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The Forties: a Doctorate in Creative and Critical Writing
The Forties: A Doctorate in Creative and Critical Writing Todd Swift Thesis submitted in fulfilment of the degree of PhD University of East Anglia Faculty of Humanities School of Literature and Creative Writing August, 2011 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived therefrom must be in accordance with current UK copyright law. In addition, any quotation or extract must include full attribution. ABSTRACT Todd Swift, 2011, ‗The Forties: A Doctorate in Creative and Critical Writing‘ This work is in two parts: a portfolio of creative writing (poetry), preceded by a critical thesis. In the critical aspect of my dissertation I contest a dominant account of poetic creation and influence in the period 1938–1954, and consider a third line of influence that arose in post-war British poetry. The methodology follows in the footsteps of Other Traditions by John Ashbery: literary criticism by a practitioner. My critical writing complements my poetry collection, whose various styles and registers relate to the poetic influences discussed. My first three chapters develop the argument as follows: Chapter One considers ideas of ‗style‘ and ‗poetic style‘. Chapter Two narrows in on the idea of ‗period style‘ in poetry and turns more specifically into a discussion of the Forties Style in Poetry. Chapter Three looks directly at the period under question, the Forties, and its key poet, Dylan Thomas, as read by critics. Chapter Four discusses F.T. Prince, a major poet much overlooked. -
Louis Macneice
Louis MacNeice: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: MacNeice, Louis, 1907-1963 Title: Louis MacNeice Collection Dates: 1916-1977, undated Extent: 22 boxes (9.24 linear feet), 1 oversize box (osb), 3 galley folders (gf), 2 oversize folders (osf) Abstract: Manuscripts of poetic and dramatic works, a large number of notebooks, and some correspondence document the life and work of British writer Louis MacNeice. Call Number: Manuscript Collection MS-02632 Language: English Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. Restrictions on Authorization for publication is given on behalf of the University of Use: Texas as the owner of the collection and is not intended to include or imply permission of the copyright holder which must be obtained by the researcher. For more information please see the Ransom Centers' Open Access and Use Policies. Administrative Information MacNeice, Louis, 1907-1963 Manuscript Collection MS-02632 Processed by: Joan Sibley and Richard Workman, 2017 Note: This finding aid replicates and replaces information previously available only in a card catalog. -
Sergeant of Outposts Sergeant of Outposts: One Editor's Role in Post-War British Poetry 1944 - 1981
SERGEANT OF OUTPOSTS SERGEANT OF OUTPOSTS: ONE EDITOR'S ROLE IN POST-WAR BRITISH POETRY 1944 - 1981 By BROCE MILLER MEYER, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy McMaster University .July 1988 DOCTOR OF PHILOSOPHY {1988) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: Sergeant of Outposts: One Editor's Role in Post-War Poetry. AUTHOR: Bruce Miller Meyer, B.A. (University of Toronto) M.A. (University of Toronto) SUPERVISOR: Dr. B. John NUMBER OF PAGES: iv, 312 ii ABSTRACT Poetry magazines are a reflection of the trends and the pressures of their ages: such was the case with Howard Sergeant's Outposts. Howard Sergeant was the longest continuous editor of a single literary magazine in the English language. Founded in 194) under the pressures of the Second World War, Outposts continued under his editorial direction until ill-health forced him to relinquish the reins in 1986. Between 1944 and 1986, Sergeant and Outposts played a key role in many of the major trends, groups and movements that shaped modern British poetry. Begun as a poetry and critical journal with a wartime "Apocalyptic'' slant, Sergeant's Outposts evolved through the changes which encompassed the Nee-Romantics, the Personalists, The Movement, the Mavericks, The Group, the pop poets, and the Martians and Narrative poets of the Eighties. Sergeant was among the first to recognize these changes in British poetry, and his magazine is a cross section of the currents and counter-currents of the period. -
Radiophonic Writing at the BBC, 1945-1963
Radiophonic Writing at the BBC, 1945-1963 by Ross Hawkins A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Ross Hawkins (2016) Radiophonic Writing at the BBC, 1945-1963 Ross Hawkins Doctor of Philosophy Department of English University of Toronto 2016 Abstract Creative radio is written and produced from an unavoidable set of material conditions, but received by its listeners as ephemeral and supposedly immaterial sound. Focusing on the writing, production and reception of literary radio broadcast by the BBC in the postwar era, this dissertation establishes a connection between the cultural significance of radio and the aesthetic significance of sound. The postwar BBC was a major participant in the era of British cultural welfare statism, but the corporation also flourished as a distributor of culture, providing challenging and even radical aesthetic experience. The reputedly “highbrow” BBC Third Programme, I argue, was neither elitist nor exclusive, nor was the radio drama it produced culturally or aesthetically “complete”; instead the aurality of radiophonic writing invited pluralistic and active listenership. In the postwar era radio was no longer new; however, Louis MacNeice, Giles Cooper and Samuel Beckett found new ways of exploiting radio’s maturity to develop a progressive radio aesthetics. MacNeice, a full-time BBC staff member, was a radio professional whose writings dramatize a conflict between his poetic instinct for sound and his impatience with the institutional pressures of planning in the increasingly bureaucratic postwar BBC. Conversely, Cooper had no fixed institutional position, and his sonically experimental ii works, reflecting this precariousness, oscillate between innovation and obsolescence. -
Poetry in Northern Ireland and the Second World War
Durham E-Theses On 'the Edge of a Crumbling Continent': Poetry in Northern Ireland and the Second World War SMITH, AMY How to cite: SMITH, AMY (2014) On 'the Edge of a Crumbling Continent': Poetry in Northern Ireland and the Second World War, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10945/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 1 On ‘the Edge of a Crumbling Continent’: Poetry in Northern Ireland and the Second World War Amy Beth Smith Thesis submitted for the degree of Doctor of Philosophy to the Department of English Studies Durham University 2014 2 Abstract This thesis proposes that nineteen forties Northern Ireland was not a cultural desert, as has often been assumed. It draws on an extensive range of neglected archival and published sources to argue that a diverse and vibrant community of poets, united by shared political and aesthetic interests, formed in Belfast during the Second World War.