Spring 2013 Art Works Grant Announcement
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Don Giovanni Sweeney Todd
FALL 2019 OPERA SEASON B R AVO Don Giovanni OCTOBER 19-27, 2019 Sweeney Todd NOVEMBER 16-24, 2019 2019 Fall Opera Season Sponsor e Katherine McGregor Dessert Parlor …at e Whitney. Named a er David Whitney’s daughter, Katherine Whitney McGregor, our intimate dessert parlor on the Mansion’s third oor features a variety of decadent cakes, tortes, and miniature desserts. e menu also includes chef-prepared specialties, pies, and “Drinkable Desserts.” Don’t miss the amazing aming dessert station featuring Bananas Foster and Cherries Jubilee. Reserve tonight’s table online at www.thewhitney.com or call 313-832-5700 4421 Woodward Ave., Detroit Pre- eater Menu Available on performance date with today’s ticket. Choose one from each course: FIRST COURSE Caesar Side Salad Chef’s Soup of the Day e Whitney Duet MAIN COURSE Grilled Lamb Chops Lake Superior White sh Pan Roasted “Brick” Chicken Sautéed Gnocchi View current menus DESSERT and reserve online at Chocolate Mousse or www.thewhitney.com Mixed Berry Sorbet with Fresh Berries or call 313-832-5700 $39.95 4421 Woodward Ave., Detroit e Katherine McGregor Dessert Parlor …at e Whitney. Named a er David Whitney’s daughter, Katherine Whitney McGregor, our intimate dessert parlor on the Mansion’s third oor features a variety of decadent cakes, tortes, and miniature desserts. e menu also includes chef-prepared specialties, pies, and “Drinkable Desserts.” Don’t miss the amazing aming dessert station featuring Bananas Foster and Cherries Jubilee. Reserve tonight’s table online at www.thewhitney.com or call 313-832-5700 4421 Woodward Ave., Detroit Pre- eater Menu Available on performance date with today’s ticket. -
The Kids Are Always Right Helen Molesworth on the Reinstallation of Moma’S Permanent Collection
TABLE OF CONTENTS PRINT JANUARY 2020 THE KIDS ARE ALWAYS RIGHT HELEN MOLESWORTH ON THE REINSTALLATION OF MOMA’S PERMANENT COLLECTION View of “Hardware/Software,” 2019–, Museum of Modern Art, New York. Foreground, from left: Joan Semmel, Night Light, 1978; Maren Hassinger, Leaning, 1980; Senga Nengudi, R.S.V.P. I, 1977/2003. Background: Cady Noland, Tanya as Bandit, 1989. Photo: John Wronn. THE VIBE started to trickle out via Instagram. For a few days, my feed was inundated with pictures of all the cool new shit on view at the Museum of Modern Art, New York. You could smell victory in the air: The artists were happy. Then the New York Times weighed in and touched the wide shoulders of the new, bigger-is-better MoMA with their magic wand. Could it be? Had MoMA, the perennial whipping boy of art historians, radical artists, and cranky art critics, gotten it right? And by right, at this moment, we mean that the collection has been installed with an eye toward inclusivity—of medium, of gender, of nationality, of ethnicity—and that modernism is no longer portrayed as a single, triumphant narrative, but rather as a network of contemporaneous and uneven developments. Right means that the curatorial efforts to dig deep into MoMA’s astounding holdings looked past the iconic and familiar (read: largely white and male). Right means that the culture wars, somehow, paid off. Right means that MoMA has finally absorbed the critiques of the past three decades—from the critical tear-down of former chief curator of painting and sculpture Kirk Varnedoe’s 1990 show “High and Low: Modern Art and Popular Culture” to the revisionist aspirations of former chief curator of drawings Connie Butler’s “Modern Women” project (2005–). -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
American Society
AMERICAN SOCIETY Prepared By Ner Le’Elef AMERICAN SOCIETY Prepared by Ner LeElef Publication date 04 November 2007 Permission is granted to reproduce in part or in whole. Profits may not be gained from any such reproductions. This book is updated with each edition and is produced several times a year. Other Ner LeElef Booklets currently available: BOOK OF QUOTATIONS EVOLUTION HILCHOS MASHPIAH HOLOCAUST JEWISH MEDICAL ETHICS JEWISH RESOURCES LEADERSHIP AND MANAGEMENT ORAL LAW PROOFS QUESTION & ANSWERS SCIENCE AND JUDAISM SOURCES SUFFERING THE CHOSEN PEOPLE THIS WORLD & THE NEXT WOMEN’S ISSUES (Book One) WOMEN’S ISSUES (Book Two) For information on how to order additional booklets, please contact: Ner Le’Elef P.O. Box 14503 Jewish quarter, Old City, Jerusalem, 91145 E-mail: [email protected] Fax #: 972-02-653-6229 Tel #: 972-02-651-0825 Page 2 TABLE OF CONTENTS CHAPTER ONE: PRINCIPLES AND CORE VALUES 5 i- Introduction 6 ii- Underlying ethical principles 10 iii- Do not do what is hateful – The Harm Principle 12 iv- Basic human rights; democracy 14 v- Equality 16 vi- Absolute equality is discriminatory 18 vii- Rights and duties 20 viii- Tolerance – relative morality 22 ix- Freedom and immaturity 32 x- Capitalism – The Great American Dream 38 a- Globalization 40 b- The Great American Dream 40 xi- Protection, litigation and victimization 42 xii- Secular Humanism/reason/Western intellectuals 44 CHAPTER TWO: SOCIETY AND LIFESTYLE 54 i- Materialism 55 ii- Religion 63 a- How religious is America? 63 b- Separation of church and state: government -
An Exhibition of Conceptual Art
THE MUSEUM OF ME (MoMe) An Exhibition of Conceptual Art by Heidi Ellis Overhill A thesis exhibition presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Master of Fine Arts in Studio Art East Campus Hall Gallery of the University of Waterloo April 13 to April 24, 2009 Waterloo, Ontario, Canada, 2009. ©Heidi Overhill 2009 i Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-54870-7 Our file Notre référence ISBN: 978-0-494-54870-7 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
DOORS INVITE UKRAINE and RUSSIA to the PEACE TABLE
DOORS INVITE UKRAINE and RUSSIA TO THE PEACE TABLE Dear President Volodymyr ZELENSKY As humans, our biggest mistake is not to check and look for third parties before wars. Almost every war on our planet throughout history has been scripted by an invisible enemy. Humans have been victims and losers of all their wars with each other. The war machine is a very powerful money machine for the third party. Our states, governments and peoples are ruled by beings who live in the human body but are not human. Most of our closest friends working in the government are not human beings, but biological robots that work for the Vatican in the human body. Money is a universal value. Humans are traded in the sheep and cattle class on our planet Earth. Battlefields are marketplaces where Satan can make money. This is a very brief summary of why Ukraine and Russia are on the brink of a major war in 2021. According to the New World Order, a Third World War like the First World War and the Second World War must be started and ended. Our planet is ruled by Nazis, especially controlled and directed by the black-robed Vatican Rabbis. The Vatican always has at least 200,000 Nazis available in each country. (For a population of 50 million) Adolf Hitler(s) and his mentality did not die. Like many armies in the world Ukraine Army is a Nazi controlled and owned army. People should know that war is our worst enemy. The first person to say "Yes" to a possible war between humans is the first to lose. -
Afsnet.Org 2014 American Folklore Society Officers
American Folklore Society Keeping Folklorists Connected Folklore at the Crossroads 2014 Annual Meeting Program and Abstracts 2014 Annual Meeting Committee Executive Board Brent Björkman (Kentucky Folklife Program, Western The annual meeting would be impossible without these Kentucky University) volunteers: they put together sessions, arrange lectures, Maria Carmen Gambliel (Idaho Commission on the special events, and tours, and carefully weigh all proposals Arts, retired) to build a strong program. Maggie Holtzberg (Massachusetts Cultural Council) Margaret Kruesi (American Folklife Center) Local Planning Committee Coordinator David Todd Lawrence (University of St. Thomas) Laura Marcus Green (independent) Solimar Otero (Louisiana State University) Pravina Shukla (Indiana University) Local Planning Committee Diane Tye (Memorial University of Newfoundland) Marsha Bol (Museum of International Folk Art) Carolyn E. Ware (Louisiana State University) Antonio Chavarria (Museum of Indian Arts and Culture) Juwen Zhang (Willamette University) Nicolasa Chavez (Museum of International Folk Art) Felicia Katz-Harris (Museum of International Folk Art) Melanie LaBorwit (New Mexico Department of American Folklore Society Staff Cultural Affairs) Kathleen Manley (University of Northern Colorado, emerita) Executive Director Claude Stephenson (New Mexico State Folklorist, emeritus) Timothy Lloyd Suzanne Seriff (Museum of International Folk Art) [email protected] Steve Green (Western Folklife Center) 614/292-3375 Review Committee Coordinators Associate Director David A. Allred (Snow College) Lorraine Walsh Cashman Aunya P. R. Byrd (Lone Star College System) [email protected] Nancy C. McEntire (Indiana State University) 614/292-2199 Elaine Thatcher (Heritage Arts Services) Administrative and Editorial Associate Review Committee Readers Rob Vanscoyoc Carolyn Sue Allemand (University of Mary Hardin-Baylor) [email protected] Nelda R. -
Download Full Program
become a part of the ida community Join the IDA Family! IDA Members are made up of thousands of individuals from around the world, including fi lmmakers and fans of the documentary genre, who support documentary fi lmmaking and the courageous individuals who create this important art form. If you are not a member and believe that documentaries are vital to cultures and societies globally, join now. check out our exclusive member benefits and join the international documentary association today! documentary.org UNITED NATIONS ASSOCIATION FILM FESTIVAL (UNAFF) CELEBRATES Founder and Executive Director 17 YEARS OF GROUNDBREAKING DOCUMENTARIES WITH 70 FILMS FROM ACROSS THE GLOBE. Jasmina Bojic 7 WORLD PREMIERES AND 16 U.S. PREMIERES TO BE SCREENED Honorary Committee OCTOBER 16-26 WITH THE THEME OF “BRIDGING THE GAP”. Alec Baldwin Peter Coyote OVER 60 FILMMAKERS TO BE IN ATTENDANCE THROUGHOUT THE FESTIVAL. Lolita Davidovich William Draper III The United Nations Association Film Festival (UNAFF) is delighted to announce its program for Danny Glover the 17th year. As one of the oldest solely documentary film festivals in the US, established in Daryl Hannah 1998 to honor the 50th anniversary of the Universal Declaration of Gale Anne Hurd Human Rights, it has grown and earned the respect of audiences and Susan Sarandon filmmakers alike for its fearless independence and integrity. In addi- John Savage tion to providing early outlets for films, many of which later went on Erika Szanto to win major awards and accolades including Academy Awards, UNAFF prides itself in creating a community forum for discovery and Ted Turner dialogue about different cultures, issues and solutions. -
Season 8 Screening Guide-09.09.16
8 ART IN THE TWENTY-FIRST CENTURY SCREENING GUIDE TO THE EIGHTH SEASON © ART21 2016. All Rights Reserved. art21.org | pbs.org/art21 GETTING STARTED ABOUT THIS SCREENING GUIDE Through in-depth profiles and interviews, the four- This Screening Guide is designed to help you plan an part series reveals the inspiration, vision, and event using Season Eight of Art in the Twenty-First techniques behind the creative works of some of Century. For each of the four episodes in Season today’s most accomplished contemporary artists. Eight, this guide includes: ART21 travels across the country and abroad to film contemporary artists, from painters and ■ Episode Synopsis photographers to installation and video artists, in ■ Artist Biographies their own spaces and in their own words. The result ■ Screening Resources is a unique opportunity to experience first-hand the Ideas for Screening-Based Events complex artistic process—from inception to finished Screening-Based Activities product—behind today’s most thought-provoking art. Discussion Questions Links to Resources Online Season Eight marks a shift in the award-winning series. For the first time in the show’s history, the Educators’ Guide episodes are not organized around an artistic theme The 62-page color manual ABOUT ART21 SCREENING EVENTS includes infomation on artists, such as Fantasy or Fiction. Instead the 16 featured before-viewing, while-viewing, Public screenings of the Art in the Twenty-First artists are grouped according to the cities where and after-viewing discussion Century series illuminate the creative process of questions, as well as classroom they live and work, revealing unique and powerful activities and curriculum today’s visual artists in order to deepen audience’s relationships—artistic and otherwise—to place. -
Muziek Voor Volwassenen / Johan Derksen Zaterdag 31 Oktober 2020
Muziek voor volwassenen / Johan Derksen Zaterdag 31 oktober 2020 Album van de week: Danny Vera - "Pressure Makes Diamonds" ARTIEST TITEL TIJD COMPONIST PLATENLABEL LABELNO CD TITEL 09.00 - 10.00 uur 1 Cliff Richard Blue suede shoes 1:56 Carl Perkins EMI 50999 6 333602 3 The Collection 2 Omar Dykes Everywhere I go 4:05 Kent Dykes Provogue PRD 70712 Where Blues Meets Rock 3 Cliff Richard Move it 2:23 Samwell EMI 7243 5 29322 2 1 The Whole Story - His Greatest Hits 4 Jan James It’s over 4:29 Jan James, Graig Calvert Provogue PRD 70712 Where Blues Meets Rock 5 Cliff Richard Living doll 2:38 Bart EMI 7243 5 29322 2 1 The Whole Story - His Greatest Hits 6 Joe Bonamassa The river 5:30 Joe Bonamassa, Bob Held Sony Music 88697 30717 2 Blues Club 7 Cliff Richard Please don’t tease 2:59 Welch, Chester EMI 7243 5 29322 2 1 The Whole Story - His Greatest Hits 8 Danny Vera Honey south 3:40 Danny Vera Sony Music 19439804642 Pressure makes Diamonds 9 Cliff Richard The young ones 3:11 Tepper , Bennett EMI 7243 5 29322 2 1 The Whole Story - His Greatest Hits 10 Allman Brothers Band Gambler’s roll 6:43 W. Haynes, J. Neel Sony Music 88697 30717 2 Blues Club 11 Cliff Richard Do you wanna dance 2:15 Freeman EMI 7243 5 29322 2 1 The Whole Story - His Greatest Hits 12 Jimmie Vaughan Dengue woman blues 6:24 J. Vaughan Sony Music 88697 30717 2 Blues Club 13 Cliff Richard Rip it up 2:59 Blackwell, Marascalco Rhino 2564641187 The Fabulous Rock 'N'Roll Songbook 14 Shannon Curfman The weight 5:23 J.R. -
City of Woodstock Office of the City Manager Phone (815) 338-4301 Fax (815) 334-2269 [email protected] 121 W
City of Woodstock Office of the City Manager Phone (815) 338-4301 Fax (815) 334-2269 [email protected] www.woodstockil.gov 121 W. Calhoun Street Roscoe C. Stelford III Woodstock, Illinois 60098 City Manager WOODSTOCK CITY COUNCIL City Council Chambers March 17, 2020 7:00 p.m. Individuals wishing to address the City Council are invited to come forward to the podium and be recognized by the Mayor; provide their name and address for purposes of the record, if willing to do so; and make whatever appropriate comments they would like. The complete City Council packet is available at the Woodstock City Hall, viewed online at the Woodstock Public Library, and via the City Council link on the City’s website, www.woodstockil.gov. For further information, please contact the Office of the City Manager at 815-338-4301 or [email protected]. The proceedings of the City Council meeting are live streamed on the City of Woodstock’s website, www.woodstockil.gov. Recordings can be viewed, after the meeting date, on the website. I. CALL TO ORDER II. ROLL CALL III. FLOOR DISCUSSION A. Proclamation: Music in Our Schools Month B. Presentation: Real Woodstock’s Year in Review Anyone wishing to address the Council on an item not already on the agenda may do so at this time. C. Public Comments D. Council Comments IV. CONSENT AGENDA: (NOTE: Items under the consent calendar are acted upon in a single motion. There is no separate discussion of these items prior to the Council vote unless: 1) a Council Member requests that an item be removed from the calendar for separate action, or 2) a citizen requests an item be removed and this request is, in turn, proposed by a member of the City Council for separate action.) Woodstock City Council March 17, 2020 Page 2 A. -
RICHARD PRINCE ALL AMERICAN IDOL to Be Offered in the POST-WAR & CONTEMPORARY ART - EVENING AUCTION Christie’S London, 8 King Street 14 October 2011
For Immediate Release 26 September 2011 Contact: Cristiano De Lorenzo tel. +44 7500 815 344 [email protected] RICHARD PRINCE ALL AMERICAN IDOL To Be Offered In The POST-WAR & CONTEMPORARY ART - EVENING AUCTION Christie’s London, 8 King Street 14 October 2011 London - Four outstanding works by Richard Prince (B. 1949) will be offered at Christie's London on 14 October, forming highlights of the Post-War & Contemporary Art evening auction. Spanning the course of the artist’s rich career they include Untitled (Fashion) (1983-1984), Untitled (Cowboy) (1999), Nurse Forrester’s Secret (2002-2003) and Untitled (de Kooning) (2007). Dina Amin, Head of the Sale; Director of Post War and Contemporary Art, Christie's London: ‚In October we are delighted to unite two masterpieces from the course of Richard Prince’s rich career including the iconic photograph, Untitled (Cowboy) (1999) and the painterly Nurse Forrester’s Secret (2002-2003.) Richard Prince is a master of Appropriation art. One of the first of a group of artists emerging in the 1970s including Cindy Sherman and Louise Lawler, who came to be known as the ‘pictures generation’, he has transformed some of the most enduring and iconic popular images in America. Fundamentally challenging notions of authorship, ownership and aura, he has radically reinvented the work of art, creating his own unique signature.‛ A key highlight of the Prince section is the large scale, dramatically executed Untitled (Cowboy), presenting a denim-clad lonesome American ranger (illustrated above right.) Created in 1999, this is a magnificent example of Richard Prince’s most celebrated series, exploring the American idol ‘par excellence’: the cowboy.