Richard Beers: RIP AUDIO CYNIC
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Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
Their Greatest Hits (1971-1975)”—The Eagles (1976) Added to the Registry: 2016 Essay by Marc Eliot (Guest Post)*
“Their Greatest Hits (1971-1975)”—The Eagles (1976) Added to the Registry: 2016 Essay by Marc Eliot (guest post)* The Eagles In 1971, the arrival of The Eagles signaled a major shift in popular musical tastes in America. If Woodstock was the funeral for both the music and the culture of a decade of drugged out, hippie, free love and cultish idealism, the Seventies was the decade of blatant decadence, political cynicism, sexual distrust, and rampant narcissism. No band represented both the rejection of the Sixties and the celebration of the Seventies more than its crown princes, the Eagles. Songs like “Lyin’ Eyes,” “Witchy Woman,” “One of These Nights,” and “Already Gone,” filled with spirited playing, close harmonies and an overlay of the Eagles’ war between the sexes, comprise four of the ten selections included in the initial compilation of Eagles’ hit songs from their first four albums, “Their Greatest Hits (1971-1975).” Ironically, although the Eagles’ laid-back sound was bright and natural as Southern California sunshine, none of the original four members were Golden State natives (Don Henley, vocalist, lyricist, drummer, was from Texas, bred on bluegrass and country music; Glenn Frey, vocalist, lyricist, rhythm guitar, pianist, came from the streets of Detroit, influenced by the music of Motown and mentored by Bob Seger; Randy Meisner, on bass, was a veteran bar band night sider out of Nebraska; Bernie Leadon, guitar, mandolin, banjo, was a Minnesotan who loved and loved to play classic country). Each migrated separately to Los Angeles, like lemmings, to The Troubadour, the musical and cultural ground zero club on Santa Monica Boulevard, owned and operated by Doug Weston, who favored putting on his stage country-rock bands and female vocalists. -
Tanz Interpret Titel Langsamer Walzer Simply Red If You Don't Know Me
Tanz Interpret Titel Langsamer Simply Red If You Don’t Know me By Now Walzer Take That Love Ain’t Here Anymore Hildegard Knef Für Mich Soll’s Rote Rosen Regnen Hayley Westenra Dark Waltz Jennifer Rush Still Slade Every Day The Eagels Take It To The Limit Curtis Stigers I Wonder Why Paul Mc Cartney Mull Of Kintyre D. C. Lewis See The Day SIA My Love RUMBA Take That How Deep Is Your Love Phil Collins Another Day In Paradise / In The Air Tonight Triggerfinger I Follow Rivers Max Can’t Wait Until Tonight Queen I Want To Break Free Black Wonderful Life Beach Boys Kokomo Livingston Broken Tina Turner Goldeneye / Missing You Boyzone No Matter What Marlon Roudette New Age Robbie Williams Something Stupid Geri Halliwell Calling Puppini Sisters Sway Jason Donovan Sealed With A Kiss Mana Mariposa / Celoso Roy Orbison California Blue BLUES Scissor Sisters I Don’t Feel Like Dancing Robbie Williams Candy Matt imons Catch And release Peter Schilling Terra Titanic Mark Ronson Uptown Funk Louane Avenir Bus Stop Feat. Carl Kung Fu Fighting Douglas Nelly Furtado All Good Things Candi Staton Young Hearts Run Free Depeche Mode Enjoy The Silence Justin Timberlake Can’t Stop Nelly Furtado All Good Things Maggie Reilly Everytime We Touch WIENER Loona Hijo de la Luna WALZER Pixie Lott Cry Me Out Blue Breathe Easy Marshall & Alexander Resta / In Italy Doris Day Que Sera (Whatever Will Be) Metallica Nothing Else Matters The Corrs Runaway Kelly Clarkson Breakaway Nelly Furtado In Gods Hands Kylie Minogue & Nick Where The Wild Roses Grow Caven CHA CHA CHA Cher Shoop Shoop Song Caro Emerald A Night Like This Peter Fox Haus Am See Debelah Morgan Dance With Me Mana El Rey Tiburon Hot Banditoz Veo Veo Eruption One Way Ticket DNCE Cake By The Ocean Robin Thicke Blurred Lines Carlos Santana Smooth The Pussycat Dolls Perhaps Perhaps Perhaps Carlos Santana Corazon Espinado / Smooth Marc Anthony I Need To Know Jennifer Lopez Let’s Get Loud Gotye Feat. -
Buck's 'Co Op' Plan Uncovered by ROGER WOO and the Private Corporation
Buck's 'co op' plan uncovered By ROGER WOO AND the private corporation. After releasing two months, estimated Lefever. ject. need of housing in the immediate area. PAULINE BONDONNO the information, Murphy asked the Daily The housing complex would be available Murphy pointed out benefits of student One aspect holding the project back was A four-story, 84 -unit apartment complex not to print the details for fear of jeopar- to those people who are determined to be management "Students will know their land- approval from the state college Board of is now being planned under A.S. Pres. Mike dizing pending negotiations. of a low-income category. These would lord. They can spend the money budgeted Trustees. Buck, Spartan Daily reporters learned Wed- According to proposed plans, the un- include single students, and married stu- for maintenance anyway they want." Since Spartan Shops is incorporated, nesday. furnished complex would include 39 -one - dents with children where one or both "Although students will not own the Lefever believes the project will not need The $2.8 million low-income housing bedroom units, 41 two-bedroom units and parents work. It will be aimed at married entire project, students will manage the approval from the Board of Trustees on project, which has been erroneously termed 9 three -bedroom units. students. complex," according to Murphy. how students may spend their money. "co-operative" housing by Buck, will be Proposed rents for the housing project Murphy indicated it would take 40 years Facilities also included are a laundry "Legally Spartan Shops is a separate jointly funded by SJS, an unnamed private range from $100 from the one bedroom, to pay for the housing development. -
Creating Intelligent Machines at Deere &
THE 2018 CT HALL OF FAME CES 2019 PREVIEW NOVEMBERDECEMBER 2018 BLOCKCHAIN NEW WAYS TO TRANSACT SMART CARS MONITORING DRIVERS TECH CONNECTING DOCTORS WITH PATIENTS SENIOR VP, INTELLIGENT SOLUTIONS GROUP John Stone Creating Intelligent Machines at Deere & Co. i3_1118_C1_COVER_layout.indd 1 10/24/18 3:50 PM MEET THE MOST IRRESISTIBLE NEW POWER COUPLE EVERYBODY’S TALKING Sharp’s all-new, modern and elegant, built-in wall oven features an edge-to-edge black glass and stainless steel design. The SWA3052DS pairs beautifully with our new SMD2480CS Microwave DrawerTM, the new power couple of style and performance. This 5.0 cu. ft. 240V. built-in wall oven uses True European Convection to cook evenly and heat effi ciently. The 8 pass upper-element provides edge-to-edge performance. Sharp’s top-of-the-line Microwave Drawer™ features Easy Wave Open for touchless operation. Hands full? Simply wave up-and-down near the motion sensor and the SMD2480CS glides open. It’s just the kind of elegant engineering, smart functionality and cutting-edge performance you’d expect from Sharp. NEW TOUCH GLASS CONTROL PANEL EDGE-TO-EDGE, BLACK GLASS & STAINLESS STEEL OPTIONAL 30" EXTENSION KIT SHOWN Simply Better Living www.SharpUSA.com © 2018 Sharp Electronics Corporation. All rights reserved. Sharp, Microwave Drawer™ Oven and all related trademarks are trademarks or regis- tered trademarks of Sharp Corporation and/or its affi liated entities. Product specifi cations and design are subject to change without notice. Internal capacity calculated by measuring maximum width, -
(I Can't Get No) Satisfaction Rolling Stones 1965 4 Open Ar
1 Hey Jude The Beatles 1968 2 Stairway To Heaven Led Zeppelin 1971 3 (I Can't Get No) Satisfaction Rolling Stones 1965 4 Open Arms Journey 1982 5 Yesterday The Beatles 1965 6 American Pie Don McLean 1972 7 Imagine John Lennon 1971 8 Jailhouse Rock Elvis Presley 1957 9 Ebony And Ivory Paul McCartney & Stevie Wonder 1982 10 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 11 Start Me Up Rolling Stones 1981 12 Centerfold J. Geils Band 1982 13 I Want To Hold Your Hand The Beatles 1964 14 I Love Rock And Roll Joan Jett & The Blackhearts 1982 15 Hotel California The Eagles 1977 16 Do You Believe In Love Huey Lewis & The News 1982 17 The House Of The Rising Sun The Animals 1964 18 Don't Talk To Strangers Rick Springfield 1982 19 Won't Get Fooled Again The Who 1971 20 867-5309/Jenny Tommy Tutone 1982 21 Bridge Over Troubled Water Simon & Garfunkel 1970 22 '65 Love Affair Paul Davis 1982 23 Help! The Beatles 1965 24 Don't Stop Believin' Journey 1981 25 Endless Love Diana Ross & Lionel Richie 1981 26 Brown Sugar Rolling Stones 1971 27 Let It Be The Beatles 1970 28 Free Bird Lynyrd Skynyrd 1975 29 Woman John Lennon 1981 30 Nights In White Satin Moody Blues 1972 31 She Loves You The Beatles 1964 32 The Sounds Of Silence Simon & Garfunkel 1966 33 The Twist Chubby Checker 1960 34 Jumpin' Jack Flash Rolling Stones 1968 35 Jessie's Girl Rick Springfield 1981 36 Born To Run Bruce Springsteen 1975 37 A Hard Day's Night The Beatles 1964 38 California Dreamin' The Mamas & The Papas 1966 39 Lola The Kinks 1970 40 Lights Journey 1978 41 Proud -
“It's Just a Matter of Time”: African American Musicians and The
“It’s just a matter of time”: African American Musicians and the Cultural Boycott in South Africa, 1968-1983 by Ashrudeen Waggie Thesis presented in fulfilment of the requirements for the degree of Master of Arts (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr. L. Lambrechts Co-supervisor: Dr. C. J. P. Fransch March 2020 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third-party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Ashrudeen Waggie March 2020 Copyright © 2020 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Abstract In 1968 the United Nations General Assembly instituted a cultural boycott against apartheid South Africa. The cultural boycott prevented South Africa from having cultural, educational and sporting ties with the rest of the world, and it was an attempt by the international community to sever ties with South Africa. A culmination of this strategy was the publication of an annual registry by the United Nations of all international entertainers, actors, and others who performed in South Africa from 1983. Based on this registry a number of academic studies have been conducted, but very few studies have investigated those who came to perform in South Africa before the publication of the registry even though renowned artists such as Percy Sledge (1970), Brook Benton (1971 & 1982), Jimmy Smith (1978 & 1982) and Isaac Hayes (1978) performed in South Africa during this time. -
Jimmy Smith Hobo Flats Part 1 / Part 2 Mp3, Flac, Wma
Jimmy Smith Hobo Flats Part 1 / Part 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Hobo Flats Part 1 / Part 2 Country: Canada Style: Soul-Jazz MP3 version RAR size: 1982 mb FLAC version RAR size: 1201 mb WMA version RAR size: 1686 mb Rating: 4.4 Votes: 715 Other Formats: AUD MP3 FLAC AUD VOC MP1 ADX Tracklist A Hobo Flats Part 1 B Hobo Flats Part 2 Companies, etc. Manufactured By – Quality Records Limited Other versions Category Artist Title (Format) Label Category Country Year Jimmy Hobo Flats - Part I / Hobo Verve VK-10283 VK-10283 US 1963 Smith Flats - Part II (7") Records Jimmy Verve VK-133 Hobo Flats (7", Single) VK-133 US Unknown Smith Records Jimmy Hobo Flats - Part 1 / Hobo Verve VV 20.111 VV 20.111 Netherlands 1963 Smith Flats - Part 2 (7", Single) Records Jimmy Hobo Flats (7", Single, Verve 58 108 58 108 Germany 1967 Smith Promo) Records Jimmy Hobo Flats - Part I / Hobo Verve VS 509 VS 509 UK 1963 Smith Flats - Part II (7", Single) Records Related Music albums to Hobo Flats Part 1 / Part 2 by Jimmy Smith Jerome McMurray - Like The Four Winds / Hobo Man Jimmy Smith - The Best Of Jimmy Smith Harry Choates - Poor Hobo Various - Strictly For Snobs 2 S.Ohashi & His Honey Islanders, N.Hara & His Sharps & Flats - Hawaiian With Sharps & Flats Jimmy Smith - Bashin' - The Unpredictable Jimmy Smith + Hobo Flats Jeffrey Bützer, Claire Lodge - Past Wanstead Flats Jimmy Smith - Plays Red Hot Blues Jimmy Smith - Got My Mojo Working (Part I) / Got My Mojo Working (Part II) Jimmy Smith - Hobo Flats Bosque Brown - Whiskey Flats Jimmy Smith - Hobo Flats - Part I / Hobo Flats - Part II. -
Warner/Reprise Loss Leaders Big Index
The Warner/Reprise Loss Leaders Series WW# Title Catalog # Year 1 The 1969 Warner/Reprise Songbook PRO331 1969 2 The 1969 Warner/Reprise Record Show PRO336 1969 3 October 10, 1969 (1LP) PRO351 1969 4 The Big Ball PRO358 1970 5 Schlagers! PRO359 1970 6 Zapped (Both Versions) (1LP) PRO368 1970 7 Looney Tunes And Merrie Melodies (3LP) PRO423 1970 8 Non-Dairy Creamer (1LP) PRO443 1971 9 Hot Platters PRO474 1971 10 Together (1LP) PRO486 1971 11 The Whole Burbank Catalog PRO512 1972 12 Middle Of The Road PRO525 1972 13 Burbank PRO529 1972 14 The Days Of Wine And Vinyl PRO540 1972 15 Appetizers PRO569 1973 16 All Singing—All Talking—All Rocking PRO573 1973 17 Hard Goods PRO583 1974 18 Peaches PRO588 1974 19 Deep Ear PRO591 1974 20 The Force PRO596 1975 21 All Meat PRO604 1975 22 Peaches V2 PRO605 1975 23 I Didn’t Know They Still Made Records Like This PRO608 1975 24 The Works PRO610 1975 25 Supergroup PRO630 1976 26 The People’s Record PRO645 1976 27 Cook Book PRO660 1977 28 Limo PRO691 1977 29 Collectus Interruptus PRO-A-726 1978 30 Pumping Vinyl PRO-A-773 1979 31 A La Carte PRO-A-794 1979 32 Monsters PRO-A-796 1979 33 Eclipse PRO-A-828 1980 34 Music With 58 Musicians, Volume One PRO-A-850 1980 35 Troublemakers PRO-A-857 1980 all issues are 2-LP sets, unless otherwise notated Layout design by Tom Rednour (no website, no facething; but he did write a Sinatra book way back when) with input and advise from Captain Willard The Big Index Now you have all (or whatever you wanted) of the Great Warner/Reprise Loss Leader Posting Of 2014. -
Jimmy Smith Bashin' - the Unpredictable Jimmy Smith + Hobo Flats Mp3, Flac, Wma
Jimmy Smith Bashin' - The Unpredictable Jimmy Smith + Hobo Flats mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Bashin' - The Unpredictable Jimmy Smith + Hobo Flats Country: Europe Released: 2012 Style: Contemporary Jazz, Cool Jazz, Big Band, Bop MP3 version RAR size: 1836 mb FLAC version RAR size: 1377 mb WMA version RAR size: 1766 mb Rating: 4.2 Votes: 732 Other Formats: VQF WAV ASF TTA MIDI AAC WMA Tracklist Hide Credits Bashin' - The Unpredictable Jimmy Smith Walk On The Wild Side Alto Saxophone – Jerry Dodgion, Phil WoodsArranged By, Conductor – Oliver NelsonBaritone Saxophone – George BarrowBass – George DuvivierBass Trombone – Tom Mitchell*Composed By – Elmer BernsteinDrums – Ed 1 5:55 ShaughnessyGuitar – Barry GalbraithOrgan – Jimmy SmithTenor Saxophone – Arthur "Babe" Clarke*, Bob Ashton*Trombone – Britt Woodman, Jimmy Cleveland, Urbie GreenTrumpet – Doc Severinsen, Ernie Royal, Joe Newman, Joe Wilder Ol' Man River Alto Saxophone – Jerry Dodgion, Phil WoodsArranged By, Conductor – Oliver NelsonBaritone Saxophone – George BarrowBass – George DuvivierBass Trombone – Tom Mitchell*Composed By – Hammerstein-KernDrums – Ed 2 3:57 ShaughnessyGuitar – Barry GalbraithOrgan – Jimmy SmithTenor Saxophone – Arthur "Babe" Clarke*, Bob Ashton*Trombone – Britt Woodman, Jimmy Cleveland, Urbie GreenTrumpet – Doc Severinsen, Ernie Royal, Joe Newman, Joe Wilder In A Mellow Tone Alto Saxophone – Jerry Dodgion, Phil WoodsArranged By, Conductor – Oliver NelsonBaritone Saxophone – George BarrowBass – George DuvivierBass Trombone – Tom Mitchell*Composed -
Flying Dutchman Label Discography
Flying Dutchman Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Flying Dutchman Label Discography Flying Dutchman was a jazz label created 1969 by the renowned producer/arranger Bob Thiele. It produced a fascinating mix of forward thinking music; the label combined the sounds of jazz, soul, experimentation, and black politics. Although the label put out some standard jazz albums, their most incredible records were those of unique musicians such as Leon Thomas, Lonnie Liston Smith, Gil Scott-Heron and Angela Davis. Initially the label was distributed by Atco Division of Atlantic, but later was switched to Bob Shad’s Mainstream label for two years. By 1974 the distribution was switched to RCA which distributed the label to 1984. The Flying Dutchman catalog was acquired by Legacy Recordings in 1993 from Bob Shad's daughter Tamara when she sold the assets of Mainstream Records, which had distributed Flying Dutchman until it closed in 1978. The Flying Dutchman label had several subsidiaries the specialized in different musical styles. The Amsterdam label concentrated on popular music including the recordings of Thiele’s wife Teresa Brewer. The Reggae label was established to release the reggae music from Jamaica. The Bluestime label was established to release blues recordings. Starting in 1974, Flying Dutchman albums were released in the RCA numbering system and were distributed by RCA. This numbering system was also used for albums on the Signature which was reactivated in 1974; Thiele also established the Bob Thiele Music label. For other albums on the Flying Dutchman, Signature, Bob Thiele Music label releases see the discography of the Bob Thiele labels. -
JOURNAL of MUSIC and AUDIO Issue 4, April 11, 2016
Issue 4, April 11, 2016 JOURNAL OF MUSIC AND AUDIO Copper Copper Magazine © 2016 PS Audio Inc. www.psaudio.com email [email protected] Subscribe copper.psaudio.com/home/ Page 2 Credits Issue 5, April 25, 2016 JOURNAL OF MUSIC AND AUDIO Publisher Paul McGowan Editor Bill Leebens Copper Columnists Seth Godin Richard Murison Dan Schwartz Bill Leebens Lawrence Schenbeck Duncan Taylor WL Woodward Inquiries Writers [email protected] Andrew Benjamin 720 406 8946 Lawrence Schenbeck Boulder, Colorado Anthony Bigler USA Robert Hart Copyright © 2016 PS Audio International Copper magazine is a free publication made possible by its publisher, PS Audio. We make every effort to uphold our editorial integrity and strive to offer honest content for your enjoyment. Copper Magazine © 2016 PS Audio Inc. www.psaudio.com email [email protected] Page 3 Copper JOURNAL OF MUSIC AND AUDIO Issue 5 - April 25, 2016 Opening Salvo Letter from the Editor Bill Leebens It’s hard to believe we’ve already reached the fifth issue of Copper. It’s been really interesting to view the wide range of responses from our readers: what one loves, another despises. We know that extreme reactions indicate passion, and we want to encourage that...without provoking bloodshed, of course! Our columnists represent a diversity of topics and viewpoints, something for everyone. This issue, Seth Godin writes about the joys of teetering on the edge of control. Richard Murison samples the subject of sample rates. Dan Schwartz looks back at his development as a professional bassist, and his part in a legendary recording. Lawrence Schenbeck revisits the concept of The Shock of the New, as it applies to music.