college copies of some of these titles and also for books available as Electronic Resources [ER].

Survey/Introductory:

Tim Armstrong, Modernism: A Cultural History (2005) 809.9112 ARM David Ayers, Modernism: A Short Introduction (2004) 820.9112 AYE Chris Baldick, The Modern Movement, 1910-1940 (2004) Malcolm Bradbury, The Modern British Novel (1992) 823.909 BRA Peter Brooker, The Oxford Handbook of Modernisms (2010) Alex Davis & Lee Jenkins, The Cambridge Companion to Modernist Poetry (2007) 821.9109112 CAM Jane Goldman, Modernism, 1910-1945 (2004) Electronic Resource [ER] Michael Levenson, ed., The Cambridge Companion to Modernism (2004) 809.9112 CAM [Also ER] Pericles Lewis, The Cambridge Introduction to Modernism (2009) 809.9112 LEW Laura Marcus and Peter Nicholls, ed., The Cambridge History of Twentieth-Century Literature (2005) 820.90091 CAM Vicki Mahaffey, Modernist Literature (2007) Electronic Resource [ER] Randall Stevenson, Modernist Fiction: An Introduction (1992) Jeff Wallace, Beginning Modernism (2011) 700.4122 WAL

Anthologies:

Faulkner, Peter, A Modernist Reader: Modernism in England 1910-1930 (1986) 820.900912 MOD Vassiliki Kolocotroni, et al, ed., Modernism: An Anthology of Sources and Documents (1998) 801.95 MOD Lawrence Rainey, Modernism: An Anthology (2005) 820.80112 MOD Bonnie Kime Scott, ed., The Gender of Modernism (1990) 820.99287 GEN Patricia Waugh, Revolutions of the Word: Intellectual Contexts for the Study of Modern Literature (1997) 809.03 REV

The Emergence of Modernism

Marshall Berman, All That is Solid Melts into Air (1982) 809.93355 BER Christopher Butler, Early Modernism (1994) 709.04 BUT Peter Howarth, British Poetry in the Age of Modernism (2005) 820.92 HOW Michael Levenson, A Genealogy of Modernism (1984) 820. 9000912 LEV Paul Peppis, Literature, Politics, and the English Avant-Garde (2000) 820.9358 PEP

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Jean Michel Rabaté, 1913: The Cradle of Modernism (2008) Electronic Resource Andrew Shail, The Cinema and the Origins of Literary Modernism (2012) 820.91 SHA Stan Smith, The Origins of Modernism (1994) 820.9112 SMI David Trotter, The English Novel in History, 1895-1920 (1993) 823.91209 TRO Michael Walsh, ed., London, Modernism, and 1914 (2010) 700.103094109041 LON

The First World War

Sarah Cole, Modernism, Male Friendship, and the First World War (2003) 820.9358 COL Santanu Das, Touch and Intimacy in First World War Literature (2005) 820. 93584053 DAS Modris Eksteins, Rites of Spring: The Great War & the Birth of the Modern Age (1989) 355.9403 EKS Paul Fussell, The Great War and Modern Memory (1975) Electronic Resource [ER] Samuel Hynes, A War Imagined (1994) 941.082 HYN Tim Kendall, Modern English War Poetry (2006) 821.912080358403 POE Vincent Sherry, The Great War and the Language of Modernism (2003) 821.91209358403 SHE Trudi Tate, Modernism, History and the First World War (1998) 823.91209358403 TAT Jay Winter, Sites of Memory, Sites of Mourning (1995)

The 1920s/High Modernism

Marianne DeKoven, Rich and Strange: Gender, History, Modernism (1991) 823.91091 DEK Maud Ellmann, The Poetics of Impersonality (1987) 829.1 ELI / ELL Christine Froula, Virginia Woolf and the Bloomsbury Avant-Garde (2004) 829.1 WOO/FROO Abbie Garrington, Haptic Modernism: Touch & the Tactile in Modernist Writing (2013) 820.9353 GAR Michael Levenson, Modernism and the Fate of Individuality (1991) 823.9120927 Michael North, Reading 1922: A Return to the Scene of the Modern (1999) 820.91 NOR ------, The Political Aesthetic of Yeats, Eliot, and Pound (1991) 821.912093581 NOR Stephen Kern, The Culture of Time and Space (1983; 2003) 304.2309034 Peter Nicholls, Modernisms (1995) 809.9112 NIC Lawrence Rainey, Institutions of Modernism (1998) 811.5209112 RAI Bonnie Kime Scott, Refiguring Modernism (1995) 823.91099287 SCO Andrew Thacker, Moving through Modernity: Space and Geography in Modernism (2003) 823.910932 THA Rebecca Walkowitz, Cosmopolitan Style (2006) 823.9109112 WAL Patricia Waugh, Practising Postmodernism/Reading Modernism (1992) 809.9113 WAU Raymond Williams, ‘When Was Modernism?’ The Politics of Modernism (1989) 709.04 WIL

The 1930s and the Second World War

Kristin Bluemel, Intermodernism: Literary Culture in Mid-Twentieth-Century Britain (2009) 820.91 INT Angus Calder, The People’s War (1969) 941.084 CAL Valentine Cunningham, British Writers of the Thirties (1988) 820.900912 CUN Patrick Deer, Culture in Camouflage (2009) 820.93581 DEE Jed Esty, A Shrinking Island: Modernism and National Culture in England (2004) 820.9112 EST Samuel Hynes, The Auden Generation (1979) 820.900912 HYN Leo Mellor, Reading the Ruins (2011) Electronic Resource [ER] Tyrus Miller, Late Modernism: Politics, Fiction, and the Arts Between the World Wars (1999) 820.91 MIL Janet Montefiore, Men and Women Writers of the 1930s (1996) 820.900912 MON Michael O’Neill and Gareth Reeves, Auden, MacNeice, Spender: The Thirties Poetry (1992) 821.91209 ONE

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Stephen Spender, The Thirties and After (1978) 829.2 SPE

Journals:

Modernism/Modernity is the house journal of the Modernist Studies Association, the major professional organisation in this area; other important journals in early-twentieth-century literature include: Twentieth-Century Literature, Journal of Modern Literature; Modern Fiction Studies; Modernist Cultures; Paideuma (for poetry); ELT: English Literature in Transition, 1880-1920 (for the early end of the period), and The Space Between (for the late end of the period). But keep in mind that many major articles in this ‘field’ will appear in journals that cut across historical fields.

Other resources:

The Modernism Lab at Yale is full of short essays and notes from reputable sources: http://modernism.research.yale.edu/index.php

The Modernist Journals Project has been digitizing original ‘little magazines’ from this period, so you could get a really good look at the intellectual culture of the period by browsing the material they have archived: http://dl.lib.brown.edu/mjp/

And if you become interested in the literature and cultures of the world wars, you might look at the online databases for the Imperial War Museum: http://www.iwm.org.uk/collections- research

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MODERN PERIOD LECTURE LIST 2015/2016

Lectures will take place every Thursday from 3.00 pm to 4.00 pm in ER201

Michaelmas Term 2015

15 October Modernism and Modernity: E.M. Forster’s Howards End Professor Regan

22 October Joseph Conrad: Lord Jim and The Secret Agent Professor James

29 October H.G. Wells: Conditions of England (Ann Veronica; Tono Professor James Bungay)

5 November D.H. Lawrence: Sexual Politics and Social Class in Sons Professor Regan and Lovers

12 November D.H. Lawrence: Men, Mines, Mountains in Dr Garrington Women in Love

19 November The Poetry of Thomas Hardy Professor O’Neill

26 November Wilfred Owen, Edward Thomas, and the Poetry of the Dr Harding First World War

3 December W.B. Yeats and the Irish Revival Professor Regan

10 December W.B. Yeats: from The Tower to Last Poems Professor O’Neill

17 December James Joyce: Dubliners and Portrait of the Artist as a Young Dr Nash Man

Epiphany Term 2016

21 January James Joyce: Sensory Modernism in Ulysses Dr Garrington

28 January Katherine Mansfield: Moments and Fragments Dr Nash

4 February T.S. Eliot: Poetry of the Nerves (Early Poetry; The Waste Dr Harding Land)

11 February Virginia Woolf: Madness and Sanity (Mrs Dalloway) Professor Waugh

18 February READING WEEK

25 February Virginia Woolf: Art and Emotion (To the Lighthouse) Professor Waugh

3 March Familiar Strangeness: Elizabeth Bowen and Henry Green Professor Waugh

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(The Last September, Party Going)

10 March Satire, Politics and Abroad: Evelyn Waugh’s Scoop Dr Harding

17 March The Poetry of Louis MacNeice Professor O’Neill

Easter Term 2016

28 April W.H. Auden’s Heroes, Poetic & Otherwise Dr Garrington

5 May T.S. Eliot: Waiting and Wartime (Four Quartets) Dr Harding

12 May The Politics of Modernism Professor Regan

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Old Norse Module Convenor: Dr David Ashurst

The purpose of this module is to enable you to read Old Norse prose and poetry in the original language, and to give you an understanding of the literature and its cultural contexts. Weekly language workshops throughout Michaelmas and Epiphany terms introduce you to the grammar and take you through the set texts. Four tutorials give you the opportunity to discuss the literary and social aspects of the set texts. The language workshops and tutorials prepare you for the short exam that you sit at the end of Epiphany term. Weekly lectures in Michaelmas term (not in Epiphany or Easter) give you an overview of the literature and help prepare you for the 3000 word essay that you write after sitting the exam.

Assessment: you will sit a two hour exam at the end of Epiphany term and then write a 3000 word essay, to be submitted in May. The exam and the essay are equally weighted. You will have the opportunity, in consultation with Dr Ashurst, to suggest a topic of your own choice for the essay. You will be encouraged to be adventurous and above all to focus on something that truly interests you.

It is important to read a range of primary texts (in translation) and secondary works. During the summer vacation read at least one item from section 3 below – O’Donoghue 2005, Clunies Ross 2010 or the first part of Neijmann 2007 would make good places in which to start - and acquaint yourself with several sagas from a collection such as The Sagas of Icelanders: A Selection (see section 2): the Saga of Gunnlaug Serpent-tongue, Gisli Sursson’s Saga and the Saga of Hrafnkel Frey’s Godi are representative and are all quite short. In The Poetic Edda (trans. Larrington), the Sayings of the High One, Loki’s Quarrel and the First Lay of Gudrun make a varied sample of eddic verse; if you did not opt for the Heroic Age module, take a good look at the Seeress’s Prophecy and the Lay of Atli as well.

You will need your own copies of the works below marked with an asterisk. NION can be obtained through Dr Ashurst at low cost; if you try to order the volumes yourself, through Amazon for example, you may pay double. Write to Dr Ashurst at [email protected], specifying whether you want all three volumes or just the Reader and Glossary, and he will add you to the list of people to whom he will supply the books at the start of term. Once you have obtained the volumes do not write in them, otherwise you will not be allowed to take them with you into the exam. The items marked ^ are particularly recommended, but you are not required to buy them.

1. Grammars

^Barnes, Michael (2007). NION, Part I, Grammar. (See A New Introduction to Old Norse, ed Anthony Faulkes, in Texts below.) Byock, Jesse L. (2013). Viking Language 1. City not specified: Jules William. Gordon, E.V. (1957). An Introduction to Old Norse. 2nd ed. Revised by A.R. Taylor. Oxford: Clarendon. (The old introduction to the subject, now superseded by NION. Still useful if you intend to concentrate on grammar.) Noreen, A. (1923). Altisländische und Altnorwegische Grammatik. Halle: M. Niemeyer. (Highly compressed; authoritative, but for reference in UL only.) Valfells, Sigrid and James E. Cathey (1981). Old Icelandic: An Introductory Course. Oxford: OUP.

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2. Texts

*Anthony Faulkes, ed. (2007). A New Introduction to Old Norse. 3 vols. (5th edn of Reader). London: Viking Society for Northern Research. (Usually called NION. Includes Auðunar þáttr, Þrymskviða and Hamðismál, which are on the syllabus. You must have vols 2 (Reader, 5th edn) and 3 (Glossary, 4th edn). The Barnes Grammar (3rd edn) constitutes the first volume: it is a useful but not a required purchase. Contact Dr Ashurst, who can purchase the volumes at half price.) *Vafþrúðnismál. Ed. T.W. Machan. Durham: Durham Medieval Texts. (On the syllabus. Can be bought from Mrs Elizabeth Alpass, [email protected], in the office of the Institute of Medieval and Early Modern Studies. If Mrs Alpass is unable to supply a copy, contact Dr Ashurst.) See also: ^The Sagas of Icelanders: A Selection (2001). Introd. Robert Kellogg. London: Penguin and other publishers. (Examples of the important genre known as family sagas or sagas of Icelanders.) ^Sagas of Warrior Poets (2002). Ed. Diana Whaley. London: Penguin. (Examples of a subgenre of sagas of Icelanders. Excellent intro and notes.) The Complete Sagas of Icelanders (1997). Various translators, general editor Viðar Hreinsson. 5 vols. Reykjavík: Leifur Eiríksson. (Available in UL. This is a collection of translations of all the sagas and þættir (short stories) of Icelanders. Highly recommended as authoritative. Individual sagas, in these translations, are included in the Penguin collections The Sagas of Icelanders and Sagas of Warrior Poets. A short work that gathers many of the topoi of the sagas of Icelanders is The Saga of Gunnlaug Serpent-Tongue; trans. Katrina Attwood, it is included in all three of the above-mentioned collections.) Gunnlaugs saga Ormstungu: The Saga of Gunnlaug Serpent-Tongue (1957). Ed. Peter G. Foote, trans. Randolph Quirk. London: Nelson. (Old Norse text with translation on facing pages. Available as a free download at http://vsnrweb-publications.org.uk/.) Íslendingabók, Kristni Saga: The Book of the Icelanders, The Story of the Conversion (2006). Trans. Siân Grønlie. London: Viking Society. (Examples of historical writing. Available as a free download at http://vsnrweb-publications.org.uk/.) Ari Þorgilsson Íslendingabók, in Íslendingabók; Landnámabók (1968). Ed. Jakob Benedictsson. 2 parts. Íslenzk fornrit 1. Reykjavik: Hið Íslenzka fornritafélag. Kristni saga, in Biskupa sögur I part 2 (1998). Ed. Sigurgeir Steingrímsson, Ólafur Halldórsson and Peter Foote. Íslenzk fornrit 15. Reykjavik: Hið Íslenzka fornritafélag. Snorri Sturluson (1964 and later printings). Heimskringla: History of the Kings of Norway. Trans. Lee M. Hollander. Austin: Texas UP. (The finest example of the historiographical genre known as kings’ sagas.) Snorri Sturluson (2011-14). Heimskringla I: The Beginnings to Óláfr Tryggvason. II: Óláfr Haraldsson (the Saint). Trans. Alison Finlay and Anthony Faulkes. London: Viking Society for Northern Research. (The most accurate translation. The final volume is to appear soon.) Snorri Sturluson (1945-51). Heimskringla. Ed. Bjarni Aðalbjarnarson. 3 vols. Íslenzk fornrit 26- 28. Reykjavik: Hið Íslenzka fornritafélag. Sturlunga saga (1970-4). Trans. Julia H. McGrew. 2 vols. NewYork: Twayne. (The most important example of the genre known as contemporary sagas, which recount what was recent history in the thirteenth century.) Sturlunga saga (1946). Ed. Jón Jóhannesson, Magnús Finnbogason and Kristján Eldjárn. 2 vols. Reykjavik: Sturlunguútgáfan. Seven Viking Romances (1985). Trans. Hermann Pálsson and Paul Edwards. London: Penguin. (Despite the title these are examples of the genre known as fornaldarsögur, sagas of ancient times.)

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Fornaldar sögur norðurlanda (1950). Ed. Guðni Jónsson. 4 vols. Reykjavik: Íslendingasagnaútgáfan. (The standard corpus of sagas of ancient times.) The Saga of the Volsungs (2000). Trans Jesse L. Byock. London: Penguin. (The most famous, and perhaps most important, saga of ancient times.) Völsunga saga: The Saga of the Volsungs (1965). Ed. and trans. R. G. Finch. London: Nelson. (Old Norse text with translation on facing pages. Available as a free download at http://vsnrweb-publications.org.uk/.) Norse Romance (1999). Ed. Marianne E. Kalinke. 3 vols. Arthurian Archives 3-5. Woodbridge: D.S. Brewer. (This is a critical edition and translation of various examples of chivalric sagas, the genre usually termed riddara sögur, ‘sagas of knights’.) Edda (1962). Ed. G. Neckel. 3rd ed. revised by H. Kuhn. 2 vols. Heidelberg: Winter. (Contains texts of all the Eddic lays, the fund of mythological and heroic poems; vol. I is text, vol. II is glossary; there are no interpretative notes. For an updated vol. II in English, see Beatrice La Farge and John Tucker (1992), Glossary to the Poetic Edda, Heidelberg: Winter.) The Elder Edda: A Book of Viking Lore (2011). Trans. Andy Orchard. London: Penguin Classics. (‘Elder Edda’ is an alternative title for what is more commonly called the ‘Poetic Edda’. A further alternative term, Sæmundar Edda, is still used by the Library catalogue but was discredited long ago.) The Poetic Edda (1969-2011). Ed. Ursula Dronke. 3 vols. Oxford: OUP. (I - Heroic Poems, contains ed., trans. and detailed discussion of Atlakviða, Atlamál, Guðrúnarhvöt, Hamðismál; II - Mythological Poems contains Völuspá, Rígsþula, Völundarkviða, Lokasenna, Skírnismál; III – Mythological Poems 2 contains Hávamál, Hymiskviða, Grímnismál, Grottasöngr.) ^The Poetic Edda (1997). Trans. Carolyne Larrington. London: World’s Classics. Skaldic Poetry of the Scandinavian Middle Ages. Vol I (2 parts): Poetry from the Kings’ Sagas I: From Mythical Times to c.1035 (2013). Ed. Diana Whaley. Vol II (2 parts): Poetry from the Kings’ Sagas II: From c.1035 to c.1300 (2009). Ed. Kari Ellen Gade. Vol VII: Poetry on Christian Subjects (2007). Ed Margaret Clunies Ross. Turnhout: Brepols. (Examples of courtly and lyric poems in styles different from those of the Poetic Edda. Vols II and VII can be accessed in electronic format at http://abdn.ac.uk/skaldic/db.php?if=default&table=home&view=, which offers magnificent resources for the study of this kind of poetry. Electronic access to all the volumes is available via the Library.) ^Snorri Sturluson (1987). Edda. Trans. A. Faulkes. London: Dent. (Indispensible for the study of Old Norse mythology.) Snorri Sturluson (1982). Edda: Prologue and Gylfaginning. Ed. A. Faulkes. London: Viking Society. (Available as a free download at http://vsnrweb-publications.org.uk/.) Snorri Sturluson (1998). Edda: Skáldskaparmál. 2 vols. Ed. A. Faulkes. London: Viking Society. (Available as a free download at http://vsnrweb-publications.org.uk/.) Snorri Sturluson (2007). Edda: Háttatal. Ed. A. Faulkes. 2nd ed. London: Viking Society. (Available as a free download at http://vsnrweb-publications.org.uk/.)

3. Secondary Material

Abram, Christopher (2011). Myths of the Pagan North. London: Continuum. Acker, Paul, and Carolyne Larrington (2002). The Poetic Edda: Essays on Old Norse Mythology. London: Routledge. Acker, Paul, and Carolyne Larrington (2013). Revisiting the Poetic Edda: Essays on Old Norse Legend. London: Routledge.

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Adams, Jonanthan, and K. Holman eds. (c.2004). Scandinavia and Europe 800-1350: Contact, Conflict and Co-existence. Turnhout: Brepols. Agnes Arnórsdóttir (2010). Property and Virginity: The Christianization of Marriage in Medieval Iceland 1200-1600. Aarhus Universitetsforlag: Aarhus. Anderson, Sarah M. and Karen Swenson, eds (2002). Cold Counsel: The Women of Old Norse Literature and Mythology. London: Routledge. Andersson, Theodore M. (1964). The Problem of Icelandic Saga Origins: A Historical Survey. New Haven: Yale UP. Andersson, Theodore M. (1967). The Icelandic Family Saga: An Analytic Reading. Cambridge MA: Harvard UP. Andersson, Theodore M. (1980). The Legend of Brynhild. Islandica 43. Ithaca: Cornell UP. Andersson, Theodore M. (2006). The Growth of the Medieval Icelandic Sagas (1180-1280). Ithaca: Cornell UP. Andrén, Anders, Kristina Jennbert and Catharina Raudvere, eds (2006). Old Norse Religion in Long-Term Perspectives. Lund: Nordic Academic Press. Anlezark, Daniel, ed. (2011). Myths, Legends and Heroes: Essays on Old Norse and Old English Literature in Honour of John McKinnell. Toronto: U Toronto P. Antonsen, Elmer H. (2002). Runes and Germanic Linguistics. Trends in Linguistics 140. Berlin: Walter de Gruyter. Ármann Jakobsson, A. Lassen and Agnete Ney, eds (2003). Fornaldarsagornas Struktur och Ideologi. Nordiska texter och undersökningar 28. Uppsala: Uppsala University. (Has abstracts in English.) Arnold, Martin (2006). The Vikings: Culture and Conquest. London: Hambledon Continuum. Arnold, Martin (2011). Thor: Myth to Marvel. London: Continuum. Arnold, Martin and Alison Finlay, eds (2011). Making History: Essays on the fornaldarsögur. London: Viking Society for Northern Research. (Available as a free download at http://vsnrweb-publications.org.uk/) Ásdís Egilsdóttir and Rudolf Simek, eds (2001). Sagnaheimur : Studies in Honour of Hermann Pálsson on his 80th Birthday, 26th May 2001. Vienna: Fassbaender. Ashman Rowe, Elizabeth (2005). The Development of Flateyjarbók: Iceland and the Norwegian Dynastic Crisis of 1389. Viking Collection 15. Odense: UP of Southern Denmark. Bagge, Sverre (1991). Society and Politics in Snorri Sturluson’s Heimskringla. Berkeley: U California P. Bagge, Sverre (1992). ‘Kingship in Medieval Norway: Ideal and Reality.’ European Monarchy: Its Evolution and Practice from Roman Antiquity to Modern Times. Ed. Heinz Duchhardt et al. Stuttgart: Franz Steiner. Bagge, Sverre (1993). ‘The Norwegian Monarchy in the Thirteenth Century.’ Kings and Kingship in Medieval Europe. Ed. Anne J. Duggan. London: King's College London, Centre for Late Antique and Medieval Studies. Bagge, Sverre (1996). From Gang Leader to the Lord’s Anointed: Kingship in Sverris saga and Hákonar saga Hákonarsonar. Viking Collection 8. Odense: Odense UP. Bagge, Sverre (2010). From Viking Stronghold to Christian Kingdom: State Formation in Norway, c.900- 1350. Copenhagen: Museum Tusculanum. Bandlien, Bjørn (2005). Strategies of Passion: Love and Marriage in Medieval Iceland and Norway. Trans. Betsy van der Hoek. Turnhout: Brepols. Barnes, Michael P. (2012). Runes: A Handbook. Woodbridge: Boydell. Barnes, Michael P., and R.I. Page (2006). The Scandinavian Runic Inscriptions of Britain. Uppsala: Institutioned for nordiske sprak. Bek-Pedersen, Karen (2011). The Norns in Old Norse Mythology. Edinburgh: Dunedin. Boberg, Inger M (1966). Motif-Index of Early Icelandic Literature. Bibliotheca Arnamagnaeana 27. Copenhagen: Munksgaard.

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Boulhosa, Patricia Pires (2005). Icelanders and the Kings of Norway. Medieval Sagas and Legal Texts. The Northern World 17. Leiden: Brill. Bouman, A.C. (1962). Patterns in Old English and Old Icelandic Literature, Leiden: Pers UP. Bragg, Lois (c.2004). Oedipus borealis: The Aberrant Body in Old Icelandic Myth and Saga. Madison, NJ: Fairleigh Dickinson UP. Bredsdorff, Thomas (2001). Chaos and Love: The Philosophy of the Icelandic Family Sagas. Trans. John Tucker. Copenhagen: Museum Tusculanum. Brink, Stefan, and Neil Price, eds (2008). The Viking World. Oxford: Routledge. Brown, Nancy Marie (2007). The Far Traveler: Voyages of a Viking Woman. Orlando: Houghton Mifflin Harcourt. Byock, Jesse L. (1982). Feud in the Icelandic Saga. Berkeley: U California P. Byock, Jesse L. (1990). Medieval Iceland. Berkeley: U California P. Byock, Jesse L. (2001). Viking Age Iceland. London: Penguin. Clark, David (2012). Gender, Violence, and the Past in Edda and Saga. Oxford: OUP. ^Clover, Carol and John Lindow, eds (1985). Old Norse-Icelandic Literature: A Critical Guide. Islandica XLV. New York. Rprt with a new preface by Theodore M. Andersson, Toronto: U Toronto P, 2005. (Good surveys of the critical arguments; each chapter covers a different genre.) Clunies Ross, Margaret (1994-9). Prolonged Echoes I-II. Odense: Odense UP. Clunies Ross, Margaret (2003). Old Norse Myths, Literature and Society. Odense: Southern Denmark UP. Clunies Ross, Margaret (2006). A History of Old Norse Poetry and Poetics. Cambridge: Brewer. ^Clunies Ross, Margaret (2010). The Cambridge Introduction to the Old Norse-Icelandic Saga. Cambridge Introductions to Literature. Cambridge: Cambridge UP. Cormack, Margaret (1994). The Saints in Iceland: Their Veneration from the Conversion to 1400. Brussels: Société des Bollandistes. Dallapiazza, M., O. Hansen, P. Meulengracht Sørensen and Y. S. Bonnetain, eds. (2000). International Scandinavian and Medieval Studies in Memory of Gerd Wolfgang Weber. Trieste: Edizioni Parnasso. Dillmann, François-Xavier (2006). Les magiciens dans l'Islande ancienne: études sur la représentation de la magie islandaise et de ses agents dans les sources littéraires norroises. Uppsala: Kungl. Gustav Adolfs Akademien för Svensk Folkkultur. Dronke, Ursula et al, eds. (1981). Speculum Norroenum: Norse Studies in Memory of Gabriel Turville- Petre. Odense: Odense UP. Dronke, Ursula (1996). Myth and Fiction in Early Norse Lands. Aldershot: Variorum. DuBois, Thomas A. (1999). Nordic Religions in the Viking Age. Philadelphia: U Pennsylvania P. DuBois, Thomas A. (2008). Sanctity in the North: Saints, Lives and Cults in Medieval Scandinavia. Toronto: U Toronto P. Dumézil, G. (1973). Gods of the Ancient Norsemen. Berkeley: University of California. Einar Ól. Sveinsson (1953). The Age of the Sturlungs: Icelandic Civilization in the Thirteenth Century. Trans. Johann S. Hanneson. Islandica 36. Ithaca: Cornell UP. Einar Ól. Sveinsson (1958). Dating the Icelandic Sagas. London: Viking Society. Einar Ól. Sveinsson (1971). Njáls saga: A Literary Masterpiece. Ed. and trans. Paul Schach. Lincoln: U Nebraska P. Ellis Davidson, Hilda (1943). The Road to Hel: A Study of the Conception of the Dead in Old Norse Literature. Cambridge: Cambridge UP. Ellis Davidson, Hilda (1964). Gods and Myths of Northern Europe. London: Penguin. Ellis Davidson, Hilda (1967). Pagan Scandinavia. London: Thames and Hudson. Ellis Davidson, Hilda (1993). The Lost Beliefs of Northern Europe. London: Hutchinson. Ellis Davidson, Hilda (1998). Roles of the Northern Goddess. London: Routledge. Fjalldal, Magnus (c.2005). Anglo-Saxon England in Icelandic Medieval Texts. Toronto: U Toronto P.

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Foote, Peter (1984). Aurvandilstá: Norse Studies. Odense: Odense UP. Foote, Peter (2004). The Early Christian Laws of Iceland: Some Observations. Cambridge: Department of Anglo-Saxon, Norse and Celtic. Foote, Peter, and David Wilson (1970). The Viking Achievement. London: Sidgwick and Jackson. Friis-Jensen, Karsten, ed. (1981). Saxo Grammaticus: A Medieval Author between Norse and Latin Culture. Viborg: Museum Tusculanum Press. Gísli Sigurðsson (2004). The Medieval Icelandic Saga and Oral Tradition: A Discourse on Method. Trans. Nicholas Jones. Milman Parry Collection of Oral Literature 2. Cambridge Mass: Harvard UP. Glendinning, R. J. and Haraldur Bessason, eds (1983). Edda: A Collection of Essays. Winnipeg: U Manitoba P. Glosecki, S.O. ed. (2007). Myth in Early Northwest Europe. Turnhout: Brepols. Gunnell, Terry (1993). The Origins of Drama in Scandinavia. Cambridge: D.S. Brewer. Gunnell, Terry, ed. (2009). Legends and Landscapes: Plenary Papers from the Fifth Celtic-Nordic-Baltic Folklore Symposium. Reykjavik: Háskólaútgáfan. Gunnell, Terry and Annette Lassen, eds (2013). The Nordic Apocalypse: Approaches to Völuspá and Nordic Days of Judegement. Acta Scandinavica 2. Turnhout: Brepols. Harbus, Antonina and Russell Poole, eds (2005). Verbal Encounters: Anglo-Saxon and Old Norse Studies for Roberta Frank. Toronto: U Toronto P. Harris, Joseph (2008). ‘Speak Useful Words or Say Nothing’: Old Norse Studies, ed. Susan E Deskis and Thomas D. Hill. Ithaca, N.Y.: Cornell. Hallberg, Peter (1962). The Icelandic Saga. Lincoln: University of Nebraska. Hallberg, Peter (1975). Old Icelandic Poetry. Lincoln: University of Nebraska. Heide, Eldar (2006). Gand, seid og åndevind. Bergen: Universitetet i Bergen. Hermann Pálsson (1973). ‘Hákonar saga – Portrait of a King.’ Orkney Miscellany 5: 49-56. Hermann Pálsson (1974). ‘Icelandic Sagas and Medieval Ethics.’ Mediaeval Scandinavia 7: 61-75. Hermann, Pernille (2005). Literacy in Medieval and Early Modern Scandinavian Culture. Viking Collection 16. Odense: UP of Southern Denmark. Hermann, Pernille, Jens Peter Schjødt and R. Tranum Kristensen, eds (2007). Reflections on Old Norse Myths. Turnhout: Brepols. Hines, John and Desmond Slay, eds (1992). Introductory Essays on Egils saga and Njáls saga. London: Viking Society for Northern Research. (Available as a free download at http://vsnrweb-publications.org.uk/) Jennbert, Kristina (2011). Animals and Humans: Recurrent Symbiosis in Archaeology and Old Norse Religion. Lund: Nordic Academic. Jesch, Judith (1991). Women in the Viking Age. Woodbridge: Boydell. Jesch, Judith (2001). Ships and Men in the Late Viking Age: The Vocabulary of Runic Inscriptions and Skaldic Verse. Woodbridge: Boydell. Jochens, Jenny (1995). Women in Old Norse Society. Ithaca: Cornell UP. Jochens, Jenny (1996). Old Norse Images of Women. Philadelphia: Pennsylvania UP. Jóhanna Katrín Friðriksdóttir (2013). Women in Old Norse Literature: Bodies, Words, and Power. Basingstoke: Palgrave. Jón Jóhannesson (1974). Islendinga Saga: A History of the Old Icelandic Commonwealth. Trans. Haraldur Bessason. Winnipeg: Manitoba UP. Jón Viðar Sigurðsson (1999). Chieftains and Power in the Icelandic Commonwealth. Viking Collection 12. Odense: Odense UP. ^Jónas Kristjánsson (1988 and later printings). Eddas and Sagas, Iceland’s Medieval Literature. Trans. Peter Foote. Reykjavík: hið íslenska bókmenntafélag. Jones, Timothy Scott (2010). Outlawry in Medieval Literature. The New Middle Ages. New York: Palgrave Macmillan.

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Kalinke, Marianne E. (1981). King Arthur, North-by-Northwest: The Matierè de Bretagne in Old Norse- Icelandic Romances. Copenhagen: Reitzels Boghandel. Kalinke, Marianne E. (1990). Bridal Quest Romance in Medieval Iceland. Ithaca: Cornell UP. Kaplan, Merrill and Timothy R. Tangherlini, eds (2012). News from Other Worlds: Studies in Nordic Folklore, Mythology and Culture. Berkeley: North Pinehurst. Kennedy, John (2007). Translating the Sagas: Two Hundred Years of Challenge and Response. Turnhout: Brepols. Ker, W. P. (1926). Epic and Romance: Essays on Medieval Literature. 2nd ed. London: Macmillan. Kristján Árnason (2003). Útnoður. West Nordic Standardisation and Variation. Reykjavík: U Iceland P. Kure, Henning (2010). I begyndelsen var skriget. Copenhagen: Gyldendal. Lacroix, Daniel (2004). Les amour du poete: Poesie et biographie dans la litterature du xiiie siecle. Geneva: Slatkine. Lange, Joost de (1935). The Relation and Development of English and Icelandic Outlaw-Traditions. Haarlem: Tjeenk Willink. Larrington, Carolyne (1993). A Store of Common Sense: Gnomic Theme and Style in Old Icelandic and Old English Wisdom Poetry. Oxford: Clarendon. Lassen, Annette (2011). Odin på kristent pergament: en teksthistorisk studie. Copenhagen: Museum Tusculanum. Layher, William (2010). Queenship and Voice in Medieval Northern Europe. Queenship and Power. New York: Palgrave Macmillan. Lewis-Simpson, Shannon, ed. (2008). Youth and Age in the Medieval North. The Northern World 42. London: Brill. ^Lindow, John (2001). Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs. Oxford: Oxford UP. Lindow, John, Lars Lönnroth and Gerd Wolfgang Weber, eds (1986). Structure and Meaning in Old Norse Literature. Odense: Odense UP. Lönnroth, Lars (1976). Njáls saga: A Critical Introduction. Berkeley: U California P. Lönnroth, Lars (2011). The Academy of Odin: Selected Papers on Old Norse Literature. Viking Collection 19. Odense: UP of Southern Denmark. Looijenga, Tineke (2003). Texts & Contexts of the Oldest Runic Inscriptions. The Northern World 4. Leiden: Brill. McKinnell, John (2005). Meeting the Other in Norse Myth and Legend. Cambridge: Brewer. McKinnell, John and Maria-Elena Ruggerini (1994). Both One and Many Essays on Change and Variety in late Norse Heathenism. Rome: Il Calamo. McKinnell, John and Rudolf Simek (2004). Runes, Magic, and Religion: A Sourcebook. Vienna: Fassbaender. ^McTurk, Rory, ed. (2005 and 2007). Companion to Old Norse-Icelandic Literature and Culture. Oxford: Blackwell. Mellor, Scott A. (2008). Analyzing Ten Poems from the Poetic Edda: Oral Formula and Mythic Patterns. Ceredigion: Edwin Mellen. Meulengracht Sørensen, Preben (1983). The Unmanly Man: Concepts of Sexual Defamation in Early Northern Society. Trans. Joan Turville-Petre. The Viking Collection 1. Odense: Odense UP. Meulengracht Sørensen, Preben (1993). Saga and Society: An Introduction to Old Norse Literature. Trans. John Tucker. Odense: Odense UP. [Ordered for Library.] Miller, William Ian (1990). Bloodtaking and Peacemaking: Feud, Law, and Society in Saga Iceland. Chicago: U Chicago P. Miller, William Ian (2008). Audun and the Polar Bear. Luck, Law, and Largesse in a Medieval Tale of Risky Business. Medieval Law and Its Practice 1. Leiden and Boston: Brill.

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Mitchell, Stephen A. (2011). Witchcraft and Magic in the Nordic Middle Ages. Philadelphia: U Pennsylvania P. Nedkvitne, Arnved. (c.2004). The Social Consequences of Literacy in Medieval Scandinavia. Turnhout: Brepols. Nedkvitne, Arnved (2009). Lay Belief in Norse Society, 1000-1350. Copenhagen: Museum Tusculanum. ^Neijmann, Daisy, ed. (2007). A History of Icelandic Literature. Histories of Scandinavian Literature Series 5. Lincoln, Nebraska: Nebraska UP. (The first section offers a compact and authoritative introduction to Old Icelandic literature.) Ney, Agneta, Ármann Jakobsson and Annette Lassen, eds (2009). Fornaldarsagaerne: Myter og virkelighed. Copenhagen: Museum Tusculanum. Njarðvík, Njörður P. (1980). Birth of a Nation: The Story of the Icelandic Commonwealth. Trans. John Porter. Reykjavík: Iceland Review. Nordal, Guðrún (1998). Ethics and Action in Thirteenth-Century Iceland. Viking Collection 11. Odense: Odense UP. Nordal, Guðrún (2001). Tools of Literacy. The Role of Skaldic Verse in Icelandic Textual Culture in the Twelfth and Thirteenth Centuries. Toronto: Toronto UP. Nordal, Guðrún (2003). Skaldic Versifying and Social Discrimination in Medieval Iceland. London: Viking Society. Nordal, Sigurðr (1957). The Historical Element in the Icelandic Family Sagas. Glasgow: Jackson. Nordal, Sigurðr (1958). Hrafnkels saga Freysgoða: A Study. Trans. R. George Thomas. Cardiff: U Wales P. ^O’Donoghue, Heather (2005). Old Norse-Icelandic Literature: A Short Introduction. Oxford: Blackwell. (A good place to start during the summer vacation.) O’Donoghue, Heather (2005). Skaldic Verse and the Poetics of Saga Narrative. Oxford: OUP. O’Donoghue, Heather (c.2007). From Asgard to Valhalla: The Remarkable History of the Norse Myths. London: Tauris. Orchard, Andy (1997). Dictionary of Norse Myth and Legend. London: Cassell. Paroli, Teresa, ed. (1995). La funzione dell’eroe germanico: storicità, metafora, paradigma. Rome: Il Calamo. (Contains several useful essays in English). Poole, Russell G. (1991). Viking Poems on War and Peace: A Study in Skaldic Narrative. Toronto Medieval Texts and Translations 8. Toronto: Toronto UP. Poole, Russell G. (2001). Skaldsagas: Text, Vocation, and Desire in the Icelandic Sagas of Poets. Berlin: de Gruyter. Price, Neil (2002). The Viking Way: Religion and War in Late Iron Age Scandinavia. Uppsala: Department of Archaeology and Ancient History. Pulsiano, Philip et al, eds. (1993). Medieval Scandinavia: An Encyclopedia. Garland Encyclopedias of the Middle Ages 1. New York and London: Garland. Quinn, Judy, Kate Heslop and Tarrin Wills, eds (2007). Learning and Understanding in the Old Norse World: Essays in Honour of Margaret Clunies Ross. Turnhout: Brepols. Quinn, Judy and Emily Lethbridge, eds (2010). Creating the Medieval Saga: Versions, Variability and Editorial Interpretations of Old Norse Saga Literature. Viking Collection 18. Odense: UP of Southern Denmark. Rankovic, S., L. Melve and E. Mundal, eds (2010). Along the Oral-Written Continuum. Types of Texts, Relations and their Implications. Turnhout: Brepols. Raudvere, Catharina and Jens Peter Schødt, eds (2012). More than Mythology: Narratives, Ritual Practices and Regional Distribution in Pre-Christian Scandinavian Religions. Lund: Nordic Academic Press. Ricketts, Philadelphia (2010). High-Ranking Widows in Medieval Iceland and Yorkshire: Property, Power, Marriage and Identity in the Twelfth and Thirteenth Centuries. The Northern World 49. Leiden: Brill.

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Sahlin, Claire L. (2001). Birgitta of Sweden and the Voice of Prophecy. Studies in the History of Medieval Religion. Woodbridge: Boydell. Shaw, Philip A. (2011). Pagan Goddesses in the Early Germanic World. Eostre, Hreda and the Cult of Matrons. London: Bristol Classical. Schødt, Jens Peter (2008). Initiation Between Two Worlds: Structure and Symbolism in Pre-Christian Scandinavia. Viking Collection 17. Odense: Southern Denmark UP. Schulz, Katja (2004). Riesen: Von Wissenshütern und Wildnisbewohnern in Edda und Saga. Heidelberg: Winter. Seaver, Kristen (2010). The Last Vikings: The Epic Story of the Great Norse Voyagers. London: I. B. Tauris. Shippey, Tom, ed. (2005). The Shadow-Walkers: Jacob Grimm’s Mythology of the Monstrous. Tempe: Arizona Center for Medieval and Renaissance Studies with Brepols. (Contains several essays focused on Old Norse sources; not just about Grimm.) Simek, Rudolf (1990). Altnordische Kosmographie: Studien und Quellen zu Weltbild und Weltbeschreibung in Norwegen und Island vom 12. bis zum 14. Jahrhundert. Berlin: de Gruyter. Simek, Rudolf (1993). Dictionary of Northern Mythology. Trans. A. Hall. Cambridge: Brewer. Simek, Rudolf and Wilhelm Heizmann, eds (2002). Mythological Women: Studies in Memory of Lotte Motz, 1922-1997. Vienna: Fassbaender. Simek, Rudolf, Jónas Kristjánsson and H. Bekker-Neilsen, eds (1986). Sagnaskemmtun: Studies in Honour of Hermann Pálsson on his 65th Birthday, 26th May 1986. Vienna: Böhlaus. Steblin-Kamenskij, M.I. (1973). The Saga Mind. Odense: Odense UP. Stefán Einarsson (1957). A History of Icelandic Literature, New York. Stocklund, Marie and Michael Lerche Nielsen et al, eds (2006). Runes and Their Secrets: Studies in Runology. Copenhagen: Museum Tusculanum. Strömbäck, Dag (1975). The Conversion of Iceland. London: Viking Society. Sundqvist, Olof (2002). Freyr's Offspring: Rulers and Religion in Ancient Svea Society. Historia Religionum 21. Uppsala: Uppsala Universitet. Swenson, Karen (1991). Performing Definitions: Two Genres of Insult in Old Norse Literature. Woodbridge: Boydell and Brewer. Szabo, Vicki Ellen (2008). Monstrous Fishes and the Mead-Dark Sea: Whaling in the Medieval North Atlantic. The Northern World 35. Leiden: Brill. Thomas, Claiborne W. (1977). ‘Moral Values in the Icelandic Sagas: Recent Re-Evaluations.’ The Epic in Medieval Society: Aesthetic and Moral Values. Ed. Harold Scholler. Tübingen: Niemeyer, pp. 347-60. Tolley, Clive (2009). Shamanism in Norse Myth and Magic. FF Communications 296/297. Helsinki: Suomalainen Tiedeakatemia (Academia Scientiarum Fennica). Toorn, Maarten Cornelis van den (1929). Ethics and Moral in Icelandic Saga Literature. Assen: Van Gorcum. Tucker, John, ed (1989). Sagas of the Icelanders. New York: Garland. Tulinius, Torfi H. (2002). The Matter of the North: The Rise of Literary Fiction in Thirteenth-Century Iceland. Viking Collection 13. Odense: Odense UP. Turville-Petre, E.O.G. (1951). The Heroic Age of Scandinavia. London: Hutchinson’s University Library. Turville-Petre, E.O.G. (1953). Origins of Icelandic Literature. Oxford: Clarendon. Turville-Petre, E.O.G. (1964). Myth and Religion of the North. London: Weidenfeld and Nicholson. Turville-Petre, E.O.G. (1972). Nine Norse Studies. London: Viking Society for Northern Research. (Available as a free download at http://vsnrweb-publications.org.uk/.) Turville-Petre, E.O.G. (1976). Scaldic Poetry. Oxford: Clarendon. Vésteinn Ólason (1998). Dialogues with the Viking Age: Narration and Representation in the Sagas of Icelanders. Trans. Andrew Wawn. Reykjavik: Heimskringla.

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Wanner, Kevin J. (2008). Snorri Sturluson and the Edda: The Conversion of Cultural Capital in Medieval Scandinavia. Toronto: Toronto UP. Wawn, Andrew, ed. (2007). Constructing Nations, Reconstructing Myth: Essays in Honour of T. A. Shippey. Making the Middle Ages 9. Turnhout: Brepols. Whaley, Diana (1991). Heimskringla: An Introduction. London: Viking Society for Northern Research. Whaley, Diana (c.1998). The Poetry of Arnórr jarlaskáld: An Edition and Study. Turnhout: Brepols. Þorgrímur Gestsson (2003). Ferð um fornar sögur. Noregsferð í fótspor Snorra Sturlusonar. Reykjavík: Hið íslenska bókmenntafélag.

4. Dictionaries - not required up to the exam but possibly needed for the long essay

Zoega, Geir T. (1910 and later printings). A Concise Dictionary of Old Icelandic. Oxford: Clarendon. Rprt Toronto: U Toronto P. (A good student's dictionary now available in paperback at a reasonable price. Useful list of irregular forms at the end. An online version can be consulted at http://norse.ulver.com/dct/zoega/index.html.) Cleasby, R. and Guðbrandur Vigfússon (1957). An Icelandic-English Dictionary. 2nd ed. with Supplement by Sir W. Craigie. Oxford: Clarendon. (Standard dictionary, preceded by a summary grammar and list of irregular forms. Expensive, but if your college library hasn't got it, please ask them to order it.) La Farge, Beatrice, and John Tucker (1992). Glossary to the Poetic Edda. Heidelberg: Winter. (Indispensable for translating eddic poems other than those in special editions.) Jan de Vries (1962). Altnordisches Etymologisches Wörterbuch. 2nd ed. Leiden: Brill. (The simplest to use of a number of etymological dictionaries, all with glosses in German; very good on the meanings of mythological names.) Degnbol, Helle, Bent Chr. Jacobsen, Eva Rode, Christopher Sanders and Þorbjörg Helgadóttir, eds (1995-). Ordbog over det norrøne prosasprog. A Dictionary of Old Norse Prose. Copenhagen: Arnamagnæan Commission. (Contains glosses in Danish and English; based on complete coverage of all Old Norse prose, but has only reached em so far). Sveinbjörn Egilsson (1966). Lexicon Poeticum. 2nd ed. revised by Finnur Jónsson. Copenhagen: Atlas Bogtryk. (In Danish. Authoritative dictionary on poetry; the 2nd ed. is a great improvement on the 1st, which is into Latin, and can be used alongside any Danish- English dictionary; both eds. are in DUL. Finnur’s version can be found online at http://www.septentrionalia.net/lex/index.php?book=e&page=-15&ext=png.)

5. Bibliographies

(The volumes of Islandica provide a series of bibliographies on specific types of literature, covering the earlier period of scholarship): on Sagas of Icelanders, vols. I, XXIV, XXXVIII (to 1957) on Legendary sagas, vols. V, XXVI (to 1937) on Kings' sagas, vols. III, XXVI (to 1937) on the Prose and Poetic Eddas, vols. XIII, XXXVII (to 1955). Bekker-Nielsen, Hans (1967). Old Norse - Icelandic Studies: Select Bibliography. Toronto: Toronto UP. Bibliography of Old Norse - Icelandic Studies (1963). Copenhagen: Munksgaard. (An annual bibliography - early volumes in UL, now published on-line only).

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OLD NORSE LECTURE LIST 2015/2016

Lectures will take place every Thursday from 10.00 am to 11.00 am in ER141 in Michaelmas Term only.

Michaelmas Term 2015

15 October The Range of Old Norse Dr Ashurst

22 October The Saga Age: The Settlement and Conversion Professor McKinnell/ of Iceland Dr Barraclough

29 October The Sturlung Age: The Church and the Fall of Dr Barraclough the Icelandic Republic

5 November Old Norse Mythology Professor McKinnell/ Dr Ashurst

12 November Kinds and Functions of Verse Dr Ashurst

19 November Kinds and Functions of Historical Prose Professor McKinnell/ Dr Ashurst

26 November Íslendinga sögur: Sagas of Icelanders Dr Barraclough

3 December Fornaldarsögur: Sagas of Olden Times Dr Ashurst

10 December The Early Language and the Uses of Runic Professor McKinnell/ Inscriptions Dr Barraclough

17 December Texts and Topics for the Summative Essay: Dr Ashurst Options and Advice

SEMINARS: weekly throughout Michaelmas and Epiphany terms. The seminars in Michaelmas term will consist of language study plus translation of Þrymskviða, Völundarkviða and Auðunar þáttr. In Epiphany term the texts for translation will be Vafþrúðnismál and Hamðismál.

TUTORIALS: all four take place in Michaelmas and Epiphany terms.

ASSESSMENT: in the final week of Epiphany, students will take a two hour exam before proceeding to write a 3000 word summative essay, which they can discuss with Dr Ashurst and which is to be submitted on a date in May.

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Old French Module Convenors: Professor Elizabeth Archibald & Professor Corinne Saunders

Old French will be convened by Prof Archibald in Michaelmas 2015, and then by Prof Saunders in 2016. This module is taught in seminar format, with 2-hour seminars held in alternate weeks. It will be taught by Prof Archibald, Prof Saunders, Prof Cartlidge, Dr Campbell and Dr Chambers.

Main texts to be studied: Béroul, Tristan La Chanson de Roland Chrétien de Troyes, Lancelot (Le Chevalier de la charrette) and Yvain (Le Chevalier au Lion) Jeu d’Adam (also known as The Service for Representing Adam) Christine de Pizan, Selections Marie de France, Lais Selected Lyrics

Preliminary Reading List

Library: Asterisks mark books to be put on Short Loan

Language Ayres-Bennett, W, A History of the French Language through Texts (London: Routledge, 1996), pp. 15-97 Einhorn, E. Old French: A Concise Handbook (Cambridge: Cambridge University Press, 1975). Fox, J. and R. Wood, A Concise History of the French Language (Oxford: Blackwell, 1968), pp. 56-71. *Kibler, William W. An Introduction to Old French (New York: Modern Language Association of America, 1984). Lodge, R. Anthony, French: From Dialect to Standard (London: Routledge, 1993), Urwin, Kenneth, (ed.) A Short Old French Dictionary for Students (Oxford: Basil Blackwell, 1946 ; pb1985). Greimas, A. J., (ed.), Dictionnaire de l’ancien français jusqu’au milieu du XIVe siècle, 2nd edn (Paris: Larousse,1986; pb 1994). Rickard, P., A History of the French Language, 2nd edn.( London: Unwin Hyman, 1989), pp. 20-60. Hindley, Alan, Frederick W. Langley and Brian J. Levy (ed.), Old French–English Dictionary (Cambridge: Cambridge UP, 2000) The Anglo-Norman Dictionary: at http://www.anglo-norman.net/gate/

Translations *Marie de France, The Lais of Marie de France, trans. Glyn S. Burgess and Keith Busby, 2nd edn (Harmondsworth: Penguin, 1999). *The Song of Roland, trans. Glyn S. Burgess (Harmondsworth: Penguin, 1990). *Beroul, The Romance of Tristan, trans. Alan S. Fedrick (Harmondsworth: Penguin, 1970). Lacy, Norris J. (ed.), Early French Tristan Poems, 2 vols (Cambridge: Brewer, 1998) Chrétien de Troyes, Arthurian Romances, trans. D. D. R. Owen (London: Dent, 1993). *Chrétien de Troyes, Arthurian Romances, trans. William W. Kibler and Carleton C. Carroll (Harmondsworth: Penguin, 1991). *Le Jeu d’Adam, trans. Richard Axton and John E. Stevens, in Medieval French Drama (Oxford: Blackwell, 1971), pp. 1-44. [Incomplete, lacking the Processus Prophetarum] *The Service for Representing Adam (Ordo repraesentationis Adae), ed. and trans. David Bevington in Medieval Drama (Boston: Houghton Mifflin, 1975), pp.78-121.

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*Christine de Pizan, Selected Writings, trans. Renate Blumenfeld-Kosinski and Kevin Brownlee, Norton Critical Edition (New York: Norton, 1997). *------, Poems of Cupid, God of Love, ed. and trans. Thelma Fenster (Leiden: Brill, 1990) *------, The Book of the City of Ladies, trans. Rosalind Brown-Grant (London: Penguin, 1999) *------, The Treasure of the City of Ladies, trans. Sarah Lawson (London: Penguin, 1985)

Editions: Beroul, The Romance of Tristran by Beroul, ed. A. Ewert, 2 vols, revised edn ( Oxford: Basil Blackwell, 1970). Beroul, The Romance of Tristran, ed. and trans. N. J. Lacy (NewYork: Garland, 1989). Beroul, Le ‘Tristan’ de Beroul, in Tristan et Yseut: Les Tristan en vers, ed. Jean Charles Payen, rev. edn (Paris: Bordas, 1989). (Includes French translation). La Chanson de Roland, ed. F. Whitehead (Oxford: Basil Blackwell, 1946; pb 1989). *La Chanson de Roland, ed. Ian Short, 2nd edn, Lettres Gothiques (Paris: Librairie Génerale française, 1990). Chrétien de Troyes, Romans (Paris: Livres de Poche, 1994). *Chrétien de Troyes, Les Romans de Chrétien de Troyes I – Erec et Enide,ed. Mario Roques, Classiques français du Moyen Age (Paris: Librairie Honoré Champion, 1952, repr. 1981). *Chrétien de Troyes, Les Romans de Chrétien de Troyes III – Le Chevalier de la Charrette (Lancelot), ed. Mario Roques, Classiques français du Moyen Age (Paris: Librairie Honoré Champion, 1958, repr. 1981). *Chrétien de Troyes, Les Romans de Chrétien de Troyes IV – Le Chevalier au Lion (Yvain), ed. Mario Roques, Classiques français du Moyen Age (Paris: Librairie Honoré Champion, 1960, repr. 1982). [There are also numerous individual editions of Chrétien’s works.] *Christine de Pizan, Selected Writings, trans. Renate Blumenfeld-Kosinski and Kevin Brownlee, Norton Critical Edition (New York: Norton, 1997). *------, Poems of Cupid, God of Love, ed. and trans. Thelma Fenster (Leiden: Brill, 1990) *Jeu d’Adam, ed. and trans. Wolfgang van Emden, British Rencesvals Publications, 1 (Edinburgh: 1996). *The Service for Representing Adam (Ordo repraesentationis Adae), ed. and trans. David Bevington in Medieval Drama (Boston: Houghton Mifflin, 1975), pp.78-121. *Marie de France, Lais, ed. A. Ewert (Oxford: Basil Blackwell, 1978). *La Poésie lyrique d’oïl: les origines et les premiers trouvères, textes d’études, ed. I. M. Cluzel and L. Pressouyre (Paris: Nizet, 1969). *Chanter m’estuet:Songs of the Trouvères, ed. S.N. Rosenberg and H. Tischler (London: Faber, 1981) *Lyrics of the Troubadours and Trouvères, ed. F. Goldin (New York: Anchor Books, 1973) The Penguin Book of French Verse, I: To the Fifteenth Century (Harmondsworth: Penguin, 1961) *Pierre Bec, La Lyrique française au moyen âge (XIIe- XIIIe siècles: Contribution à une typologie des genres poétiques médiévales, 2 vols (Paris: Picard, 1977), I: Études, II: Textes

Background *Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature, trans. Willard R. Trask (Princeton: Princeton University Press, 1953; first published Berne: A. Francke, 1946), Chapters 5-7.

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Barber, Richard, The Knight and Chivalry (London: Longman, 1970, reprinted Cardinal, 1974). Blamires, Alcuin, The Case for Women in Medieval Culture (Oxford: Clarendon UP, 1997) [also online] Bull, Marcus, France in the Central Middle Ages 900-1200, Short Oxford History of France (Oxford: Oxford University Press, 2002). Bumke, Joachim, Courtly Culture: Literature and Society in the High Middle Ages (Woodstock: Overlook/Duckworth, 2000) *Burgess, Glynn S., and Karen Pratt (eds), The Arthur of the French (Cardiff: University of Wales Press, 2006) Burnley, David, Courtliness and Literature in Medieval England (London: Longman, 1998)Calin, William, The French Tradition and the Literature of Medieval England (Toronto: U of Toronto P, 1994) Cartlidge, Neil, Medieval Marriage: Literary Approaches 1100-1300 (Cambridge: Brewer, 1997).

Dinshaw, Carolyn, and David Wallace (eds). Cambridge Companion to Medieval Women’s Writings. Cambridge: CUP, 2003 Dover, Carol (ed.). A Companion to the Lancelot-Grail Cycle (Cambridge: D. S. Brewer, 2003). Fenster, Thelma (ed.), Arthurian Women: A Casebook (London: Garland, 1996). *Gaunt, Simon, Retelling the Tale: An Introduction to Medieval French Literature (London: Duckworth, 2001) Gaunt, Simon, and Sarah Kay (eds). Cambridge Companion to Medieval French Literature (Cambridge: Cambridge University Press, 2008). Grimbert, Joan Tasker (ed.), Tristan and Isolde: A Casebook (London: Garland, 1995). Haskins, Charles Homer, The Renaissance of the Twelfth Century (Cleveland: World Publishing, 1957)

Keen, Maurice, Chivalry (New Haven and London: Yale University Press, 1984). Krueger, Roberta L, Women Readers and the Ideology of Gender in Old French Romance (Cambridge: Cambridge University Press, 1993). [on Yvain and Lancelot] McCracken, Peggy, The Romance of Adultery: Queenship and Sexual Transgression in Old French Literature (Philadelphia: University of Pennsylvania Press, 1998). Muir, Lynette, (ed.) Literature and Society in Medieval France: The Mirror and the Image 1100-1500 (London: Macmillan, 1985). Murray, Alexander, Reason and Society in the Middle Ages (Oxford: Clarendon Press, 1978). O’Donoghue, Bernard, ‘The Reality of Courtly Love’, in Helen Cooney (ed.), Writings on Love in the English Middle Ages (New York: Palgrave Macmillan, 2006), pp. 7-24 O’Donoghue, Bernard. The Courtly Love Tradition: Literature in Context (Manchester: Manchester University Press; Totowa, New Jersey: Barnes and Noble, 1982). Tilley, Arthur (ed.), Medieval France: A Companion to French Studies (Cambridge: Cambridge University Press, 1922). Vinaver, Eugène, The Rise of Romance (Oxford: Clarendon Press, 1971). *Walters, Lori J (ed.), Lancelot and Guinevere: A Casebook (London: Garland, 1996).

Criticism of Set Texts/Authors Altmann, Barbara K., and Deborah L. McGrady (eds), Christine de Pizan: A Casebook (Routledge: London, 2003) Brown-Grant, Rosalind, Christine de Pizan and the Moral Defence of Women (Cambridge: CUP, 1999) *Desmond, Marilynn (ed.). Christine de Pizan and the Categories of Difference. Minneapolis: U of Minnesota P, 1998 Hult, David, ‘The Roman de la Rose, Christine de Pizan, and the querelle des fames’, in Cambridge Companion to Medieval Women’s Writings, ed. Carolyn Dinshaw and David Wallace (Cambridge: CUP,

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2003), pp. 184-94. ------(ed. and trans.), The Debate of the Rose (Chicago: Chicago UP, 2010) *Kinoshita, Sharon, and Peggy McCracken (eds), Marie de France, A Critical Companion (Cambridge: D. S. Brewer, 2012) *Lacy, Norris J., and Joan Tasker Grimbert (eds), A Companion to Chrétien de Troyes (Cambridge: D. S. Brewer, 2005). Quilligan, Maureen, The Allegory of Female Authority:Christine de Pizan’s Cité des Dames (Ithaca: Cornell UP, 1991)

Lyrics Nature of the Old French Lyric Robert Guiette, D’une poésie formelle en France au moyen âge (Paris: Nizet, 1972) (also Revue des sciences humaines 54 [1949], 61-68) Paul Zumthor, ‘Recherches sur les topiques dans la poésie lyrique des XIIe et XIIIe siècles’, Cahiers de civilisation médiévales 2 (1959), 409-27 Roger Dragonetti, La Technique poétique des trouvères dans la chanson courtoise: Contribution à l’étude de la rhétorique médiévale (Bruges: De Tempel, 1960) Eugène Vinaver, ‘A la recherche d’une poétique médiévale’, Cahiers de civilisation médiévale 2 (1959), 1-16

The Genres (see Bec, La Lyrique française au moyen âge, Vol 1; Études) *Michel Zink, Les Chansons de toile (Paris, Champion, 1977) Les Chansons de Conon de Béthune, ed. by A.Wallensköld, Classiques français du moyen âge 24 (Paris: Champion, 1921) Les Chansons de Gace Brulé, ed. by G. Huet, Société des anciens textes français 45 (Paris: Firmin Didot, 1898) Cathrynke Dijkstra, ‘Les chansons de croisade: tradition versus subjectivité’, in Literary Aspects of Courtly Culture, ed. D. Maddox and S. Sturm-Maddox (Cambridge: D.S. Brewer, 1994), pp. 95-103

Adam de la Halle *The Chansons of Adam de la Halle, ed. by J.H. Marshall (Manchester : Manchester UP, 1977) Œuvres complètes du trouvère Adam de la Halle, poésies et musique, ed. by Edmond de Coussemaker, (Paris: 1872) Henry Guy, Essai sur la vie et les œuvres littéraires du trouvère Adam de la Hale (Paris: Hachette, 1898). Sylvia Huot, ‘Transformations of Lyric Voice in the Songs, Motets, and Plays of Adam de la Halle’, Romanic Review 77 (1987), 148-64. The Lyric Works of Adam de la Halle: Chansons, Jeux partis, Rondeaux, Motets, ed. by Nigel E.Wilkins (Dallas: American Institute of Musicology, 1967).

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Paul Zumthor, ‘Entre deux esthétiques: Adam de la Halle’, in Mélanges de langue et de littérature du moyen âge et de la Renaissance offerts à Jean Frappier par ses collègues, ses élèves et ses amis (Geneva: Droz, 1970), 1155-71.

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OLD FRENCH LECTURE LIST 2015/2016

Seminars will take place every Monday from 4.00 pm to 6.00 pm in ER143

Old French will be convened by Prof Archibald, and taught by Prof Saunders, Prof Archibald, Prof Cartlidge, Dr Campbell-Chuhan and Dr Chambers. This module is taught in seminar format, with 2-hour seminars held in alternate weeks. Below is a provisional list of seminars:

Michaelmas Term 2015

12 October Introduction to Old French Language Dr Campbell-Chuhan

26 October Jeu d’Adam Professor Archibald

9 November Lyrics Dr Mark Chambers

23 November The Epic: La Chanson de Roland Dr Campbell-Chuhan

7 December The Breton Lay: Marie de France Professor Archibald

Epiphany Term 2016

18 January The Breton Lay: Marie de France Professor Saunders

1 February The Tristan Legend: Béroul Professor Cartlidge/ Dr Campbell- Chuhan / Professor Saunders

15 February READING WEEK

29 February Christine de Pizan Professor Archibald

14 March The Romances of Chrétien de Troyes, Le Professor Archibald Chevalier au Lion (Yvain)

Easter Term 2016

25 April The Romances of Chrétien de Troyes, Le Professor Saunders Chevalier de la Charrette (Lancelot)

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