Issue 373 of the Broadcast and on Demand Bulletin
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Appassionata Jilly Cooper Pdf
Appassionata jilly cooper pdf Continue Abigail Rosen, nicknamed Apnassionata, was the sexiest, brightest violinist in classical music, but she was also the loneliest and most exploited girl in the world. When a dramatic suicide attempt ruined her violin career, she took aim at the conductor's male heights. Given the opportunity to take on the Ratminster Symphony Orchestra, Abby is thrilled not to realo the RSO is in hock up to the neck and consists of the wildest bunch of musicians ever to kick horns or caress the violin. Abby is finding it increasingly difficult to control her unruly rabble and pretend that she is not insanely attracted to the deadly glamorous horn of the player, Viking O'Neill, who claims to droit de seigneur over every beautiful woman joining the orchestra. And then Rannaldi, an archivist and international maestro, rolls with Machiavelli plans of his own to sabotage the RSO. Effervescent as champagne, Jilly Cooper's novel brings back old favorites like Rupert and Tagzi Campbell-Black, but also ends triumphantly with a frantic orchestral tour of Spain and a high drama international piano competition. This article does not provide any sources. Please help improve this article by adding quotes to reliable sources. Non-sources of materials can be challenged and removed. Find sources: Rutshire Chronicles - News newspaper book scientist JSTOR (December 2009) (Learn how and when to remove this template message) Rutshire Chronicles series of romantic novels by Jilly Cooper. The stories tell the stories of mostly British upper- class families, as well as show-jumping and polo crowds, in numerous different sexually charged scenarios, often riddled with adultery, illegitimate children, scandal and sometimes death. -
Guardian and Observer Editorial
Monday 01.01.07 Monday The year that changed our lives Swinging with Tony and Cherie Are you a malingerer? Television and radio 12A Shortcuts G2 01.01.07 The world may be coming to an end, but it’s not all bad news . The question First Person Are you really special he news just before Army has opened prospects of a too sick to work? The events that made Christmas that the settlement of a war that has 2006 unforgettable for . end of the world is caused more than 2 million people nigh was not, on the in the north of the country to fl ee. Or — and try to be honest here 4 Carl Carter, who met a surface, an edify- — have you just got “party fl u”? ing way to conclude the year. • Exploitative forms of labour are According to the Institute of Pay- wonderful woman, just Admittedly, we’ve got 5bn years under attack: former camel jockeys roll Professionals, whose mem- before she flew to the before the sun fi rst explodes in the United Arab Emirates are to bers have to calculate employees’ Are the Gibbs watching? . other side of the world and then implodes, sucking the be compensated to the tune of sick pay, December 27 — the fi rst a new year’s kiss for Cherie earth into oblivion, but new year $9m, and Calcutta has banned day back at work after Christmas 7 Karina Kelly, 5,000,002,007 promises to be rickshaw pullers. That just leaves — and January 2 are the top days 16 and pregnant bleak. -
Of Gods and Monsters: Signification in Franz Waxman's Film Score Bride of Frankenstein
This is a repository copy of Of Gods and Monsters: Signification in Franz Waxman’s film score Bride of Frankenstein. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/118268/ Version: Accepted Version Article: McClelland, C (Cover date: 2014) Of Gods and Monsters: Signification in Franz Waxman’s film score Bride of Frankenstein. Journal of Film Music, 7 (1). pp. 5-19. ISSN 1087-7142 https://doi.org/10.1558/jfm.27224 © Copyright the International Film Music Society, published by Equinox Publishing Ltd 2017, This is an author produced version of a paper published in the Journal of Film Music. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Paper for the Journal of Film Music Of Gods and Monsters: Signification in Franz Waxman’s film score Bride of Frankenstein Universal’s horror classic Bride of Frankenstein (1935) directed by James Whale is iconic not just because of its enduring images and acting, but also because of the high quality of its score by Franz Waxman. -
The Horror Film Series
Ihe Museum of Modern Art No. 11 jest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Saturday, February 6, I965 FOR IMMEDIATE RELEASE The Museum of Modern Art Film Library will present THE HORROR FILM, a series of 20 films, from February 7 through April, 18. Selected by Arthur L. Mayer, the series is planned as a representative sampling, not a comprehensive survey, of the horror genre. The pictures range from the early German fantasies and legends, THE CABINET OF DR. CALIGARI (I9I9), NOSFERATU (1922), to the recent Roger Corman-Vincent Price British series of adaptations of Edgar Allan Poe, represented here by THE MASQUE OF THE RED DEATH (I96IO. Milestones of American horror films, the Universal series in the 1950s, include THE PHANTOM OF THE OPERA (1925), FRANKENSTEIN (1951), his BRIDE (l$55), his SON (1929), and THE MUMMY (1953). The resurgence of the horror film in the 1940s, as seen in a series produced by Val Lewton at RR0, is represented by THE CAT PEOPLE (19^), THE CURSE OF THE CAT PEOPLE (19^4), I WALKED WITH A ZOMBIE (19*£), and THE BODY SNAT0HER (19^5). Richard Griffith, Director of the Film Library, and Mr. Mayer, in their book, The Movies, state that "In true horror films, the archcriminal becomes the archfiend the first and greatest of whom was undoubtedly Lon Chaney. ...The year Lon Chaney died [1951], his director, Tod Browning,filmed DRACULA and therewith launched the full vogue of horror films. What made DRACULA a turning-point was that it did not attempt to explain away its tale of vampirism and supernatural horrors. -
Broadcast Bulletin Issue Number 227 08/04/13
Ofcom Broadcast Bulletin Issue number 227 8 April 2013 1 Ofcom Broadcast Bulletin, Issue 227 8 April 2013 Contents Introduction 4 Standards Cases In Breach Dick and Dom’s Hoopla! CBBC, 9 November 2012, 18:00 6 I’m a Celebrity Get Me Out of Here! ITV1, 27 November 2012, 20:30 20 John Mahon Kerrang! Radio, 3 February 2013, 11:30 37 Live: Gurdwara Guru Hargobind Sahib Ji Sangat TV, 11 November 2012, 18:30 39 Bangladesh Nationalist Party item NTV, 19 January 2013, 21:00 46 Sponsorship credits NTV, 20 May 2012 to present, various dates 52 Fox Extra Fox News, 5 February 2013, 21:40 58 Advertising Scheduling Cases In Breach Breach findings table Code on the Scheduling of Television Advertising compliance reports 62 Fairness and Privacy Cases Upheld Complaint by Mr Gary Cooper on his own behalf and on behalf of The Leeds United Supporters’ Trust The Chairman’s Interview, Yorkshire Radio, 15 and 29 February 2012 63 Complaint by Ms B The Sketchbook Killer, Crime & Investigation Network, 7 July 2012 81 Not Upheld Complaint by Miss Hester Bank The X Factor, ITV1, 1 September 2012 88 2 Ofcom Broadcast Bulletin, Issue 227 8 April 2013 Complaint by Mr Gareth Emery The Ferret, HTV Wales, ITV1, 15 October 2012 98 Complaint by Miss Christine Davies Homes under the Hammer, BBC1, 14 September 2012 106 Other Programmes Not in Breach 111 Complaints Assessed, Not Investigated 112 Investigations List 123 3 Ofcom Broadcast Bulletin, Issue 227 8 April 2013 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. -
Broadcast Bulletin Issue Number 90
Ofcom Broadcast Bulletin Issue number 90 30 July 2007 Ofcom Broadcast Bulletin, Issue 90 30 July 2007 Contents Introduction 3 Standards cases In Breach 4 Note to Broadcasters 6 Fairness & Privacy cases Not Upheld 12 Other programmes not in breach/outside remit 25 2 Ofcom Broadcast Bulletin, Issue 90 30 July 2007 Introduction Ofcom’s Broadcasting Code (“the Code”) took effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). This Code is used to assess the compliance of all programmes broadcast on or after 25 July 2005. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ The Rules on the Amount and Distribution of Advertising (RADA) apply to advertising issues within Ofcom’s remit from 25 July 2005. The Rules can be found at http://www.ofcom.org.uk/tv/ifi/codes/advertising/#content From time to time adjudications relating to advertising content may appear in the Bulletin in relation to areas of advertising regulation which remain with Ofcom (including the application of statutory sanctions by Ofcom). 3 Ofcom Broadcast Bulletin, Issue 90 30 July 2007 Standards cases In Breach Bang Babes Turn on TV, 6/7 May 2007, 23:47 - 00:51 Turn on TV2, 6/7 May 2007, 00:04 - 01:04 Introduction Turn on TV and Turn on TV2 channels are operated by Bang Media Ltd. Both channels broadcast interactive chat-based programme where viewers are invited to contact on-screen presenters via premium rate services. Both of the programmes complained about featured female presenters (referred to as ‘babes’), dressed in underwear, inviting viewers to call them. -
Heat Radio Presenter Profiles
MEDIA PACK The Radio On air – heat radio brings the voice of the brand to life with the music soundtrack to your workday. With the sparkle and fizz of a cheeky prosecco it MISSION is bursting with energy, celebrity interviews and presenters who live, breathe, sleep the heat brand. Print From our award winning breakfast show presenter Heat is the brand that sets Emily Segal to Mr Hollywood Ryan Seacrest and Made In Chelsea’s Jamie Laing. We have your the agenda of popular culture In print – we bring readers a truly unique, quality entertainment week covered. and fuels conversation experience. From clever A-list access shoots no around the rich and famous other magazine could pull off , to the real story behind celeb news – heat has the celeb contacts to Now a huge multi platform brand - give readers the exclusive every time. unrivalled in the entertainment market - the heat universe comprises the magazine Our Unmissable entertainment edit is led by as the mothership with a radio station, huge our hugely credible team of experts – including online and social media platforms and not BAFTA judge Boyd Hilton – helping readers one but two entertainment podcasts. navigate the tricksy world of TV and streaming. Our style section – Wear It’s At – combines an aspirational yet affordable weekly fashion edit with the real, trusted voice of the heat brand. Digital Our all-inclusive approach promises style for Across our digital platforms – we deliver breaking everybody, no matter what shape or size, and our news, funny, engaging and exclusive content – team test fashion and beauty products to make whether that’s live streaming Love Island’s Under sure readers spend their hard-earned pennies the Duvet, instagramming interviews of stars on wisely. -
Silvia Kolbowski, That Monster: an Allegory - the White Review
2/6/2020 Silvia Kolbowski, That Monster: An Allegory - The White Review 3 / 6 C O N T R I B U T O R : SILVIA KOLBOWSKI, THAT MONSTER: AN S A S H A A R C H I B A L D ALLEGORY The conceptual artist Silvia Kolbowski began working on her new video, T H A T O N L I N E E XC L U S I V E M O N S T E R : A N A L L E G O R Y (2018), in the immediate aftermath of Trump’s election. J A N U A R Y 2 0 2 0 The air of American life was thick with animosity, and like soot from a forest fire, it spread far beyond the burn. Both sides of the political spectrum were consumed, in Kolbowski’s words, with S H A R E such ‘sheer hatred’ that political disagreement became grounds to start a brawl or end a relationship. Grandmothers famously unfriended their grandchildren and in-laws refused to visit. Opting out of family holiday gatherings became not only common, but almost obligatory, if one’s family included resolute Trumpers. In November 2018, the liberal Democrat N E W Y O R K T I M E S columnist Maureen Dowd wrote an op-ed anticipating an upcoming vacation with her brother, who was not only a Trump supporter, but a friend and defender of Brett Kavanaugh, the Republican Supreme Court justice accused of sexual assault. Dowd used the article to reflect on how (and whether) a relationship can persist across a sea of political difference. -
1956-08-30.Pdf
- '- . \ ",11 H 0'IIUl of the NeWI All The News i Of All The Pointe, !I Every Thursday Morning ,I ' I rosse i ews \ All the Complete, NeWsCov~rage. of Pointes • , .' '.. , .~- . \'. 1;~- . 1 ,.:.: • ..' ~ 1,' .', • \ Entered 8S Second CIas. Mat1t~r I VOLUME 17-NO. 35 .at the Post Office at Detroit;. Mlch, 5c PeL" Copy • G~OSSEPOINTE, .MICHI$A~; AUGUST 30, 195.6' $3.50, Per Year' '24 PAGES Fully Paid Circulation' .. ,. --~ . ... •t. I " .r ' .. DEADLINES Election. fraught ,with 'Interest .' .Must :Serve.' Residents O~ject 9500to9600~ oj the Se-ntence .for WEEK As Compilea by the -Beating. Boy To Proposed. Plan ~~~dO~~~~. Gr!l~e Pointe News_ State' Supreme- Cour.t1Jp- p' p' 'k. A b n holds Conviction of Chas. .or.. a., rIng .rea Thursday, -Septem er 6. wi ' Thursday, August 23 .Morley' for Vicious be First Full Day of New - A NA:VY PATROL PLANE, j' • • ' Term; Barnes to Ope~ with 16 men aboard, is missing . Assault, . Petition . Far~s. Council, Not to Cons~uc~ Alley in Reel' __ after an attack by unidentified . -- of Muir Road -for Development of .Enlarged .Space Public school officials hav., '. air craft off the Red Chin~ coast, 'The Micpigap. Su'p.r e in e ---____ indicated .that .they expect :a and is presumed to have been Court: uphel<;J the. c9nVi~tibn r The. :E,"arms'council on Monday, August 20, was pre- record enrollment on the first shot down, it was dsc10sed by and sentencing' of ,C~arles R. sented' a. petition- bearing. the signatures of 17 residents school day for s t u den ts~ the Navy Department, Naval :Morley, ,; 19, of _123' L~e living. -
The Royal Television Society Announces Television Journalism Awards Winners
PRESS RELEASE THE ROYAL TELEVISION SOCIETY ANNOUNCES TELEVISION JOURNALISM AWARDS WINNERS London, 28 February 2019 – The Royal Television Society (RTS), Britain’s leading forum for television and related media, announced the winners of its 2019 Television Journalism Awards, sponsored by GuestBooker, at a prestigious awards ceremony held last night at the London Hilton on Park Lane. The awards ceremony was hosted by celebrated British newsreader and television presenter Mary Nightingale. The awards celebrate talent across 20 categories in total, and this year Channel 4 led the way with eight wins spanning across both news and current affairs, followed by the BBC with five wins overall. The winner of the Oustanding Achievement Award was presented to Robin Elias, who this year is retiring after 38 years at ITN, starting as a copy taster on ITV News and ending up as acting editor. Robin edited News at 10 throughout the Nineties with Trevor MacDonald at the helm, including coverage of the death of Princess Diana and the 9/11 terror attack. The Television Journalism Awards celebrates creative and excellent journalism by organisations whose broadcasts are transmitted on a UK-based platform, or who create online video content from a UK production base across the following categories: Breaking news; Camera Operator of the Year; Current Affairs – Home; Current Affairs – International; Daily News Programme of the Year; Interview of the Year; Nations and Regions Current Affairs; Nations and Regions News; Nations and Regions Presenter of the Year; Network Presenter of the Year; News Channel of the Year; News Coverage – Home; News Coverage – International; News Technology; Scoop of the Year; Specialist Journalist of the Year; Television Journalist of the Year; Independent Award; Young Talent of the Year and Oustanding Achievement Award. -
Mothers on Mothers: Maternal Readings of Popular Television
From Supernanny to Gilmore Girls, from Katie Price to Holly Willoughby, a MOTHERS ON wide range of examples of mothers and motherhood appear on television today. Drawing on questionnaires completed by mothers across the UK, this MOTHERS ON MOTHERS book sheds new light on the varied and diverse ways in which expectant, new MATERNAL READINGS OF POPULAR TELEVISION and existing mothers make sense of popular representations of motherhood on television. The volume examines the ways in which these women find pleasure, empowerment, escapist fantasy, displeasure and frustration in popular depictions of motherhood. The research seeks to present the MATERNAL READINGS OF POPULAR TELEVISION voice of the maternal audience and, as such, it takes as its starting REBECCA FEASEY point those maternal depictions and motherwork representations that are highlighted by this demographic, including figures such as Tess Daly and Katie Hopkins and programmes like TeenMom and Kirstie Allsopp’s oeuvre. Rebecca Feasey is Senior Lecturer in Film and Media Communications at Bath Spa University. She has published a range of work on the representation of gender in popular media culture, including book-length studies on masculinity and popular television and motherhood on the small screen. REBECCA FEASEY ISBN 978-0343-1826-6 www.peterlang.com PETER LANG From Supernanny to Gilmore Girls, from Katie Price to Holly Willoughby, a MOTHERS ON wide range of examples of mothers and motherhood appear on television today. Drawing on questionnaires completed by mothers across the UK, this MOTHERS ON MOTHERS book sheds new light on the varied and diverse ways in which expectant, new MATERNAL READINGS OF POPULAR TELEVISION and existing mothers make sense of popular representations of motherhood on television. -
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'.