MUSIC FESTIVALS Below Is a List of Just Some of the Many Music Festivals Taking Place in the UK This Year
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Tickets for Troops Annual Review 2016
TICKETS FOR TROOPS ANNUAL REVIEW 2016 The Sun Military Awards Nominees at Number 10 Downing Street: Tickets For Troops was nominated for ‘Support to Armed Forces’ FOREWORD Thanks to the tremendous philanthropy of our supporters and donors from the nation’s live sports and events industry, 2016 was another active year for Tickets For Troops. We worked closely with hundreds of ticketing professionals, agents, box offices, promoters, clubs, teams and many more groups to ensure our servicemen and women continued to enjoy the delights of the sporting, musical, theatrical and entertainment world. This wonderful generosity combined with some beavering away in the Tickets For Troops office ensured that we were able to distribute 152,652 complimentary tickets for 6,291 events to our military members. Half way through the year, we were delighted to welcome on board a new team of regional volunteers known as ambassadors who are responsible for helping to increase the number of donors in their respective regions. The volunteer opportunity attracted a large number of applications from all around the country and the overall standard was exceptionally high. It was humbling for the team to see how many people from within the forces community wanted to give something back to Tickets For Troops. The regional ambassadors are being managed by our newest employee Elisabeth Roberts - recruited on a part-time basis thanks to the Armed Forces Covenant Fund grant. We were sad to lose Anastasia Baker in October, she was a superb asset to the team with her excellent customer service manner and speedy ticket packaging skills - we wish her well for the future. -
Noble Rot Meets Ecstatic Synth- Poppers Hot Chip Words by Dan Keeling Photographs by Benjamin Mcmahon
Words by Dan Keeling Noble Rot Photographs by meets ecstatic synth- SHOOT FROM THE CHIP SHOOT Benjamin McMahon poppers Hot Chip “Gordon Ramsay used to cook here a long time ago,” says Hot Chip’s Joe Goddard, reading the menu at Chez Bruce in Wandsworth. “When I last ate here, a friend from uni was working in the kitchen and I absolutely loved it.” To Joe’s left, fellow band member Al Doyle is enjoying his first drink of the evening – Vouette & Sorbée ‘Saignée de Sorbée’ Champagne – after a day rehearsing in a nearby studio for the band’s imminent support headline slot at Hackney’s All Points East festival. With their new album heralding a high point in their long career (it’s their seventh), the aptly titled A Bath Full of Ecstasy has a blend Dan Keeling: Do you cook at home? Joe Goddard: I cook all the time. I’ve got a Green of synth melodies, bouncing house basslines Egg barbecue and cook a lot of seafood, as well as buying a lot of nice wines from Bottle Apostle to try and soulful vocals that makes it one of our to pair with it. I’m interested in the weirder side of wine. This Vouette & Sorbée reminds me of a records of the year at Rotter Towers. Imagine delicious sparkling red from near Barcelona that I’ve been drinking recently called La Rosita by Pamela Geddes. It’s dry and fruity: it tastes like sparkling Erasure jamming with Daft Punk, Laid Back and Ribena to me, and I’m into that! Frankie Knuckles in a lift, and you might be Al Doyle: It’s delicious and quite unusual – it almost tastes like Pét-Nat rather than Champagne. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
The Political Economy of Informal Events, 2030
The Political Economy Of Informal Events, The Political 2030 Economy of Informal Events, 2030 Written and edited by James Woudhuysen AAAW_03.19_001_Cover.indd All Pages 17/05/2019 11:29 The Political Economy Of Informal Events, 2030 AAAW_03.19_002-009_Chapter Zero.indd 2 17/05/2019 11:21 Written and edited by James Woudhuysen Visiting professor, forecasting & innovation, London South Bank University Foreword by Julian Agostini, Mash Media Alan Miller, Night Time Industries Association Nick Morgan, We Are The Fair Published by Access All Areas, in association with the Night Time Industries Association and We Are The Fair Access All Areas, 2nd Floor Applemarket House, 17 Union Street, Kingston-Upon-Thames KT1 1RR Advisory team Tom Hall and Paul Colston Graphic design Sean Wyatt-Livesley, Emma Hart, Oscar Spinks, Kateryna Smirnova ISBN 2019: 978-0-9576478-7-9 Please note: Except for the Foreword, and where individuals are quoted at length, the views in this paper – and the errors – are those of the author alone. He thanks everyone who is quoted; Andy Grimsey, solicitor with Poppleston Allen, for help with the legal intricacies of licensing, and Michael Kill, CEO of the NTIA, for work on how the music festival season and particular music festivals relate to UK recorded crime, both national and local. © Copyright Mash Media. All material in this publication is copyright and remains the property of the publishers. They neither necessarily agree with the views expressed by interviewees, nor accept any responsibility for any errors of interpretation in the subject matter of this publication. No part of this publication may be copied or reproduced, stored in a retrieval system, or be transmitted in any form by any means – electronic, mechanical, photocopying, recording or otherwise – without the prior permission of the publishers. -
Wolves & B'cntry Cover
Staffordshire Cover January 2017.qxp_Staffordshire Cover 16/12/2016 12:18 Page 1 Your FREE essential entertainment guide for the Midlands ISSUE 373 JANUARY 2017 STAFFORDSHIRE WHAT’S ON WHAT’S STAFFORDSHIRE 2017 JANUARY Staffordshire JACK WHITEHALL ’ OUT ON TOUR WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD Onstaffordshirewhatson.co.uk inside: Yourthe 16-pagelist week by week listings guide PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART FRANKENSTEIN Mary Shelley’s gothic horror classic at Lichfield Garrick DUNCAN OAKLEY brings a bagful of gags to Stafford venue TWITTER @WHATSONSTAFFS STAFFORDSHIREWHATSON.CO.UK @WHATSONSTAFFS TWITTER AUTOSPORT FUN four-wheel extravaganza drives into the NEC Moscow State Circus-January '17.qxp_Layout 1 16/12/2016 11:41 Page 1 Contents January Staffs.qxp_Layout 1 16/12/2016 14:01 Page 2 January 2017 Contents Evita - Andrew Lloyd Webber and Tim Rice musical on stage at the Regent page 28 Brendan Cole Kaiser Chiefs Wolves Lit Fest the list Strictly regular prepares to talk about bringing their Stay makes its debut with a packed Your 16-page dance All Night Long Together tour to the Midlands three-day programme week-by-week listings guide Interview page 8 Interview page 14 page 47 page 51 inside: 4. First Word 11. Food 12. Music 24. Comedy 28. Theatre 41. Film 44. Visual Arts 47. Events @whatsonwolves @whatsonstaffs @whatsonshrops Wolverhampton What’s On Magazine Staffordshire What’s On Magazine Shropshire What’s On Magazine Managing Director: -
Saturday Set Times
SATURDAY SET TIMES THE MAIN STAGE THE WEST STAGE THE BIG TOP M.I.A. — 21:30 NOISEY PRESENTS SOUNDCRASH PRESENTS Nas performs “Illmatic” — 20:00 Woodkid — 21:35 Bonobo LIVE — 21:00 Maverick Sabre — 18:50 Crystal Fighters — 19:45 BANKS — 19:45 Soul II Soul — 17:25 The Horrors — 18:20 Mount Kimbie — 18:25 Bipolar Sunshine — 16:20 Hercules & Love Affair — 16:55 Bondax LIVE — 17:20 Jess Glynne — 15:20 Submotion Orchestra — 15:40 Klangkarussell LIVE — 16:00 Breach — 13:45 Roosevelt — 14:40 JUCE — 15:00 V V Brown — 13:00 We Were Evergreen — 13:40 Kaleida — 14:00 Mirror Signal — 12:50 Ady Suleiman — 13:00 Noisey DJs — 12:00 Cici Cavanagh — 12:00 THE MANOR CRACK MAGAZINE & KRANKBROTHER THE APEROL SPRITZ Adam Beyer — 20:30 SOCIAL RED BULL MUSIC ACADEMY The Martinez Brothers — 19:00 PRESENTS Norman Jay MBE — 20:00 Visionquest — 17:30 Cottam — 19:00 Kenny Dope — 20:30 Krankbrother — 15:30 Monki — 18:00 Dimitri From Paris — 19:00 Ben Pearce — 14:00 GotSome — 17:00 Soul Clap — 17:30 Dense & Pika — 13:00 Tayo & Tope — 16:00 Tensnake — 16:00 Krankbrother — 12:00 Duff Disco — 15:00 Horse Meat Disco — 13:00 Timanti — 14:00 Throwing Snow — 12:00 DJ Future (ELAM) — 12:00 DISTRIKT THE BEARDED KITTEN Ben Seagren — 20:00 MANOR MAIN QUARTERS DJ Kramer — 18:00 The Element — 16:00 THE DANCE-OFF LOVESICK / KUBICLE Nice Up! Records Takeover — 19:00 Huxley — 15:00 Death on the Balcony — 20:30 The Dance-off DJs & Battles — 18:00 Clint Stewart — 12:00 Robert Outch — 18:30 Breakin’ Convention — 17:00 Melanie Blatt — 17:00 The Dance-off DJs & Battles — 16:00 Blonde Ambition -
NOEA Yearbook2018
CREATE / COLLABORATE / CONTROL 2019 YEARBOOK CELEBRATING 40 YEARS National Outdoor Events Association AS THE UK’S LEADING OUTDOOR TRADE www.noea.org.uk ASSOCIATION NATIONAL OUTDOOR EVENTS ASSOCIATION 2019 YEARBOOK 3 CONTENTS An Introduction to the National Outdoor Events Association 5 Code of Professional Practice | Legal AdVice | Insurance Panel 6 Message from the President and Vice President 8-9 UniVersitY of DerbY – Event SafetY Diploma 9 NOEA – Values and Goals 10-11 CEO’s Report 12 NOEA Scotland 13 General Council Members 2018/2019 Picture GallerY 14 General Council Members 2018/2019 Contact Details 15 NeW Council Members 16 Events IndustrY Forum 17 So Where Did It Go Wrong – A Suppliers PerspectiVe 18 40th AnniVersarY of NOEA 18-19 Business Visits & Events Partnership Working With VisitBritain 20 Special Memberships and Affiliations 21 Event Solutions NOEA 16th Annual Convention and AWards Dinner 21 2018 AWard Winners Pictures 22 Judges for the AWards 23 NOEA 2018 AWard Winners 24-25 Recording Breaking Convention 25 NOEA AWard Sponsors Logos 25 Futures Sponsors 26 AWards Sponsors 27-28 Media Partner 28 2Can Productions Members NeWs 29-38 Front cover photographs: Annual Convention and AWards Dinner Packages 42-43 Stage Lighting SerVices, Tintern AbbeY List of NOEA Members – Full details 44-67 Bournemouth 7s, SomersbY Cider Garden Classified Headings IndeX 68-76 We Are the Fair, El Dorado FestiVal Richmond Event Management Ltd, The opinions expressed by contributors to this publication are not Bristol Balloon Fiesta always a reflection of the opinions or the policy of the Association National Outdoor Events Association, PO BoX 4495, Wells BA5 9AS Tel. -
Terror Fried Brains
wake up! wake up! it’s yer sunny side up Summer Solstice 2003 Free/Donation Issue 411/412 TERROR FRIED BRAINS “Every ten years or so, the United States Poached Rights needs to pick up some small crappy little Switch on the news and you hear about CRAP ARREST OF THE WEEK country and throw it against the wall, just to more terrorists being arrested. But who For reading the paper! show the world we mean business.”-Michael are they? In December, five Turks and a An American anti-war prisoner serving time Ledden, holder of the ‘Freedom Chair’ at Briton were charged under the Terrorism for protesting at a military base was put the American Enterprise Institute. Act 2000 for supporting the Turkish into solitary confinement for eight days af- Last week a poll revealed that a third Revolutionary People’s Liberation Party- ter he got sent and distributed anti-war ar- of Americans believe that weapons of mass Front, or DHKP-C. They were nicked be- ticles from such radical publications as the destruction have been found in Iraq, while New York Times, Readers’ Digest, cause DHKP-C has been banned by the Newsweek, and The Guardian! Better not 22 per cent reckon Iraq actually used UK government and the six arrestees were send him this weeks SchNEWS then. them! Even before the war, half of those supposedly “facilitating the retention or www.naplesnews.com/03/06/florida/ polled said the Iraq regime was responsi- control of terrorist property.” Guns? d939395a.htm ble for September 11th. But no one’s found Bombs? Er, no, the people arrested were any weapons of mass destruction let alone simply in possession of magazines, vid- handcuffed at gunpoint and driven to Govan used them (well apart from the Americans eos and posters that supported the Police Station. -
From Glyndebourne to Glastonbury: the Impact of British Music Festivals
An Arts and Humanities Research Council- funded literature review FROM GLYNDEBOURNE TO GLASTONBURY: THE IMPACT OF BRITISH MUSIC FESTIVALS Emma Webster and George McKay 1 CONTENTS EXECUTIVE 4 INTRODUCTION 6 THE IMPACT OF FESTIVALS: A SURVEY OF THE FIELD(S) 7 ECONOMY AND CHARITY SUMMARY 8 POLITICS AND POWER 10 TEMPORALITY AND TRANSFORMATION Festivals are at the heart of British music and at the heart 12 CREATIVITY: MUSIC of the British music industry. They form an essential part of AND MUSICIANS the worlds of rock, classical, folk and jazz, forming regularly 14 PLACE-MAKING AND TOURISM occurring pivot points around which musicians, audiences, 16 MEDIATION AND DISCOURSE and festival organisers plan their lives. 18 HEALTH AND WELL-BEING 19 ENVIRONMENT: Funded by the Arts and Humanities Research Council, the LOCAL AND GLOBAL purpose of this report is to chart and critically examine 20 THE IMPACT OF ACADEMIC available writing about the impact of British music festivals, RESEARCH ON MUSIC drawing on both academic and ‘grey’/cultural policy FESTIVALS literature in the field. The review presents research findings 21 RECOMMENDATIONS FOR under the headings of: FUTURE RESEARCH 22 APPENDIX 1. NOTE ON • economy and charity; METHODOLOGY • politics and power; 23 APPENDIX 2. ECONOMIC • temporality and transformation; IMPACT ASSESSMENTS • creativity: music and musicians; 26 APPENDIX 3. TABLE OF ECONOMIC IMPACT OF • place-making and tourism; MUSIC FESTIVALS BY UK • mediation and discourse; REGION IN 2014 • health and well-being; and 27 BIBLIOGRAPHY • environment: local and global. 31 ACKNOWLEDGEMENTS It concludes with observations on the impact of academic research on festivals as well as a set of recommendations for future research. -
2020-21 Parent-Student Handbook
LIGHTHOUSE CHRISTIAN SCHOOL www.lcschool.org 3008 – 36th St. NW, Gig Harbor, WA 98335 Ph. 253-858-5962 Fax 253-858-8911 PARENT-STUDENT HANDBOOK For 2020-2021 Let your light shine before men…. Matthew 5:16 LCS Parent/Student Handbook 2020-21 - 1 Table of Contents SECTION 1: ABOUT LIGHTHOUSE CHRISTIAN SCHOOL .................................................................. 4 WELCOME! .................................................................................................................................................. 4 OUR MISSION .............................................................................................................................................. 4 STATEMENT OF FAITH ............................................................................................................................... 4 OUR CORE VALUES ................................................................................................................................... 5 PHILOSOPHY OF EDUCATION .................................................................................................................. 5 EDUCATIONAL AFFILIATIONS ................................................................................................................... 6 SECTION 2: SCHOOL LEADERSHIP ..................................................................................................... 7 SCHOOL BOARD ......................................................................................................................................... 7 -
The Midlands Essential Entertainment Guide
Midlands Cover - June_Layout 1 24/05/2013 13:55 Page 1 MIDLANDS WHAT’S ON WHAT’S MIDLANDS THE MIDLANDS ESSENTIAL ENTERTAINMENT GUIDE ISSUE 330 JUNE 2013 JUNE www.whatsonlive.co.uk £1.80 ISSUE 330 JUNE 2013 THE LION KING THE DEFINITIVE LISTINGS GUIDE ARRIVES IN BIRMINGHAM INCLUDING BIRMINGHAM WOLVERHAMPTON WALSALL DUDLEY COVENTRY STRATFORD WORCESTER INSIDE: REDDITCH MALVERN SHREWSBURY Bruce Joel Rubin TELFORD STAFFORD creator of Ghost STOKE interview inside Sean Foley brings Jacobean comedy to the RSC interview inside Peter Lord co-founder of Aardman talks pirates interview inside PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART What’sOn MAGAZINE GROUP ISSN 1462-7035 Grand Theatre (FP-June)_Layout 1 24/05/2013 08:36 Page 1 Contents June_Layout 1 24/05/2013 16:13 Page 1 June 2013 Editor: INSIDE: Davina Evans [email protected] 01743 281708 Editorial Assistants: Ghost The Musical Brian O’Faolain interview with creator [email protected] 01743 281707 Bruce Joel Rubin p6 Adrian Parker [email protected] 01743 281714 Sales & Marketing: Jon Cartwright [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 Subscriptions: Adrian Parker [email protected] Sean Foley 01743 281714 interview p8 Managing Director: Paul Oliver [email protected] 01743 281711 Publisher and CEO: Martin Monahan [email protected] 01743 281710 Graphic Designers: Lisa Wassell The Lion King arrives in the Midlands, page 29 Chris Atherton Accounts -
VF19 Caterer Pack
VF19 Caterer Pack 1 © Tiger Tea / Victorious Festivals Ltd Contents Victorious Festival Overview Page 3 Trading Areas Available Page 4 Electricity Supply & Hire Prices Page 6 Catering Traders Rules Page 7 Event Terms & Conditions Page 17 2 © Tiger Tea / Victorious Festivals Ltd Thank you for your interest in trading at Victorious Festival! Please read the following information about Victorious Festival, the Catering Trader Rules and the Event Terms & Conditions (collectively, the “Trader T&Cs”). Please note by completing and submitting the online trader application form, you will be deemed to have read and accepted the Trader T&Cs. VICTORIOUS FESTIVAL OVERVIEW Victorious Festival is set for its seventh August Bank Holiday weekend. The festival, located along Southsea’s beautiful seafront, will kick off with a partially open site on Friday 23rd August (Common Stage, World Music Village, Street Food Way & Premium Upgrade Area ONLY) to get everyone warmed up ready for the full affair on Saturday 24th and Sunday 25th August 2019. The festival has multiple stages offering a wide variety of music, including two main stages playing host to the biggest performers – last year saw The Prodigy, Paul Weller, Kaiser Chiefs, Years & Years and Paloma Faith headlining. As well as many more acts across the weekend! Victorious Festival is steadily growing each year, the extensive festival site boasts a huge Kids Arena where all activities and entertainment are free, an array of market and food stalls, as well as free entry to some of the amazing Southsea Seafront attractions within the site. With all of this on offer to ticket holders, the event continues to be one of the best value music festivals in the UK! The festival also offers festival-goers the opportunity to camp offsite at Farlington Playing Fields with a free-to-campers shuttle bus service to and from the festival site.