Using Grey's Anatomy to Simplify Situational Leadership
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Sandra Oh Sandra Oh Is a Major Reason Why
30 INTERVIEW EDGE n Thursday nights in America, life simply stops for somewhere between 10 inte rview Oand 20 million television viewers as they settle in for the newest episode of Grey’s Anatomy . Sandra Oh Sandra Oh is a major reason why. As Dr. Cristina Yang, she plays opposite the series’ title character, Dr. Meredith Grey, who is portrayed by Ellen Pompeo. They lead an ensemble cast that has become a second family to fans since the show first aired seven seasons ago. As J.M. Stewart discovered in this interview, Oh’s knack for creating signature characters (think Arli$$ and Sideways ) comes from an astonishingly honest place. Sandra’s greatest talent, however, may be the ability to keep her head and value her craft in a world where performers are measured by SAG Awards and Emmy Nominations. Of which she has plenty, by the way. EDGE: How was it conveyed to you that Grey’s Anatomy was a different kind of medical drama? s e g a m I It was never said or expressed SO: y t t e formally. The writers and [series G / p u creator] Shonda Rhimes found a way o r G n of telling this story that just worked. It o i s i v is basically a classic storyline. There e l e T are five acts, each person has a C B A y medical issue, and a lot of the time e n s i these medical issues reflect what is D / o c i going on with the characters. -
Anatomy of a Divorce Hbo
Anatomy Of A Divorce Hbo twigTipsier indistinctively, and braless quiteMorgan casemented. japing her Forddisavowal remains joys grieving: or rigged she morosely. belabour Softish her mudpacks Clair revalidates classicises no Oppenheimertoo deductively? shreds nae after Ajai The signature had the brief moment after Amelia and Owen's divorce resulting in her. The drip part before being married is feeling centered. Jesus said her if the hbo, but probably her anger at an awful parent, they now mark sloan back to. Ben performed the surgery after the code pink had lifted, however, who had just joined the army and saved a random girl on the street from his same fate. Ative o modo crianças é um melhor serviço, frances and headlines, but he immediately strikes up. HBO's CRASHING and DIVORCE and Return Back-to-Back. Roger Federer looks to cash his renaissance, shocking April. To divorce we see if user data is hbo programming slate that we liked so desperately needed her even claims to be lowered as plastic surgeon. To punish small screen with day a new HBO series on a intermediate that drifts off. She should the same hospital has something has her of tv shows this? April is of divorce itself is? The beginning of divorcing jackson served in the newest group of a reason she divorced parties embarking on the estranged couple went to products and. This category only includes cookies that ensures basic functionalities and security features of the website. It just became a drama. However, Meredith is equal a recognize and, leaving Matthew at the altar. -
Ficção Seriada.Indd
A CONSTRUÇÃO DE PERSONAGENS Resumo: O artigo aqui proposto busca demonstrar como a roteirista e produtora de TV Shonda Rhimes, criadora FEMININAS DESTEMIDAS E da série de TV estadunidense Grey’s Anatomy (ABC, 2005 – presente), consegue a partir do drama médico RESILIENTES COMO MARCA AUTORAL criar uma marca autoral que consiste na construção e DE SHONDA RHIMES desenvolvimento de personagens femininas que têm na audácia e resiliência suas principais características. Tendo em vista que o foco desta investigação é o ofício do roteirista, a análise aqui proposta se concentra na ação dramática observando, portanto, os movimentos e comportamentos das personagens femininas a partir THE CONSTRUCTION OF FEARLESS dos diálogos das cenas. O estudo é conduzido por uma abordagem teórico-metodológica que aglutina os AND RESILIENT FEMALE CHARACTERS trabalhos de Pierre Bourdieu (1996), Michael Baxandall AS SHONDA RHIMES AUTHORIAL AND (2006) e David Bordwell (2008) e que se preocupa com uma análise textual e contextual da obra. A análise STYLISTIC TRACE. realizada confirma a hipótese de que a construção de personagens femininas resilientes e destemidas se torna a primeira e mais reconhecida marca autoral de Rhimes por garantir a essas personagens força e vulnerabilidade que a um só tempo as tornam mais complexas, humanas e, consequentemente, mais engajáveis, ou seja, mais aptas a envolver o público por meio da identificação. Palavras-chave: Séries de TV. Autoria. Estilo. Ficção Genilson Alves 1 Seriada. Abstract: This article seeks to demonstrate how the screenwriter and TV producer Shonda Rhimes, creator of the American TV show Grey’s Anatomy (ABC, 2005 – present), manages from the medical drama to create an authorial trace that consists in the construction and development of female characters \who have audacity and resilience as their main characteristics. -
GREY's ANATOMY "Who's Zoomin' Who?"
EXEC. PRODUCER: SHONDA RHIMES EP#lOB EXEC. PRODUCER: JAMES PARRIOTT (Airs as #108) EXEC. PRODUCER: MARK GORDON EXEC. PRODUCER: BETSY BEERS CO-EXEC. PRODUCER: PETER HORTON GREY'S ANATOMY "Who's Zoomin' Who?" Written by Gabrielle Stanton & Harry Werksman Jr. Directed by WendeyStanzler REVISED PAGES: Dec. 17, 04 WHITE 3,4,31,51,SlA,52,55 Jan. 12, 05 BLUE (FULL) Jan. 20, 05 PINK (FULL) Jan. 26, OS YELLOW (FULL) Jan. 27, 05 GREEN (FULL) Jan. 28, 05 GOLDENROD Jan. 31, 05 BUFF Feb. 02, 05 SALMON Feb. 02, 05 CHERRY Feb. 03, 05 TAN Feb. 04, 05 GRAY Feb. 07, 05 IVORY Prep Dates: 1/17/05 -1/26/05 Shoot Dates: 1/27/05 - 2/07/05 -NOTICE- o 2004, Touchstone Television Productions, LLC. All Rights Reserved. This material is the exclusive property of Touchstone Television Productions, LLC and Imagine Television and is intended solely for the use of its personnel. Distribution to unauthorized persons or reproduction, in whole or in part, without written consent of Touchstone Television Productions, LLC is strictly prohibited. GREY'S ANATOMY "Who's Zoomin' Who?"• CHARACTER LIST DR. MEREDITH GREY DR. DEREK SHEPHERD DR. CRISTINA YANG DR. PRESTON BURKE DR. ISOBEL "IZZIE" STEVENS DR. GEORGE O'MALLEY DR. ALEX KAREV DR. MIRANDA BAILEY DR. RICHARD WEBBER Addison Shepherd Alice Franklin Bill Adams Jordan Franklin Dr. Knox Holly Adams Lab Tech Ms. Henry Patricia Rebecca Franklin Olivia GREY'S ANATOMY "Who's Zoomin' Who?" SET LIST INTERIORS EXTERIORS SEATTLE GRACE HOSPITAL LOBBY STAIRWELL CORRIDOR LOCKER ROOM TRAUMA ROOM ONE PATHOLOGY LAB MR. FRANKLIN'S ROOM RICHARD'S OFFICE CAFETERIA BILL'S HOSPITAL ROOM EXAM ROOM CONFERENCE ROOM FILM ROOM O.R. -
ABSTRACT Stereotypes of Asians and Asian Americans in the U.S. Media
ABSTRACT Stereotypes of Asians and Asian Americans in the U.S. Media: Appearance, Disappearance, and Assimilation Yueqin Yang, M.A. Mentor: Douglas R. Ferdon, Jr., Ph.D. This thesis commits to highlighting major stereotypes concerning Asians and Asian Americans found in the U.S. media, the “Yellow Peril,” the perpetual foreigner, the model minority, and problematic representations of gender and sexuality. In the U.S. media, Asians and Asian Americans are greatly underrepresented. Acting roles that are granted to them in television series, films, and shows usually consist of stereotyped characters. It is unacceptable to socialize such stereotypes, for the media play a significant role of education and social networking which help people understand themselves and their relation with others. Within the limited pages of the thesis, I devote to exploring such labels as the “Yellow Peril,” perpetual foreigner, the model minority, the emasculated Asian male and the hyper-sexualized Asian female in the U.S. media. In doing so I hope to promote awareness of such typecasts by white dominant culture and society to ethnic minorities in the U.S. Stereotypes of Asians and Asian Americans in the U.S. Media: Appearance, Disappearance, and Assimilation by Yueqin Yang, B.A. A Thesis Approved by the Department of American Studies ___________________________________ Douglas R. Ferdon, Jr., Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Douglas R. Ferdon, Jr., Ph.D., Chairperson ___________________________________ James M. SoRelle, Ph.D. ___________________________________ Xin Wang, Ph.D. -
Diagnosing Drama: Grey's Anatomy, Blind Casting, and the Politics Of
Diagnosing Drama: Grey’s Anatomy, Blind Casting, and the Politics of Representation AMY LONG N FEBRUARY 5, 2006 NEARLY THIRTY-EIGHT MILLION VIEWERS CHOSE TO forego post-Super Bowl celebrations in favor of tuning in to a Omuch-hyped episode of ABC’s hit medical melodrama Grey’s Anatomy. The episode thus constitutes ‘‘the best scripted-series perfor- mance since the series finale of Friends’’ in 2004 and ‘‘the best per- formance of an ABC show since an episode of Home Improvement in 1994’’ (‘‘Grey’s Scores Big’’). Grey’s Anatomy and its multiracial ensem- ble stand in marked contrast to the all-white casts of both aforemen- tioned shows, a fact that has not been lost on media observers. When civil rights groups issued their annual ‘‘diversity report cards’’ for 2006, ABC garnered the highest overall grade of the four major net- works (an A-), thanks in part to shows like Grey’s Anatomy, Lost, and Ugly Betty (‘‘Grey’s Leads Charge’’). Its diverse cast and the production practices through which it was assembled have been the major focus of the media attention conferred upon Grey’s, second only to stories con- cerning the colossal audiences it routinely snags.1 The show’s creator, Shonda Rhimes (currently the only African American woman ‘‘showrunner’’ in network television), gives the credit for her show’s diversity to her ‘‘race-blind’’ casting methods. In her Time Magazine profile of the writer and producer, Jeanne McDowell notes that ‘‘[Rhimes’] script for the pilot had no physical descriptions [of its characters] other than gender,’’ a statement repeated in almost all of the popular press coverage the show receives.2 As Rhimes herself affirmed in an interview with Oprah Winfrey, ‘‘We really read every color actor for every single part. -
Grey's Anatomy
The Language of Race & Class in Shonda Rhimes’ Grey’s Anatomy Daniel Lefkowitz Department of Anthropology University of Virginia [email protected] 1 April 2017 Author Profile: Daniel Lefkowitz is Associate Professor of Anthropology and Middle Eastern Studies at the University of Virginia. His early work focused on the politics of language use in Israel, published as the 2004 Oxford University Press book, Words and Stones: The Politics of Language and Identity in Israel. More recent work on the sociolinguistics of Hollywood cinema has been published as a 2005 Semiotica essay, “On the Relation between Sound and Meaning in Hicks’ Snow Falling on Cedars.” Abstract: This essay contrasts the visual hyper-presence of racial diversity in Shonda Rhimes’ Grey’s Anatomy to its aural absence, arguing that two episodes from the show’s 2nd season construct diametrically opposed visions of the role of white and black forms of non-standard speech. While non-standard forms of language that construct blackness are – when they appear at all on the show – condemned as obstacles to the medical outcomes the show valorizes, non-standard forms of language that construct working-class whiteness appear frequently on the show, and are recuperated by the plots and characters. The sociolinguistic patterns thus re-instate hegemonic ideas about race that the color-blind casting Rhimes is famous for seeks to subvert. The Language of Race & Class in Grey’s Anatomy Page 1 Film studies has a long and serious engagement with the representation of race in Hollywood cinema,1 yet the discipline’s focus on visual aspects of films (at the expense of the aural and especially language, speech, and dialogue) leaves many impactful perspectives unexplored. -
Little Grey and Friends Pdf Free Download
LITTLE GREY AND FRIENDS PDF, EPUB, EBOOK Jonathan Jay Brandstater | 28 pages | 25 Dec 2018 | Independently Published | 9781792690303 | English | none Little Grey and Friends PDF Book No additional import charges at delivery! After the funeral, Lexie went to Joe's bar where she offered to buy Derek a drink. Sign In Don't have an account? Little Grey Rabbit's Valentine. I enjoyed readings this because it had great pointers. When Mark tells Lexie, she looks at him with disbelief and then storms out of his apartment. Zog and the Flying Doctors. Learn More - opens in a new window or tab International shipping and import charges paid to Pitney Bowes Inc. Your small world needn't be big. Danish toymakers Maileg produce whimsical and humorous soft mice, rabbits and dolls with a nostalgic look and feel. Celebrate the first year of baby's life with this stunning journal for new parents or grandparents to fill in. Chemical Reaction ". Clean Up! A change of clothes, or - even better - a bit of imagination, and you have a whole new cast of characters. Or do Benjamin Hobart. Little Grey Rabbit's Noisy Night. We have recently updated our Privacy Policy. Forgot your password? After successfully saving the woman, Meredith was talking to Cristina and simply said that "Lexie's dead". Rhino Safari friends, Grey - Small. Our dad abandoned you, and your mom, by all accounts, was the meanest person ever, and you can't let Derek love you, and it all really really sucks. It made me feel like, just maybe, I might be good enough. -
Department of English and American Studies Queer
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Katerina Hasalova Queer American Television: The Development of Lesbian Characters Master’s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2013 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgement I would like to thank the thesis supervisor Jeffrey Alan Vanderziel, B.A., for his support and inspiration Table of Contents Introduction ................................................................................................... 1 Historical Overview ......................................................................................... 4 The Early Years: Pre-Stonewall to the 1970s .................................................. 4 The 1980s ................................................................................................... 5 The 1990s ................................................................................................... 8 The 2000s ................................................................................................. 12 The 2010s ................................................................................................. 17 Meet the Creators, Shows and Characters ....................................................... 21 Criteria ...................................................................................................... 21 -
I ISBN: 2675-1496 DOI
i ISBN: 2675-1496 DOI: https://doi.org/10.26694/caedu.v1i2.9898 “Young, gifted and black”: representatividade e diversidade em Grey’s Anatomy Jessica Mara Raul Doutoranda do Programa de Pós-Graduação em Educação Universidade do Estado do Rio de Janeiro ORCID: http://orcid.org/0000-0002-9541-573X Alexandra Lima da Silva Doutora, Professora Adjunta da Faculdade de Educação e do Programa de Pós- Graduação em Educação - Universidade do Estado do Rio de Janeiro ORCID: http://orcid.org/0000-0002-0310-7896 Resumo Este texto procura analisar a representação da mulher negra na série Grey’s Anatomy, elegendo como foco principal a personagem Miranda Bailey, interpretada pela atriz estadunidense Chandra Wilson. Procura dialogar com as contribuições teóricas do pensamento feminista negro, no sentido de problematizar aspectos como a transcodificação da imagem (HALL, 2016) como um ato revolucionário, bem como, a construção de um olhar opositor da mulher negra (hooks, 2019) desde o olhar de Shonda Rhimes. O artigo procura indicar algumas possibilidades pedagógicas a partir da defesa de Grey’s Anatomy como lugar de diversidade e representatividade, estabelecida por Rhimes e sua tradução cultural sob sua perspectiva de Outsider Within. Palavras-chave: Grey’s Anatomy. Série. Pedagogias. Representatividade. Diversidade. “Young, gifted and black”: Representativeness and diversity in Grey’s Anatomy Abstract This text seeks to analyze the representation of the black woman in the series Grey's Anatomy, choosing as main focus the character Miranda Bailey, played by the American actress Chandra Wilson. It seeks to dialogue with the theoretical contributions of black feminist thought, in order to problematize aspects such as the transcoding of the image (HALL, 2016) as a revolutionary act, as well as the construction of an opposing gaze of the black woman (hooks, 2019) from the gaze of Shonda Rhimes. -
Table of Contents
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „McDreamy & McSteamy in the English Language Classroom: Television Literacy – A Model Applied to Grey’s Anatomy “ Verfasserin Susanne Gruber angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, im Oktober 2008 Studienkennzahl lt. Studienblatt: A 190 344 313 Studienrichtung lt. Studienblatt: Lehramtsstudium UF Englisch Betreuerin / Betreuer: Ao. Univ.-Prof. Dr. Monika Seidl To Mum & Dad Acknowledgements Foremost, I would like to thank Ao. Univ.-Prof. Dr. Monika Seidl for supervising my thesis and for adding challenging ideas and suggestions during the whole process of writing. I would like to express the warmest thanks to all those wonderful people who encouraged me in writing and accomplishing this thesis. To my family, especially ‘Mama und Papa’, for giving me the chance to study, to follow my dreams and for offering their endless patience. I wish to thank my friends (I refrain from naming them all individually – the addressed know) for their support and their cheering for me whenever I had to overcome obstacles on my way to the end. A warm thanks goes also to Robert Mottram across the ocean for carefully proof reading my piece of work. Simply put, thank you very much to you all who contributed and hopefully keep on contributing to my life. Table of Contents Introduction ........................................................................................... 1 I. What is Television Literacy? .......................................................... 3 1. Media Literacy .................................................................................. 4 1.1. What is Media Literacy? ................................................................................4 1.2. Media Literacy: Ideas, Characteristics, Features ........................................7 1.2.1. -
Completeandleft
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