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What Is “Creative Placemaking”?
What is “Creative Placemaking”? The term “creative placemaking” is used commonly in community development and city/urban planning. But what does it really mean? How will you know it when you see it? Creative Placemaking is generally understood as the use of arts and culture by diverse partners to strategically shape the physical and social character of a place in order to spur economic development, promote enduring social change and improve the physical environment.1 1. Use of arts and culture. This could involve a painter, musician, sculptor, historian, architect – or any other expression of “arts and culture”. The project could be many things including a mural, a street carnival, busker musicians on a street corner, or a public art sculpture about the place’s history. Artists are involved in the planning, execution and activity. 2. Diverse partners. Contributors to projects might include neighborhood residents, businesses, non-profits, churches, government agencies, etc. Diverse partners who invest time, talent and/or financial support will strengthen the project and take greater ownership in its maintenance and stewardship long-term. 3. Shape a place. The combination of arts, culture, and diverse partners can convert an under-utilized place and make it something useful, safe, beautiful and vibrant. 4. To spur, promote and improve. Whether the project is big or small, low-budget or very expensive, successful creative placemaking projects attract people. People want to be near other people. Places that attract people also attract new -
The Impact of COVID-19 on Public Space: a Review of the Emerging Questions
The Impact of COVID-19 on Public Space: A Review of the Emerging Questions Jordi Honey-Rosés1*, Isabelle Anguelovski2,3, Josep Bohigas4, Vincent Chireh5, Carolyn Daher6, Cecil Konijnendijk7 , Jill Litt,6 Vrushti Mawani1, Michael McCall8, Arturo Orellana9, Emilia Oscilowicz1, Ulises Sánchez10, Maged Senbel1, Xueqi Tan11, Erick Villagomez1, Oscar Zapata12, Mark Nieuwenhuijsen6 1School of Community and Regional Planning University of British Columbia. 1933 West Mall, Vancouver, BC V6T 1Z2 Canada. 2 Institute of Environmental Science and Technology, Universitat Autònoma de Barcelona (ICTA-UAB) Bellaterra, Spain. 3 Institució Catalana de Recerca i Estudis Avançats (ICREA), Barcelona, Spain. 4 Barcelona Regional, C/ 60, 25-27. Edifici Z. Sector A. Zona Franca, 08040 Barcelona, Spain. 5 Institute for Resources, Environment, and Sustainability, University of British Columbia. 2202 Main Mall, Vancouver, BC V6T 1Z4 Canada. 6 IS Global, Institute for Global Health, Doctor Aiguader 88, Barcelona 08003 Spain. 7 Faculty of Forestry, University of British Columbia. 2424 Main Mall, Vancouver, BC V6T 1Z4, Canada. 8 Centro de Investigaciones en Geografía Ambiental, Universidad Nacional Autónoma de México, Morelia, Mexico. 9 Instituto de Estudios Urbanos y Territoriales, Pontificia Universidad Católica de Chile, Santiago, Chile. 10 Independent Consultant, Morelia, Mexico. 11 School of Humanities, Southeast University. No. 2, Southeast University Road, Jiangning District, Nanjing, 211189, China. 12 Department of Economics, University of Regina. 3737 Wascana Parkway, Regina, SK S4S 0A2 Canada. *Corresponding Author: [email protected] Abstract Restrictions on the use of public space and social distancing have been key policy measures to reduce the transmission of SAR-CoV-2 and protect public health. At the time of writing, one half of the world’s population has been asked to stay home and avoid many public places. -
Public Space Essential Infrastructure for a Healthy, Happy City
PUBLIC SPACE ESSENTIAL INFRASTRUCTURE FOR A HEALTHY, HAPPY CITY Vanessa Trowell , Advocacy Manager Australian Institute of Landscape Architects (AILA) [email protected] Public space defines a city. It is where we meet, celebrate, gather, play, stay active, and travel. Public spaces are our shared living places. The importance of public space is inherently connected to the importance of the ‘public’. The provision of accessible public space is critical not only to the life of our cities, but more importantly to a tolerant, diverse and inclusive society. The challenge is to ensure or to increase the ‘publicness’ of public space, as the elements of a city that promote shared meaning, sense of community and democracy. Through the use of public space, society benefits through increased interaction of a diversity of people, which in turn encourages greater social cohesion and promotes a sense of identity. Olmsted’s notion of public space as being a “social safety-valve” resonates strongly nearly 150 years after Central Park, New York was envisioned. Whilst we cannot be as naïve to think that public space can be completely inclusive, due to a complexity of issues including age, gender, socio-economic status and culture, there exists a notion of a universal public realm, at least in principle. It reflects a democratic notion of accessibility to and provision of, a resource available across society. Public space makes up at least 40% of urban environments and forms a spectrum that extends from the front door to streets, parks, open space, plazas, waterfronts, pedestrian and cycle paths and public transport infrastructure. -
Gentrification, Displacement & Creative Placemaking
Gentrification, Displacement & Creative Placemaking: Evaluation Methods for Nonprofit Arts and Cultural Organizations by Grace Komarek-Meyer [email protected] Capstone Research Report Submitted in Partial Fulfillment of the Requirements for the Master of Nonprofit Administration Degree in the School of Management directed by Dr. Marco Tavanti San Francisco, California Summer 2019 1 Abstract Gentrification, Displacement & Creative Placemaking: Evaluation Methods for Nonprofit Arts and Cultural Organizations focuses on the cultural strategies of creative placemaking projects, the role of the nonprofit organization in combating gentrification and displacement, and the task of evaluation and measurement program impact of creative placemaking projects. The first section of this report contains a literature review that is divided into two main focuses: (1) the history, context, and research of gentrification and displacement, and (2) Creative Placemaking and cultural strategies to support community development and resist the negative effects of gentrification and displacement for community members, neighbors, and key stakeholder groups. The second section of this report contains primary data collected in the form of three expert interviews with nonprofit arts and cultural organizations and one urban planning professional. The final component of this report consists of a set of recommendations for nonprofit arts and cultural organizations to take into consideration when carrying out various creative placemaking projects. 2 Acknowledgments I would like to thank my fellow cohort members in the Masters of Nonprofit Administration program at the University of San Francisco’s School of Management for their continued support and generosity over the past year and a half. I have learned so much from each and every one of you, and am excited to see the amazing things that you all do with your careers with the unique knowledge, skills, and perspectives you all bring to the nonprofit sector. -
CV FIU Aug 2017
Patel, Alpesh Kantilal 2-Sep-17 CURRICULUM VITAE ALPESH KANTILAL PATEL DEPARTMENT OF ART AND ART HISTORY EDUCATION PhD University of Manchester Art History and Visual Studies Apr 2009 Manchester, England BA Yale University History of Art (with distinction) Sep 1997 New Haven, Connecticut FULL-TIME ACADEMIC EXPERIENCE Florida International University Associate Professor (with tenure), Aug 2017− Miami, Florida Contemporary Art and Theory Assistant Professor, Aug 2011− Contemporary Art and Theory Jul 2017 Affiliate Faculty, Jun 2013− Center for Women’s and Gender Studies present Affiliate Faculty, Aug 2014− African and African Diaspora Program present Other academic affiliations Cranbrook Academy of Art Critical Studies Fellow Sep−Dec Bloomfield Hills, Michigan 2016 University of Fine Arts Fulbright Scholar Jun−Aug Poznań, Poland 2016 Adam Mickiewicz University Fulbright Scholar, Fall 2015 Poznań, Poland Art History Department New York University Visiting Scholar, Sep 2010− New York City Center for Gender and Sexuality May 2011 NONACADEMIC EXPERIENCE New Museum of Executive Assistant, Director’s Office Jan 2002− Contemporary Art May 2005 Clinica Estetico and Assistant to Film Producer Ed Saxon Sep 2000− Magnet Entertainment Dec 2001 Patel, Alpesh Kantilal 2-Sep-17 Whitney Museum Special Projects Coordinator, Jan−Aug of American Art Director’s Office 2000 Whitney Museum Catalog Coordinator Jun 1999− of American Art (Film/Video Section), Jan 2000 2000 Biennial Exhibition Whitney Museum Curatorial Research Assistant, Dec 1998− of American Art “The American Century: Art and Culture, May 1999 1950−2000” Exhibition/Catalog RoseLee Goldberg Research Assistant for Author’s Sep 1998− Books: Laurie Anderson (Abrams, Mar 1999 2000) and Performance Art: Live (part-time Art since 1960 (Abrams, 1998) from Jan) Jack Tilton Gallery Codirector Jun-Aug 1998 From Sep 1997 to Sep 1998: Winter 1998 (part-time): Photography Traffic Coordinator, Photonica Winter 1998 (part-time): Curatorial Intern, Solomon R. -
Public Realm Design Manual Version 2.1 March 2019
Public Realm Design Manual A Summary of District of Columbia Regulations and Specifications for the Design of Public Space Elements Government of the District of Columbia Version 2.1 - March 2019 Muriel Bowser, Mayor II Majestic views of national monuments, leafy residential streets, and wide sidewalks in commercial areas... these are iconic images of Washington, DC. Much of the daily routine of District residents, workers, and visitors takes place in settings like these. This is where we walk to school, wait for the bus, talk to neighbors, walk the dog, window shop, or sit outside in a café to drink a cup of coffee. Having such an extensive network of public space enhances the quality of life for our residents and visitors, and ensures that the city has the foundation to become a more walkable and sustainable city. The District’s public space is a valuable asset worthy of our stewardship and - with the help of all residents and property owners – is one if the unique features that makes our city great. The Guide to the District of Columbia’s Public Space Regulations is a resource for learning about the importance of the District’s public space, the regulations that guide its use and form, and the rationale behind them. Property owners are required to maintain the public space adjacent to their property, so it is important that these ideas are understood clearly. Beginning with the L’Enfant Plan and continuing to today, Washington, DC has a notable history of using public space to define the city and give character and grace to neighborhoods. -
The Democratic Image Online Projects Exhibitions Workshops Commissions Events 2 About Look 07
THE DEMOCRATIC IMAGE ONLINE PROJECTS EXHIBITIONS WORKSHOPS COMMISSIONS EVENTS 2 ABOUT LOOK 07 LOOK 07 WAS CONCEIVED BY REDEYE AND IS A PROGRAMME OF ACTIVITIES CONCERNED WITH THE REVOLUTION IN PHOTOGRAPHY. AS CAMERA OWNERSHIP IS SKYROCKETING WORLDWIDE, LOOK 07 DESCRIBES WHAT PEOPLE ARE SAYING WITH THIS NEW LANGUAGE; WHO’S MAKING THE MOST INTERESTING PICTURES NOW; WHO’S LOOKING AT THEM; HOW THE PUBLIC IS USING PHOTOGRAPHY AS A NEW MEANS OF EXPRESSION AND THE PLACE OF THE PROFESSIONAL PHOTOGRAPHER IN ALL THIS. LOOK 07 IS… A SYMPOSIUM WORKSHOPS The Democratic Image Symposium investigates the Look 07 brings together photographers, artists and revolution in photography with some of the world’s non-professionals for exciting projects that will be top speakers on the subject. exhibited in galleries and online. ONLINE WORK COMMISSIONS Look 07’s online gallery, Flickr gallery and blog New work commissioned from a broad range of keep the conversation going. photographers and artists will make its mark upon the city. It will also lead to an open competition. EXHIBITIONS A large number of new, lens-based exhibitions will EVENTS span Greater Manchester, many tying in with the An engaging mix of gallery talks and special symposium’s theme of The Democratic Image. events celebrate different aspects of photography. WHO’S SUPPORTING LOOK 07? Look 07 gratefully acknowledges the support of the We would also like to thank our media partners, Arts Council of England, the Association of Greater The Associated Press and Metro newspaper, and Manchester Authorities, Manchester City Council, our new media supporter, Manchester Digital the Paul Hamlyn Foundation and Redeye – The Development Agency with funds from the ERDF. -
You Are Not Welcome Among Us: Pirates and the State
International Journal of Communication 9(2015), 890–908 1932–8036/20150005 You Are Not Welcome Among Us: Pirates and the State JESSICA L. BEYER University of Washington, USA FENWICK MCKELVEY1 Concordia University, Canada In a historical review focused on digital piracy, we explore the relationship between hacker politics and the state. We distinguish between two core aspects of piracy—the challenge to property rights and the challenge to state power—and argue that digital piracy should be considered more broadly as a challenge to the authority of the state. We trace generations of peer-to-peer networking, showing that digital piracy is a key component in the development of a political platform that advocates for a set of ideals grounded in collaborative culture, nonhierarchical organization, and a reliance on the network. We assert that this politics expresses itself in a philosophy that was formed together with the development of the state-evading forms of communication that perpetuate unmanageable networks. Keywords: pirates, information politics, intellectual property, state networks Introduction Digital piracy is most frequently framed as a challenge to property rights or as theft. This framing is not incorrect, but it overemphasizes intellectual property regimes and, in doing so, underemphasizes the broader political challenge posed by digital pirates. In fact, digital pirates and broader “hacker culture” are part of a political challenge to the state, as well as a challenge to property rights regimes. This challenge is articulated in terms of contributory culture, in contrast to the commodification and enclosures of capitalist culture; as nonhierarchical, in contrast to the strict hierarchies of the modern state; and as faith in the potential of a seemingly uncontrollable communication technology that makes all of this possible, in contrast to a fear of the potential chaos that unsurveilled spaces can bring. -
14, 1946 Every Thursday
Fat THE WESTFIELD LEADER 5aTeYours THE LEADING AND MOST WIDELY CIRCULATED WEEKLY NEWSPAPER IN UNION COUNTY 30 Published WESTFIELD, NEW JERSEY, THURSDAY, MARCH 14, 1946 Every Thursday. 24 Page*—5 Conti ^Policeman Sketch Of Library Proposed As War Memorial Red Cross Fund Mental Hygiene Accident Victim Navy Man Dies j ppointed To $10,000 Over TopDrive To Open Of Injuries From i I Vacancy As Drive Ends Here Tomorrow Auto Accident ^ [Council Approves Chairman Announces $3000 Quota Set Third Traffic Death gamer Resignation, Total Of $37,392 For Clinic Support; Here In Past "^ l Appointment Reported Yesterday Cases Cited Three Week* * reported s Police With the Westfield Red Cross The Westfield Committee for Funeral services were held at 9- j Fund Drive oversubscribed by al- Mental Hygiene Service announces o'clock thiB morning at the Lake* J most ten thousand dollars, W. Page the opening of its membership hurst Naval Air Station for Chief ^ Selby, chairman of tho drive, has drive tomorrow to raise $3000 as iV. O. Charles It. Snyder, 41 yeara j ssued the following statement: Westfteld's share in the financial old, USN, who was fatally injured -"' "On behalf of tho Westfield support of the Mental Hygiene So- Friday afternoon in an automo-' ': Chapter of American Red Cross, ciety of Union County whose main bile accident at Grove St. and Cen- • serving in the CBI the- may we express our thanks for clinic is in Plainfield. W. R. Hane- tral Ave. Interment will be in ar rewith the Army Military Po- the generous support given to us wald is Westfield chairman and Arlington National Cemetery, in l Donald Goettel, also a vet- n our 1946 ciimpaign. -
Intervenciones Urbanas Hechas Por Ciudadanos: Estrategias Hacia
Intervenciones urbanas hechas por ciudadanos: Estrategias hacia mejores espacios públicos INTERVENCIONES URBANAS HECHAS POR CIUDADANOS: ESTRATEGIAS HACIA MEJORES ESPACIOS PÚBLICOS [Versión preliminar] 1ª Edición (CC) Ocupa Tu Calle Calle General Silva 767, Miraflores, Lima Perú Tel. +51-1-234-0232 www.ocupatucalle.com (CC) Programa de las Naciones Unidas para los Asentamientos Humanos (ONU- Habitat) P.O. Box 30030 00100 Nairobi GPO KENYA Tel: +254-020-7623120 (Oficina Principal) www.onuhabitat.org EXENCIÓN DE RESPONSABILIDAD (CC) Fundación Avina Calle Evelio Lara, Casa Nº131-B, Ciudad del Saber, Clayton, Ciudad de Panamá, Las designaciones empleadas y la presentación del material en el presente informe República de Panamá no implican la expresión de ninguna manera de la Secretaría de las Naciones Unidas Tel. +507-317-1121 con referencia al estatus legal de cualquier país, territorio, ciudad o área, o de sus http://www.avina.net autoridades, o relativas a la delimitación de sus fronteras o límites, o en lo que hace a sus sistemas económicos o grado de desarrollo. Los análisis, conclusiones y recomendaciones del presente informe no necesariamente reflejan el punto de ISBN: No. 978-92-1-132845-5 vista del Programa de Asentamientos Humanos de las Naciones Unidas o de su Consejo de Administración. Alentamos el uso y reproducción del material incluido en esta publicación La referencia efectuada en esta publicación sobre algún producto comercial, siempre y cuando se utilice para promover una ciudad mejor; que no se utilice nombres de marcas, procesos o servicios, o la mención de alguna razón social, firma o con fines de lucro y se consigne adecuadamente la referencia a Ocupa Tu Calle, empresa, no constituye necesariamente endoso, recomendación o preferencia por ONU-Habitat y Fundación Avina. -
Temporary Use & Collective Action: How Urban Planning Practices
AESOP / YOUNG ACADEMICS NETWORK NEXT GENERATION PLANNING Open Access Journal Temporary Use & Collective Action: How Urban Planning Practices Contribute to Adaptive Capacity Building for Economic Resilience Robin A. Chang Technical University of Dortmund, Germany Corresponding author: [email protected] Amongst the proliferation of practice- and theory-based concepts that are changing urban planning, the renaissance of resilience is proving its potential for impressive implications instead of remaining a brief trend. This paper considers the affordances of an evolutionary and adaptive resilience framing for planning policy and practice in relation to economic development. Specifically, the research presented here explores the explanatory and analytical values of resilience through transformative collective action that incites experimentation, social learning and adaptive capacity building through entrepreneurial temporary uses. In the spotlight is Bremen’s temporary use policy of ZwischenZeitZentrale, through which temporary use is managed in the wake of economic and structural change. This softer form of policy demonstrates how planning mechanisms can complement strategies to address hurdles following gradual forms of crises. Through the case study of Plantage 9, an illustration of collective action is anchored by entrepreneurial temporary use that enable temporary users, temporary use managers and public administrations to build adaptive capacity for economic resilience. Keywords: Evolutionary resilience, experimentation, social learning, adaptive capacity, temporary use, Bremen Copyright: author(s). Protected under CC BY-NC 4.0. ISSN: 2468-0648. Please cite as: Chang, R., A. (2018). Temporary Use & Collective Action: How Urban Planning Practices Contribute to Adaptive Capacity Building for Economic Resilience. plaNext – next generation planning. 7: 82- 99. DOI: 10.24306/plnxt/51. -
Panu Lehtovuori* & Sampo Ruoppila
Panu Lehtovuori* & Sampo Ruoppila** *Tampere University of Technology, School of Architecture; [email protected] **University of Turku, Department of Social Research; [email protected] DRAFT, please do not quote word to word Temporary Uses Producing Difference in Contemporary Urbanism Paper presented at the “Transience and permanence in urban development” workshop, Sheffield 14.- 15.1.2015 Abstract The notion of ‘difference’ – phrased by different authors as multiplicity, variety, alterity, otherness, or heterotopia – is central in our effort to theorise temporary uses. In this paper, we outline a theoretical plane to discuss temporary uses, conceptualising urban space as a tensioned and dynamic field of in- terlinked, simultaneous differences. Temporary uses can be viewed either as instrumental ‘tools’ of urban planning and management or as intrinsically valuable spaces and processes, often with political and emancipatory connotations. We discuss how these two ways to think about temporary uses are linked, respectively, to two socio-cultural positions and practical interests, those of the plan- ner/developer and the activist/user. We provide also analysis how ‘difference’ is conceptualised in a selection of contemporary, in some way alternative or forward-looking planning ideas. We also ad- dress the complex relationship between temporary uses and gentrification, acknowledging the connec- tion, but arguing for policies to save the “successful” temporary uses for difference they may provide. I. INTRODUCTION Spatial complexity, temporal Dialectic of permanence anD change anD the socio-political power of space are integral elements of several establisheD architectural and urban theories. In the early 20th century, Patrick Geddes published City Development (1904) and Cities in Evolution (1915).