Download Minolta XD-11 Repair Guide

Total Page:16

File Type:pdf, Size:1020Kb

Download Minolta XD-11 Repair Guide Minolta XD-11 Repair Guide Figure IB OVERRANGE LED SHUTTER-SPEED SCALE UNDERRANGE LED DIAPHRAGM WINDOW Figure 3 Figure 4 SPEED LENS KNOB LATCH DIAPHRAGM COUPLING X-SYNC FLASHCORD TERMINAL DEPTH-OF-FIELD PREVIEW Figure 1A CAMERA CAPSULE top of camera, metering switch and that you're going to get an overexposure Type: 35mm electronically controlled release switch are at back of front-plate unless you select a smaller diaphragm SLR with choice between aperture- assembly (controlled by release button), opening. If the underrange LED at the preferred or shutter-speed preferred power switch is part of mirror-release bottom of the display turns on, you're go­ operation. Electromagnetic release. Full combination magnet. Two combination ing to get a shutter speed of 1 second or range of manually calibrated shutter magnets, one to release mirror and one to slower. speeds as well as automatic exposure control diaphragm closure. Electro­ When you're using the "A" mode, you control. magnet for shutter-speed control, trigger can leave the speed knob at any of the Meter: LED readout displays shutter switch, and X-sync contacts are shutter calibrated shutter speeds — 1 second speed or f/stop which the camera will parts. through 1/1000 second. The automatic automatically program. Silicon photo­ speed-control circuit disregards the diode, full-aperture metering. Film-speed MINOLTA'S TRENDSETTER speed-knob setting. As you select the range — ASA 12 to ASA 3200. The meteoric rise of the electronic, f/stop, a tab on the diaphragm-setting Battery: Two 1.5V silver-oxide batteries super-compact SLRs forced many ring rotates the camera's diaphragm- S-76, G-13, MS-76, or RS-76. Negative camera manufacturers into a game of metering ring. Fig. 1. The diaphragm- ground. Battery compartment at bottom catch-up. But Minolta chose to set its metering ring moves a brush along a of camera. Behavior without batteries — own standards with the XD-11. Among resistance band, thereby programming shutter will not release except at other innovations, the XD-11 settled the the f/stop information. mechanical speeds. debate over aperture-preferred vs. So far, the XD-11 sounds like most of Shutter: Seiko MFC vertically traveling shutter-speed-preferred automation — it the other electronic SLRs. But the XD-11 metal focal-plane shutter. Electronic gives you a choice between either mode. demonstrates its originality when you shutter-speed control at auto and manual To program the camera for automatic select automatic diaphragm control. Set­ settings with two mechanically controlled shutter-speed control, set the mode selec­ ting the mode selector to "S " (shutter- settings — bulb and 1/100 second. Travel tor to the "A " (aperture-preferred) position, speed preferred) shifts the diaphragm time — 6.0 to 6.9ms measured across a Fig. 2. A mechanically controlled shutter- scale into the finder, Fig. 4. Now the LED 20mm distance. Mechanical self-timer. speed scale now moves into the finder. Fig. display indicates the diaphragm opening Lens: Accepts all Minolta MD lenses. 3. When you push the release button part which the camera will automatically pro­ Flange-focal distance 43.7mm (+0.02 — way, a row of LEDs indicates the shutter gram. Also notice in Fig. 4 that the 0) measured from lens-mounting ring to speed which the camera will automatically shutter-speed setting appears in the pressure-plate rails. select. The appropriate LED lights alongside finder. A t the " A " mode. Fig. 3, a Typical current draw with 3V supplied the shutter-speed calibration. mechanically controlled mask covers the to battery compartment: Meter — 8.5ma, Triangle symbols in the LED display shutter-speed display; the speed-knob Shutter open — 17ma. show the range limitations. If the com­ setting has no meaning in the aperture- Circuit: Components are mounted on a bination of light level and diaphragm preferred mode. flexible circuit board. You can replace in­ opening requires a shutter speed faster For automatic diaphragm control, turn dividual components or the complete than 1/1000 second, the overrange LED the diaphragm-setting ring to the smallest assembly. Three ICs. Memory switch is at turns on. The overrange LED indicates f/stop. A tab on the diaphragm-setting ring then comes against the minimum- The camera lets you know when you're diaphragm-closing lever always moves its aperture lever, Fig. 1. As the tab pushes going to get a shutter speed that's dif­ full distance. And the diaphragm stops the minimum-aperture lever from left to ferent from the one you've selected — it down to the f/stop you've selected on the right, it programs the metering system for turns on one of the range-limits LEDS as diaphragm-setting ring. the smallest f/stop of the particular lens. you start depressing the release button. If The third setting of the mode selector Only the MD series of lenses has the the overrange LED turns on, you’ll get an — the "M " setting, Fig. 2 — provides minimum-aperture tab on the diaphragm- exposure time that's faster than the speed- manually calibrated shutter speeds. With setting ring. Although the earlier MC knob setting. If the underrange LED turns the mode selector at "M ," the shutter lenses will couple to the diaphragm- on, you'll get an exposure time that's always delivers the selected shutter metering ring, they don't have the tab slower than the speed-knob setting. speed. The LED display now serves as a which positions the minimum-aperture To program the diaphragm opening, cross-coupled meter; it tells you what lever. So, if you install an MC lens on the the XD-11 controls the movement of the shutter speed will provide proper ex­ XD-11, the LED display won't indicate an diaphragm-closing lever, Fig. 5. The posure according to the light conditions automatically programmed f/stop. You'll diaphragm-closing lever moves from right and to the diaphragm setting. Also, as only be able to turn on one LED — the to left before the mirror swings to the tak­ you turn the mode selector from the "A " overrange LED. ing position. If the diaphragm-closing position to the "M" position, the You'll also get no diaphragm readout if lever moves its full distance, it allows the viewfinder mask uncovers the shutter- you forget to set the smallest f/stop on diaphragm to stop down to the smallest speed calibration in the finder, Fig. 4. the MD lens. The calibration for the f/stop. However, by limiting the move­ Although the speeds are manually smallest f/stop has a green color code. ment of the diaphragm-closing lever, the selected at the "M " mode, they're still Since an optical system reflects the XD-11 selects other aperture sizes. electronically controlled. Consequently, selected calibration into the finder, you A combination magnet (permanent all three functions depend on battery can quickly set the diaphragm for the "S " magnet plus electromagnet) limits the power. In fact, even the shutter release mode. Simply rotate the diaphragm- movement of the diaphragm-closing requires battery power. A second com­ setting ring until the green number ap­ lever. As the diaphragm-closing lever bination magnet in the XD-11 releases the pears in the finder, Fig. 4. starts to move, the permanent magnet mirror when you push the release button Now turn the speed knob to select the holds its armature. Then, when the far enough to close the release switch. shutter speed you want. As long as the diaphragm reaches the proper opening The XD-11 uses two S-76 silver-oxide LED display indicates an f/stop in the size, the circuit discharges a capacitor batteries housed at the bottom of the usable diaphragm range, the camera through the coil that's wound around the camera. What if the batteries die? You'll delivers the shutter speed you've permanent-magnet core. The spurt of then find that the shutter won't release. selected. It then limits how far the current momentarily disables the perma­ But the XD-11 does provide two diaphragm can close according to your nent magnet. mechanical settings — "B " and "0 ," Fig. selected shutter speed and to the light Now the armature of the combination 2. A t the "B " setting, the shutter delivers conditions. magnet jumps away from the core. And a mechanically controlled bulb action. A Since the XD-11 already has shutter- the pawl-shaped end of the armature mechanical system then releases the mir­ speed control circuitry, it can go an extra engages the ratchet teeth of a gear which ror. A t the " 0 " setting, the shutter step to make sure you don't get an incor­ rotates as the diaphragm-closing lever mechanically delivers the fastest full- rect exposure. Perhaps the camera can't moves. Stopping the rotation of the gear aperture shutter speed — 1/100 second. program the right f/stop for the particular also stops the movement of the So, if the batteries die, you can turn the combination of light level and shutter diaphragm-closing lever. speed knob to " 0 " and continue using speed. A glance at the LED readout tells In turn, the diaphragm-closing lever the camera with electronic flash. you to select a different shutter speed. stops the spring-loaded diaphragm from The electronically controlled "X " set­ But, if you fail to make the necessary cor­ closing any further. At the other settings ting also provides the flash speed of rection, the camera's "computer" takes of the mode selector, the capacitor never 1/100 second. However, the "X " setting over — it automatically changes the shut­ discharges through the coil of the com­ does depend on battery power — both ter speed for you.
Recommended publications
  • Hugostudio List of Available Camera Covers
    Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII
    [Show full text]
  • Price List and Camera Models
    I’m Back® GmbH Digital Back for 35mm Analog Cameras Carlo Maderno 24 6900 Lugano Switzerland Cell.: +41 789 429 998 www.imback.eu [email protected] I’m Back® 35mm Digital Back Details: Sensor: 16Mega CMOS Sensor Panasonic 34120 Display: 2.0"capacitive touch screens Picture System: Focusing screen Auto White: yes Video Resolution: UHD24(2880*2160) QHD30(2560*1440) Balance: yes 108OP60/30 720P120/60/30 VGA240 Auto Eve: yes Video nal aspect: Focusing screen/Vintage Picture ip: yes Picture Size: 20M 16M 12M 10M 8M 5M 3M VGA WIFI: yes Video Format: MP4 H.264 Remote: yes Picture Format: JPG & RAW Language EN FR ES PT DE IT CN RU JP Storage Capacity: Max 64Gb Battery: 3.7V 2.700mAh USB Interface: USB TYPE-C Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture IBP I'm Back PRO All main Brands 299 IBU Universal Cover All main Brands 49 CA1 Dedicated Cover Canon F-1 69 Canon A Canon A1 CA2 Dedicated Cover 49 Canon AE1 Canon AE1 program Canon FT CA3 Dedicated Cover 49 Canon FTB CA4 Dedicated Cover Canon eos300 69 CN1 Dedicated Cover Contax II 49 Contax G1 CN2 Dedicated Cover 79 CN3 Dedicated Cover Contax RTS 49 CN4 Dedicated Cover Contax G2 79 I’m Back GmbH | Via Carlo Maderno 24 | CH – 6900 Lugano |IDI: CHE-216.910.630 | [email protected] | www.imback.eu Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture DN1 Dedicated Cover
    [Show full text]
  • Is a Picture Worth a Thousands [Thousand] Words?
    Is A Picture Worth A Thousands Words? By MIKE BAILEY Boca Greens Country Club EDITORS NOTE: PART ONE OF A THREE PART SERIES camera with the standard 50mm lense, as right off to bat, you have just bought an obsolete item; being the lense. How many times have you said, "If only I had a picture of Instead, look for just the camera body alone: Nikon EM, that". Well, photography need not only be for just the NY mail order cost $80. This item will most certainly professionals. Most amateurs think of the instamatic box perform all of your photographic needs forever, unless type camera and often feel anything beyond a simple you plan on turning professional whereby you should con- camera is much too complex to handle, thereby shrugging sider the Nikon F3AF $850. off any further advancement in photography. The intent of this article is to stimulate the non-photographer into Secondly, the lense must be considered. This item is the comprehending that photography is not quite that diffi- key to either viewing pictures of fine sharp resolution or a cult. This will be the first of a three part series on the grainy photograph that is a blur. The standard 50mm aspects of photography. We will discuss the initial pur- lense is virtually useless, when instead, one can purchase chase of the camera, basic concepts of photography and multi-focal length zoom lense of wide angle 28mm to slight lastly, advanced photographic techniques. telephotic range of 80mm such as the Vivitar Automatic 28mm/90mm at a cost of $140.
    [Show full text]
  • PC-Nikkor 35Mm F/2.8 Nikon INSTRUCTION MANUAL NOMENCLATURE
    PC-Nikkor 35mm f/2.8 Nikon INSTRUCTION MANUAL NOMENCLATURE Preset ring alignment index Preset ring Aperture ring Distance scale Depth-of-field indicators In frared index Distance scale index 2 Apertu re scale Aperture ring alignment index Focusing ring Shift scale Shift knob Maximum permissible shift value index Maximum permissible shift values Mounti index 3 CONTENTS FOREWORD Foreword ........ ...... .. .4 The PC-Nikkor 35mm f/2.8 is a retrofocus-type Mou nti ng the lens .......... 5 perspective control (PC) lens with an optical Setting the aperture . .. -. .... 6 construction of 7 elements in 7 groups. The Stop-down measurement. .. .. -.7 im age circle of this lens is wider than regular Focusing ............ ... .. 8 35mm wideangle lenses providing a covering Depth of field .. ...... .. ... 9 angle of 78° ; thus image quality is insured even Shift and rotation movement. .. 10 when the lens is shifted. The lens barrel can be Maximum permissible shift ... 11 shifted up to 11 mm off-axis and rotated 3600 Framing................. 12 with click-stops every 300 for complete image Panoramas .. .... .... 16 control. The PC-Ni kkor is ideally suited for Depth of field tables ... ..... 20 architectural and commercial photography, Close-up tables ... ...... ... 22 enabling the photographer to properly frame Features/specifications ... .. 23 the subject without tilting or angling the camera- and the photographer has the added convenience of thru-the-lens viewing and meter­ ing for greater ease of operation. It is also possible to take panoramic shots. If used with a Nikon camera having inter­ changeable focusing screens, the Type E or E2 with its etched horizontal and vertical Iines is -recommended.
    [Show full text]
  • Nikon EM Owner’S Manual
    Nikon EM Owner’s manual Nikon EM This text is identical to the Owner’s manual. I. Nomenclature 01. Frame counter; 13. Lens release button; 02. Shutter operation mode selector; 14. Reflex mirror; 03. Shutter release button; 15. Aperture direct readout (ADR) scale**; 04. Shutter release fingerguard; 16. Lens aperture scale; 05. Film winding lever; 17. Lens aperture ring; 06. Battery power check button; 18. Lens mounting ring; 07. Battery power LED lamp; 19. Aperture/distance scale index; 08. Neckstrap eyelet; 20. Infrared photography focusing index; 09. Exposure compensation button; 21. Depth of-field indicators; 10. Self-timer; 22. Focusing distance scale; 11. Lens mounting flange; 23. Lens focusing ring; 12. Lens mounting index; – 1 – Nikon EM Owner’s manual 24. Film rewind crank; 33. Film cassette chamber; 25. Film rewind knob; 34. Film rewind fork; 26. ASA film speed selector ring; 35. Film guide rails; 27. ASA film speed setting index; 36. Shutter curtains; 28. ASA film speed scale; 37. Film sprockets; 29. Flash unit hot shoe; 38. Film takeup spool; 30. Hot-shoe contact; 39. Film pressure plate; 31. Ready-light contact for SB-E/SB 10 Speedlight; 40. Camera back; 32. Viewfinder eyepiece; 41. Memo holder; 42. Motor drive positioning hole; 45. Tripod/motor drive coupling socket; 43. Motor drive coupling; 46. Battery chamber lid/battery clip; 44. Film rewind button; 47. Motor drive electrical contact. – 2 – Nikon EM Owner’s manual II. Basic Operation 1. Unlock battery chamber 46. 2. Insert two silver-oxide batteries or one lithium battery into battery clip with the “+” sign(s) up.
    [Show full text]
  • ARTLAB MEDIA CRIB Equipment List
    ARTLAB MEDIA CRIB Equipment List If the color of your membership sticker is indicated next to a piece of equipment, it is available for you to borrow. If the color of your membership sticker is NOT indicated next to a piece of equipment, it is NOT available for you to borrow. DIGITAL SLR KITS ¢ Canon 5D Mark III (22.3MP), includes Tamron 24-70mm f/2.8 lens, uses CF & SD memory cards ¢¢ Canon 5D Mark II (21.1MP), includes 24-70mm f/2.8 lens, uses CF memory card ¢¢ Canon 6D (20.2MP), includes Tamron 24-70mm f/2.8 lens, uses SD memory card ¢¢ Canon 7D (19MP), includes 17-55mm lens, uses CF memory card ¢¢¢ Canon 60D (18 MP), includes Canon 18-200mm & 50mm lenses, uses SD memory card MISC. DIGITAL CAMERAS ¢¢¢ Giga Pan w/ Canon PowerShot G10 ¢¢¢ GE Digital A1455 (14.1MP) DIGITAL LENSES ¢¢¢ Canon 100mm f/2.8 Macro ¢¢¢ Canon 85mm f/1.8 ¢¢¢ Canon 50mm f/1.4 DIGITAL FLASHES ¢¢¢ Canon Speedlite 430EX II REMOTES ¢¢ Canon RS-80N3 – compatible only with Canon EOS 5D and 6D VIDEO CAMERAS ¢¢¢ Sony Handycam HDR-CX110 35 MM FILM CAMERA KITS ¢¢¢ Canon AE-1, includes Canon 50mm & 28mm lenses ¢¢¢ Canon AE-1, includes Canon 50mm ¢¢¢ Canon T70, includes Canon 50mm lens ¢¢¢ Canon EOS Rebel G, 28-80 Lens ¢¢¢ Minolta X-370 with 50mm lens ¢¢¢ Asahi Pentax, SP 1000 50mm Lens ¢¢¢ Asahi Pentax, SP spotmatic SP II with 28mm, 50mm, 135mm with hood ¢¢¢ Asahi Pentax, SP spotmatic F with 50mm lens ¢¢¢ Asahi Pentax, SP spotmatic F with 50mm lens ¢¢¢ Asahi Pentax MZ-M w/ 28mm, 50mm, 135mm with hood ¢¢¢ Voighänder dynamatic, 50mm lens ¢¢¢ Nikkormat with 50mm lens ¢¢¢ Nikkorex
    [Show full text]
  • GAZETTE Black Voters
    39 Years ago today. America remembers V.J. Day 0-- 0 A-i " By Tom Joyce the massive 16-inch guns . III? r ' Y + " iii aboard the Missouri. August 15, 1945, President The Commander of the Third Harry S. Truman stands in Fleet, aboard the USS the Oval Office at the White Missouri, Adm. William F. House surrounded by the "Bull" Halsey, receives the Washington, D.C. press news of the Japanese sur- corps. His announcement is render. Not too long after simple, yet momentous: "I that, the rest of the crew have just received a note celebrates. from the Japanese government "All hell broke loose," in reply to the message for- remembers Tony. "Everyone warded to that government by was blowing whistles. There the Secretary of State on was a lot of dancing and Aug. 11. I deem this reply hugging going on." 't_ a full acceptance of the But the celebration event- Potsdam Declaration, which ually subsided. "It was 1 specified the unconditional still business as usual for surrender of Japan." the crew," relates Tony. "Many of us were still ap- Thousands of miles away prehensive." off the coast of Japan, the (And for good reason: Five 2,700 men of the USS Japanese pilots attacked the Missouri, flagship of the fleet that morning, only to Pacific Fleet, are still on be shot down by Navy General YoshlJiro Umezo signs on behalf alert scanning the skies for gunners.) of the Japanese Imperial General IF Head- enemy aircraft and keeping On August 29, the Missouri quarters during the surrender ceremony watch on the U.S.
    [Show full text]
  • The Nikon Guide to 35Mm SLR Cameras (1982)
    GUIDE TO 35MM SLR CAMERAS PRESENTED BY NIKON TECHNICAL SERVICES $2.50 Foreword If you're new to single lens reflex photography, the name "Nikon" may be new to you. It's been old hat to professional photographers for many years now, because it's the camera used by more professional photographers than all other 35mm cameras combined. Before you start thinking this is going to be a full fledged commercial for Nikon cameras, you can relax. You're not likely to see the name Nikon pitched again till you get to our equipment section at the end of this book. Why then are we doing it? Because we feel that as the recognized leader in fine photography, we have a responsibility as well as an interest to spread the word. To spend energy and money helping photography to grow and prosper. This book is just one example of that responsibility. Another is Nikon World magazine, a 32-page quarterly publication featuring magnificent portfolios, notes on new Nikon equipment and photo tips, too. Plus, Nikon Professional Service technicians are at major news events to aid the professional Nikon photographer. Photography means different things to different people. It may be a fine art, a satisfying profession, or simply a most enjoyable and exciting hobby. We sincerely hope that this book will help it find a place in your life. —NIKON TECHNICAL SERVICES © 1982 Nikon Inc., Garden City, NY 11530. All rights reserved. No portion of Nikon's Guide to 35MM SLR Cameras may be reproduced in whole or in part without the written consent of Nikon Inc.
    [Show full text]
  • Sandia Investigators Make Progress in Search for Possible Environmental
    Environmental Update Sandia Investigators Make Progress in Search for Possible Environmental Restoration Sites Three scenes from the Labs' past: A building somewhere in the Coyote Canyon test area needs sanitary facilities. A hole is dug and a septic tank put in. A facility in Tech Area 3 needs a nearby source offuel oil. An underground storage tank is UNDERGROUND STOR• installed. AGE TANKS, removed this Scrap metal pieces or solvents used for clean• summer, are inspected by ing circuit boards aren't needed any more, so Art Rodriguez (7721 ). The they're buried in a pit where it appears the mate• locations where a number rial won't cause any problem. of aging underground tanks From this sort of routine activity during were removed are on San• Sandia's 40-plus years of operation- conducted dia's list of sites to be as• within the bounds of environmental protection sessed and dealt with as practices generally accepted at the time- have part of the environmental come about 190 environmental restoration sites restoration program. "We don't see anything ... that's an imminent danger to anyone." now being dealt with by Environmental Programs Dept. 7720. As a part of DOE's increased commit• sites are being drawn up, and the detailed assess• mean that hazardous materials were definitely re• ment to environment, safety, and health, and con• ments will be made in the next months and years. leased to the environment. Many sites are listed be• tinuing work that has gone on for more than six cause (often scanty) records of past use, or the years, people in this department are investigating No 'Emergency' Sites at Sandia memory of someone being interviewed about past sites where something that happened in the past One of the Labs' technical areas, Tech Area 2, activities, give reason to believe that hazardous might now threaten the environment.
    [Show full text]
  • Automatic Maximum Aperture Indexing (Ai)
    AUTOMATIC MAXIMUM APERTURE following features : (1) meter coupling ridge to enable au­ INDEXING (AI) - WHAT IT IS! tomatic indexing of the lens' maximum aperture with the A new camera meter/ lens coupling system which consider­ meter of any AI-type camera for full-aperture exposure ably simplifies the picture-taking process, including easier measurement; (2) meter coupling shoe to enable full­ lens mounting and interchange, Called Automatic aperture exposure measurement with any earlier n~n - AI ~ typ~ Maximum Aperture Indexing or AI for short, this system has Nikon or Nikkormat cameras, In this case, manual IndeXing IS been applied to the following Nikon cameras (F3 , F2A required as before; (3) ADR lens aperture scale to enable photomic, F2AS photomic, FE , FM , EM , EL2 , and Nikkormat aperture-direct-readout (ADR) of the precise lens ap~rtur~ set in the viewfinder of the new Nikon F3 , F2A Photomlc, Nlkon FT3) and AI Nikkor lenses, as well as to the new PK and PN­ series extension rings , without changing the traditional F2AS Photomic, Nikon FM , and Nikon FE, and (4) EE servo to enable EE servo-controlled metering with a Nikon bayonet mount. This ensures that similar, earlier Nikon coupling post Nikon F2AS Photomic equipped with the DS-12 EE Aperture equipment including interchangeable viewfinders and built­ Control Unit, in meters, are not rendered obsolete, In fact owners of earlier Nikkor lenses , in particular, can take advantage of the bene­ fits of the new AI coupling system by having most such lenses modified. (1) Meter coupling ridge (2) Meter coupling shoe WHAT IS ADR? ADR stands for Aperture-Direct-Readlng.
    [Show full text]
  • Express Camera Auction 24Th April 2018 at 10:00
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Express Camera Auction 24th April 2018 at 10:00 Viewing 23rd April 10:00-16:00 For enquiries relating to the sale: Saleroom One, Please contact: 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Fax: 0871 714 6905 Email: [email protected] www.specialauctionservices.com Austin Mike Spencer Farahar Express Cameras Cameras Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real-world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - its just like being in the auction room. A live audio feed means you hear the auctioneer at the same time as other bidders. You see the lots on your computer screen as they appear in the auction room and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! 1. Nikon Camera Bodies, Ftn 8. A Nikon D2H DSLR Camera serial no. 6745550, chrome, body F, 5. Nikon Lenses, a 3.5cm body body G/VG, shutter working, some brassing and marks to chrome, Nikkor-S no.920714, barrel, P, with maker’s camera strap, MH-21 and a pair of Nikkormat Ftn bodies elements, minor scratches to elements charger unit, 2gb compact flash card no. 3556227, 4439329, black, both and cleaning marks, a 43-86mm Zoom and maker’s bag together with a with some brassing and small dents no.458936, barrel F, elements,P-F, Grays of Westminster book by Gillian to prism together with a NFX-35 internal dust, a Micro Nikkor 55mm Greenwood and a Nikon branded microscope camera body £60-80 f/3.5 with adapter, no 249733, barrel computer mouse £60-80 F, elements, F-G, a Nikkor-P 105mm f/2.5 no.208211, lens hood, barrel 9.
    [Show full text]
  • Handcrafted Panchro Film on Gampi Paper
    FICHE TECHNIQUE HANDCRAFTED PANCHRO FILM ON GAMPI PAPER Maximum sensitivity: 100 ISO Texture : medium Contrast : soft Production process : hand coating Base : gampi paper, 41 gr/m² Transparency : high Spectral sensitivity : maximum 640 nm Darkroom safelight : full darkness Special features : "V" is a panchromatic film handcoated on Gampi paper handmade by Awagami Factory in Japan, with high transparence, soft texture and wide lattitude exposure. Recommended use : Sensitive to all colors, this film is a great choice to shoot landscapes with a unique pictorialist effect, but also portraits and all classic subjects. Loading & handling : 120 roll films can be loaded like any normally. With 135 format it is important to use gently the advance lever and never try to exceed 16 exposures, otherwise there is serious risk to damage the film. Film "V" in 135 will not work with camera using automatic advance systems. Formats : 135 recycled cassette (no DX code) – 16 exp. 120/620 spool custom sizes available on demand Exposure : Being coated with a real film emulsion, "V" has a nominal sensitivity of 100 iso but can be pushed or pulled by 2 stops, like any other classic film. Tank processing : Paper based films must be loaded following tutorial available on www.filmwashi.com . However, it is still possible to use dedicated separating stripe system produced by Film Washi and also old tanks like "Correx" or "Souplinox". Exposure settings & processing times : exposition révélateur dilution durée T°C Structure of layers : 100 iso Rodinal 1+25 9 mn 20°C sensitive emulsion 100 iso LC29 1+19 8 mn 20°C Gampi paper base 100 iso D76 1+1 11 mn 20°C 100 iso HC-110 A 4,5 mn 20°C anti-curl back layer For using with an unlisted developer, you can use times and dilution data of Ilford FP4.
    [Show full text]