Pirates of the Caribbean
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The 50Th Magical Milestones Penny Machine Locations
Magical Milestones Penny Press Locations Magical Milestones Penny Press Locations This set has been retired and taken off-stage This set has been retired and taken off-stage Magical Milestones Pressed Penny Machine Locations List Magical Milestones Pressed Penny Machine Locations List Disneyland's 50th Anniversary Penny Set Disneyland's 50th Anniversary Penny Set Courtesy of ParkPennies.com ©2006 Courtesy of ParkPennies.com ©2006 Updated 10/2/06 Sorted by Magical Milestones Year Sorted by Machine Location YEAR Magical Milestones Theme 50th Penny Machine Location 1962 Swiss Family Tree House opens (1962) Adventureland - Raja's Mint Machine (in the Bazaar) # 1 1955 Opening Day of Disneyland ® park (July 17, 1955) Main Street Disneyland - Penny Arcade Machine # 2 1994 "The Lion King Celebration Parade" debuts (1994) Adventureland - Raja's Mint Machine (in the Bazaar) # 1 1956 Tom Sawyer Island opens (1956) Adventureland - Raja's Mint Machine (in the Bazaar) # 2 1999 Tarzan's Treehouse™ opens (1999) Adventureland - Raja's Mint Machine (in the Bazaar) # 1 1957 House of the Future opens (1957) Main Street Disneyland - Penny Arcade Machine # 5 1956 Tom Sawyer Island opens (1956) Adventureland - Raja's Mint Machine (in the Bazaar) # 2 1958 Alice In Wonderland opens (1958) Main Street Disneyland - Penny Arcade Machine # 6 1963 Walt Disney's Enchanted Tiki Room opens (1963) Adventureland - Raja's Mint Machine (in the Bazaar) # 2 1959 Disneyland® Monorail opens (1959) Disneyland Hotel - Fantasia Gift 1995 Indiana Jones Adventure™ - Temple of the Forbidden Eye open (1995) Adventureland - Raja's Mint Machine (in the Bazaar) # 2 1960 Parade of Toys debuts (1960) Main Street Disneyland - Penny Arcade Machine # 4 1965 Tencennial Celebration (1965) Disneyland Hotel - Fantasia Gift Shop The Disneyland® Hotel is purchased by The Walt Disney Co. -
BIBLIOGRAPHY Chaer, Abdul Dan Leonie Agustina. 1995
BIBLIOGRAPHY Chaer, Abdul dan Leonie Agustina. 1995. Sosiolinguistik Perkenalan Awal. Jakarta: PT Rineka Cipta. Chambers, J. K. 2002. Studying Language Variation: An Informal Epistemology. In Wardhaugh, Ronald. An Introduction to Sociolinguistics 5th edition. (pp.11). USA: Blackwell Publishing. Joos, Martin. 1967. The Five Clock. In Chaer, Abdul and Agustina, Leonie. Sosiolinguistik Perkenalan Awal. (pp.70). Jakarta: Reineka Cipta. Halliday, M. A. K. 1986. The Users and Uses of Language. In Chaer, Abdul and Agustina, Leonie. Sosiolinguistik Perkenalan Awal. (pp.62). Jakarta: Reineka Cipta. Hartman, R and F.C. Stork .1972. Dictionary of Language and Linguistics. In Chaer, Abdul and Agustina, Leonie. Sosiolinguistik Perkenalan Awal. (pp.62). Jakarta: Reineka Cipta. Holmes, J. 2013. An Introduction to Sociolinguistics 4th edition. USA: Routledge Hudson, R. A. 1996. Language in Society. In Wardhaugh, Ronald. An Introduction to Sociolinguistics 5th edition. (pp.25). USA: Blackwell Publishing. Hymes, Dell. 1974. Fondations in Sociolinguistics: An Ethnographic Approach. Philadhelpia: Unversity of Pennsylvania Hymes, Dell. 1972. “The Ethnography of Speaking”, Reading in the Sociology of Language, edited by Joshua A. Fishman. Paris: Mouton. Kothari,C.R. 2004. Research Methodology:Methods and Techniques. New Delhi: New Age International (P) Ltd.,Publishers. Ratna, Nyoman Kutha. 2010. Metodologi Penelitian: Kajian Budaya dan Ilmu Sosial Humaniora Pada Umumnya. Pustaka Pelajar : Yogyakarta. Wardhaugh, Ronald. 2006. An Introduction to Sociolinguistics 5th edition. USA: Blackwell Publishing. 62 Internet Resources Arifin, Pinandhita Gusti. 2015. Speech Style Analysis Based On Gender In Customer’s Complaints of Telkom Indonesia Banyuwangi . Malang: Universitas Brawijaya. http://jimbastrafib.studentjournal.ub.ac.id/index.php/jimbastrafib/article/view/ 1023 Hamzah, Idra. 2018. An Analysis of Language Style by Teenagers Found in Facebook Status. -
The Structural and Comparative Analysis of Modern American Feature Films‟ Small Syntax in Translation
Advanced Education, 2018, Issue 9, 154-161. DOI: 10.20535/2410-8286.108358 THE STRUCTURAL AND COMPARATIVE ANALYSIS OF MODERN AMERICAN FEATURE FILMS‟ SMALL SYNTAX IN TRANSLATION Yuliia Pletenetska National aviation university, Kyiv, Ukraine [email protected] The article is an in-depth research of the dubbed American feature films small syntax on the basis of the structural and comparative analysis of the original film texts and their Ukrainian translations. The paper considers the functioning of small syntax units with regard to their communicative intention, communicative reason and communicative validity. The author has proposed and described the structural classification of the English-speaking films small syntax models and their translation equivalents according to the morphological expression of the main word and the structure. The structural and comparative analysis of the small syntax of five American feature films and their Ukrainian equivalents has shown that the majority of word-combinations are simple, i.e. two-words (combination of two notional words or two notional words with the auxiliary part of speech) that is explained by film genres. The analysis presents also five types of formation of complex word-combinations and considers the productivity levels of film small syntax models. The article compares the main methods and techniques of the small syntax translation in the dubbed versions of American feature films and their frequency characteristics as well as introduces the reasons, varieties and conditions of the transformations usage. The results of the analysis have shown that audiovisual nature of the film text, differences in the rules of lexical-semantic and syntactic compatibility, various ways of expression traditional concepts, subjects and actions, the need for text synchronisation determined by the dubbed translation, defined the peculiarities of translation of the number of small syntax units. -
OASIS Movie Club CHANGED2
Held at: Joslyn Community Center 1601 Valley Drive Manhattan Beach, CA 90266 October 5th– Pirates of the Caribbean - The Curse of the Black Pearl (PG-13 for action/adventure violence.) This swash-buckling tale follows the quest of Captain Jack Sparrow, a savvy pirate, and Will Turner, a resourceful blacksmith, as they search for Elizabeth Swann, the daughter of the governor and the love of Will's life, who has been kidnapped by the fierce and clever Captain Barbossa and his crew who have been cursed, doomed for all eternity to neither live, nor die. October 12th - The Lake House (PG for some language and a disturbing image.) An independent-minded doctor who once occupied an unusual lakeside home begins exchanging love letters with its newest resident, a frustrated architect. When they discover that they're actually living two years apart, they must try to unravel the mystery behind their extraordinary romance before it's too late. October 19th - The Devil Wears Prada (PG-13 for some sensuality.) In New York, the simple and naïve Andrea Sachs is hired to work as the second assistant of the powerful and sophisticated Miranda Priestly, the ruthless, merciless executive of Runway fashion magazine. Andrea dreams to become a journalist and faces the opportunity as a temporary professional challenge. Multiple people advise Andrea about the behavior and preferences of their cruel boss and help Andrea to dress more adequately for the environment. Andrea changes her attitude and behavior, affecting her private life and the relationship with those close to her. October 26th - The Nightmare Before Christmas (PG for some scary images.) It is the same routine every year in Halloweentown: the monsters come out and perform a real scare. -
Marching Band Series Listing
14 MARCHING BAND SERIES LISTING ______03744533 Don’t You Worry ’Bout a Thing (Bocook) ....$50.00 LIMITED EDITION _____03744644 l Cumbanchero Brown) ............................ 50.00 _ E ( $ D N GRADES 4-5/SERIES CODE LES ______03744662 Eleanor Rigby (Bocook)...............................$50.00 A ______03744160 After the Love Has Gone/Fantasy ______02500818 Facade (Bocook/Rapp) ................................$60.00 B (Bocook)..................................................$65.00 ______03744923 Fantasmic! – Part 1 (Mickey the Sorcerer) G (Brown) ...................................................$60.00 N ______03744072 Attitude Dance (Bocook)..............................$60.00 I ______03744925 Fantasmic! – Part 2 (Princess Medley) H ______03744325 Birdland (Bocook)........................................$60.00 C ______03744921 Coronation Scene (from Boris Godunov) (Brown) ...................................................$60.00 R (Rapp) .....................................................$80.00 ______03744927 Fantasmic! – Part 3 (Finale) (Brown).........$60.00 A ______11506040 Field Competition Warm-ups (Bocook).......$40.00 M ______10706030 Firebird (Bocook).........................................$40.00 ______10807010 Georgia on My Mind (Higgins) ....................$45.00 ______03744215 Five Olympic Fanfares (Lavender) ..............$50.00 ______03744162 In the Stone (Bocook)..................................$65.00 ______03744625 Firebird Suite (from Fantasia 2000) ______10723073 Luck Be a Lady (Bocook).............................$50.00 -
1 1 CHAPTER I INTRODUCTION A. Background of the Study Language As a Tool of Communication Is Very Important in the World. There
1 CHAPTER I INTRODUCTION A. Background of the Study Language as a tool of communication is very important in the world. There are many countries which have different languages. English is used among English people and etc. English language is very important everywhere, because it is a tool of communication. Every country has different languages; they use language for their own society. But English language an international language in the world and if they want to communicate with other countries, they can use English. Many people use more than one language for communication. Communication to other people, need a certain communication tool to other people who speak the same language. International language is more effectively used in various countries, so people use English to communicate with others. Figurative language is expressed by means of metaphor or other figure of speech. Figurative language is addicted to or abounding in figures of speech. Figure of speech is unusual, essentially metaphorical mode of expression, used for effect in speech and writing and to clarify on deepen meaning by suggesting similitude’s which provoke thought. according to Potter (1967:53), The general term that will use for the figure of speech that make up figurative language is metaphor, much as the term imagery, which narrowly rivers to visual phenomena, is nevertheless used to cover other sense-impressions as well (Potter, 1967:53). Figure of speech change ordinary language through repetition, substitution, sound 1 2 and wordplay. They mess around with words, skipping them, swapping them, and making them sound different. It is often associated with literature and with poetry in particular. -
2017 06 Rev A.Indd
GILBERT & SULLIVAN AUSTIN JUNE 2017 NEWSLETTER PRESIDENT’S MESSAGE by Libby Weed How did you rst become acquainted with Gilbert & Sullivan? Are you a long-time Savoyard, or did you just fall in love with G&S at last year’s production of e Gondoliers? Did you perform in G&S shows in high school or college or community theater? Did you hear references to Gilbert & Sullivan by Groucho Marx long ago or on e Simpsons e Pirates of Penzance more recently and want to learn more about them? Did your Our Grand Production of e Pirates of Penzance will have nine parents or some other important in uence—relative, teacher, performances: mentor—introduce you to the wonders of the Savoy operas when you were a child? ursday June 15 7:30 pm Opening Night Friday June 16 7:30 pm Gala Performance—Free Buff et Visiting recently with one of the cast members of this with Cast Follows Performance summer’s production of e Pirates of Penzance, I asked Saturday June 17 7:30 pm her how she had come to know G&S. She said she had seen Sunday June 18 2:00 pm Children’s Activities at 1 pm a performance of Pirates when she was in second grade, and ursday June 22 7:30 pm she fell in love with the music and the humor. I told her that Friday June 23 7:30 pm as a rst-grader I had seen an elementary school performance Saturday June 24 2:00 pm of H.M.S. -
Flying the Black Flag: Golden Age of Piracy Deconstructed Joe D
Flying the Black Flag: Golden Age of Piracy Deconstructed Joe D. Beranek History 489: Research Seminar Fall 2018 Copyright for this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin Eau Claire with the consent of the author. Contents Figures Page iii Abstract iv Introduction: A Pirate’s Life for Me 1 Historiography: The Pirate Code 3 Understanding the Rise of the Golden Age: The Edge of the Map 7 Culture and Politics of Golden Age Pirates: Rise of the Buccaneer 11 European Response to Piracy: On the Hunt 16 Blackbeard as a Case Study: Man, Myth, and Legend 22 Conclusion: Sailing Into the Sunset 24 Bibliography 26 ii Figures Figure 1: A map detailing the trade routes of individual goods sent back to their European powers. 9 iii Abstract Piracy during the Golden Age has often been fantasized about through many forms of popular culture. The time period has been fictionalized and glorified by contemporary society, oftentimes weaving together factual accounts of the men and women who had a role in the Golden Age with dramatized fiction to provide us the tales of the swashbucklers we know today. What this research paper aims to do is to provide a factual account of what being a pirate in the Golden Age was truly like, while debunking the myths and legends that surround this era of maritime history. iv Introduction: A Pirate’s Life For Me The King and his men stole the Queen from her bed and bound her in her bones the seas be ours and by the powers where we will we'll roam Yo ho, all hands Hoist the colors high Heave ho, thieves and beggars Never shall we die Now some have died and some are alive and others sail on sea with the keys to the cage and the Devil to pay we lay to Fiddler's Green. -
“Arrrr! to Hell with Convention!” Unpacking the Appeal of Pirates in Tampa’S Gasparilla Festival
ROYAL ROAD “Arrrr! To hell with convention!” Unpacking the Appeal of Pirates in Tampa’s Gasparilla Festival Krista Davis Abstract: Historically, pirates of the 17th and 18th century had a reputation for being ruthless plunderers and scheming villains. However, despite their barbarous history, pirates are often romanticized in current popular culture in flms, books, and in Tampa’s Gasparilla festival. This romanticization of piracy allows society to forget the more accurate, brutal deeds of historical pirates in favor of a more light-hearted perception of them in popular culture, such as through the Pirates of the Caribbean flm series. By examining the representation of pirates in flm and in Gasparilla in relation to their historical counterparts, this essay explores how the idealized pirate has come to represent freedom and independence. Additionally, this essay argues that though the romanticization of pirates in flm and festival provides a means of collective release from societal pressure, the historical reality of piracy should not be forgotten. Western society has long been enraptured with pirates and pirate culture, most prominently since the 2003 release of the frst movie in the Pirates of the Caribbean series. This is evi- dent in children’s desire to dress up as pirates at events such as Halloween and in adults’ desire to do the same in the an- nual Tampa Bay Gasparilla festival. But what is it about piracy that is so appealing? When we consider Jack Sparrow’s lawful disobedience, or the Gasparilla festival’s glorifcation of pirate culture, we might infer that, despite their diferences, the one thing most of these would-be pirates share is the desire for dis- obedience against social structures. -
THE PORTRAYAL of MODERN MASCULINITY in PIRATES of the CARIBBEAN 1: the CURSE of the BLACK PEARL a GRADUATING PAPER Submitted In
THE PORTRAYAL OF MODERN MASCULINITY IN PIRATES OF THE CARIBBEAN 1: THE CURSE OF THE BLACK PEARL A GRADUATING PAPER Submitted in Partial Fulfillment of the Requirements for Gaining the Bachelor Degree in English Literature By: MUHAMMAD ABDUL MUHYI 09150052 ENGLISH DEPARTMENT FACULTY OF ADAB AND CULTURAL SCIENCES STATE ISLAMIC UNIVERSITY SUNAN KALIJAGA YOGYAKARTA 2015 THE PORTRAYAL OF MODERN MASCULINITY IN PIRATES OF THE CARIBBEAN 1: THE CURSE OF THE BLACK PEARL Oleh: Muhammad Abdul Muhyi ABSTRAK Film merupakan salah satu karya sastra yang mengalami perkembangan sangat pesat pada budaya popular. Film menceritakan sebuah karya sastra dari yang non-fiksi maupun fiksi. Salah satu karya fiksi yang dirilis oleh Walt Disney Picture pada tahun 2003 adalah Pirates of the Caribbean 1: the Curse of the Black Pearl. Film ini menceritakan tentang perjalanan Captain Jack Sparrow dalam memperebutkan kembali kapalnya. Penulis menggunakan film ini sebagai objek penelitian dengan menganalisis pada sisi kemaskulinitasan yang dimiliki oleh karakter Jack Sparrow sebagai karakter utama dan seorang bajak laut. Penelitian ini dilakukan untuk menjawab dua pertanyaan yang terdapat pada penelitian tersebut yaitu; 1. Dapatkah Jack Sparrow di kategorikan sebagai karakter maskulinitas modern? 2. Bagaimana pandangan Perspektif Islam terhadap maskulinitas yang dimiliki Jack Sparrow?. Analisis ini menggunakan pendekatan objektif dan aplikasi teori maskulinitas oleh R.W. Connell dan teori film oleh Cristian Metz. Teori dasar dari R.W. Connell adalah tentang dominasi laki-laki pada perempuan yang kemudian dikenal dengan istilah hegemonic masculinity. Dalam hal ini, penulis tertarik untuk menganalisis keunikan dari karakter Jack Sparrow sebagai karakter maskulin. Sebagai hasil dari penelitian, penulis menyimpulkan bahwa penampilan Jack Sparrow di film Pirates of the Caribbean 1: the Curse of the Black Pearl sebagai salah satu bentuk dari maskulinitas modern yang berdasarkan pada konsep hegemonic masculinity tentang dominasi laki-laki terhadap perempuan pada sebuah karya sastra. -
PIRATES of the CARIBBEAN: on STRANGER TIDES Screenplay by Ted Elliott & Terry Rossio Based on the Novel
PIRATES OF THE CARIBBEAN: ON STRANGER TIDES Screenplay by Ted Elliott & Terry Rossio based on the novel "On Stranger Tides" by Tim Powers 2nd CHERRY Revision (November 1, 2010) Here is a late production draft of PIRATES OF THE CARIBBEAN: ON STRANGER TIDES. Presented for free for educational purposes, and to allow interested fans to track the progression from script to screen. Terry Rossio February, 2014 ©2014 Terry Rossio & Ted Elliott · WORDPLAY · http://www.wordplayer.com Pirates of the Caribbean ON STRANGER TIDES Screenplay by Ted Elliott & Terry Rossio Based on the novel ON STRANGER TIDES by Tim Powers FINAL WHITE 06/09/10 BLUE 06/16/10 PINK 06/22/10 YELLOW 07/06/10 GREEN 07/27/10 GOLDENROD 08/10/10 BUFF 08/24/10 SALMON 08/25/10 CHERRY 08/27/10 TAN 09/03/10 GRAY 09/15/10 2nd BLUE 09/20/10 2nd PINK 09/21/10 2nd YELLOW 09/23/10 2nd GREEN 10/06/10 2nd GOLDENROD 10/07/10 2nd BUFF 10/18/10 2nd SALMON 10/26/10 2nd CHERRY 11/01/10 Property of: Jerry Bruckheimer Films 1631 10th St. Santa Monica, CA 90404 POTC: On Stranger Tides -WD- 11/3/10 1. FADE IN A1 EXT. OCEAN - EVENING A1 Dark waters barely lit just past sunset. ROPES of a fishing net disappear into the forbidding depths. We hear the CRANK of a winch as it turns. On the bow of his ship, a Spanish FISHERMAN pulls his net up out of the sea. Slowly, deep underwater, the DIM OUTLINE of a SHAPE appears, caught in the net. -
Relive a Century of Popular Culture
PRESS RELEASE | South Kensington | 30 October 2012 FOR IMMEDIATE RELEASE RELIVE A CENTURY OF POPULAR CULTURE Celebrated memorabilia charting the history of film and music at Christie’s in November Disney Marilyn Monroe Indiana Jones James Bond Pirates of the Incl. Pinocchio Caribbean John Lennon The Rolling Stones Madonna Tarzan Britney Spears South Kensington, London - Christie’s is proud to present POP CULTURE, showcasing important memorabilia dating from every decade of the past century of popular culture from the ubiquitous industries of film and music, on 29 November 2012. Charting the history of cinema, from Charlie Chaplin, Anna May Wong and early Disney animation through to Skyfall, and the history of pop and rock and roll from Elvis through to Nirvana and The Beatles through to Madonna and Britney, the auction will offer costumes, props, photographs, original artwork, instruments and personal items. Featuring items previously worn, owned or played by rock, pop and Hollywood royalty the selection on offer provides collectors spanning several generations the opportunity to acquire a piece of memorabilia associated with their celebrity idols. Many of the items presented have never been offered at auction before. The sale will comprise 160 lots with estimates for individual items ranging from £800 to £45,000; all items on offer will be available to view on exhibition at Christie’s Old Brompton Road galleries in South Kensington, London, from 24 to 28 November 2012. HIGHLIGHTS 1910-1930 Overcoming contemporary Hollywood practice, ANNA MAY WONG was ground-breaking as the first Asian- American movie star, making her silver screen debut in the 1920s and popular through the 1930s.