Gritos En La Noche De Archie Goodwin Y Scott Hampton
Facultad Filosofía y Humanidades Departamento de Arte
Un análisis a la representación del maltrato infantil en Batman: Gritos en la Noche de Archie Goodwin y Scott Hampton
ANEXO
Tesis para optar al título de Licenciado en Teoría e Historia del Arte
Por José Antonio Muñoz Lavalle
Profesor guía: Fernando Pérez Villalón, Doctor en Literatura Comparada
Santiago, Chile 2018
[fig.1] Grabado Maya.
[fig.2] Grabado Maya.
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[fig.3] [fig.4] Jodorowsky, A. Giménez, J. La Casta de los Metabarones, Jodorowsky, A. Giménez, J. La Casta de los Metabarones Capítulo 2: Honorata la Tatarabuela, p.125, Capítulo 2: Honorata la Tatarabuela, p.125, Reservoir Books, 2014. Reservoir Books, 2014.
[fig.5] Domenichino, El Sacrificio de Isac (1627-28), óleo sobre tela, 147 x 140 cm, Museo del Prado, Madrid, España.
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[fig.6] Caravaggio, El Sacrificio de Isaac (1603), óleo sobre tela, 104 x 135 cm, Galería Uffizi, Florencia, Italia.
[fig.7] [fig.8] Rubens, Saturno (1636), óleo sobre tela, 180 x 87 cm, Goya, Saturno devorando a su hijo (1819-23), Óleo sobre tela, Museo del Prado, Madrid, España. 146 x 83 cm, Museo del Prado, Madrid, España
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[fig.9] Miura, K. Berserk, Capítulo: La edad dorada 2. p.243, Panini Manga, 2017.
[fig.10] El degüello de los inocentes, según un manuscrito del siglo X.
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[fig.11] Giotto, La Masacre de los Inocentes (1302-05), fresco, 200 x 185 cm, Capilla Scrovegni, Padua, Italia.
[fig.12] Guayasamín, Los niños muertos (1941), óleo sobre tela, 98 x 138 cm.
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[fig.13] Starlin, J. Amparo, J. Batman: Una Muerte en la Familia, Capítulo 4, detalle p.14. 1988-89.
[fig.14] Starlin, J. Amparo, J. Batman: Una Muerte en la Familia, Capítulo 5, detalle p.9. 1988-89.
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[fig.15] [fig.16] Portada en inglés de Superman: Deadly Legacy, 1996. O’Nreil y Staton, Batman: Muerte de Inocentes, p. 48. 1996.
[fig.17] [fig.18] O’Neil y García López, Batman: Veneno, p. 8. 1993. O’Neil y García López, Batman: Veneno, p. 9. 1993.
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[fig.19] Helfer, A. et al. Batman Annual Nº14: The Eye of the Beholder, portada, 1990.
[fig.20] Hopper, E. Nighthawks (1942), óleo sobre tela, 84 x 152 cm, Art Institute of Chicago Building, Chicago, Illinois, Estados Unidos.
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[fig.21] Miller, F. y Mazzucchelli, D. Batman: Año Uno, detalle p.67, 1988.
[fig.22] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, detalle p.89, Ediciones ZINCO, 1993.
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[fig.23] Lee, S. Romita, J. Amazing Spider-Man Vol. 1 #96. DC Comics; Mayo, 1971.
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[fig.24] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.29, Ediciones ZINCO, 1993.
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[fig.25] [fig.26] Moore, A. y Gibbons, D. Watchmen, Capítulo VI, Gaiman, N. y Sienkiewicz, B. Sandman Noches Eternas: Delirio, p.1, 1986-87. p.119, ECC Edicones, 2018.
[fig.27] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.31, Ediciones ZINCO, 1993.
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[fig.28] Scott, R. Alien, 1979.
[fig.29] Scott, R. Alien, 1979.
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[fig.30] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.85, Ediciones ZINC, 1993.
[fig.31] Archer, W. The Simpsons: Rosebud, 1993.
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[fig.32] Harada, H. y Maruo, S. Midori la niña de las camelias, 1992.
[fig.33] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.47, Ediciones ZINCO, 1993.
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[fig.34] Herzog, W. Grizzly Man, 2005.
[fig.35] Straczynski, M. y Ribic. E. Silver Surfer: Requiem, detalle p.6, Marvel Comics, 2007.
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[fig.36] [fig.37] Miller, F. Sin City:El duro adiós, Moore, A. Bolland, B. Batman: A Killing Joke, p.64, Vid, 2001. p.16, DC Comics, 1988.
[fig.38] Morrison, G. y Mckean, D. Batman: Asilo Arkham, p.56, ZINCO, 1990.
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[fig.39] Milligan, P. y Allred, M. X-Force #116, p.17, Marvel Comics, 2001.
[fig.40] Moore, A. y Campbell, E. From Hell, p.349, Planeta de Agostini, 2013.
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[fig.41] Harada, H. y Maruo, S. Midori la niña de las camelias, 1992.
[fig.42] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.9, Ediciones ZINCO, 1993.
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[fig.43] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.75, Ediciones ZINCO, 1993.
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[fig.44] ‘Napalm girl’, June 8, 1972, file photo, 9-year-old Kim Phuc, Picture: APSource:AP
[fig.45] Emin, T. From The Week of Hell 94’, 1995.
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[fig.46] Morrison, G. McKean, D. Batman: Asilo Arkham, p.31, ZINCO, 1990.
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[fig.47] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.4, Ediciones ZINCO, 1993.
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[fig.48] Goodwin, A. Hampton, S. Batman: Gritos en la Noche,detalle p.5, Ediciones ZINCO, 1993.
[fig.49] [fig.50] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, Goodwin, A. Hampton, S. Batman: Night Cries, p.23, Ediciones ZINCO, 1993. p.27, DC Comics, 1992.
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[fig.51] [fig.52] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, Goodwin, A. Hampton, S. Batman: Night Cries, p.34, Ediciones ZINCO, 1993. p.77, DC Comics, 1992.
[fig.53] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, detalle p.87, Ediciones ZINCO, 1993.
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[fig.54] [fig.55] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.13, Ediciones ZINCO, 1993. p.48, Ediciones ZINCO, 1993.
[fig.56] [fig.57] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, Helfer, A. et al. Batman Annual Nº14: The Eye of the Beholder, p.26, Ediciones ZINCO, 1993. p.37, DC Comics, 1990.
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[fig.58] [fig.59] Giménez, C. Paracuellos: ¡Firmes…ar!, p.2, 1975. Vaughan, B. y Stamples, F. Saga Volume One, Image Comics 2012.
[fig.60] [fig.61] Dulac, Edmund. Dreamer of Dreams Glistening White (1915). Frazetta, F., The Mastermind of Mars and A Fighting Man of Mars (1973).
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[fig.62] Jonnes, J. pintura.
[fig.63] Fawcett, R. Frenchman Must Die #3 (1944), Saturday Evenling Post.
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[fig.64] Wyeth, A. Christina Olson (1947), Pintura al temple.
[fig.65] Homer, W. Boys in a Dory (1873), acuarela.
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[fig.66] [fig.67] Williams, K. Tell Me Dark. Muth, J. Drracula A Symphony In Moonlight and Nightmer, p. 70
[fig.68] [fig.69] Pratt, G., Wolverine Netsuke #1 (2002). Chiarello, M., Hellraiser.
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[fig.70] [fig.71] Gaiman, N. y Bolton, J. Los Libros de la Magia Gaiman, N. y Jonson, P.Los Libros de la Magia p.20, 1988. p.5, 1988.
[fig.72] [fig.73] Coke, D. Batman: Ego, 2000. Dini, P. y Ross, A. Batman: Guerra Contra el Crimen, 1999.
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[fig.74] Niles, S. y Hampton, S. Simon Dark #15, detalle p. 7, 2007.
[fig.75] Hampton, S. Batman: The Sleeping, p.12, 1995.
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[fig.76] Cómic dibujado y entintado por Scott Hampton.
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[fig.77] Gaiman, N. Hampton, S. Los Libros de la Magia, detalle p.22, 1988.
[fig.78] Dibujo de Scott Hampton.
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[fig.79] Dibujo de Scott Hampton
[fig.80] [fig.81] Carey, M. y Hampton, S. The Sandman presnts: Gaiman, N. Hampton, S. Los Libros de la Magia, p.36, 1988. Lucifer, p.5, 1999.
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[fig.82] Gaiman, N. Hampton, S. Los Libros de la Magia, detalle p.42, 1988.
[fig.83] [fig.84] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.17, Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.19, Ediciones ZINCO, 1993. Ediciones ZINCO, 1993.
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[fig.85] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, detalle p.59, Ediciones ZINCO, 1993.
[fig.86] Rubens, El Sentido de la Vista (1617), óleo sobre tela, 64,7 x 109,5 cm, Museo del Prado, Madrid, España.
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[fig.87] Borrell, P. Huyendo de la crítica (1874), óleo sobre tela, 76 x 63 cm, Banco de España, Madrid, España.
[fig.88] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, detalle p.33, Ediciones ZINCO, 1993.
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[fig.89] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.66, Ediciones ZINCO, 1993.
[fig.90] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.68, Ediciones ZINCO, 1993.
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[fig.91] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.41, Ediciones ZINCO, 1993.
[fig.92] [fig.93] Memling, H. Hell, (1485), óleo sobre retablo, 22 x 14 cm. Bouts, D. The Fall of Dammned, (1450), óleo sobre retablo.
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[fig.94] Bouts, D. The Fall of Dammned, detalle, (1450), óleo sobre retablo.
[fig.95] El Bosco, Las Tentaciones de San Antonio, retablo izquierdo, detalle (1501), óleo sobre tela, 131 x 238.
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[fig.96] Goya, plates from portfolio The Disasters of War 1810-1820, (1863) - aguafuerte
[fig.97] Murillo, Bartolomé Esteban, Adoración de los pastores (1950), óleo sobre lienzo, 187 x 228cm
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[fig.98] Bird, Edward, El niño enfermo (18??). Wolverhampton Art Gallery, Reino Unido.
[fig.99] Carriére, Eugène, L’enfant malade (El niño enfermo, 1885). Óleo sobre lienzo, 101 x 82 cm.
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[fig.100] Hampton, Scott. Woman in Sheets, acuarela.
[fig.101] [fig.102] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.22 Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.73, Ediciones ZINCO, 1993. Ediciones ZINCO, 1993.
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[fig.103] Goodwin, A. Hampton, S. Batman: Night Cries, Portada y contraportada, DC Comics, 1992.
[fig104] Caravaggio (1571-1610), La vocación de San Mateo (1601), óleo sobre tela, 338 x 348cm, Iglesia de San Luis de Los Franceses, Roma Italia.
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[fig.105] [fig.106] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.49, Ediciones ZINCO, 1993. p.50, Ediciones ZINCO, 1993.
[fig.107] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.88, Ediciones ZINCO, 1993.
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[fig.108] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.7, Ediciones ZINCO, 1993.
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[fig.109] Goodwin, A. Hampton, S. Batman: Gritos en la Noche, p.58, Ediciones ZINCO, 1993.
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[fig.110] Goodwin, A. Hampton, S. Batman: Night Cries, Poster promocional, 1992.
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Entrevista a Scott Hampton
26 de agosto de 2017
Dear Mr. Scott Hampton, I hope this message finds you well.
I am writing you on the date you suggested to me. I would ask you the questions I asked you a few months ago. I really appreciate your attention and any possible response you can provide me will be great help. Within some of the questions you will find numbers that correspond to the images attached in this email (“image N°1”, for example). The questions are:
Q. - Where did you study art art?
A. - I did not. My brother Bo went to SVA and I learned a great deal from him growing up.
Q. - I can see that in occasions your brushstroke is very similar to Edward Hopper’s brushstroke. What kind of artists (comic artists, painters, filmmakers, photographers, writers of literature, etc.) have influenced your work?
A. - Frank Frazetta, Jeff Jones, Edmund Dulac, Robert Fawcett, the list goes on and on and includes Hopper, Homer, Wyeth, etc.
Q. - Are whodunit and noir film referents in your work?
A. - Probably. I make allusions sometimes and pay homage.
Q. - Batman: Night Cries has some dedications. Mr. Goodwin dedicates it to: Anne, Jennifer and Seth. And you to: Letitia. Who are these people? Are your children? (image N°1)
A. - Letitia was my wife. Anne was Archie's wife, and his two children also.
Q. - The quote of bats of wildlife guide (image N°2 - 1990) is repeated at the beginning and end of the comic book. I tried to find the magazine on the internet, but I couldn’t find it. Can you tell me something that you consider important about the magazine?
A. - I think Archie made that up.
Q. - In the introduction for Spanish edition of Batman: Night Cries (ECC - 2014), David Fernandez wrote that you used mixed techniques. I recognize a few of them (please tell me if I'm wrong) like "watercolor" (image N°3) and "dripping" (image N°4). Did you use other sources? Can you tell me what they are?
A. - Ink, watercolor, acrylic, pencil.
Q. - In relation to the previous question, Fernandez says that you use photocopies (Xerox) to narrate flashbacks (image N°5, image N°6 and image N°7). Did you use photocopies of real- life images in the flashbacks?
A. - No, they are photocopies of paintings.
Q. - What impel you and Mr. Goodwin to talk about this topic (child abuse) in the comic?
A. - I had the basic idea and asked Archie to write it.
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Q. - Last but not least, I know that Mr. Archie Goodwin passed away, leaving a great legacy, so how was your relationship with him? And what did Batman: Night Cries mean to him?
A. - Archie was my favorite comics writer and he was an incredibly great editor. I couldn't have asked for a better collaborator. I'm afraid I can't answer the question of what it meant to Archie since I never asked, but I'm very proud of the book.
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